Tag: Breakout

Ace Frehley – ‘Now Playing’ (2025) – Album Review

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Ace Frehley has a number of greatest hits album. Do we really need another one? The short answer is No! The long answer is we do need a solid greatest hits album that is a career retrospective of his entire catalog. I would like that very much. In 2025, we get new Ace Frehley comp from Rhino Records and Atlantic and I can tell you with 100% certainty…this is not a career retrospective and is total waste of time and money. “Now Playing” is a generic compilation that is a series and many artist have had one of these comps such as Ratt and Twisted Sister. It is a cheap, low budget comp and it only covers his first 3 solo albums outside of Kiss. Two with Frehley’s Comet and then his solo album ‘Trouble Walkin”. And that is it.

It is only a vinyl issue and was released on March 7, 2025. It is on a very pretty cobalt blue vinyl and that is the only thing it has going for it. Really, that is it. There are no special mixes, live mixes or unreleased tracks. It is simply 4 songs from “Frehley’s Comet”, 3 from “Second Sighting” and 3 from “Trouble Walkin'”. Woohoo…so exciting…NOT!!! The picture on the cover is one we’ve seen a million times, there is no insert, there is nothing special about it at ALL!! Thank goodness it only cost $19. So, why did I buy it? I have every Ace release available on vinyl so I need it to complete the collection ( I do not have every variant as my house isn’t big enough to hold all of them…I believe there were at least 30 from his last album alone). Enough negativity…let’s talk music. What is on it?

SIDE ONE:

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Bon Jovi – ‘Bon Jovi (Deluxe Edition)’ (2024) – Album Review (The Bon Jovi Collection Series)

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By 1982, Jon Bon Jovi re-recorded “Runaway” which he had originally recorded back in 1980 and had shopped it around with no luck. This re-recording he did with what he liked to call The All-Star Revue which consisted of guitarist Tim Pierce, keyboardist Roy Bittan, drummer Frankie LaRocka, and bassist Hugh McDonald (remember this name). The song started getting a little traction and eventually Jon Bongiovi got a record deal and changed his name to Jon Bon Jovi. He was an artist with a deal, but no band. Jon wanted a band and he was going to go with Johnny Electric, but Pamela Maher that suggested he use the name Bon Jovi since a two word name worked so well for Van Halen. No one really liked that idea at first, but eventually Jon came around and Bon Jovi was born.

So, Jon called his old buddy from his old band Atlantic City Expressway, David Bryan Rashbaum, and the ball got rolling. David called his buddy Alec John Such to handle bass and a drummer he knew by the name of Tico Torres. Alec and Tico were formerly in a band together called Phantom’s Opera. They needed a guitarist, so Jon reached out to his friend Dave Sabo (or “Snake”) who played with them for a very short time. He never actually joined the band, but thankfully he would go on to something almost quite as good with a band called Skid Row…maybe you’ve heard of them.

But the band still needed a guitarist. Jon had seen, and was impressed, by a guitarist by the name of Richie Sambora. Richie had played with Joe Cocker and was in a band called Mercy. Hell, Richie even auditioned with Kiss to replace Ace Frehley, but that didn’t go well. Jon asked him to join and now the band was complete. The band had a new manager by the name of Doc McGhee and with his help, they went off to record their debut album.

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Bon Jovi – “Burning For Love” (1984) – 12″ Single (Japanese Edition) – (The Bon Jovi Collection Series)

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While I was in New York City a little while back for the Final Kiss Show at Madison Square Garden, my brother and I did hit some shops and I found, not one, but two Japanese Singles from Bon Jovi. These were released back in the 80’s in Japan only and they are in such beautiful shape. I had to have them so I bought them. First up is “Burning for Love”…

Bon Jovi was becoming huge in Japan after the release of their debut album. To celebrate that success they did a Japanese only single release for the song “Burning For Love” off their debut, ‘Bon Jovi’ album which came out January 23, 1984. And when I say big, it is a relative term as it was their debut and the album did chart at #38 on the Japanese Charts, but they weren’t putting out massive #1 songs yet. They were trying to capitalize further on charting and trying to make a name for themselves. For the 12″ single that was released, it also included a calendar for the first 3 months of 1985.

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Bon Jovi – ‘Shot Through The Heart: Live in Cleveland, OH – March 17, 1984’ (Bootleg) – Album Review (The Bon Jovi Collection Series)

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Bon Jovi the touring act was extremely fresh and new as the band hadn’t been together for very long. Even Jon said the band was terrible until their third album when things started to click. While out crate digging years and years ago, I found a Bon Jovi bootleg of a radio broadcast from only 2 months after their debut album, ‘Bon Jovi’, was released. A great snapshot of the young band in all its rawness and newness.

The show takes place on March 17th, 1984 at the Agora Ballroom in Cleveland, OH. The show was broadcast on WMMS-FM Radio so of course we get some of the radio DJs on here during the show. The bootleg I have was released in 2015 and 2 LPs (both black) and it was limited to only 500 copies. The cover is pure Bon Jovi with the denim blue jeans with a picture of Jon on the front and the band on the back. I mean, it is Jon’s band don’t forget. The band plays all but “Burning for Love” from the debut and you get a Sly & The Family Stone cover. Let’s get to the music.

The album opens with a Radio DJ introducing the band and they come out slowly with a very long drawn out build which you mostly hear the crowd screaming. Some weird distorted voice says something and then the guitar kicks in and we get the opening to “Breakout”. There is no doubt it is live as it is rough, raw and not very tight. Jon actually sounds pretty decent, still a little unpolished, but he can still hit some high notes that he can’t now. And he should be able to hit them since he is only about 22 or so here. Richie lays down a great solo and things start getting better as the band jams it up a little here.

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Bon Jovi – ‘Bon Jovi’ (1984) – Album Review (The Bon Jovi Collection Series)

Published on by 2loud2oldmusic96 Comments

By 1982, Jon Bon Jovi re-recorded “Runaway” which he had originally recorded back in 1980 and had shopped it around with no luck. This re-recording he did with what he liked to call The All-Star Revue which consisted of guitarist Tim Pierce, keyboardist Roy Bittan, drummer Frankie LaRocka, and bassist Hugh McDonald (remember this name). The song started getting a little traction and eventually Jon Bongiovi got a record deal and changed his name to Jon Bon Jovi. He was an artist with a deal, but no band. Jon wanted a band and he was going to go with Johnny Electric, but Pamela Maher that suggested he use the name Bon Jovi since a two word name worked so well for Van Halen. No one really liked that idea at first, but eventually Jon came around and Bon Jovi was born.

So, Jon called his old buddy from his old band Atlantic City Expressway, David Bryan Rashbaum, and the ball got rolling. David called his buddy Alec John Such to handle bass and a drummer he knew by the name of Tico Torres. Alec and Tico were formerly in a band together called Phantom’s Opera. They needed a guitarist, so Jon reached out to his friend Dave Sabo (or “Snake”) who played with them for a very short time. He never actually joined the band, but thankfully he would go on to something almost quite as good with a band called Skid Row…maybe you’ve heard of them.

But the band still needed a guitarist. Jon had seen, and was impressed, by a guitarist by the name of Richie Sambora. Richie had played with Joe Cocker and was in a band called Mercy. Hell, Richie even auditioned with Kiss to replace Ace Frehley, but that didn’t go well. Jon asked him to join and now the band was complete. The band had a new manager by the name of Doc McGhee and with his help, they went off to record their debut album.

The name of the album was going to be “Tough Talk”, but that didn’t end up as the title as the record company had other ideas. They felt a self-titled album was certainly the way to go and they wrote the checks so they got their way. The album came out on January 24, 1984 and has been certified platinum. It reached #43 on the album chart so not a bad start for a brand new band. There is even an Aldo Nova connection to this album as he supplied some additional keyboards and guitars as the band hadn’t been complete yet while Jon was in the studio. We will touch on him more later in the series.

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Jeff Scott Soto – ‘Retribution’ (2017) – Album Review (The Jeff Scott Soto Series)

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At this point in Jeff Scott Soto’s career, he had been signed with Frontiers Records for about 15 years now. This 2017 album, ‘Retribution'(which was released on November 10 of that year), was timed perfectly for his 15th Anniversary with the label. This is also his 6th solo album, the first dating back all the way to 1994’s ‘Love Parade’. As with a lot of his solo work, his good friend, Howie Simon, was back to help out and he did a lot. He co-wrote most of the songs, played on the most of them and co-produced the album with Jeff. Jeff brings in some help on drums with Edu Cominato who is Jeff’s drummer in his band SOTO. These three handle everything on the album on all songs, but two and we will talk about the players on those two songs when we get to them.

At times this album is as heavy as his SOTO band, but most of it is pretty standard melodic rock. And I say standard, because at this point in his catalog, I am not real thrilled with this solo albums. At first, I thought after spending around 15 months reviewing a Jeff Scott Soto album every single week, I was maybe getting burned out, but that is not the case. Reviewing the Sons of Apollo album was a lot of fun and so was the Joel Hoektra’s 13 album and all the recent W.E.T. albums. His music still excites me. But the solo stuff, especially this album, does not so much. I think it is the quality of the songs more than anything, but let’s dive in to those songs and find out why. I am apparently wrong in my thinking a vast majority of the reviews I read on this one praised it.

The album opens with a barrage of sound and then a dirty, gritty guitar riff. The title track, “Retribution”, is a on the heavier side closer to SOTO, but more melodic. The chorus is big, the guitars are powerful (listen to that solo), the drums are destructive and all leads to an explosive opening track.

Next up is “Inside/Outside” which is a pure melodic rock track. It has an ear catching opening like the title track, but toned down a little. The bass is heavy on this one, thumping hard and high in the mix. The song is a very radio-friendly track and has a really catchy chorus that will draw you in and you now it is Soto’s vocals that are the draw as they are powerful, smooth and they soar all at the same time.

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Ace Frehley – ‘Frehley’s Comet’ (1987) – Album Review (The Kiss Review Series)

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After Ace Frehley left Kiss in 1982, it took him awhile to get going on a solo project. Where Peter had a solo album out within a year of leaving Kiss (if not sooner), it took Ace 5 years before his first bit of music was released. There was a reason for that. When Ace left Kiss, he still maintained a 1/4 share in the band and was not able to release anything until at least 1985. He basically had a non-compete contract for a limited time. However, around 1984, he did start piecing together a band and of course he started with drummer Anton Fig. Anton had played on Ace’s 1978 solo album and had done a few things with Kiss as well on some of their records. After Anton, he recruited John Regan on bass and Richie Scarlett on guitar and vocals. Ace now had a band.

The band recorded some demos in 1984-85 with famed producer Eddie Kramer, who had produced Ace’s 1978 solo album as well as other Kiss album, and actually played their first live show on November 30, 1984. He wasn’t releasing any music yet, so not breaking his contract. The band played some more in 1985, but in the end, Richie Scarlett wanted to pursue his own solo career and left the band. Not a good start so far.

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Ratt – Ratt (1999) – Album Review

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After the album ‘Collage’ in 1998, the band signed with a label again and this time it was Sony. In July of 1999, they released their self-titled album “Ratt” or 1999 since their debut E.P. was titled ‘Ratt’.  The album was very bluesy and not quite the Glam rock (with a blues edge) as they had done before which is a good thing as we are in 1999 and not 1989.

The band was down to three original members…Stephen Pearcy, Warren DeMartini and Bobby Blotzer.  There is still no Robbin Crosby or Juan Croucier.  Replacing Juan on Bass is Robbie Crane making his first appearance with the band.  They didn’t replace Robbin which means only one guitar and that is a one of the negatives of the album.  The dual guitar sound was always a “Ratt” sound.

Out of all their albums, this is the one I am least familiar with.  I had lost interest with anything new from them and what I heard I didn’t like.  So, I had passed and have not ever owned this album and still don’t. I will pick it up if I ever catch it in the used section of a record store (is that giving away anything on my review???).

This has been a very hard post to write for me.  I have had to take a lot of time as I wanted to give the album a fair shake as I really love this band.  I needed to be inspired to write something about the album and although I am writing this post now, I still don’t know really what to say.  I will do my best though.

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