Bon Jovi – ‘This Left Feels right Live’ (2004) – DVD Review (The Bon Jovi Collection Series)

In 2003, Bon Jovi was going to do a little acoustic side project, but that turned in to ‘This Left Feels Right’ which was released on November 4,2003. To commemorate that album, they did two shows in Atlantic City, New Jersey on November 14 and 15, 2003. The DVD, ‘This Left Feels Right Live’ was the result of those two shows. The DVD was released on February 9, 2004. Now, if you read my review of the CD, you will see I wasn’t very fond of that, but this is a little of a different animal. This is live. Live shows, I don’t mind when a band changes a song up as it is fun to see their different interpretations of their own songs. That for me is the perfect time for re-imagined songs. Not a full studio album of them.

The small crowd in attendance was ready for anything Bon Jovi and the women were ready for anything from Jon Bon Jovi as they were screaming a lot. The show was also broadcast on the web as they were filming so some people saw the show before the DVD release. I was not one of them. You knew this was going to be different from the first song as it was “Love for Sale” from ‘New Jersey’ and I loved hearing that one live. What a great way to start things off. Then they go in to the classic, “You Give Love a Bad Name” and I will admit I did not like this one much as Jon kept saying “Bad” over and over in a stupid way that annoyed me.

With “Wanted Dead or Alive”, Jon changed his mic for a radio voice type vocal and the band rocked out a little on it and I actually enjoyed this one enough. With “Livin’ on a Prayer”, they went all acoustic and it was perfectly fine in this new version. Not much different then a regular acoustic version of the song. Richie’s backing vocals are what helps make this song great and he did not disappoint at all here. Speaking of acoustic, they turn “It’s My Life” in to an acoustic masterpiece. They turned the rock anthem on its ear and slowed it down and gave it a whole new feel that really made the song shine in a different light even though it took a dark turn. 

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Bon Jovi – ‘New Jersey’ (1988) – Part 1 – Album Review (The Bon Jovi Collection Series)

After a sixteen month tour for ‘Slippery When Wet’, Bon Jovi immediately went back in to the studio so they could prove that their third album wasn’t a fluke. They packed their bags again and headed back to Little Mountain Studios in Vancouver, British Columbia, Canada with Bruce Fairbairn back as producer and Bob Rock as the engineer. The band was ready to record and they record they did. This time around, they wanted to experiment a little with their songs and their sound, but at the same time they brought back a team that understood them and what they wanted.

The were so inspired on tour, that they had a ton of material to record. So much so, that they wanted the album to be a double album and it was going to be called “Sons of Beaches”. They had Desmond Child back to help with some songs and this time around they even had a couple other very famous songwriters, Holly Knight and Diane Warren. They really wanted to make sure they could repeat their previous success. When all was said and done, they had around 26 songs. However, the record company was really nervous about releasing a double album. They were worried that it would price them out of the market. So, they made the band release a single album.

That album would end up being called “New Jersey” and it was released on September 19, 1988 and was it as successful as ‘Slippery When Wet’? Uhhh..basically, yes! It went to #1 and had 5 hit singles and sold over 7 million copies (I think Slippery has had over 12 million). I would say that was another massively successful album. The sound of the album was really middle-America with a rock, country flair that felt like a Rock & Roll Western at times, but still that Arena rock overall filled with even more great ballads. It is a quintessential 80’s Rock album. Let’s get to the music.

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Mark St. John – Mark St. John Project E.P. (1999) – Album Review (The Kiss Review Series)

Up next on the side projects is former Kiss guitarist, Mark St. John. Mark played on Animalize but didn’t last real long with the band. He developed a type of arthritic condition in his fingers that was very troublesome. When the band toured live for the album, Mark only played in 3 shows. The excuse was given that he was let go because he couldn’t play due to the condition with this hands, but I am not so sure that is true. I think his guitar fill-in on the tour who happened to be Bruce Kulick fit in with the band better than Mark so they let Mark go while on tour and stuck with Bruce who would stay in the band for over a decade. Probably a great move on their part.

Now that doesn’t take away from Mark’s ability as he was a hell of a shredder on the guitar. His playing was fast and frantic and he could rip out a solo. After he left Kiss, he actually did form a band and release an album independently with a band called White Tiger so technically I should’ve reviewed that album back when we were in the 1985/86 timeline, but if you have been paying attention to the review series, I have been picking the side projects with larger Kiss connections and other than Mark, there isn’t another Kiss connection I could make. Instead, I went all the way to 1999 and his Mark St. John Project and the E.P. they released. Why you may ask. Well that is because of the 5 songs on the E.P., three of those songs were co-written with a former Kiss alum, Peter Criss. That is right, the Catman. Mark had been working on a project prior to this with Peter around 1990. They shopped around a demo but the response was not so good.

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