It is Friday the 13th!! I am hoping everyone has a safe, non-horror filled day. And as luck would have it, there is really nothing I am interested in getting this week. A few I might listen to but nothing I am in a rush to get to so Friday the 13th is already starting out to be a crappy day!! I am sure there is something you will find that you can wrap your ears around as there are a lot to go through. Let me know what you want to hear and what I may have missed as that does happen (a lot). My only choice is The Killers and marked in Blue below. Thanks for stopping by and I hope everyone has a wonderful weekend.
The Killers – Pressure Machine – (Island Records / UMG): They are wasting no time putting out a new album as they just had one last year but I am sure Covid killed it. The last one was really great so I am anxious to hear what is in store this time around. After 17 years, Mr. Flowers and co. still have their groove and so that is why this is first up today and really the only one I’m wanting to hear.
And all the rest…
Sheryl Crow – Live from the Ryman and More – (Big Machine Label Group)
Shortly after the MTV Unplugged Show, the current line-up of the band, Gene Simmons, Paul Stanley, Bruce Kulick and Eric Singer, went back in to the studio to record what would become the band’s 17th studio album. The album was recorded between November 1995 and February 1996, however, the album was scrapped and pushed aside. Why would they do such a thing, was it that bad? No, not exactly. The problem was that after the MTV Unplugged Show, the buzz about the Ace Frehley and Peter Criss playing with the band again was reaching a fever pitch. Would they get back together and do a reunion tour? Would they put the make-up back on? And the answer to both of those questions was a resounding, YES!!
The album was set aside for the time being. Somehow though, bootleg copies of the album got out and were being distributed around in certain circles (I wasn’t in that certain circle). As a result, the band decided to finally release the album and they called it ‘Carnival of Souls: The Final Sessions’. It actually didn’t have all the same songs as the bootleg, but at least it was out.
The album was a complete departure for the band. It saw them go darker and more grunge because as usual, the band were followers and trying to follow the trend. They didn’t care in the least anymore to be trend setters and set the bar high. Nope, they pandered to what was big in music. There is a problem with that as Grunge was fading by this time. A lot of the sound was actually a result of Bruce Kulick’s doing as he helped co-write 9 of the 12 songs. I am not saying it is his fault, I am only saying that it was because of Bruce they were able to do that sound as he was versatile enough and technically savy enough to play anything.