Category: Album Review

Coming Soon to 2 Loud 2 Old Music – The Def Leppard Collection Series

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We are to the final of the Big Collection Series I will be doing. It is DEF LEPPARD!!! This is the last large collection I have…well…in my collection. Will it be the final series? Probably not, but don’t expect any more to go to this size again. There is nothing else left that would even hold a candle to it. The only one’s bigger are Kiss and Jeff Scott Soto and we’ve finished those series. Bon Jovi is close, but we are currently doing that one as well. So, this is it for the Big Guns.

Coming September 7th, 2023, DEF LEPPARD!! We are going to go through the series in chronological order of the material, not necessarily the album release dates. My Buddy Mike Ladano did his Leppard Series that way, and honestly, I liked it. So the years of some of these releases might be more current, but all the songs on it aren’t. There might be some minor exceptions to that rule over time, but my series, my rules. I hope you are ready for it!

What will we be reviewing? I have that mapped out so let’s talk through it.

THE STUDIO ALBUMS:

And I didn’t realize I didn’t have the 2015 self-titled album on vinyl. I think I was waiting for The Collections, Volume 4 to come out, but maybe I need to go ahead and get it.

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Slam – ‘Slam’ (2023) – Album Review (The Jeff Scott Soto Series)

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When I went to see Jeff Scott Soto and Jason Bieler live a few months back, this CD was in the Merch booth. I got real excited real fast. Slam is a band Jeff was in way back in 1991. Jeff received a call from former Beau Nasty guitarist, George Bernhardt, about doing a project. Jeff didn’t have a steady gig yet as Talisman wasn’t a full time band so he was up for doing some demos. George’s songs that he sent Jeff were full of funk and groove and that is exactly what Jeff loved so the two hit it off immediately. They did 7 songs together and the band was formed. Well, the name Slam was really all they had as there was no real band since it was just the two of them so far.

They found a drummer, in Boston, by the name of Mark Bistany and then through an ad found two more New Englanders with guitarist Craig Polivka and bassist Chris McCarvill. Craig & Chris replied with a demo of a song that would become “Dance the Body Elektrik” that appears on this disc. There was a problem as these three new guys were all on the East Coast and Jeff & George were on the West. Jeff actually drove to the East Coast and picked the boys up. Once back out west, they added a fifth member, rapper EOG (Eric Grinstead) and he rounded out the band. With this line-up the band had a rock, a rap, a soul, a funk and a whole lot of other cool sounds in their music.

But, it didn’t last. The boys from the East coast decided to go on their own and then EOG left as well. But they did bring on another guitarist that would become a regular fixture in Jeff’s life, Gary Schutt. Ricky Wolking would come in on bass, but again..it didn’t last. After 3 to 4 months, they scaled down to a 4 piece with Gary out now, but the band could not get a deal. And Slam would eventually go out with a thud. Now, 30 years later, we get the full set of songs they worked on and we have 16 choice cuts to ponder. Let’s go through them and see what they were up to 30 years ago.

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Bon Jovi – ‘7800° Fahrenheit’ (1985) – Album Review (The Bon Jovi Collection Series)

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The success of the debut album, ‘Bon Jovi’, the band was out on the road a lot opening for Scorpions in the United States and with Kiss in Europe…two very solid bands to help you get noticed. As a result, the band only had about six weeks to record the new album. Things didn’t go well as they had trouble with producer Lance Quinn and their personal lives were also a little messed up. The band were not happy with the results as they hated sound of the album and have pretty much ignored this album when they finally blew up in to superstar status.

But for fans, such as myself, we actually love this album. Yes, it didn’t sell as much as the debut, but I think there are some really great songs on here. The band even started writing more together as four of the band members had writing credits, even Tico Torres has one which is rare. The only member without a credit is Alec John Such.

The title of the album is ‘7800° Fahrenheit’ which is actually the melting point of rock. SInce this is a ‘rock’ album, they felt it was a great title. Being the U.S. is probably the only country that uses ‘Fahrenheit’ as measure of temperature, it made the album very American. In Celsius, the temperature is 4313° if you were curious. And one other fact, this it the first album with the Bon Jovi logo that adorned all their biggest albums. Okay, enough already. On to the music.

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Ellefson / Soto – ‘Vacation in the Underworld’ (2022) – Album Review (The Jeff Scott Soto Series)

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Jeff Scott Soto has worked with some massive players so a hook up with David Ellefson, formerly of Megadeth, is no surprise. The two were working together back in March 2021 and had released a single which was a cover of Riot’s “Swords & Tequila” and I have to say it was pretty damn great. But two months later, Ellefson saw himself wrapped up on a major sex video scandal. The two decided to let things lie low for a long while and about a year later, they finally announced that a full album from the two would be coming soon. And finally on October 7, 2022, the album “Vacation in the Underworld” saw the light of day. But no “Swords & Tequila” sadly.

The two guys had a little help with Andy Martongelli on guitar. He is with the metal band Arthemis and he and David had been writing some songs together for a future project. David thought his long time friend, Jeff Scott Soto would be great for these songs. They needed a drummer so Paulo Caridi has played in Hollow Haze, The Bad Guy Experiment, and Cosmic Dead Ringers was brought in to complete the band. The sound of this band is heavy. It is a cross between Thrash, Metal and Melodic Rock. Jeff has a band that is for his metal side called Soto, but that band was missing the songs. Let me tell you, the songs are on here!!!

When this project was announced, I immediately went and pre-ordered the CD bundle which was signed by both David and Jeff as you can see from the top picture of this post. It also came with a 4×4 limited card, a couple stickers and a guitar pick as you can see below. And here is the thing. About 3 weeks before it’s release, I saw and ad for the album and I completely forgot I had ordered this already a few months earlier…so…I ordered it…AGAIN! Yes, I have two signed copies of the album. Man, I’m getting old. That was definitely a mistake on my part…but there is a mistake on the band’s part too. The back cover (above) shows 15 tracks…but there are only 14. Someone skipped track 12 and went from 11 to 13 on the track numbers…OOPS!! Enough, let’s get to the music.

The album opens with the title track, “Vacation in the Underworld”. The eerie, menacing guitar solo opens and when the drums hit, the power is even darker and more ominous. When the song kicks in, those double kick drums are so threatening and then Jeff finally comes in on vocals and all is right with the world or the underworld. The song is pure metal with a Power metal vibe to it. I love the heaviness and the power…it is a killer opener.

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Bon Jovi – ‘Shot Through The Heart: Live in Cleveland, OH – March 17, 1984’ (Bootleg) – Album Review (The Bon Jovi Collection Series)

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Bon Jovi the touring act was extremely fresh and new as the band hadn’t been together for very long. Even Jon said the band was terrible until their third album when things started to click. While out crate digging years and years ago, I found a Bon Jovi bootleg of a radio broadcast from only 2 months after their debut album, ‘Bon Jovi’, was released. A great snapshot of the young band in all its rawness and newness.

The show takes place on March 17th, 1984 at the Agora Ballroom in Cleveland, OH. The show was broadcast on WMMS-FM Radio so of course we get some of the radio DJs on here during the show. The bootleg I have was released in 2015 and 2 LPs (both black) and it was limited to only 500 copies. The cover is pure Bon Jovi with the denim blue jeans with a picture of Jon on the front and the band on the back. I mean, it is Jon’s band don’t forget. The band plays all but “Burning for Love” from the debut and you get a Sly & The Family Stone cover. Let’s get to the music.

The album opens with a Radio DJ introducing the band and they come out slowly with a very long drawn out build which you mostly hear the crowd screaming. Some weird distorted voice says something and then the guitar kicks in and we get the opening to “Breakout”. There is no doubt it is live as it is rough, raw and not very tight. Jon actually sounds pretty decent, still a little unpolished, but he can still hit some high notes that he can’t now. And he should be able to hit them since he is only about 22 or so here. Richie lays down a great solo and things start getting better as the band jams it up a little here.

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Bon Jovi – ‘Bon Jovi’ (1984) – Album Review (The Bon Jovi Collection Series)

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By 1982, Jon Bon Jovi re-recorded “Runaway” which he had originally recorded back in 1980 and had shopped it around with no luck. This re-recording he did with what he liked to call The All-Star Revue which consisted of guitarist Tim Pierce, keyboardist Roy Bittan, drummer Frankie LaRocka, and bassist Hugh McDonald (remember this name). The song started getting a little traction and eventually Jon Bongiovi got a record deal and changed his name to Jon Bon Jovi. He was an artist with a deal, but no band. Jon wanted a band and he was going to go with Johnny Electric, but Pamela Maher that suggested he use the name Bon Jovi since a two word name worked so well for Van Halen. No one really liked that idea at first, but eventually Jon came around and Bon Jovi was born.

So, Jon called his old buddy from his old band Atlantic City Expressway, David Bryan Rashbaum, and the ball got rolling. David called his buddy Alec John Such to handle bass and a drummer he knew by the name of Tico Torres. Alec and Tico were formerly in a band together called Phantom’s Opera. They needed a guitarist, so Jon reached out to his friend Dave Sabo (or “Snake”) who played with them for a very short time. He never actually joined the band, but thankfully he would go on to something almost quite as good with a band called Skid Row…maybe you’ve heard of them.

But the band still needed a guitarist. Jon had seen, and was impressed, by a guitarist by the name of Richie Sambora. Richie had played with Joe Cocker and was in a band called Mercy. Hell, Richie even auditioned with Kiss to replace Ace Frehley, but that didn’t go well. Jon asked him to join and now the band was complete. The band had a new manager by the name of Doc McGhee and with his help, they went off to record their debut album.

The name of the album was going to be “Tough Talk”, but that didn’t end up as the title as the record company had other ideas. They felt a self-titled album was certainly the way to go and they wrote the checks so they got their way. The album came out on January 24, 1984 and has been certified platinum. It reached #43 on the album chart so not a bad start for a brand new band. There is even an Aldo Nova connection to this album as he supplied some additional keyboards and guitars as the band hadn’t been complete yet while Jon was in the studio. We will touch on him more later in the series.

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Van Halen – ‘Destruction in Dallas: Reunion Arena, Dallas, Tx – November 18, 1982’ (Bootleg) – Album Review

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There is no better feeling than out vinyl digging and find something unexpected like a bootleg. Make that bootleg Van Halen and make there be two different ones there by Van Halen and that is why I love collecting. Those little surprises and the first one I already reviewed.. It is a soundboard recording from April 3, 1978 and recorded at the Pogo’s Night Club and Discotheque in Wichita, Kansas. The other bootleg I found was Van Halen’s Destruction in Dallas. Recorded on November 18, 1982 at Reunion Arena in Dallas, TX in front of a sold out show of over 19,000 screaming fans. This recording is a soundboard recording, although not a great one. The sound is really low, you can hear everything, but you really have to turn it up and it never gets loud enough for me which does detract from the show a little.

But Michael Anthony, Alex Van Halen, David Lee Roth and Eddie Van Halen due to all out and I am sure the fans had a great time at the show. This was the Diver Down/Hide Your Sheep 1982 Tour. Now, the copy I have of this bootleg is on 2 LPs and both colored. We get a beautiful red one for Sides A/B and a white on for Sides C/D. The track list appears to be accurate from what I’ve seen and the last three songs on Side D are actually demos of songs that have not seen the light of day on any release.

The album opens up with an enthusiastic introduction from the announcer and the band goes in to “Romeo’s Delight” with Eddie’s guitar throwing riffs out like they were candy. Dave “woahing” and screaming as he forgot the fucking words (as he tells the crowd). Someone might be a little hammered already and we are only at the first song. Not a good sign of things to come. Sound quality wise, the sound is a little hollow for the instruments. And I have it cranked and still hard to hear the instruments. Dave is clear, Eddie’s guitar is clear, but the rest not so much. Oh, and the backing vocals are pretty loud too.

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Jeff Scott Soto – ‘Complicated’ (2022) – Album Review (The Jeff Scott Soto Series

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Released on May 6, 2022 by Frontiers Records, ‘Complicated’ is Jeff Scott Soto’s 8th studio album. And like his last solo album, he partnered again with Alessandro Del Vecchio to help write and produce the album. He wasn’t the only one to return as Jeff also had his good buddy Edu Cominato back on drums and Fabrizio Sgattoni on guitar who were both on ‘Wide Awake (In My Dreamland)’. With the same basic line-up, you’d expect the same sound and you’d be right. It is more of the same, which in my opinion is not always a great thing. Although at times it feels like Talisman and sometimes W.E.T., it kind of all sounds the same, but there are some great moments. Let’s find out what’s what on the album.

The album kicks off with “Last to Know” opens and all is good. You get a hard rocking song with a great chorus, memorable moments and Jeff’s awesome vocals. Jeff’s delivery is powerful and the chorus is such a big payoff with great backing vocals. Fabrizio throws in some great guitar riffs and lays down a solo that is fast and exciting. An energetic opener that will get you moving and get you anticipating the rest of the album.

“Disbelieving” comes up next and there are some great melodies and harmonies, but I quickly lose interest as it is too cookie cutter and no real surprises. Left me a little bored and my mind started wondering and I’d forget the song was playing…never a good thing.

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Jon Bongiovi – ‘The Power Station Sessions (1980-1983)’ (2001) – Album Review (The Bon Jovi Collection Series)

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Before there was a band called Bon Jovi, there was a young man, named Jon Bongiovi, who worked as a janitor at a recording studio called The Power Station which was located in Hell’s Kitchen in New York City. During his time as janitor, he’d be allowed to use the studio when it wasn’t in use. The years were 1980-1983 and this release is a collection of all these unreleased songs from that time period in his life prior to becoming Jon Bon Jovi and fronting one of the biggest bands in the world.

But wait…let’s go back a ways. Jon could play both guitar and piano and at 13 started playing gigs with his very first band called Raze. When he was 16, he met a curly haired dude named David Bryan and they would start a band called Atlantic City Expressway. David would leave that band to go to Med School…but that didn’t work out as he felt music was his path. So that band didn’t go anywhere and while still south of 20, he had another band called Jon Bongiovi and the Wild Ones. Again, nothing. So by 1980, he started yet another band called Rest and they actually got to open for a hero of Jon’s, Southside Johnny and the Asbury Dukes. During the 80’s he spent time at his cousin’s studio and recorded the song “Runaway”…yeah, that song. He shopped it around, but little notice. And we will end that story there as we will talk further about how that song changed things for him later.

This album was released by Tony Bongiovi who is Jon’s father’s first cousin…what does that make him to Jon? I have no freaking idea…maybe second cousin. Tony, I believe, owned the studio and was the producer of these songs we have before us. The album has been released several times and is not an official Bon Jovi or Jon Bon Jovi release so I am sure Jon wasn’t overly thrilled with it seeing the light of day. The first release was in 1998 and was only 10 songs. The second release was 1999 and suddenly was up to 14 tracks. My version, however, was released September 18, 2001 and was the third iteration of the songs and this time around there are a whopping 20 tracks. That is a lot of music. And when you hear it, you will hear a very young Jon with songs that were a sign of the times and a Jon whose voice hadn’t really found…well…his voice or style. The songs aren’t great…but that doesn’t mean this isn’t a fun and interesting listen to see how it all began.

“Who Said it Would Last Forever” kicks things off with an opening piano, an infectious groove, some nice guitar work and energized vocals by Mr. Bongiovi. A high energy rocker that shows a singer with a lot of promise as the chorus is catchy and you can see something there that was ready to explode.

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Whitesnake – ‘Still…Good to Be Bad’ Super Deluxe Edition (15th Anniversary) – Box Set

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David Coverdale has really outdone himself with these Super Deluxe Editions Box Sets.  First was the ‘1987’ album, then an UnZipped Box Set, then ‘Slide It In’ and the 1989 album ‘Slip of the Tongue’. Heck, He even did the 25th Anniversary Edition of ‘Restless Heart’ which for some reason I have yet to review. I need to get on that. Now, to the surprise of everyone, he has done a 15th Anniversary Super Deluxe Edition for ‘Good to Be Bad’ now called ‘Still…Good to Be Bad’. It doesn’t seem the album has been out long enough to deserve such a treatment and that might explain why it isn’t chock full of goodness the other ones gave us. More on that soon enough. The album was the band’s 10th studio album and the first one in over a decade which is way too long to go without a Whitesnake album. But they came back with a bang.

This special edition consists of 4 CDs, 1 DVD, 1 Book, 1 Tour Program replica and 1 Album Cover Poster.  And it has over 58 tracks amongst all the CDs.  Well…not really. It has 15 tracks done four different ways (minus 2 tracks done 3 ways). So, this is why I say this is for the diehard fans as it is very repetitive…this is for the diehard fans as it is very repetitive! Yes, I said this twice to prove a point and yes, I did this joke on pretty much every box set review for Whitesnake because its true. Here is everything you get.

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