Alright…You Picked It! And this one was a blowout from the word go. It was really down to three choices but 2 weren’t even close. The winner was Metallica’s debut album ‘Kill ‘Em All’ which is one I have actually never heard from beginning to end as I was never in to Metallica until later. Most people couldn’t fathom that fact, but it is true. Here are the results.
Metallica – ‘Kill ‘Em All’ – 15 votes
Journey – ‘Freedom’ – 4 votes
Robin Trower – ‘Twice Removed from Yesterday’ – 3 votes
Thanks to all for participating. The September choices will be up on Saturday!
METALLICA – ‘KILL ‘EM ALL’:
Growing up, I was an 80’s pop/rock kid and in 1983, it was Def Leppard, Kiss, Quiet Riot, Genesis, Billy Idol and bands of that style. Metallica was way too heavy for me and wasn’t melodic enough for my liking. They were never on my radar until the Black album and “Enter Sandman”. However, I never went back and explored their music. I had an opinion of Thrash and it wasn’t for me. So, here we are almost 40 years later and thanks to your vote, I am now trying the debut ‘Kill ‘Em All’ and the first thing I notice is that by today’s standards, it isn’t as heavy as I would’ve thought.
There is so much written on this album so I am not here to give you a lesson on the album on when it was written and stories on each song, nope. You can read all that stuff on the interweb thingy that is out there. This is going to be my impressions of the songs as someone who doesn’t know these songs and hearing them for the first time (several listens now as I’ve spent a couple weeks with the album).
With Jeff Scott Soto still busy with Boogie Knights, his time with Axel Rudi Pell had come to an end. He was too busy to do both. However, he wasn’t too busy to play around with his good buddy Marcel Jacobs. Since Talisman was on hiatus, they decided to form Human Clay and pull together some of the old demos they hadn’t used with Talisman and make an album. That was the debut Human Clay album we reviewed a few weeks back. It was time for them to do another album together in Jeff’s spare time and this time around had a better batch of songs and they spent a little more money on it, double the last one.
As a result, the production was a lot better and so was the sound. This one sounded more like a Talisman record as the bass was more prominent in the mix and most importantly, the drums were actually real drums thanks to former Talisman drummer Jamie Borger. Jeff sounded great, they had real engineers this time around and it all came together much better. There was still no touring as Jeff’s other commitment made it too hard to do. In fact, Human Clay has never played live as a band and never will due the passing of Marcel in 2009. The Japanese label they were under actually had an option for a third album, but nothing ever came of that as one was never released or recorded that we know about.
My version of the album is a Japanese edition. It doesn’t have the OBI strip, but as you can see below, there is some Japanese at the bottom. Included in the CD was an extra booklet that was all in Japanese and being the Japanese edition, we get a bonus track. And that is really all the info I have on this one, so turn up the volume and let’s review the album.
After the debut album, ‘Lonesome Crow’, Michael Schenker was given an offer he couldn’t refuse. A chance to play guitar with the amazing band UFO. He was only kid so why not jump at the chance. They had asked Uli Jon Roth to join Scorpions after helping them finish out the tour, but Uli chose not to do it and instead stayed with the band he was also in called Dawn Road. Rudolf Schenker really wanted to work with Uli so he decided to break up the band and go join Dawn Road. Dawn Road already had Francis Buchholz (bass), Achim Kirschning (keyboards) and Jürgen Rosenthal (drums), but they amazingly found themselves needing a singer. Uli convinced Rudolf to invite Klaus Meine to come sing in the band…and he agreed.
Dawn Road had four members plus two old Scorpions members. Dawn Road basically outnumbered the Scorps. However, they decided to change the band name to Scorpions mainly because that name was more well known than Dawn Road and the Scorpions were back in business. They recorded the follow-up album ‘Fly to the Rainbow’ in April 1974 and on November 1, 1974, the album was released. The album ended up selling better than ‘Lonesome Crow’ and saw the band’s sound go from psychedelic rock to a more straight-forward hard rock sound…but not the 80’s rock sound yet…still some years off. One interesting thing to note is that 3 of the songs on the album were co-written by Michael Schenker which some how was part of the deal for him leaving the band.
The album cover is not quite what you’d expect from the Scorpions. The color scheme is not very metal and Uli Jon Roth has no idea what it means and I am guessing the band had no say in what it would be. The same design firm that did the debut album, which was great, did this one as well and I am not sure what drugs they were taking, but they had to be high as a freaking kite to come up with this nonsense. I do like the back cover with the band’s name on the guys ass..that’s kinda funny. My copy of the album is a standard U.S. release and nothing special so enough about that. Let’s get to the music.
After the dismal 2017 release ‘These are the Days’, I had pretty much given up on the band. Heck, on my Album Ranks for Lit…it was the Worst!! That album went too far to the country slant which a lot of rock bands have tried and few, if any have succeeded. Just ask Bon Jovi how well it went. That was not what I wanted to hear. I don’t know if the band heard my complaints or not, but with their new album ‘Tastes Like Gold’, they are back to the Southern California Rock sound despite the fact they are now in Nashville. Whatever the reason, I couldn’t be happier to have that sound back. They sat down with a whole host of writers which I don’t always like, but they were able to pull together a consistent album that was sonically Lit. I’ll take that.
This album for me was my favorite Summer album this year. Musically and lyrically, the album feels light, breezy, sunny and puts me in a great mood with each and every listen. The album painted a picture of driving down the road with the top down and the radio cranking. The beach on one side and glorious palm trees swaying back and forth on the other. The smell of the ocean in the air tickling your senses and putting a smile on your face. Sit back, drink your margaritas (stop driving at this point) and enjoy the fun in the sun.
From the opening party anthem of “Yeah Yeah Yeah” you know you are in for a good time as it is old school Lit all the way. Next is “Mouth Shut” which sees No Doubt drummer Adrian Young join in on the fun. Adrian helped fill in on drums on tour back in 2009 after the death of their longtime drummer Allen Shellenberger. The song is more party fun talking about how you always tend to say the wrong thing. The chorus is catchy as hell and will have you singing along right out of the gate. “Do It Again” has a powerful chorus that feels dramatic and gives a more modern vibe mixed with the old Lit.
“Kicked off the Plane” is an autobiographical song about them getting kicked off a plane for being…well..for being lit!! And no, it wasn’t because they refused to wear a mask!! It reminds me a little of “My Own Worst Enemy” and I mean that in a good way as it shares the same energy. Then we get the tender ballad “Ok With That” and one of my favorite tracks on the album. It is heartfelt and somber but so beautiful at the same time. He seems to be resound to the fact if it is the end of the world, he’s okay with it. It is nice to see the softer side of Lit. The first half ends with “The Life That I Got” featuring American Authors. This is a pure pop song and when they hit the chorus I swear it is “Midnight Memories” by One Direction. I’m torn if I’m okay with that.
The back half kicks off with “Get Out of My Song” and it keeps the party going with a massive drum beat and goes in to that easily sing-song chorus that makes it feel familiar as it is so catchy. Then the title track, “Tastes Like Gold”, has slowed down verses then goes to the bombastic chorus layered with keyboards and goes back and forth making a little predictable. Then with “Here’s to Another” we get an over the top pop song with a ton more keyboards and more of those sunny vibes we’ve been enjoying but overall a rather generic track.
“Hold That Thought” is more of an acoustic track reminiscent of the previous album, ‘These are the Days’, so they haven’t totally abandoned that sound. It is almost a ballad with that pop and country influence mixed together. You have to remember, I didn’t like that previous album so not a favorite song of mine for this one. They quickly redeem themselves with the explosive “Out of It”. This modern pop-rocker sees a more serious side of the band as the song feels more dramatic and impactful. Not a party song, but I’ll take a more modern serious sounding Lit too! The band goes out with a bang with help on vocals from the super-talented Butch Walker as they cover The Cars song “Let’s Go” and they nail it. On keys is Jason Freese who help capture that Cars “magic”. It is pure nostalgia sounding and even has the handclaps. It is a spot-on rendition that is pure excitement and joy. It makes you miss The Cars and love Lit at the same time. Great way to go out.
It is nice to see Lit redeem themselves after their last catastrophe. It is a reminder of how fun they can be and how exciting their sound is when they go old school. The first half of the album is stronger then the back half, but that Cars cover is the best. This for me was my Summer album as I mentioned at the beginning. A total blast and a great reminder of everything I loved about Lit. It is all right here. Go sit by the pool and crank this baby!! My Overall Score is a 4.0 out of 5.0 Stars.
After the last album, ‘Black Moon Pyramid’, Axel Rudi Pell wanted to do a tour, but Jeff Scott Soto’s schedule wouldn’t allow it. He was fully committed to his other project Boogie Knights which was a 70’s funk, R&B tribute style band. The commitment was due to a very steady paycheck. As a result, Axel took a short break and then started working on his next album which became ‘Magic’. Jeff was still on board for vocals as he didn’t want to let his friend down. While performing 3-4 nights a week with Boogie Knights, Jeff would work on the vocals for the this album. It became utterly exhausting for him as his voice had no rest.
The keyboardist for Axel’s band was Julie Greaux up to this point, but she left the band mostly because she became Jeff’s ex-girlfriend. As a result, a friend of Axel’s was brought in named Christian Wolf to help out. Christian was still in the band Rage, but was able to do this album as well. The rest of the band, Jorg Michael and Volker Krawczak were still in tact. Axel wanted to a heavier album than the previous and I think he succeeded. The album ‘Magic’ was released on May 21, 1997. Again, Axel was wanting to tour, but Jeff wasn’t feeling it. Boogie Knights was too important at this time and when it got down to it, this wasn’t his favorite type of music to sing anyway. In fact, Jeff didn’t co-write any of the songs on this one. It was all Axel. After much discussion, he parted with Axel and moved on. He and Axel are still good friends today and nice to see there were no hard feelings between the two gentleman.
Welcome to the start of the Scorpions Collection Series. We will be going through my entire Scorpions collection and only what is in my collection. I wont’ be covering anything that I don’t own on this series as I have all the studio albums. I even have some bonus stuff like promos, singles and whatever else I have found. We will start at the beginning and work all the way up to ‘Rock Believer’ which was released only a few months back. I hope you enjoy!
In 1965, Scorpions was born. Rudolf Schenker is the founding member and at the time he even handled the lead vocals. Scorpions have changed their style over the years, but back in 1965, they were more in to Beat Music. Thankfully for us that all changed by the time their first album came out in 1972. Other members at the time were Wolfgang Dziony on drums, Achim Kirchhoff on bass and Karl-Heinz Vollmer on lead guitar. Rudolf handled the rhythm guitar. Out of this original group, the only 2 to make it to the debut album were Rudolf and Wolfgang.
In 1968, they hired a new bass player after Achim had left and he was replaced with Lothar Heimberg. It wasn’t until 1969 when lead singer Klaus Meine showed up along with Rudolf’s little brother Michael Schenker on lead guitar. At the time of his joining the band Michael was only 14 years old. And when the debut album came out he was the ripe old age of 16 years old. Insane!! So now the line-up was complete.
Things started looking better when they entered and won a contest in which allowed them to record two songs with the CCA label to be used as a single, however, they were never released. The band did re-record those songs when they went in to record their debut ‘Lonesome Crow’ back in October 1971. The album was recorded in about 6 to 7 days. The album would be released in February 9, 1972 in West Germany and strangely as the soundtrack to an anti-drug movie called ‘Das Kalte Paradies’. The U.S. released would come in May 1973 over a year later.
Sometime during 1996, Jeff Scott Soto and Marcel Jacob were completely thrown for a loop when a best of album was released in Japan for their band Talisman. No one told them. The album was called “Besterious” and consisted of all songs that were previously released from the band. In response to this, Jeff and Marcel, along with Empire Records, decided they were going to release their own band approved version of a greatest hits compilation. It was called “Best of…” and it was chock full of hits plus a ton of previously unreleased tracks that any diehard fan would want to buy. I should know, I bought it!!
Two of the biggest treats were the first two tracks. These were both demos yet they had Goran Edman on vocals instead of Jeff Scott Soto. Goran was the singer for John Norum’s band and joined Talisman prior to Jeff. Goran left to join Yngwie’s band. The first of the demos is “Day By Day” and musically is no different than what ended up on the debut. It is a very Bon Jovi style song. Goran’s vocals are higher than Jeff’s but I’m not sure they have the power Jeff’s have. Regardless, it is still a stellar version of the song.
The second Goran demo is “Lightning Strike” seems a little more raw than the final Soto version, but all the elements are there. The chorus has some great harmonies and layers of vocals. Jeff sings it in this same style as Goran. I’m not sure which one I like better with this one. The rawness of this one adds a little to it.
At the record show here in Charlotte back in May of 2022, I found a Generation X album on vinyl I didn’t know existed. It is ‘Demos 1977’ and was actually only released back in 2020 and with Covid going on, probably the reason I missed it. It is also a German release which adds to why I didn’t see it. It says these demos were recorded back in 1977 on February 16th presumable for Chiswick Records. The band at the time was Billy Idol, Tony James, Bob ‘Derwood’ Andrews and John Towe and the demos were recorded at De Lane Lea Studios in Wembley, North London.
Here’s the problem I have with this saying these are the demos for Chiswick Records. They actually only recorded 5 songs for Chiswick and there are 13 songs here. Plus only 4 of those 5 are on this recording. The other 9 songs are from other recording sessions between 1977 and 1980 I believe based on the songs.
SIDE 1:
The first four songs on the album appear to be the Chiswick demos, but it is missing “Kleenex” which is a shame as that is a great one to have as it has different lyrics than the final product for the debut album. It kicks off with “Your Generation” which would’ve been their first single they released independently with the original pressing only 250 copies and later they would go back and do another 500. The B-Side of that single was “Listen” also from these sessions. “Listen” would wind up on the debut album, however, it was omitted from the U.S. release of the album and “Your Generation” take its place as it did not make it on the UK debut.
It had been three years since Matt had released a full studio album, and in November 2002, he finally released a 5 song E.P. titled ‘When Everything Meant Everything’ on an indie label called Acrobat. Within a year, Matt would finally sign his first major label record contract and he would release ‘Beneath the Fireworks’ on Universal. Three of the five songs on this E.P. would appear on that album, however, they would be completely different mixes which makes this E.P. really cool for fans as 2 songs were never released on an album and the other 3 are previously unreleased original mixes. Yes please, I’ll take a copy!! All the song were written by Matt Nathanson and his writing partner at the time Mark Weinberg.
The first track is “Pretty the World” which would be on ‘Beneath the Fireworks’ but this version is over 30 seconds longer due in part to a soft acoustic opening that is omitted from the album version which is to its detriment because I like that part. And the end of the song fades out more and again I think makes a better version. The song is a high energy pop song about him being with a woman that sees life through a beautiful perspective and he wants to see the world through her eyes. It is a contagious song that sees Matt developing in to a great singer/songwriter as his confidence as certainly grown since his last studio album 3 year prior.
After the disappointment of the last Talisman album ‘Life’, Talisman went on an indefinite hiatus. They technically weren’t broken up, just doing separate things…sort of. Guitarist extraordinaire, Frederik Akesson, did leave the band to pursue something more heavy with a band called Eyeball. Jeff Scott Soto and Marcel Jacobs thought stuck together. They wanted to put something out that would hold over the Talisman fans until they could decide what was going to happen with Talisman.
Out of that came the band Human Clay. You would ask, why not continue Talisman. The answer was simple. Jeff was needing a steady income and reforming Talisman at the time was not a viable option as he had committed to doing his 70’s tribute band Boogie Knights. This wouldn’t allow for touring. So, they stuck with the Human Clay idea and recorded between December 18th, 1995 and January 10th, 1996. They decided to grab a bunch of old material that they never released with Talisman and put together an album. They didn’t have a drummer so they used a drum machine instead (which I don’t usually like) and then Marcel handled all the other instruments with some minor exceptions. The production on the debut album is not that great as they didn’t have much of a budget, but I will try to focus on the songs and not the production value…much.
If you are curious as to how they got the name Human Clay, well, I will tell you what I know. They liked the name Human as part of the band name as Jeff’s a fan of Human League and they tried a bunch of different combinations and each one seemed to already be used by another band. Soto says he also liked Andrew Dice Clay so they took the clay part. The Human Clay name wasn’t being used by another band so they went with it. Not very exciting of a story and I am not sure how much of it is true or just the Soto trying to be funny.
2 Loud 2 Old Music 