As a Bonus Edition to The Kiss Review Series, we are going to look at a couple singles I have for the Song “I Was Made For Lovin’ You” off the band’s 1979 album, ‘Dynasty’. The song was a commercial success for the band reaching all the way to the #11 slot on the Billboard Hot 100 and one of only a handful of times they have broke the Top 40.
The music, however, was quite a departure for the band. The song was labeled as Disco and if you listen to it, it really was. The song was written by Paul Stanley, Vini Poncia and the great Desmond Child makes his first of many appears with the band (only one on this album). The story goes that Disco was really big at the time and the record company wanted the band to be a little more commercial. Paul thought any idiot could write a disco song and a bet was made and a few hours later, the song was written and the Paul proved his point. This song did have every trapping of a disco song, the tempo, the beat, the pop sound, the disco sound effects…I mean it was disco…but it was good and it was catchy and they still play it live today. Now on a side note, this is Gene’s least favorite song (and Peter and Ace hate it too).
I have two versions of the Single. I have the Radio Edit 45 Single with “Hard Times” as the B-Side and I have the 12″ Dance Mix with “Charisma as the B-Side. First we will talk about the 7” Single, which might be the Radio edit.
I know what you are thinking, all their albums should be labeled the Worst. However, that is not the case. I am not a huge fan of the band by any means, I am trying to shake things up a little and try different things with my posts and I thought why not really stretch it and tackle Limp Bizkit. I will admit to liking a few songs, but I don’t actually own anything by them so thanks to Apple Music for giving me the means to do a fair assessment without spending any more money that my monthly Apple Membership fee.
Nowdays, a person wearing a “Red” hat is labeled a racist, Trump supporting pig. That is right, the MAGA Hats. Well back in the late 90’s, there was another reason to hate the “Red” hat and that was because people loved to hate the backwards “red” hat wearing lead singer of Limp Bizkit, Fred Durst. Man, people loved to hate this guy.
The band was labeled as Nu-Metal and they brought in elements of hip hop, rap, metal, funk and rock. A whole smorgasbord of sounds. They were all over MTV and a massive success, but that success turned to hate really fast thanks to the controversial Fred. It was worse hate than poor Nickelback get for their success. Anyway, we are going to tackle their studio albums and I will try to let you know which ones I think are the best and in the order I rank them. I am not judging the band or its members, just focusing on the music or whatever you want to call it.
For My Sunday Song #215, we are going to discuss “Suspended” by Matt Nathanson off his 2003 album ‘Beneath the Fireworks’. The album was one of the first I heard by Matt and helped me get on board to become a full-fledged fan. “Suspended” was a single off the album but failed to chart. His first charted single didn’t come until his next album, ‘Some Mad Hope’ in 2007.
The song seems to be about being with someone that that you think is pretending you are the one. You are scared. You are feeling things that you haven’t felt before. You are alive, no longer numb. You feel she might actually be the one, but you are scared that she is. You freak out a little, but you finally suspend disbelief and except her for what this is and it could be beautiful. For me, it is a song about hope in finding your true love. I find it it to be a beautiful and the way he captures the emotions in the lyrics is amazing.
Musically, it is a pop song, plain and simple. Nice beats, good grove, great vocal delivery. There is nothing special about it, no outstanding moment. It perfectly captures the tone of the lyrics and it is catchy, fun and pleasant. Sometimes, the beauty is in the simplicity.
Tonight at 7pm, check out The LeBrain Train – 2000 Words or More with Mike Ladano. I will be guesting on the show so even more reason to watch. We discuss the Nigel Tufnel Top Ten List of Music Movies! It should be a lot of a fun. Come join us!
The LeBrain Train – 2000 Words or More with Mike Ladano Episode 29 Another week, another list show, and this one comes courtesy of the founder of the Nigel Tufnel Top Ten list, Uncle Meat himself. Music Movies — with one caveat. No documentaries. Those would make a fine list on their own. Lists by: […]
It is the last Friday of the month. Fall is upon or at least starting to feel a little like Fall. And the new releases keep on coming and this week there are a bunch. We have Anniversary celebrations, live albums and yes, even a Christmas album (ughh!!). Is there anything I am going to run out and buy? No, I will stream some, but nothing here that is a must have for me. I am sure there is something for you though as there is such a wide variety of releases. Let me know what you want to hear or what I may have missed as if it isn’t on here, at least it will be in the comments so people will know…all 3 of you (ha!). Thanks for stopping by and I hope you have a wonderful weekend!
I will probably stream these…
The Rolling Stones – Steel Wheels Live (Live from Atlantic City, NJ 1989) – (Eagle Rock Entertainment)
After the solo albums, Kiss jumped back in to the studio in January/February 1979 and began work on their seventh studio album (the solo albums aren’t really considered Kiss Studio albums) to be called ‘Dynasty’. It was set up to be the return of Kiss as it was the band’s first “band” album since 1977’s Love Gun. I say “band” because by this point, “band” is a very loose term.
The band was having serious problems with Peter Criss at this point. Peter had hurt his hand in a car accident, he was heavy in to drugs and alcohol and he was basically difficult to work with. To help try and ease things with Peter, the band hired Vini Poncia as the producer as he produced Peter’s solo album so they thought it would make things easier…it didn’t! In fact, Vini did not feel’s Peter’s playing on the recordings was sub par…basically, it sucked. So, they brought in a drummer to do all the drum parts. His name was Anton Fig and he played drums on Ace’s solo album. Anton played on every song, but one. The one song Peter played on was the one he sang, “Dirty Livin'”. It would also be the last Kiss song he played on any album until 1998’s Pyscho Circus (which is a whole other story to be discussed much later in the series).
In my quest of the finding cool things on vinyl, occasionally I pick up 7″ singles or 45’s of bands I like and while in Florida, I found this 45 Single from the band The Alarm. Mike Peters and crew released their debut album, ‘Declaration’, in February 1984 and the single for “Sixty Eight Guns” well before the albums release in August of 1983. Due to the success, they put it on their debut album. Now, the single I have is not that particular single. My single is a re-issue of the single done on February 14, 1984 for the official release of the album. Where the original single had alternate version of “Sixty Eight Guns”, mine has a previously unreleased track called “Pavilion Steps”.
The Alarm were a new wave, alternative rock band that liked to take on the “Establishment” and were not afraid to write politically charged songs. Something other bands at the time were not doing. “Sixty Eight Guns” was inspired by a book called A Glasgow Gang Observed by the Scottish author Patrick James that Mike Peters was reading about gangs in Glasgow around 1968 (thus the title). The song is a battle cry for that gang mentality that you were invincible and ready to take on the world. Continue reading “The Alarm – “Sixty-Eight Guns” (45 Single)”→
1978 was a big year for Kiss. Not only were they working on their Solo albums, they were also making their first movie. Kiss Meets the Phantom of the Park was released on October 28, 1978. It was a made for TV movie in the U.S. if that tells you anything about it before we even start talking about it. I actually remember all the hype this was getting and for me it was Event TV. I was going to watch this when it came out and I actually did. I was just shy of 10 years old and I remember this vividly. I even had it on VHS when it was released (or my brother had it), but we don’t have it anymore.
I think there was a plot so I will see if I can piece it together for you. The movie takes place at Six Flags Magic Mountain in California and the Park is having some money troubles. The evil scientist man, Abner Devereaux played by Anthony Zerba, is spending too much on his robots. He is close to developing the most realistic robots ever, but before he can finish, he is fired. This sets him off to destroy the park and Kiss as they were there to perform 3 shows over the weekend. The funny thing is that after being fired, he wasn’t escorted out of the park like any normal firing. Stupid mistake on their part.
There is Sam and Melisse, two young kids in love. Sam works for Devereaux who takes Sam hostage using a micro chip in his neck to control him and basically turn him in to a human robot. All the while, Sam’s girlfriend, Melissa, is trying to find him. She meets Kiss and tries to get their help. Kiss is happy to oblige a pretty young lady and she was that. Kiss had special powers, they were superheroes basically. They had these Talisman that gave them their powers and Devereaux uses Sam to steal those Talisman.
For this month’s version of The Original vs. The Cover we are going to discuss a song that was covered only a year after the original and a little more current. We are talking about the song “Valerie” written by the band The Zutons in 2006 and then released by Mark Ronson featuring Amy Winehouse and a third version was released by Amy Winehouse as a B-Side for her Back to Black album. The song first appeared on the Zutons second album, ‘Tired of Hanging Around’, in 2006.
The song has been revealed to be about a young lady named Valerie Star who is a celebrity make-up artists. She is friends with Zutons frontman Dave McCabe and he wrote this to her as a way to show her support when she got in to a little trouble for driving under the influence. Apparently, the song took 20 minutes to write and he was inspired to write it in a cab ride on his way to his mom’s house.
The song for The Zutons hit #8 in Scotland and #9 in the UK, but never charted in the US. The cover version with Mark Ronson and Amy Winehouse hit #1 in the UK R&B Charts and #2 in the UK Charts so it was a little more successful. Amy’s solo version in 2008 hit only at #37 so it was the least popular, but is it the best version? We will see.
THE ZUTONS
The Zutons song is a light hearted indie pop sounding song. It is a fun, upbeat track with some great guitar tone to it. There is a little musical break with just a drum beat, hand claps and Dave on vocals that is a nice touch to the song to give it some variety. Dave’s vocals are little squeaky at times, but still very pleasant. It has a calming, sensitive feel to it like he really cares for Valerie and he wants he to come over and he’ll take care of her during her troubling times.
MARK RONSOON (FEATURING AMY WINEHOUSE)
Mark Ronson’s version of the song is more upbeat than The Zutons. The tempo is sped up and the production of the song is from the 1982 song called “Town Called Malice” by The Jam. There is a horn section and it is has a little blues, a lot of pop and a nice beat throughout. Amy’s vocals have the same old Amy sound, but not as jazzy as she can get and a lot more on the pop side. The song even has a little dance vibe to it.
AMY WINEHOUSE
Amy Winehouse’s solo version is nothing short of pure Amy. It was recorded Live at BBC Radio 1 in 2007. It is jazzier version with keyboards and a more acoustic feel. It has more heart and feeling and Amy’s voice is like no one else’s at that time and it sounds so classic. There is such a maturity to her vocals, she seems so seasoned like she has been through a lot and carries that weight in her vocals. A utter talent.
THE VERDICT
Picking a winner here is easy for me. Amy Winehouse’s solo version is tops for me. Not beating around the bush here. I really dug her vocals and when you put her in the jazz and blues setting she can’t be touched. The other songs are fun and more pop, but don’t have the heart her vocals bring. Now Dave McCabe of The Zutons hates the fact that Mark Ronson & Amy Winehouse’s version were so popular because people tend to forget it was really his song. It truly bothers him. I am sure when that check comes, it bothers him a little less.
I am really interested in hearing what everyone else thinks of these two songs. Let me know which version you like the best and why. Feel free to leave a comment and talk about the song and tell me how right or wrong I am on this one. Thanks for stopping by and have a great day.
“Valerie”
Well sometimes I go out by myself and I look across the water And I think of all the things, what you’re doing and in my head I make a picture
‘Cos since I’ve come on home, well my body’s been a mess And I’ve missed your ginger hair and the way you like to dress Won’t you come on over, stop making a fool out of me Why won’t you come on over Valerie, Valerie?
Did you have to go to jail, put your house on up for sale, did you get a good lawyer? I hope you didn’t catch a tan, I hope you find the right man who’ll fix it for you Are you shopping anywhere, changed the colour of your hair, are you busy? And did you have to pay the fine you were dodging all the time are you still dizzy?
Yeah
‘Cos since I’ve come on home, well my body’s been a mess And I’ve missed your ginger hair and the way you like to dress Won’t you come on over, stop making a fool out of me Why won’t you come on over Valerie, Valerie.Valerie,Valerie?
Well sometimes I go out by myself and I look across the water And I think of all the things, what you’re doing and in my head I make a picture’
Cos since I’ve come on home, well my body’s been a mess And I’ve missed your ginger hair and the way you like to dress Won’t you come on over, stop making a fool out of me Why won’t you come on over Valerie, Valerie.Valerie,Valerie?
Yeah valerie
Written by Dave McCabe, Russell Pritchard, Sean Payne, Abi Harding, Paul Molloy and Boyan Chowdhury
For My Sunday Song #214, we are going to discuss the song “Adrenaline” off Matt Nathanson’s album ‘Show Me Your Fangs’ from 2015. The album contained 4 singles and next to “Headphones” this might be my favorite single off the album. It charted as high as #26 on the US Adult Alternative Charts and did as well as “Headphones”.
I picture “Adrenaline” as a song about longing and desire. After a bad breakup and you run in to that person again and you want to be with them so badly you can taste it. All you remember is how great it was and wanting to capture that desire, that passion that emotion one more time and if you could grab hold, you wouldn’t let go this time. Lyrically, the song captures that feeling beautifully as well as full of some imagery of Los Angeles and of that desire that make the song a little on the sexy side.
Musically the songs starts off with an almost angelic vocals full of echo and a haunting delivery. There is a great drum beat throughout that gets you moving and bobbing the head. The highlight for me is how Matt delivers the song vocally. They way he dances with the lyrics and loses himself in the lyrics makes you feel everything that the song is trying to make you feel. A talent on both as a songwriter and a singer and when those too mesh together in the right way, you are treated with something magical and this song is exactly that.
The Rolling Stones – Steel Wheels Live (Live from Atlantic City, NJ 1989) – (Eagle Rock Entertainment)
Deftones – Ohms – (Reprise Records)
2 Loud 2 Old Music 