Tag: Billy Idol

Billy Idol – ‘Charmed Life’ – Album Review (The Billy Idol Series)

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Billy Idol’s world was different now after ‘Whiplash Smile’ and ‘Vital Idol’.  Steve Stevens was gone, his manager Bill Aucoin was gone and he needed a fresh start.  After reconciling with his girlfriend, Perri Lister, they moved from New York City to Los Angeles to give things a go.

Billy and Perri had a baby boy, Billy bought himself a motorcycle, Billy got the acting bug and Billy couldn’t stay faithful to Perri.  A lot was going on.  Oh yeah, and he continued to use drugs.  So, where to begin.  I will give a Cliff Notes version as it would be a rather long synopsis if I didn’t.

I guess we will go with the fact that he had a baby and was now a dad, but it didn’t seem to stop his infidelity. He continually cheated on Perri and even fell for a girl 13 years younger than him.  Well, he knocked her up and she gave Billy a beautiful baby girl.  This of course was the end of Billy & Perri when she found out.

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Billy also met a lot of people in the movie business and actually got a big role in the Oliver Stone movie ‘The Doors’ about Jim Morrison and the band.   But before he could do that role, Billy went and had himself a little motorcycle accident which nearly cost him one of his legs.  As a result, he couldn’t do the role and had to settle for a much lesser role in the movie.  In fact, it was so bad he wasn’t able to promote his new album he had been working on called ‘Charmed Life’.  He did appear in the video for the first single (more on that later), but not much else.

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Billy Idol – ‘Vital Idol’ – Album Review (The Billy Idol Series)

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Mid-way through the tour for Whiplash Smile, there was a new head at Chrysalis Records named Mike Bone.  He wanted to immediately make his mark with Billy and suggested putting a compilation together of Remixed songs along with a live version of “Mony Mony”.  Billy was on board and while on tour, they recorded the live version, slapped a bunch of remixes together and bam…you had an album.

All this above was from Billy’s book, ‘Dancing With Myself’, but doesn’t make sense to me.  As the time in the book was around 86/87 and this compilation had already been released in 1985 in the UK.  In September 1987, ‘Vital Idol’ was released in the US.  Plus, my version doesn’t have a “Live” version of “Mony Mony”.  At least it doesn’t sound live.  Not sure Billy’s memory was correct in the order of things as the book doesn’t mention the UK version and the live take of “Mony, Mony” was on the greatest hits collection that came out in 1988 not the 1987 version of Vital Idol.  Sorry, not completely true as a 1988 Japanese version of Vital Idol does have the live version.  Confusing.

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The UK and US version also differed ever so slightly.  The UK version had one less song and the track order was different.  The US version had a remix of a track off Whiplash Smile which the UK version was out before that album was even released so it wouldn’t have it.

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Billy Idol – ‘Whiplash Smile’ – Album Review (The Billy Idol Series)

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After the tour for Rebel Yell, Billy Idol continued to live like he was on tour.  The drug use was getting worse, his relationship with Perri Lister was over and even his manager, Bill Aucoin was absent due to his own drug issues.  Billy’s world was slowly spiraling out of control.  And so was his ego.

When work was started on his next album ‘Whiplash Smile’, Billy’s ego started to get in the way.  He wanted control.  He wanted to write all the songs.  He wanted to add more synthesizers, more sounds, more stuff that wasn’t Steve Stevens.  And it is noticeable in the music.

What is also noticeable, is that with everyone leaving his life, the loneliness found its way into the music.  And an album that found about as much success as its predecessor, it wasn’t not quite the Billy Idol album people wanted or critics even liked.  It was an album that would lead to the end of a relationship between musicians that really needed each other.

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Billy Idol – ‘Rebel Yell’ – Album Review (The Billy Idol Series)

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After the success of his self-titled debut album, Billy Idol, teamed back up with producer Keith Forsey and guitarist Steve Stevens.  And in late 1983, we were treated to his second album, ‘Rebel Yell’.  The collaboration with Steve Stevens grew immensely with this album.  On the first, Steve only had his hand in writing two songs.  On ‘Rebel Yell’, he contributed to all but one song that was only written by Idol.  The bond had grown so much, that Steve even made the back cover of the album.

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The duo of Billy and Steve was complete and you couldn’t have one without the other, at least for a long while anyway.  If you notice on the back cover, the songs are broken out into Sides 3 and Sides 4.  This was because the debut was 1 and 2, so these naturally would be 3 and 4, he would do this at least one more time for the next studio album.  I liked the concept.

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Billy Idol – ‘Billy Idol’ – Album Review (The Billy Idol Series)

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Billy Idol was loving his time in New York and it showed in his writing as the album seemed to be inspired by what he was doing in the city.  After the mild success of his 1981 E.P., Don’t Stop, he and the band went to work on the debut album simply titled ‘Billy Idol’.  It is his album and he is the main focal point so why not call it ‘Billy Idol’.

Released in 1982, Billy was discovering who he was as an artist and what it was like to now be the main focal point.  His meeting of Steve Stevens seemed to be a match made in Heaven…well rock & roll heaven anyway.  Steven even contributed a couple writing credits on this release.  The two together would become one of the great teams in music.  You have McCartney & Lennon, Elton John & Bernie Taupin and now you have Idol & Stevens…okay, that is stretching it too far, but you know what I mean.

When the album was originally released in 1982, the album cover looked like this…

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I don’t have this cover, yet, but I will find it one day and get a hold of it.  I don’t like this one as much as the alternate cover I have.  It is a little too feminine compared to the toughness of the one I have with the black leather jacket (not that there is anything wrong with that).  The new cover fits the attitude and the snarl so much better.

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Billy Idol – ‘Don’t Stop E.P.’ – Album Review (The Billy Idol Series)

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After the demise of Generation X and Gen X, Billy would follow Bill Aucoin, his manager and Kiss’ former manager, to New York City to start a solo career.  When Billy signed on with Gen X as their manager, he quickly learned that the star of this band was not the band, but its lead singer, Billy Idol.

When Billy got to New York, he met a lot of interesting people and really loved the club scene…and of course, the drug scene was something he enjoyed as well.  If you read his book, “Dancing With Myself“ you can find out all about it so I won’t spoil the details here.

Billy was introduced to a guitarists at this time that would become just as big a part of Billy’s solo career as he was.  He met Steve Stevens.  There is no Billy Idol sound without Steve and his guitar playing is what makes Idol’s solo songs that much better.

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With Steve Stevens in tow along with Phil Feit on bass and Gregg Gerson on drums, the band set out to record Billy’s first solo album.  As a teaser and build up to his career, it was decided an E.P. would be put out, I guess to whet everyone’s whistle and draw up buzz on the singer.  ‘Don’t Stop’ was the result.  It was more of a dance album than the former punk sound Billy had and you could see the magic being developed on what would become an amazing run of albums in the 80’s.

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Generation X – The BBC Transcription Disc Series No. 126 1978 – (The Billy Idol Series – Bonus Edition)

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Before I get to the next studio album in the Billy Idol series, I thought I would throw in a bonus Generation X Bootleg album out of Italy.  This 2LP Set is called the BBC Transcription Disc Series No. 126 – 1978.  It is live show from December 8th, 1978 out of Sheffield, England.  It is an unofficial release so therefore, a bootleg.  And it is fantastic.

I was in New York at this great little record store in Greenwich Village and came across this disc.  I was talking with the clerk asking about any Generation X on vinyl and he told me I needed this one and man he was right.

Generation X was criticized on their studio albums for trying to be more commercial than Punk.  Well, the live album shows they were a real Punk band.  I find this live show to really show off what this band was all about.  You can hear the attitude in the guitar playing and the drumming.  And of course, Billy’s snarling and attitude is pure punk with a big FU to everyone.

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Gen X – ‘Kiss Me Deadly’ – Album Review (The Billy Idol Series)

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After touring the band’s second album, ‘Valley of the Dolls’, the band was in shambles.  During the recording of their third album, Derwood Andrews decided to leave the band.  And shortly thereafter, Billy asked drummer, Mark Laff, to leave…well, he fired him as he didn’t feel his style was appropriate for the new sound.  Generation X was done.  That third album would not be released for another 20 years.

Remaining players, Billy Idol and Tony James, decided to keep going, but now they were called Gen X.  First the band needed a new manager,  Tony found a guy by the name of Bill Aucoin.  If you are a Kiss fan, that name should ring some bells pretty loudly.  The band then got drummer Terry Chimes and they auditioned several guitarists while recording the new album.

The band’s style was no longer punk.  They were going to ride the New Wave sound that was starting to sweep across England.  That sound would be what carried Billy into his solo career.  Speaking of solo career, Bill Aucoin wasn’t overly impressed with Gen X.  His real interest was Billy Idol and what he could with him in America, but that would come just a little later down the line.

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Generation X – ‘Valley of the Dolls’ – Album Review (The Billy Idol Series)

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After the moderate success of their debut album, the band went in to record their sophomore album with famed musician and producer, Ian Hunter.  Yes, the Ian Hunter from Mott the Hoople.  The album would come out just a few months later in January 1979.  Before the album was released, the record company, Chrysalis, came to the band and basically told them, the album better succeed or they were to be dropped from the label…no pressure.

The album was quite different than the first album.  It had some of the punk sound from the first album, but there were elements of some glam (thanks to Ian) and even more of an American sound ala Springsteen (or at least what they felt was like Springsteen). The songs were a little more complex than the first album and the writing was more mature, but I am not sure it was good yet.

The two writing contributors were Billy Idol and Tony James so everything was based around what they wanted.  Heck, in fact when promoting the debut album, it was only Billy sent to America to promote it.  That started putting thoughts in Billy’s head about what he could do on his own. However, on this album, most of the influence on the album seem to be coming from Tony (he even picked the producer).  It was the start of things to come.

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Generation X – ‘Generation X’ – Album Review (The Billy Idol Series)

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Welcome to first review in the Billy Idol Series.  I am going to do album reviews for all albums by the 80’s icon, Billy Idol.  We will start with his stint in the band Generation X from 1978 all the way up to his 2018 release ‘Vital Idol: Revitalized’ (assuming that is the latest release by the time I get to it).

I was going to wait until I got the debut album on vinyl to start the series, but I am not the most patient person and since I have the next 7 or so on vinyl already, I will go ahead and start now.  So, without further adieu, here is the first of many reviews…

Generation X

Back in 1976 at the tender age of 21, guitarist William Broad joined the band Chelsea after answering an ad for musicians.  Also answering that add were bass player Tony James and drummer John Towe.  They would join up with singer John O’Hara to form the band.  The band would tour and do mostly covers, but William and Tony became fast friends and felt they could do better so they grabbed John Towe and all left the band.

They would be the founding members of the band that would become known as Generation X.  Now, where did the name come from.  It wasn’t based on the fact that people born in this time were known as Gen Xers.  The name actually came from a book William’s mom was reading called Generation X which was book on popular youth culture from 1965 by British journalists Jane Deverson and Charles Hamblett.

This new band needed a guitarists so they hired 17 year old guitarist Bob “Derwood” Andrews from a band called Paradox.  That wasn’t the only change.  They needed a guitarist because William decided to drop the guitar and become the lead singer.

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