Kiss – ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’ – Album Review (The Kiss Bootleg Series)

We are now to a set of shows that were all done within a month of each other. These three disc were included in the John Humphrey Collection I bought last year at an auction where I got my hands on 38 Bootleg CDs from his personal collection. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…which I did.

We are going in chronological order for these three shows, so last time we did ‘Unnecessary Evil: Anaheim Stadium August 20, 1976’. Now, it is time for ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’. This bootleg was released in 2011 on a label called Strutter Productions and is listed as For Promotional Use Only Not For Sale…yeah…bootleg!! As far as setlist go, Kiss doesn’t deviate at all from the prior show.

The show says it was in Cleveland, Ohio, but it was actually Richfield, a suburb of Cleveland and throughout Paul says Cleveland. The opening act was Artful Dodger and I have no information on Crowd size or box office take like I did for the last one. It is a soundboard recording and is said to be one of the best recordings of the tour with the exception of some mix level adjustments early on and a cut short on ‘Rock And Roll All Nite’, but this mix fixes the cut short although the remainder of the song sounds different. Crowd noise is minimal and all you hear are the boys doing what they do best!!

The show starts off with some noodling around on the instruments, a pause and then we get the classic “You Wanted the Best and You Got ‘Em…”. This was louder then when the band actually starts playing. Lots of explosions can be heard at the start of “Detroit Rock City”. Paul’s vocals are quite loud in the mix compared to the mix of the last album we discussed, so you hear all his flaws (which aren’t many at this time in their career. Suddenly the drums get higher in the mix, then down a little as I am guessing they are still noodling around. Ace’s guitar sounds very distant during the solo and the bass is about the same. Outside of all that, a great performance. Definitely a soundboard recording.

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