Scorpions – ‘Love at First Sting’ (1984) – Album Review (The Scorpions Collection Series)

The band started recording their 9th studio album in Stommein, West Germany which is where producer, Dieter Dierks, studio was located. The album was recorded in 1983 and 1984 and finally saw its release on March 27, 1984. The line-up was intact with Klause Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell.

However, some of the early recordings that took place were actually in Sweden and had former Rainbow members, Jimmy Bain on bass and Bobby Rondinell on drums. Jimmy Bain’s name was brought up by Herman and then later Herman got sick and Bobby stepped in. The band then left Sweden and did a two week tour in the States with the normal members of the band. After the tour it was determined that everyone felt great and they headed to Germany to record with the original members.

The album became Scorpions biggest selling album of all time going triple platinum with well over 3,000,000 copies sold in the U.S. alone. Thanks in large part to MTV and the smash song “Rock You Like a Hurricane” which is a staple at sporting events and a song I think everyone in the world knows. The album went to #6 on the Billboard 200 album chart, but it was really the constant rotation on MTV that got the U.S.’s attention. I know it got mine. They played all their videos and even the ones from Blackout which made a lot of people run out and get that album as well. “Love at First Sting” was the band’s pinnacle album. The smooth, high glossed rock was so well polished it gave off a platinum sheen. And in fact, it was one of the first fully digital metal albums ever made. They have reached the top…or had they?

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Scorpions – ‘Hot & Heavy’ (1982) – Album Review (The Scorpions Collection Series)

With the album ‘Blackout’, the Scorpions were starting to break big and it looks like the record company wanted to promote more of the band’s 70’s material, especially with Uli Jon Roth. This is the band’s second compilation and like the first one, only features songs with Uli. Released on May 4, 1982, ‘Hot & Heavy’ is released under the RCA banner of “Takeoff” series. The album, as the title suggests, features the heavier songs by the band and even has 3 Uli sung songs. The songs cover the years 1974-1977.

Admittedly, this is not really necessary as a release, but it is a good showcase of the band’s more rocking material. Sadly, there are 6 repeats on this compilation that are on the ‘Best of Scorpions’ released a few years back. My version is the German release of the album and the back cover has a brief history of the band in both German and English. The back cover also highlights a few other albums under the “Takeoff” series umbrella.

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Scorpions – ‘Blackout’ (1982) – Album Review (The Scorpions Collection Series)

Shortly after the release of their previous album, ‘Animal Magnetism’, Klaus Meine started having vocal issues. It got so bad he had to have surgery on his vocal cords which left a lot of doubt if he was going to heal and be able to continue as lead singer of the band. Scorpions started working on this next album and brought in singer Don Dokken to do the guide vocals on the demos. None of Don’s demoes made the album, naturally, but one can hope they get released one day (if they’ve survived). Luckily for the band, Klaus’ vocal cords healed up nicely and he had no problem completing the album. The album would see its release on March 29, 1982 and would go all the way to #10 on the Billboard Hot 100 chart in the U.S. going platinum with over 1,000,000 records sold.

The band’s line-up ended up unchanged thanks to Klaus’ recovery. It was still Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. Don Dokken is credited with background vocals as they did leave some of his work in tact. Producer was still Dieter Dierks and with all the same cast of characters, the band was really starting to find their way. They were gelling and put together one of the Top 100 Greatest Metal albums of all time according to Rolling Stones Magazine in 2017. I don’t know if I agree or disagree with that, but I do know it is one hell of a great album.

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Scorpions – ‘Animal Magnetism’ (1980) – Album Review (The Scorpions Collection Series)

As reported in the ‘Lovedrive’ review, Michael Schenker rejoined Scorpions after he left UFO. He toured with the band and left during the tour so Mathias Jabs was brought back in the fold after some heave negotiations. It is the line-up of Mathias Jabs, Rudolf Schenker, Klaus Meine, Francis Buchholz and Herman Rarebell that bring us the bands seventh studio album, ‘Animal Magnetism’. A name that was thought up by Mr. Rarebell.

The album was released on March 31, 1980 and saw the band maintain their current sound with hard rock songs that were melodic and catchy as hell. The sound that the world would soon catch on too and see them hit the stratosphere, but not just yet. The album went #52 in the U.S. and it would reach platinum status. In the UK, the album spawned two singles that reached the Top 100 though the only made it as high as the 70’s and not Top 40 hits. It was another album that saw the band keep moving in the right direction.

Now, like almost all of Scorpions album covers, this one too had a little controversy. It was designed by renowned artist, Storm Thorgerson of the design firm Hipgnosis. It had a young lady on her knees in front of a man and she only comes up waist high. It is very suggestive as we wonder is she going to do something sexually to the man although nothing is shown. It is purely speculation. As a result, there was no alternative cover done for this one. But the most interesting thing about the cover is the addition of the dog right next to the girl. Why is he/she there, we have no idea other than to stick with the name of the album, ‘Animal Magnetism’. It is so strange and yet so captivating. I love this cover for everything that it doesn’t show.

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Scorpions – ‘Best of Scorpions’ (1979) – Album Review (The Scorpions Collection Series)

With their 1979 album, ‘Lovedrive’, Scorpions were starting to see international success. In the States, the album went to #55 and was certified Gold. In the UK, two of the singles charted. The band was enjoying their new success and the label was ready to capitalize on that success. On November 17, 1979, the band released their first compilation called ‘Best of Scorpions’. The album reached #180 on the Top 200 album chart and didn’t garner I think the fever the band and label were hoping.

The songs from the compilation come from four of their first five albums. There were no songs chosen from their debut album, ‘Lonesome Crow’. All the songs were from ‘Fly to the Rainbow’, ‘In Trance’, ‘Virgin Killer’ and ‘Taken By Force’. There were also no songs from the newest album ‘Lovedrive’. All the songs were from the Uli Jon Roth era of the band. I’ve read some of the songs were new mixes, but not all and the ones that were sounded pretty much the same. I am sure they cleaned them up so they would all sound consistent here on the album. Let’s jump right in…

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Scorpions – ‘Lovedrive’ (1979) – Album Review (The Scorpions Collection Series)

We are now on the band’s sixth studio album and the first one with new guitarist Mathias Jabs. Mathias replaced Uli Jon Roth who was unhappy with the direction of the band and left to form his own band called Electric Sun. With Mathias on board, we now have what is considered the “classic” line-up because it was the line-up that had the most success. That line-up was Klaus Meine, Rudolf Schenker, Francis Buchholz and Herman Rarebell. But Mathias wasn’t the only lead guitarist on this album.

After leaving UFO, Michael Schenker returned to Scorpions to help work on the ‘Lovedrive’ album. Originally thought to only be on about 3 songs, Michael is on most of the album as he contributed backing vocals as well as lead guitar work on 5 songs. But he was not planning on touring with the band at least not until the band parted ways with Mathias Jabs. He joined in February 1979 at the beginning of the tour. However, it didn’t last long as by April, Michael left the Tour while they were in France. After what was said to be very intense negotiations, Mathias Jabs rejoined the band. Talk about drama!!

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Scorpions – ‘Tokyo Tapes’ (1978) – Album Review (The Scorpions Collection Series)

After 5 albums and the band in peak shape, it was time for a live album. While touring Japan in 1978, they recorded the two shows at Nakano Sun Plaza on April 24th and 27th. From those shows they pieced together a sensational double live album. Not only was it the band’s first live album, it was also the last album they would do with their label, RCA Records. If that wasn’t enough, it is also the last album to feature Uli Jon Roth as he left the band after the Japanese tour and prior to the release of this album. The band would audition close to 140 guitarists until they finally found the right fit in Matthias Jabs, but more on him with the next review in the series. This one is all about the live album.

The album would be released in Japan in August 1978 and around 6 months later, get released in Europe and then the U.S. The album finally saw Scorpions receive some success as they charted in 4 different countries reaching #10 in Germany and they went Gold in France. In an era of great live albums, there is no reason this shouldn’t be up there with some of the best as this takes some already great songs and turns them up a notch. I listened to this album in the car and on the turntable and once with headphones and let me tell you this is a headphone listen for the best experience. Trust me, you pick up so much more.

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Scorpions – ‘Taken By Force’ (1977) – Album Review (The Scorpions Collection Series)

The band’s fifth album has both a first and a last point of interest. It was the band’s first album with new drummer, Herman Rarebell, and the band’s last with guitarist Uli Jon Roth. A little good and bad news rolled in to one. Herman replaced prior drummer Rudy Lenners and is the drummer that is most known with the band as he was there through their most successful years. Uli left the band because he didn’t like the direction the band was going in which was a more commercial rock sound plus he didn’t even sing a song on this album where he had at least 2 vocals on previous ones. Uli held on until the end of the tour for the album and then left to start his own band Electric Sun. That more commercial rock sound has proven to be quite successful for the band. The full band line-up was Klaus Meine, Uli Jon Roth, Rudolf Schenker, Francis Buchholz and Herman Rarebell. A very lethal combination.

The album was recorded from June to October of 1977 and was released on December 4, 1977 just in time for Christmas. I am not sure how successful this particular album was or what chart positions it hit (if any), but I do know that Apple Music considers this to be one of their most essential albums to have in your collection.

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My Sunday Song – “Still Loving You” by Scorpions

For My Sunday Song #98, we take it back to the 80’s and hand it over to Scorpions with their ballad “Still Loving You” off the album ‘Love At First Sting” from 1984.  With “Rock You Like a Hurricane”, I became a Scorpion fan and this song sealed the deal for life.

The song was the second single from the album and it only reached #64 on the Billboard Hot 100 which is crazy considering this song hit #1 in France.  Yes, France.  The Scorpions are credited with starting a baby boom in France in 1985 because of this song.  I am not kidding!

The song is about a man who is in love with woman, but they fear the end of the relationship is fading and almost over. So what do they do, they try again to reignite that passion and flame and give it another shot.  France is the country about love so that might be why it did so well.

At around 6:30, the song isn’t your typical power ballad..well at least in length.  In style, it is exactly like every power ballad which is why it is a power ballad.  The song’s slow crescendo throughout the song is it’s magic.  The song keeps building and adding instruments and it gets more powerful and louder as it goes.

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