Tag: Lonely Shade of Blue

Takara – ‘Eternity: The Best of 93-98’ (1998) – Album Review (The Jeff Scott Soto Series)

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After Takara’s third album, The label decided to release a greatest hits compilation of those first three albums. Jeff Scott Soto was no longer a member of the band…okay…he was never an “official” member of the band even though he sang on three albums with them. Now that the band needed to search for a new singer, the label wanted to release this to hold fans over until that process was done. Neal Grusky’s search for a replacement would take a little while as their follow-up album didn’t come out until 2001 with Michael James Flatters as their new singer.

This compilation had 16 tracks and was released on November 18, 1998. If you have the Japanese Edition, you get two additional acoustic tracks as well which is always a plus. However, I think you get those two acoustic tracks on every edition so it isn’t that special…although I don’t think they were ever previously released. You also get the ever cherished OBI Strip along with a booklet with lyrics in both English and Japanese. As far as a breakout between albums you get 5 tracks from the debut, ‘Eternal Faith’, 6 from the follow-up ‘Taste of Heaven’ and 5 from the final Soto album, ‘Blind in Paradise’. The songs are in chronological order and even in the same order they were on the album so not much thought was put in to sequencing for this release. But it is a money grab, so what do you expect.

“Spotlight” kicks it all off and is the first of five tracks from ‘Eternal Faith’. It sounds like you are right back in 1985 with the keyboards and heavy guitar riffs. It is Bon Jovi meets Europe. The album sounds so dated in the 80’s which is not where the music scene was going in 1993!! It has the obligatory guitar solo and Jeff’s vocals have that higher register tone which was key for 80’s rock. The biggest problem is the keyboards are high in the mix and sound like crap. They have this crisp, clink, clink sound to them which I find rather annoying. But not too much that I don’t enjoy the song…more a production note.

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Slam – ‘Slam’ (2023) – Album Review (The Jeff Scott Soto Series)

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When I went to see Jeff Scott Soto and Jason Bieler live a few months back, this CD was in the Merch booth. I got real excited real fast. Slam is a band Jeff was in way back in 1991. Jeff received a call from former Beau Nasty guitarist, George Bernhardt, about doing a project. Jeff didn’t have a steady gig yet as Talisman wasn’t a full time band so he was up for doing some demos. George’s songs that he sent Jeff were full of funk and groove and that is exactly what Jeff loved so the two hit it off immediately. They did 7 songs together and the band was formed. Well, the name Slam was really all they had as there was no real band since it was just the two of them so far.

They found a drummer, in Boston, by the name of Mark Bistany and then through an ad found two more New Englanders with guitarist Craig Polivka and bassist Chris McCarvill. Craig & Chris replied with a demo of a song that would become “Dance the Body Elektrik” that appears on this disc. There was a problem as these three new guys were all on the East Coast and Jeff & George were on the West. Jeff actually drove to the East Coast and picked the boys up. Once back out west, they added a fifth member, rapper EOG (Eric Grinstead) and he rounded out the band. With this line-up the band had a rock, a rap, a soul, a funk and a whole lot of other cool sounds in their music.

But, it didn’t last. The boys from the East coast decided to go on their own and then EOG left as well. But they did bring on another guitarist that would become a regular fixture in Jeff’s life, Gary Schutt. Ricky Wolking would come in on bass, but again..it didn’t last. After 3 to 4 months, they scaled down to a 4 piece with Gary out now, but the band could not get a deal. And Slam would eventually go out with a thud. Now, 30 years later, we get the full set of songs they worked on and we have 16 choice cuts to ponder. Let’s go through them and see what they were up to 30 years ago.

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Jeff Scott Soto – ‘Essential Ballads’ (2006) – Album Review

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Jeff has only had 3 solo albums up to this point, a couple E.P.’s and that is about it. Yet, we get an entire album of ballads from those releases. Yes, only from his solo albums which leaves out a bunch of great ones from other bands he has been in, but that is okay. This is more than enough. Now, I have no idea whose idea this was…maybe Frontiers Records and maybe Jeff’s which would not be a surprise since when he sang with Axel Rudi Pell, Axel put out entire ballad collections as well. Whatever reason, this is a lot of ballads to take in all at once.

The one good thing about this release is they did add 3 bonus tracks, 2 of which have never been released, so that is always a good thing. That is 16 songs…all ballads…did I mention that it is a lot of a ballads to take in all at once. However, there isn’t a ton of information on the background of this release, so that is all I have for you. As a result, we might as well go through all the songs.

First up from his latest solo release ‘Lost in the Translation’, we get “If This is The End”. It starts off with some slow tempo guitar picking and then Jeff’s vocals softly, yet smoothly float over the verses. Around the 2nd verse, the drums kick in and some electric guitar riffs tossed in. It does pick up a little on the tempo and when it hits that second chorus Jeff’s vocals soar to new heights. Not one of his best ballads, but I like it as it does have a decent solo and is more proof that Jeff can do it all.

Next up is “As I Do 2 U” from his E.P. ‘Believe In Me’. This track is a demo (one of two on here) from a project that never got off the ground called Three Kings. It had Jamie Borger (drummer for Talisman) and Goran Elmquist. It is an acoustic ballad and being a demo, it feels unfinished but it isn’t half bad. A little cheesy, but there are elements there that could’ve turned in to something nice.

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Jeff Scott Soto – ‘Lost in the Translation’ (2004) – Album Review (The Jeff Scott Soto Series)

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As I had mentioned previously, 2004 was going to be a big year for Jeff Scott Soto. His introduction to Neal Schon during NAMM in January 2004, was the sign. Schon played on and co-wrote a song on his solo album, ‘Lost in the Translation’, which we are reviewing now and it led to a new band later that year and the Journey frontman shortly after that. Before we get ahed of ourselves, let us focus on the solo album first. And there is a live album to come out before Schon’s stuff as well.

‘Lost in the Translation’ is Jeff’s third solo album and what a step up from the prior two. He still had his good buddies playing on it – Howie Simon and Gary Schutt on guitar duty and Glen Sobel on drums and a guest appearance by Mr. Schon himself. It was a solid line-up, a solid album and would see Jeff head out on a full world tour that would last for 35 gigs and hit 4 continents that would run from August to November of 2004. Jeff was hitting his stride, finding his footing and the world was learning who he was. I know I did because it was this album and Talisman’s ‘Cats & Dogs’ where I discovered the greatness that is Jeff Scott Soto all thanks to Andrew McNiece at MelodicRock.com. Also, note the cover photo and under his right arm is Jeff’s autograph. This is one of the 5 albums I had him sign when I met him back in April 2022. Really Cool!!

The first track and single is “Believe in Me”. It was co-written by Jeff along with Neal Schon. I told you they began a great relationship…fruitful already. And let me tell you, it could be a Journey song. Not a ballad either, one of the rocking tracks. The opening guitar riff is cool as Schon shreds it. Jeff’s vocals are so smooth and melodic and you know what, he would sound great singing Journey songs…maybe that will happen!! (maybe real soon). You had Glen Sobel on drums and Jeff on bass and everyone sounded tight and laid down a great rhythm. A totally stellar track and very radio friendly even though no radio around here played it!

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Jeff Scott Soto – ‘Beleive In Me’ E.P. (2004) – Album Review (The Jeff Scott Soto Series)

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2004 turned out to be a big year for Jeff Scott Soto. While at NAMM in January of 2002, he did a jam session with none other than Neal Schon and that turned in to a great little business relationship and would see the guys team up a couple times. But before we get to the first of the two projects for them, Jeff had a new solo album to put out on Frontiers Records, who had been really great to Jeff (proof in that partnership is still going strong today). Prior to the release of the solo album, an E.P. was issued for the lead off track & single on the album.

The E.P. was called the “Believe in Me” E.P. and contained only the one studio track from the album plus the video for that song. Then we get not 1, not 2, but 4 bonus tracks that are all previously unreleased demos from various projects of Jeff’s. As a collector, how cool is that!!! We will see how cool as we go through the tracks.

The first track and single is “Believe in Me”. It was co-written by Jeff along with Neal Schon. I told you they began a great relationship…fruitful already. And let me tell you, it could be a Journey song. Not a ballad either, one of the rocking tracks. The opening guitar riff is cool as Schon shreds it. Jeff’s vocals are so smooth and melodic and you know what, he would sound great singing Journey songs…maybe that will happen!! (maybe real soon). You had Glen Sobel on drums and Jeff on bass and everyone sounded tight and laid down a great rhythm. A totally stellar track and very radio friendly even though no radio around here played it!

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Takara – ‘Taste of Heaven’ (1995) – Album Review (The Jeff Scott Soto Series)

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When we reviewed Takara’s ‘Eternal Faith’ album a few weeks back, we mentioned that Jeff Scott Soto said he wasn’t a member of Takara and did it as a favor. Well, a couple years later we are back with the second Takara album and who is singing? It is a Mr. Jeff Scott Soto, of course. After the band had such success in Japan with ‘Eternal Faith’, the Japanese record company wanted another album and would only do it with Jeff on vocals. Jeff didn’t want to let his good friend, Neal Grusky, down and be the reason his buddy lost his record contract, so Jeff being the man he is agreed to do vocal duties again as well as Produced, Engineered and Mixed the album. When Jeff says he’s going to help out, there is no half-assing it for him.

The band had more money to produce this record then the measly $2,500 for the last so we do get better production quality…plus Jeff was getting better at it. The biggest difference is that Jeff’s friend Greg Schutt was no longer on bass. Duties were handled by Carl DeMarco. There were two songs that the bass was done by Bob Daisley from Ozzy and Rainbow fame which is pretty cool, but Carl was the now official band member. On drums, we still had Robert Duda and Neal Grusky on guitar as expected. There are also some keyboard elements done by none other than Jeff’s then girlfriend Julie Greaux, of course!

The album was released on May 24, 1995 in Japan and went to #96 on their national charts, so not bad at all. The version I have is the Canadian Release from 1995 but the CD has 1993. That isn’t the only mistake the CD has as it also called the last song “Lonely Sade of Blue” omitting the “h” in Shade. Oops! Good quality control goes a long way. Let’s get to the music, shall we!

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