While I was in New York City a little while back for the Final Kiss Show at Madison Square Garden, my brother and I did hit some shops and I found, not one, but two Japanese Singles from Bon Jovi. These were released back in the 80’s in Japan only and they are in such beautiful shape. I had to have them so I bought them. First up was “Burning for Love” and now we get in to the 2nd Single I found with “Borderline”.
I am not sure the reason behind this Japanese Only release. We are during the ‘Slippery When Wet’ era of the band and they release a 12″ Single for “Borderline” which wasn’t even on the album, only a studio outtake. It doesn’t make quite much sense. The opening track is “Livin’ On A Prayer” from the Slippery album, but why label it as “Borderline”??? Very confusing to me, but I don’t care, it is still a cool piece for the collection. The Japanese audience was always treated with special releases from Bon Jovi and better covers.
Included in the release was a lyric sheet for the songs in both English and Japanese…
Once the ‘Bounce’ Tour was complete, the band was ready to do a side-project. It was originally supposed to be an acoustic album of all their hits, but someone thought why not re-imagine the hits so the band re-recorded and re-constructed numerous Bon Jovi classics in to what became known as ‘This Left Feels Right’…but does it??? The album was released on November 3, 2003 and charted at #14 in the U.S. but did much better in Europe like most of their albums did. They sold over 500,000 copies in Europe, but I have no sales figures in the U.S. I know a lot of people that did not buy this album and we will soon see why.
The band had written two new songs for this project, but Jon and Company decided to drop them as one of the songs he felt didn’t send the right message to up and coming artists. The song in question was “Last Man Standing” which had Jon singing about his anger towards the music industry. The song did see the light of day as it was re-worked for the ‘Have a Nice Day’ album. The original wound up on the box set ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’ along with the other new song “Thief of Hearts”. Okay, let’s get right to this painful journey…I guess that gives away a little of how I feel about this one. Oh well…
The album opens with the classic “Wanted Dead or Alive”. It still has an acoustic feel to it, but there is a loud electronica sound bass and a horrible ass electronic drum beat that grates on my last nerve. The backing vocals are more gang style and not just Richie’s backing vocals and it is awful. Richie’s backing vocals made this song and they destroyed it by removing him. If this would’ve been the original version, the band would’ve faded away into oblivion never to be heard from again. It is simply awful.
2000 was a big year for the band with a hit new album, a live DVD and to follow it up, the band gave us their first ever live album. But don’t get your hopes up as it isn’t one show from the tour. No, I guess the Crush DVD was enough for that. Instead it is really a greatest hits compilation with live songs taken from shows from 1985-2001. So, not a true live album in my book. But I’m being petty. We do get 14 live tracks and one remixed studio track of “One Wild Night 2001”.
The songs are taken from 8 different shows and some are actually repeats as the London shows were on the Live From London DVD and The Crush Tour DVD so we’ve heard a few of the songs before. And the band has one small change during the songs. We get Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres on all the songs. But we also get Alec John Such on bass for only 2 of the songs from Tokyo back in 1985 and then Hugh McDonald on bass for the rest. And we get one special guest with Bob Geldof on one song.
The album came out on May 22, 2001 and went to #20 in the U.S., but was never certified Gold. However, the album did better around the world as Bon Jovi continues to actually be more successful in Europe then their home country where the album sold over 1,000,000 copies in Europe making it Platinum status. It went to #2 in the UK as well as several other countries including Spain, Austria and the Netherlands and to #1 in Switzerland and Belgian. Europe continued to love on Bon Jovi.
With Bon Jovi’s return and their ‘Crush’ album, the band was literally crushing it. The album was selling great and their worldwide tour was a smash hit selling out and reaching over 1 million people around the globe. In May of 2001, they released a live album with a collection of live songs from throughout the years to help capitalize on the new found success again. But before that, the band released a greatest hits package on March 28, 2001. The album was called ‘Tokyo Road: Best of Bon Jovi’ and it was released exclusively in Japan. As a result, I didn’t hear about it for years, but I finally did get a copy.
The album contains 16 songs only one of which is a new version which was “One Wild Night” which was remixed for this release. All the other songs appear to be album versions for the most part. Now, if you bought one of the initial pressings of the album, you were given a bonus 3″ Mini CD with 4 exclusive live tracks. My copy has that plus it still has the OBI strip and the extra booklet with the lyrics in both English and Japanese. It is all there in all it’s glory.
The opening track was the only unreleased track which was a remix of “One Wild Night 2001” which was originally off the ‘Crush’ album. “One Wild Night” originally had a cartoon tune opening, but that was removed and the song just starts with some weird sounding guitar licks that are less rocking, but then the song does rock out. The song is anthem and if you had heard this live your hands would be high in the airing, pumping along with the beat. The song is throwback to the early rock legends of the 60’s. They really changed up the sound and tone with this one all thought the heart of the song is still there.
The album ‘Crush’ saw Bon Jovi back on the scene and having major success. The album sold over 5 million copies worldwide and go to #9 on the U.S. Billboard charts. The band had a huge successful tour and to capitalize on the renewed love for Bon Jovi, they recorded one of the shows and released it on DVD and sold over 100,000 copies in the U.S. The show was recorded on August 30, 2000 in Zurich, Switzerland at the Letzigrund Stadium. The show was directed by a Jon relative by the name of Anthony Bongiovi. When all was done, it was released in Japan on December 7, 2000 while Wiki says it was released on May 28th, 2001, but since the date on the back cover says 2000, I’m going with the December date.
The boys are the same as it is Jon Bon Jovi, Richie Sambora, David Bryan, Tico Torres and of course, Hugh McDonald on bass and not yet a full time official member. The DVD has the full show, plus some bonus features as well along with some music videos so it is jammed pack with goodness. My copy is a standard edition from the U.S., no extras above and beyond what is expected. I picked this up used and it was in great shape and probably cost about $5 so I was pretty happy. Enough chit chat, let’s get to the show.
The show kicks off with “Living on A Prayer”…how solid is your catalog when this classic opens the show? When Richie gets on the talk box and the drums kick in, the crowd goes nuts and starts bouncing up and down for the entire song. They don’t let up. Jon commands the crowd like a good frontman should. They go right in to “You Give Love A Bad Name” and they keep the party going at full force. The crowd doesn’t let a little rain dampen their spirit or their energy.
The band’s first live concert video, ‘Live From London’ was released in 1995 on both VHS and Laserdisc. The tour was in support of their new album at the time, ‘These Days’ and the show was from their stint at Wembley Stadium on June 25, 1995. They played several shows I believe and all to a massive crowd of 72,000 screaming fans. This isn’t the full set either as I believe some tracks were cut for time and to get the runtime down to around 90 minutes, but it is a great setlist.
The version I have is the International DVD release which was in 2003. There was a DVD release in 1998 in the US and Canada, but mine is the 2003 release. There is absolutely no difference between the VHS and the DVDs, no remastering or anything. It is the same cut. The film is directed by David Mallett and produced by Andy Picheta. These two have to reign in Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres along with touring member and studio member, but not band memer yet, Hugh McDonald.
The show kicks off with a couple of old classics with “Livin’ on a Prayer” starting the show. Richie comes out and immediately puts his mouth around the talk box and you know the song that is coming. The band kills it and like almost every song on here they don’t do a straight album version of the song, they change things up a little with either more musical breaks or longer, drawn out jams at the end of the song which makes things more interesting as you don’t know what they are going to do for each song. Then we get “You Give Love a Bad Name” and the crowd screams along with the band. Jon sound’s really great as he was still in his prime. Richie’s solo is quick and stellar and then the crowd gets involved with the chorus. Always a fun song live.
After the release of their last album ‘Keep the Faith’ in 1992, the band set out on an extensive worldwide tour. They hit 37 countries while performing over 177 shows and those shows saw reached over 2.5 million people. The boys were busy and as a result of this tour, very tired. They also needed more time to work on their next album. To hold fans over, a greatest hits compilation was released by the band and the label. The album came out on October 11, 1994 and contained songs from every album including 1 from Jon’s solo album and 2 unreleased tracks. The U.S. version got a special track of Livin’ on a Prayer which had been redone and called “Prayer ’94”, however, my vinyl set of the album does not have that song.
The album was titled ‘Cross Road’ which is possible that was where the band saw themselves at. The music landscape was changing rapidly, their 80’s rock glam style was no longer popular, yet this band kept on chugging. ‘Cross Road’ sold went to #8 in the U.S. and #1 in so many country. Worldwide they sold over 21,000,000 copies as Bon Jovi was even bigger around the world than at home. The cover art was taken at a diner called the Roadside Diner and it was near the crossroads of Rout 33 and Route 34 so it was a very appropriate cover.
The one strange thing about the album was inside they had a picture of all the band’s albums including Jon’s solo album and even Richie’s solo album, but no song from Richie’s album made the set yet Jon’s did. Another prime example this was Jon’s band and even the back cover only had Jon on it. A picture says a 1,000 words I believe is the saying.
The compilation kicks off with one of their most popular songs, “Livin’ On A Prayer” off the album ‘Slippery When Wet’. It opens with a wicked bass line, finger cymbals and a talk-box. But that wasn’t all that was great about it, it is the story of Tommy & Gina in “Livin’ on a Prayer” that makes this such a great song. Jon has a way of making the songs human and easy to connect with. The everyday person with problems just like you so the songs feel personal. The song is loosely based on Desmond and his girl-friend as she worked in a Diner, but he was a taxi driver and not working at the docks. It was that Blue Collar feel to the song that made it resonate with so many people. It was a time when Bon Jovi actually wrote songs that told a story that connected with people and not try to write just to make a hit. The funny thing about this one is that Jon didn’t like it, but Richie was able to convince Jon that this was a hit and it should be on the album. Thankfully for the band, it was as it went to #1 as well. Hugh McDonald who is currently the bass player for Bon Jovi in 2023, was the bass player on this song back in 1986.
Bon Jovi had two moderately successful albums under their belt. However, they weren’t happy with the fact they weren’t superstars yet. So, changes had to be made. Not in the band line-up as it was still Jon Bon Jovi, Richie Sambora, Tico Torres, David Bryan and Alec John Such. Nope. They needed to change their approach. One of the first things they chose to do was bring someone in to help with the songs. That person was Desmond Child. Desmond didn’t try to change who the band was with the songs, but he helped refine them, make them better. Jon and Richie wrote well together, but with Desmond’s help, the songs became stories that connected with people, but first they had to record them.
To do that, they changed even more stuff. Jon was listening to Black & Blue’s album ‘Without Love’ and he loved the production of it. So, he reached out to Bruce Fairbairn and he was hired as producer..with some other cat named Bob Rock as the engineer. The band moved to Little Mountain Studios in Vancouver, Canada and the record was started. The album was finished and released on August 18, 1986 and would become a 12,000,000 selling album making it Diamond. It would spark 4 Top 40 singles of which 2 went to #1 and would see the band tour massively. They would start out the tour as an opening act, but by the end they were the headliners. The band got what they wanted and they were now Superstars!
But before we get to the music, let’s talk about the album name and cover. It was inspired by a trip to The No. 5 Orange strip club in Vancouver. The boys saw this stripper who stripped all the way down to nothing, stepped in to a shower and lathered herself all up. That was motivation for the boys to finish the album and inspired the Slippery When Wet name. One of the original names was ‘Wanted Dead or Alive’ and had the boys dressed as cowboys, but that was scrapped. They did use that cover for the single though.
For My Sunday Song #200 and the final in the Bon Jovi set of 10 songs, we are discussing the classic song, “Livin’ On A Prayer”. The song is off the band’s mulit-platinum selling album ‘Slippery When Wet’. The song was the second single off the album and the second to go all the way to #1. The song and the album put Bon Jovi in to super star status and nothing would be the same afterwards.
The song was written by Richie Sambora and Jon Bon Jovi with a lot of help from songwriter Desmond Child who was brought in by the record label to help the boys finish the album and work on some songs. The song is loosely based on Desmond and his girl-friend as she worked in a Diner, but he was a taxi driver and not working at the docks. It was that Blue Collar feel to the song that made it resonate with so many people. It was a time when Bon Jovi actually wrote songs that told a story that connected with people and not try to write just to make a hit.
However, after recording it, Jon didn’t really like the song and wanted to leave it off the album. Richie thought it was great and convinced Jon to re-work the song. It was much improved by changing the bass line and recording with Hugh McDonald and not Alec John Such. Funny thing, Hugh would become a band member less than 10 years later (unofficially of course). Richie also added a talk box to the guitar to give it that extra boost in the same way Peter Frampton used it and made it famous. The song was turned in to a complete masterpiece.