Tag: Satellite

Bon Jovi – ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’ (2004) – (Disc 3 – Part 4 of 6) – Box Set Review (The Bon Jovi Collection Series)

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We are in the year 2004 and Bon Jovi has now been around for 20 Years at this point. To celebrate their 20th Anniversary, they released a really cool box set of mostly unreleased tunes and a lot of little extras titled ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’. The Box Set is a collection of 50 songs spread over 4 CDs, 38 of which had never been released. The others were songs from soundtracks, remixes and/or B-Sides. This was a band dumping everything sitting by the wayside in to one set and I applaud them for that. Us diehard fans love this kind of stuff. And if that wasn’t enough, if you have the Japanese Edition, which i do, you get another CD of B-Sides and Japanese Bonus Tracks. That is another 10 songs. 

This is a lot of music to absorb and we won’t be absorbing it all here. Nope. I’m going to go through each and every CD, track by track over 6 posts. We are now on the third disc which had a total of 13 tracks, 9 of which were previously unreleased. So let’s get started and dive into the music as that is why we are really here any way.

The third disc opens with one of the greatest Bon Jovi songs never to be released on an album. That song is “Edge of A Broken Heart” which was used for the soundtrack of the great comedy movie starring The Fat Boys called ‘Disorderlies’. The movie was from 1987 and was just terrible. However, the song is amazing. The song was written by Jon Bon Jovi, Richie Sambora and Desmond Child. It ended up as an outtake to the ‘Slippery When Wet’ then resurrected for the soundtrack. A fan favorite that the band knew needed to be on this box set. The song was too much like the big hits on the album so they pulled it and what a shame.

Next up is “Sympathy” which Jon and Richie during the ‘Keep the Faith’ sessions. According to the book in the box set, the recording studio where they were recording the album in Vancouver had a projector that was playing a Rolling Stones concert and it was plastered on the wall about 8 to 10 feet wide. They song became a homage to the band. At the end of the song is a little bit where Jon pokes fun at Tico Torres singing in a weird old school trying to rhyme anything with Tico. It is pretty funny. Richie helps out and it is quite funny.

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Def Leppard – ‘Raw: Early BBC Recordings’ (2020) – Album Review (The Def Leppard Collection)

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To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set.  This disc is the second prized disc to have.  It is full of studio recordings and live songs from various BBC recordings in those early years.  Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)

The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles.  The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”.  The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.

https://youtube.com/watch?v=0aCn8uXNxcA%3Fsi%3DMUqRAnOxmz6y3Rax

The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome. 

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Def Leppard – ‘When the Walls Came Tumbling Down (April 26, 1980)’ (2020) – Album Review (The Def Leppard Collection Series)

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Def Leppard never wanted to release live albums. At least that is what I remember them saying years and years ago. Was it something like “a band only releases live albums when they’ve run out of ideas”. Don’t quote me on that, that is something I swear I heard them say a very long time ago. And for 31 years, Def Leppard never officially released a live album. A live video, yes. But never an album until around 2011 with ‘Mirrorball’. And it would be another 9 years before we ever got a live show from their Early Years! But thanks to the box set ‘The Early Years’, we finally had a live show from 1980. It doesn’t get much earlier than that for them. It was recorded at New Theatre in Oxford on April 26, 1980. The show is completely unedited and as is (so they say) and I would believe it.

But it wasn’t my first early show of Def Leppard. I have a bootleg from a show at BBC’s Paris Theatre, London, England, 22nd August 1979 and some recorded at the Reading Festival, Reading, England, 24th August 1980 and it was called “Live at the Top”. That was my first taste of early Lep and what a taste it was. This show is even better and sees a hungry, raw Def Leppard giving it their all. There are four historical pieces on here as we get a liver version of Good Morning Freedom which the band had never released, an early version of Lady Strange from an album that hadn’t come out yet and two songs that would wind up completely different when they were finally released on two different albums. The show was first released in that box set, then they decided to release a vinyl of the show as well which I have both versions as you can see in the last picture.

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Def Leppard – ‘On Through The Night’ (1980) – Album Review (the Def Leppard Collection Series)

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The Def Leppard E.P. from 1979, sold really well and saw the band’s popularity rise heavily in their home country of the U.K. The Union Jack was their friend, but that was soon about to change. With the release of their debut album, shouts were coming from the media that Def Leppard were sell-outs and trying to pander to the American public especially with a song called “Hello America” and the fact that they toured way more in the U.S. then they did anywhere else. As a result of those shouts, they were abused and heckled and bombarded with bottles of piss at the Reading Festival, but to be fair a lot of bands were abused during that festival.

Def Leppard were one of the first bands on this ride called the New Wave of British Heavy Metal which included the likes of Iron Maiden, Saxon, Tigers of Pan Tang and many more. Their sound was more raw, definitely more heavy and yet a little more polished then some of the other bands. There was no denying that this young gang of boys with an average age of 18, were ready to rock America and the World. The band consisted of singer Joe Elliott, guitarists Steve Clark and Pete Willis, bassist Rick Savage and the Thunder God himself, Rick Allen who was the tender age of 16 when the album came out.

The album was produced by Colonel Tom Allen who you might know from producing acts like Judas Priest and engineer on albums from Black Sabbath. He helped craft a really solid and exciting debut album which saw the light of day March 14, 1980. The album saw three singles with only 2 charting in the UK, but the album did sell over a million copies over time thanks to their big albums ‘Pyromania’ and ‘Hysteria’ I am sure. Through the success of the album and the touring, they band caught the eye of producer, Robert John “Mutt” Lange. The man saw something special and these young lads and would change their world forever.

I remember growing up and seeing this album in my brothers collection and I remember him seeing them live and telling me how great they were. So I grabbed this album and listened to it a lot. I had a strange fascination with it using it for two projects in school. One was a paper in English which I talked about the song “Wasted”. That paper sucked and I was lucky to walk away with a “C” when it probably deserved and “F”. The second was for Art Class when I drew the album cover. I still have the original album on vinyl and the cover is all marked up since I drew lines on it to help with my actual drawing. It is rough. Not the drawing, it looks great and is below…

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