Tag: Nowhere to Run

W.E.T. – ‘Apex’ (2025) – Album Review (The Jeff Scott Soto Series)

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As we now know as we are on their now fifth studio album, W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson (Eclipse); Jamie Borger (Talisman) and Andreas Passmark (Work of Art & Royal Hunt). All in some shape, form or fashion have been a small part of one of the three founding bands.

The album was released on March 28, 2025 a good 5 years after their last release and way too long between albums. I am sure getting these guys schedules to all coincide at the same time is not an easy task, but they managed it thankfully. A band I thought was going to be a one-off project now has 5 albums and a live album spanning over 16 years since the release of the debut back in 2009. If you love solid, melodic hard rock, this will not disappoint. And as usual, Erik Martensson is handling the productions so you know the sound is going to be amazing and it is.

The album opens strong with “Believer” and it is worth every minute we’ve waited since the last release. Jeff sounds amazing and I have to admit this is his wheelhouse and my favorite style of singing for me. The guitar solo on here is blistering fast and just rips right through the song. The drums are pounding and all is immense and powerful. The sound is more Eclipse than Talisman or Work of Art, but I’m good with that. Erik does most of the writing so that Eclipse influence is going to flow through.

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Kiss – ‘Gold’ (2005) – Album Review (The Kiss Review Series)

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Between 2002-2008, The record labels in control of the Kiss Catalog released not one, not two, heck not even 3 Greatest Hit Compilations. Nope. They released a total of 7 greatest hits compilations spread over those years. I am sure there are more, I just haven’t found them yet. Over the last few weeks, we have been through a bunch of them and hopefully this is the last one for a little while. At least until I find more…which I will. As far as compilations go, this one is worth taking notice. Let me explain.

Originally this was released in 2004 as part of the KISS Sound and Vision box set. This set was released on January 11, 2005 and is a 2 CD Set called ‘Gold’. The label for this one was Universal Music Corporation. This set covers the make-up years from 1974 up to 1982…except it doesn’t include anything from ‘Creatures of the Night’. The 1982 in reference here is for the ‘Killers’ compilation. There are 20 songs per disc which means we get a handful of releases from almost every album with some minor exceptions. There is at least one from every release though (except maybe Double Platinum. If you want a comp that gives you the best coverage of the make-up era, I don’t know if you can do better than this.

DISC 1:

Kiss (1974): The representation of the debut album is strong as it gives you five tracks:

The album kicks off with the song “Strutter”.  The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves.  The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester. 

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Kiss – ‘Killers’ (1982) – Album Review (The Kiss Review Series)

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Kiss had released the ‘Music from the Elder’ back in November 1981 and it flopped. The record company was in a panic and needed to get something out so people could forget about the disaster that was ‘the Elder’ so what do they do? Well, they put out a compilation. Phonogram (the band’s European label) requested Kiss go back in and record some new songs for the compilation which they gladly did…well a couple of them gladly did. Ace was pretty much done with Kiss back in 1981 and wasn’t involved at all with any of the new songs. However, he wouldn’t leave the band until after the next album in late 1982. Gene played on them (I think), but didn’t sing or write as he was pretty busy either with his girlfriend Diana Ross or making movies.

The heavy lifting was left to Paul and Eric. Paul wrote or co-wrote all the songs and sang on all of them. The label and band brought in a bunch of outside writers including Mikel Japp, who co-wrote with Paul on his solo album, Adam Mitchell, who would write a lot on the next album ‘Creatures of the Night’, and lastly some guy named Bryan Adams. All the drum work was done by Eric Carr and the late Bob Kulick handled all the lead guitar work just as he did on Alive II, with rhythm guitar on one song done by Mikel Japp. So, I guess it is still Kiss.

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My Sunday Song – “Nowhere to Run” by Kiss

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For My Sunday Song #135, we are going to discuss the song “Nowhere to Run” off the bands 1982 compilation called ‘Killers’.  After the doomed release of ‘The Elder’, Kiss immediately went into the studio and recorded 4 new songs to go with a greatest hits compilation because they knew that ‘The Elder’ was dead on arrival.  The four new songs were all fantastic.  This was my favorite of the bunch.

Out of the four new songs, this was the only one solely written by Paul Stanley.  For all the others, he had help.  Also interesting is the fact that Paul sang all four of the new songs, no Gene.  Although, he did play bass and Eric was on the drums.  And Ace tour it up on lead guitar, at least that is what I thought as a kid.  It was actually Bob Kulick who had originally auditioned for Kiss back in the day, but was beat out by Ace.  Now, he was lead guitarist (just not officially).

The song had an old Kiss sound and felt like they were going back to their roots, but it was the 80’s and the production was louder and bigger with Michael James Jackson at the board. It is a rocking track and Bob really does kill it on the solo and Eric’s drums are loud and powerful as he brought such a new life to the Kiss sound.  I love the little drum fill at the beginning with a little acoustic intro and it built up from there.  Paul sounded sensational and this was Kiss hitting on all cylinders.  After the disaster of ‘The Elder’, Kiss was back in good favor…at least in my book.

kiss-killers(compilation)

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