Queen – ‘Hot Space’ (1982) – Album Review (The Studio Album Series)

After the band’s album “Flash Gordon”, Queen actually released one of the biggest selling albums of all time their “Greatest Hits” which has sold well over 25 million copies worldwide. At one point it was said that one in every three families in the UK had a copy. It was on the charts in the US for over 400 weeks which is insane. The band was on fire and constantly busy. They wasted no time in getting back in to the studio to record their new album “Hot Space”. They started in June of 1981, but wouldn’t finish until March 1982 due to touring and other obligations. The album finally saw the light of day on May 21, 1982.

The band went a completely different direction with this album, I mean they pulled a complete 180o turn. The rock sound was replaced with a wide variety of sounds including disco, dance, pop, funk, r&b and pretty much everything but rock. When Kiss did this, they really only did it with a couple songs because “Dynasty” still had more rock than disco. Queen doesn’t do anything halfway, they went all in and it didn’t quite have the impact they were hoping. Although the album went on to sell over 3.5 million copies worldwide, upon its release it barely went Gold in the US only reach #22 on the charts. This album turned off a lot of people in the US and their popularity started to wane in a big way. But it wasn’t only the album. Homophobia set in with the US market as well and they weren’t as accepting of Freddie Mercury. This caused the band to actually stop touring the States after they finished the ‘Hot Space Tour’. Things were not all that well in the Queen camp. The good news is, the States came around eventually and Freddie is loved by all and I think people now realize what a true talent he really was. And this is really a story for another time as we are going to stick to the music.

The album kicks off with the funkified song “Staying Power”. It is full of synthesizers, drum machines and even horns that were arranged by Arif Mardin. This might be the only song ever by Queen with a horn section. There is no actual bass guitar on this as John Deacon plays guitar with Brian May. The bass sound is all effects. It isn’t a bad song if it wasn’t sounding the way it is. It is a complete left turn. I think we have the success of the song “Another One Bites the Dust” for this mess.

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