I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.
This time around we have a German demo called ‘Kiss and Ace Demos’. And guess what, that is what is in on it, plus a lot of Wicked Lester tracks. The first 10 tracks are Wicked Lester (but not really). Tracks 11-15 are Kiss Demos (mostly) and Tracks 16-18 are Ace Frehley Demos (one of which I’ve never had before. Track 19 on the list is the radio commercial for Kiss – The Originals release. An interesting add.
Now, the track listing says you get 19 tracks, but that isn’t really true. Like most bootlegs, there are mistakes. Well, a couple errors in this case. First is that tracks 9 & 10 are not what they have listed as “We Want To” and “Shout it out Loud”. Nope that is actually one song called “We Want To (Shout It Out Loud)”. Th other mistake is “Ladies in Waiting” is spelled “Laidies in Waiting”…which I guess makes it take on a whole new meaning…or maybe fits the meaning of the song that much better. And there was a little bonus inside the booklet. There was the actual receipt when this album was purchased back April 12, 1995 (if bought in Europe, then it would be December 4, 1995…not 100% positive on either. But the price was rather high at 49.85 after tax. A little steep back in that day.
This week we unbox the brand new Kiss ‘Dressed to Kill’ (50th Anniversary Super Deluxe Edition) box set. It is massive. There are 5 CDs and 1 Blu-Ray but it also has a bunch of goodies included. You get a 100-page Hard Back book, stickers, buttons, picks, posters photographs, newspaper, ticket stubs, backstage passes and everything and anything related with a Kiss logo on it. The album came out in 1975 and produced what would become one of the greatest rock anthems with “Rock And Roll All Nite”. The tour would spawn the greatest live album ever made, Alive!, and you get not one, but two full shows that album was taken from. The rest will hopefully be on the Alive! box set, we will get to that one after it comes out. Sit back and enjoy as you unbox with me as it just showed up on my doorstep.
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I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.
This time around we go back to 1974. April 7, 1974 to be exact. This bootleg is from their Detroit, Michigan show that was recorded at the Michigan Palace. The release is called Live Vol. 1 and is out of Australia from a label called Joker. It is Unauthorized as it says in rather large print on the front cover. This is real early in their career and is from The First Kiss Tour!! This was for the Radio Station WABX-FM Kite-In and Balloon Fly show and if I’m not mistaken, there was another up and coming band called Aerosmith on the same bill along with Michael Finnelly and The Mojo Boogie Band. As far as the track listing, there is an error…well, not an error but more of an omission. On the same track as “Cold Gin” is the song “100,000 Years” which is not listed. So that was a plus.
The sound is not that great. Very muddy and sounds like a recording of a recording of a tape. The volume starts off low and suddenly you can hear it getting louder as someone was turning it up. The band is introduced as “the most unusual band” which is totally awesome and so true for the time. Kiss opens with “Deuce” and like I said, the sound is bad. The volume goes up and down and not a good recording at all. But this is hungry, early Kiss and you can hear how good they still sound. A rocking opening song and Gene’s scream during Ace’s solo towards the end was awesome!!
I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.
The bootleg we have for you this time around is called ‘Electric Magic’ and it was recorded live from The Brewery in East Lansing, Michigan on October 21, 1974 about a week before ‘Hotter Than Hell’ was released. This particular one is a soundboard recording which means the sound is pretty good. A little more focused on the instruments as they are louder than the vocals. Also, it means the crowd noise is pretty limited as they weren’t mic’d up. This one is from Godfatherecords and is on a tri-fold cardboard sleeve. It was released on May 15, 2008 so it isn’t that old. But the show is.
The show opens with a classic opening line of “Put Your Two Lips Together and KISS” screamed from the announcer. The opening riff comes on and you know it is “Deuce”. A killer opening track and to be followed by “Strutter” is a brutal opening. Before the song starts, you hear a lot of noodling around on the instruments and it is a pretty long pause before the song kicks in. The bass is real heavy on this one, but it is still killer. Paul announces the next song is off their new album that will be out this week and it is “Got to Choose”. One of the coolest songs on that album and cool they heard it before the album dropped.
I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with somethings.
Now, to the review…We all know Kiss was started by Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley. But did you know about the band prior to Kiss? It all started with Gene (Chaim Witz) and Paul (Stanley Eisen) in a band called Rainbow with Gene’s friend Stephen Coronel. Paul was the third member and then they brought in a drummer named Joe Davidson. This band didn’t last long at all and hell, the drummer even a shorter time as he was quickly replaced with Tony Zarella. They only played one show before they had to drop the name Rainbow because that name was already being used by some other band (and no, not the Richie Blackmore band).
And that is how Wicked Lester was born. After only a couple shows as Wicked Lester, they were approached by a label and were given the chance to record some demos. After listening to those demos, the label decided that Stephen was not good enough and had to be fired. And since Gene and Paul the upstanding citizens they are, they fired Stephen. I guess you do whatever it takes to make it in this business. Ron Leejack was then brought in for guitar duties and it was time to record the album.
Now the album would take about a year to complete and upon receiving the album and hearing it, the label were not quite thrilled with it…okay, they hated it. Hated it so much, they shelved it and it was never released. Well, never in a full, pure album form. It has been leaked out as a bootleg and that is what we have here. This particular release has a total of 9 demos of Wicked Lester and it also has the 5 demos done by Eddie Kramer before Kiss did their first album. Lastly, it claims to have 5 songs from Live at the Academy of Music in New York from 12/31/73, but this is not true from what I researched. It is actually 5 songs from the Long Beach recording on 5/31/74.
Universal Music did not care about over saturation of an artist as they released a ton of Kiss Compilations and Canada received the brunt of them. This one was released in April 2008, I believe. It was part of the Green Series that Universal was releasing which had a number of bands. The Green Series means the packaging was all done with recycled paper and even used a plant based ink. Good on them for trying to save the earth, but with the shipping of the product and I am sure was wrapped in some sort of plastic, it was really all for naught. Plus, the cardboard digipak would tend to show wear and tear after awhile. However, the copy I received was in pretty darn good shape.
The album contains 15 tracks and really only covers the 70’s with the minor exception of “Lick It Up” from 1983. The rest is only from the original band members of Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley. With “Lick It Up”, you add Eric Carr and Vinnie Vincent. Wait, this isn’t all entirely true as the song “Cold Gin” is live and is copyrighted from 2001. More on that later. There is a write-up in the booklet by Don Winkley giving a brief history of the band only going up to the reunion (and this was 2008 when released so I would say they missed some years). If you like the 70’s material, then at 15 tracks, not a bad comp…but not a great one either. A pure cash grab from the label. Let’s get to the music…
“Shout It Out Loud” was the first single off ‘Destroyer’ trying to capitalize off the success of the live version of “Rock and Roll All Nite” that was released previously. The title of the song comes from the Hollies song “We Want to Shout It Out Loud” which Wicked Lester demoed years earlier. The song is sung by both Paul and Gene and that chorus of “Shout it, Shout it, Shout It Out Loud” is pure rock gold.
Ace is finally on lead vocals with “Shock Me” and might be my favorite Ace song. The song is based off an incident that is well documented where Ace touched an ungrounded metal railing and had the life shocked out of him. No, he didn’t die, but he was thrown back a little. He continued the show with no feeling in his hand and I believe the show was December 12, 1976, at the Lakeland Civic Center in Lakeland, Florida. Ace having little confidence wanted Gene to sing and Gene, thankfully, talked Ace in to singing. Ace finally agreed and actually recorded the song lying down on the floor. I hope that method has changed. The song is utterly brilliant and the guitar work is some of Ace’s best. In fact, he does all the guitar work on this one, both lead and rhythm. This defines Ace Frehley in my book!!
Universal Music was at it again in 2009 with yet another compilation. This one was called ‘Legends of Rock’ and was exclusive to Canada like so many others. They were pumping these out and trying to grab as much cash as they could since Kiss was no longer on their label. I do like the old photograph from the ‘Dressed to Kill’ era that was the cover. It was a decent set with 15 tracks, but nothing really special or unexpected. Same old, same old, you’d say. It is a bare bones set, but at least they had some write-up in the liner notes. It says it is a 4 page booklet, but don’t let that fool you into thinking there is anything cool in there because there is not. The only thing of interest is the songs and even those are not that interesting since most of the tracks are on every other compilation out there. What songs are on it? Let’s go through it and see.
First up is “Heaven’s On Fire” which is Paul Stanly and Desmond Child song and the first single off ‘Animalize’. Paul shows off with a little “Oooh Oooh Oooh” that I’m not sure he could not hit today as it is so high, but it is a perfect way to kick off the song The song is another rocker and a very typical 80’s sounding song. It was all over MTV and helped propel the album to Platinum status. On radio, it didn’t fare as well not breaking the Top 40 and hanging around #49. The song is one of the few 80’s song to actually get occasionally played live after they went back to make-up which is cool. Now sadly, this was the only video that contains Mark as he was gone before anything else was done, but at least we have this to remember him by.
“Lick It Up” is the band’s first single and first video without make-up and the song only went to #66. It opens with a nice little riff and a little scream from Paul. Paul’s second song on the album and it was meant for the radio. This is a pure 80’s, melodic rock song and no wonder it still gets played a lot. The video was so 80’s as well. Real cheesy and had the band in a post-apocalyptic world. It is a little comical watching it now. The song, however, is about a guy trying to talk his girlfriend in to doing the nasty so doesn’t really fit with the video. Really cool they kicked things off with 2 80’s songs, but that is all we get. The rest are from the 70’s.
The first song of their debut, “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester. The song has a great opening drum fill by Peter and is an uptempo rock song that was inspired by all the sexy women in New York. There is a great bass riff by Gene why Ace belts out the solo. Paul sings the song and shows all the confidence a lead singer should show.
Universal Music was spitting out Kiss compilations faster than Gene and Paul were badmouthing Ace & Peter. Man, that is fast. This time around, we get a German only compilation from 2012 that was only available at the retail store Rossman. It is a 2 CD set with 30 songs and a bonus track as well. But is it really a bonus track if this is the only version released. No vinyl, no cassette, only a CD. That to me seems like it is a 2 CD set with 31 songs. Maybe it is because all the songs on here are album cuts except for this 31st song…who knows. Regardless, cool to get this one in the collection and I love that it has the German Kiss logo with the different SS’s.
The songs are mostly focused on the 70’s with a small taste of anything from the 80’s and when I say small, I mean only like 4 songs out of the 31. But there are some cool choices on here that you don’t normally see on a Kiss compilation and being 2 CDs, gives you a great taste of the band especially if you like the 70’s.
CD 1:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
Between 2002-2008, The record labels in control of the Kiss Catalog released not one, not two, heck not even 3 Greatest Hit Compilations. Nope. They released a total of 7 greatest hits compilations spread over those years. I am sure there are more, I just haven’t found them yet. Over the last few weeks, we have been through a bunch of them and hopefully this is the last one for a little while. At least until I find more…which I will. As far as compilations go, this one is worth taking notice. Let me explain.
Originally this was released in 2004 as part of the KISS Sound and Vision box set. This set was released on January 11, 2005 and is a 2 CD Set called ‘Gold’. The label for this one was Universal Music Corporation. This set covers the make-up years from 1974 up to 1982…except it doesn’t include anything from ‘Creatures of the Night’. The 1982 in reference here is for the ‘Killers’ compilation. There are 20 songs per disc which means we get a handful of releases from almost every album with some minor exceptions. There is at least one from every release though (except maybe Double Platinum. If you want a comp that gives you the best coverage of the make-up era, I don’t know if you can do better than this.
DISC 1:
Kiss (1974): The representation of the debut album is strong as it gives you five tracks:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
If you are thinking, “John, you’ve reviewed this show before”. You would be right. I reviewed it about a 1 1/2 years ago. But this one is different…it has a different cover and from a different manufacturer. In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record show, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $20 for it. When I saw it, I knew I had this show, but I really liked the cover and this one has clear vinyl. Otherwise, there is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.
Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.
If you look at the setlist, you will notice a few things stand out. One is they basically played the entire debut album with a few minor exceptions. Two, they play the song “She” which won’t come out until 2 albums later on ‘Dressed to Kill’. And Three, they play a song called “Acrobat” which is actually the basis for the song “Love Theme From Kiss” from the first album. This is two months after the debut album release, so it is strange they played the “Acrobat” version and not the album version.
SIDE A:
The album and set opens with “Deuce” and boy can you hear the tape drag on this one, pretty drastic. But you can still make out the song and hear Gene just fine as it is in the instruments where you have the issues. Nothing is real clear except the vocals. Towards the end of the song, it clears up and gets a little louder and that cowbell comes in nicely. “Strutter” is up next after a slight pause and you get more wobbly instruments and even a little on the vocals this time around. Paul sounds like he is singing the song so much slower. Again, you are buying this strictly for the historical value…that is what I keep telling myself anyway.
“Firehouse” sounds great and I happy with that version. It is an untouched, live version warts and all and it is quite enjoyable. Ace’s solo sounds good and you get a glimpse of the band doing what they do best with no real hiccups. The cool song on here is “She” as I said it hadn’t even been released yet on an album. The guitar opening on it sounds a little slower and I am guessing that is the tape drag as there is a lot of wobble. But vocally again, sounds good. Gene is menacing as ever and Paul on background duties. The coolest part is the instrumental break/guitar solo as it isn’t what we get later. This the reason to buy this release if you need one. And last up for Side 1 is the badass song “Nothin’ to Lose”. And by this time you are used to the wobble and so it starts sounding pretty decent (okay, decent enough). I love this song as you get both Gene and Peter on vocals (and Paul is heard pretty good on backing vocals). I love Peter’s gritty and raspy old school singing on this one. Always fun.
SIDE 2:
Side 2 kicks off with the Ace Frehley penned song “Cold Gin” (after the radio DJ does a station break), but with Gene on vocals as Ace wasn’t singing this early on in the band. Now, I did get to see Ace do this one this past Summer when he opened for Alice Cooper but that is another story. I really love this song but I will say this version seemed a little flat and not sure if that was the band or the recording itself. After a little tuning, we get Gene’s bass and some thumps until they become “100,000 Years”. Paul sounds fresh and youthful and can do some great ooh-yeahs back then.
Another favorite of mine to hear live is “Black Diamond” even with a DJ interrupting the opening notes for a station break. The tape is wobbly again as it sounds a little funky and messed up, but it is still “Black Diamond”. I love the slow opening and then the bombastic explosion for the rest of the song. Plus, the instrumental break and solo are always great. An all around fantastic song every time I hear it. The song ends the broadcast. Then the show announcer comes back and the band is tuning their instruments a little they go in to what is labeled as “Acrobat” but it cuts out the “Love Theme From Kiss” parts off and is just the band jamming. Peter has a little drum solo piece then the band kicks in and they jam out, all instrumentally and then they start singing only a little. There are very few lyrics and they sing “You’re much too young” a couple times and then they go back to jamming and we get a killer guitar solo piece as well. Then Paul says “Good Night” and it is all over. Fun track.
Despite the tape drag and the wobbly sound in out at times throughout, I still find this an enjoyable most especially for an early version of “She” and for the encore with “Acrobat”. It is also a cool historical piece to have anything live and uncut from 1974 with them really just getting going. All-in-all, it turned out to be an okay show as you get used to the sound issues and you enjoy it for what it is. I can’t give it too high of a score, but I will give it at least a 2.5 out of 5.0 Stars (but it should get more for the two songs I mentioned – maybe a 3.0 to 3.5…but that might be too generous).