It is time for us to do our shout-out to Eric Singer and one of his projects. Before Kiss, Eric had played with Black Sabbath and he even had his own band Badlands that released a stellar release in 1989. Then he joined Kiss with the Revenge album and stayed with the band up until the reunion tour in 1996. He would later play with numerous artist, but most notably the great Alice Cooper. However, I wanted to highlight one with a big Kiss connection because that is what I like to do. His side project the Eric Singer Project was a supergroup that had Eric on drums and vocals, Chuck Garric on bass and vocals, John Corabi and guitar, bass and vocals and the big Kiss connection is who was also in the band. It was Eric’s former Kiss co-hort, Bruce Kulick on guitar.
The band was a side group that played covers. They played some live shows and put out an album called ‘ESP’…Eric Singer Project. The one I see most Kiss collectors trying to grab up is this album so I figured this is the perfect album to do for Eric. I know, I probably should’ve done Badlands since this is all covers, but this had too big a Kiss connection to pass up. Plus, I love Corabi so it was a chance for me to hear him as well even if he isn’t singing all the time.
The track listing is pretty good with some not so common covers and there are a few that a typical cover songs. Here are the songs and the original band…
Continue reading “Eric Singer Project – ‘ESP’ (1999) – Album Review (The Kiss Review Series)”
The Who released a Record Store Day Exclusive for the April 2018 edition of the event. The album was ‘The Kids Are Alright’ and the release was a double LP, colored vinyl edition. And a nice set it was. This is an album spotlight and not a review as this is The Who and I don’t know if I can add anything new to the conversation, so I am just going to talk about this particular release and what I like and don’t like about it.
First up, what do I like about this release?
Well, there is quite a lot actually. The sound for starters. The quality of the sound coming out of the speakers for this album are sensational. It sounds so crisp and clear and just begs to be cranked up so loud the walls shake and with an opening song like “My Generation”, how could you not oblige.
I mentioned that it was a double LP and colored vinyl and it is just that. I love the red & blue colors and it feels like a 3rd LP would be good with a white color to complete the Union Jack color scheme, but sadly only 2.
The track listing is great as well. It has the same 17 tracks as the original and they have been remastered beautifully. What are the 17 tracks? Easy, here are they are…
Continue reading “The Who – ‘ The Kids Are Alright’ – Album Spotlight”
For My Sunday Song #101, we go back to picking some of my favorite songs and no theme behind these next 10. First up is “Won’t Get Fooled Again” by The Who. The song is off their album ‘Who’s Next’ and was the final song on the album as well as a single which wen tall the way to #15 on the Billboard Hot 100. If you aren’t familiar with it, you might know it as the song on the opening credits for the CBS show CSI: Miami.
The song was written during the ‘Lifehouse’ project the Who were working on. This was another rock opera following the success of ‘Tommy’; however, the project was later scrapped. This song was so good that they felt it would work as a standalone song on the album that became ‘Who’s Next’.
The song is about a revolution and you can see that through the lyrics. The beginning of the song is of course the beginning of the uprising of the revolution. The middle of the song has the revolution over with the new people in power and the song ends with the new people in power being just as bad as the previous people so they have to start a new revolution. It is a stark look at the reality of government. You might vote someone new into office, but they are just as bad or worse than who was previously in power. It is a constant struggle across the globe.
The song itself is absolutely amazing. It is over 8 minutes long or you can get the single edit which is shortened to a measly 3:36, but you miss the whole power behind the song. The original “full” version is a stroke of genius musically. Pete outdoes himself with both his guitar work and his work on the synthesizer which is the main focus of the song. The synthesizer is symbolic of the revolution and you can track the progression with the impact of it during the song.
Continue reading “My Sunday Song – “Won’t Get Fooled Again” by The Who”