Tag: Simoriah

Aerosmith – “Dude (Looks Like A Lady)” (1987) – 7″ Single & 12″ Maxi-Single (The Aerosmith Collection Series – Bonus Edition)

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We have a little break here from the album reviews in the Aerosmith Collection Series. As it turns out, I have 4 singles from ‘Permanent Vacation’ and we are going to go through those over the next few weeks. First up is the second single from the album “Dude (Looks Like A Lady)” and this one is a two for the price of one treat as I have both a 7″ Single and a 12″ Maxi-Single of the song. Since I don’t want to completely bore you to tears with two separate posts on the same song, I decided to them both together in one giant treat.

7″ Promo Single:

First up we will tackle the 7″ Single. My version is the the Promo Copy of the song so the A-Side and B-Side are the same song. Since this is 1987, both versions are the stereo version and not one of them being a Mono like in the earlier years. The song was released as a single on September 22, 1987 and did really well for the band. It brought them back to the mainstream after years of filling up the discount rack. The song went to #12 on the Billboard Top 40 and was a regular on MTV.

The song started out as a song called “Cruisin’ for a Lady”, but thanks to help from co-write Desmond Child, we got “Dude (Looks Like a Lady)”. The song is about a man that goes in to a strip club and falls for one of the dancers. They go back stage and she whips out her gun and is actually a man. The song inspiration actually came from the band seeing this blonde beauty at the far end of a bar and it turning out to be Vince Neil from Motley Crue.

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Aerosmith – ‘Permanent Vacation’ (1987) – Album Review (The Aerosmith Collection Series)

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The band was in trouble after ‘Done With Mirrors’. What was supposed to be their comeback album, flopped big time. The drugs were still a big problem. So the band had to make a huge change…and they did. They got sober! ‘Permanent Vacation’ is the first album the band has ever made that they were sober…no drugs, no drinking…clean and sober. And people reacted to that in a big way. Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer had a lot to prove and they couldn’t do it alone.

The studio that the first batch of help should come from a great producer. At the helm this time around was Bruce Fairbairn and his amazing engineering staff of Mike Fraser and Bob Rock which is one of the most impressive crew behind the boards every in music history. Heck, Bruce even played trumpet, cello and sang background vocals while Mike Fraser played something called a plunger mute. Huh??? Well, that is a trumpet with an attachment on the front that mutes the sound a little. I don’t see where Bob is credited with anything other than masterful engineering. The recorded at the very famous Little Mountain Studio in Vancouver, British Columbia. If you saw my interview with Paul Laine we talked about that studio a lot.

The second row of help came from some song doctors, however, this was one big area of contention with the band. They were forced to work with outside writers much in the way Cheap Trick had to with ‘Lap of Luxury’ that we discussed earlier this week. The biggest contribution came from Desmond Child who co-wrote 3 of the tracks, 2 of which were massive singles for the band. They also had help from Jim Vallance (Bryan Adams writing partner) and Holly Knight (Kiss and Cheap Trick).

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