After the disappointing sales of their album ‘Detonator’, Ratt seemed to be falling apart. Robbin Crosby would leave the band due to his substance abuse problem and the dominos would fall from there. The band went on “hiatus” in 1992 and it felt like the band was done. Well, the weren’t just year.
In 1997, reunion talks began with the five original members. However, Robbin Crosby developed HIV due to his substance abuse problem and was in no shape to carry-on. Juan Croucier would soon afterwards decide he didn’t want to re-join the band. So that left Stephen Pearcy, Warren DeMartini and Bobby Blotzer and they decided to continue as Ratt and the set out to go on tour. Before they did that, the decision was made to release a compilation album of B-sides, alternate recordings and even re-work some old Mickey Ratt tunes.
I wasn’t planning on reviewing any compilation albums in my Ratt Review Series, but this one was different as it wasn’t a greatest hits collection. Being that most of the songs haven’t been on any Ratt album, I decided it was worth getting a review of it’s own. I will warn you, this is a collection of songs that is strictly for Ratt fans.
Continue reading “Ratt – ‘Collage’ – Album Review”
The year is 1990 and we are getting to the end of the Hair Metal era, but at the time, no one knew that end was coming. Ratt released their fifth album in August of 1990 and it brings us to the end the long running stream of Platinum albums. It is also the last Ratt album with the line-up that has been on all 5 of their albums.
- Stephen Pearcy – vocals
- Robbin Crosby – lead guitar
- Warren DeMartini – lead guitar
- Juan Croucier – bass guitar
- Bobby Blotzer – drums
After the disappointing reception for ‘Reach for the Sky’ (although it did go Platinum), the band needed to make a change. That change was not to use Beau Hill as producer on the next album as he had produced all previous albums to much success. The band (or label) brought in powerhouse songwriter Desmond Child. You know Desmond…he had great success writing with Kiss, Aerosmith and a few Bon Jovi classics.
And did he ever get involved in the songwriting as he has writing credits on 10 of the 11 tracks on the album. Not only did Desmond assist with songwriting, he was also the executive producer along with Sir Arthur Payson. While Ratt did maintain the classic Ratt sound which was a little bluesy and little sleazy, the songs were much more polished and contained more hooks than a fisherman’s tackle box. It definitely leaned to a more Glam rock image than prior albums.
Continue reading “Ratt – ‘Detonator’ – Album Review”