Tag: Unbreakable

Ellefson-Soto – ‘Unbreakable’ (2025) – Album Review (The Jeff Scott Soto Series)

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The debut Ellefson-Soto album was released back on October 7, 2022 and only 6 months later, David Ellefson and guitarist Andy Martongelli wasted no time in starting to write the next album. Starting April 2023, work began on the songwriting and over the next year and half the two would collaborate with Jeff Scott Soto on what would become the second Ellefson-Soto album called ‘Unbreakable’. Funny enough, it all started with a cover song. David suggest they cover and a Queen song and David knowing Jeff’s obsessive love of Queen, knew this would draw him back in. That cover was of “Death On Two Legs”. Then it was off to the races and squeezing things in when they could as these guys are always extremely busy. The band recorded the album at Rogue Studios in Wembley, UK by Alessio Garavello and produced by Chris Collier.

The band brings the veterans together with former Megadeth bassist and Grammy winner, David Ellefson and journeyman powerhouse vocalist, Jeff Scott Soto joining forces yet again to deliver something unique for the guys. Throw in the young guns of guitarist Andy Martongelli from Arthemis and drummer Paolo Caridi of Hollow Haze, The Bad Guy Experiment, and Cosmic Dead Ringers and the two dynamics merge to form a modern rock band that throws everything at you from thrash, to power metal, to even a little punk while still bring a heavy modern sound that takes this album to the next level.

The sound of this album is just as heavy as the first with a real modern rock sound. The band feels like they are way more comfortable with each other and they have developed their own sound and style and this whole album feels right. It feels collaborative as you can hear and feel all the elements that each member brings to the table. They also brought in a little help as well as we get not one, but two duets on the album. One with the great Tim “Ripper” Owens (Judas Priest) and another with the amazing Laura Guldemond (Burning Witches). It is not that Jeff can’t handle the vocals all by himself because we know he can, but It is a chance to spread their wings and show what this band is capable of doing while keeping things fresh for the listener.

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Def Leppard – ‘Diamond Star Halos’ (2022) – Album Review (The Def Leppard Collection Series)

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Def Leppard are known for taking long gaps between albums, but this might the longest. It has been 7 years since the last studio album, the 2015, self-titled gem, ‘Def Leppard’. Now, the band is back with an album that pays tribute to the era of glam rock with the likes of David Bowie, T. Rex and so many more. In fact, the title of their 12th studio album, ‘Diamond Star Halos’, is taken from the T. Rex 1971 song, “Get It On”. This is something Joe Elliott has been exploring with his Down ‘N’ Outz side project, but now that has leaked in to the Def Leppard camp…well, not really, as it has always been there. As Joe Elliott, Rick Allen, Rick Savage, Phil Collen and Vivian Campbell were all influenced by the great music of the 70’s.

‘Diamond Star Halos’ was released on May 27, 2022 and went all the way to #10 on the Billboard 200 album chart and even #5 in their UK home. Not a bad position for a band that have been around for over 40 years. And of course, I bought this album 4 times!! You read that right. I have the Target Exclusive vinyl with the yellow/red translucent vinyl and tarot card litho, but that is not all. I have 2 Japanese CDs as well. Why 2? Well, each one comes with 2 different bonus tracks so I had to have them both. And we don’t stop there. I even bought the cassette…yes, they put out a cassette with this one too. I had to have every format. Wait…hold the presses, I almost forgot. I also have the SDE Surround Sound version on Blu Ray and Dolby Atmos. So, I guess I have bought this album 5 times…yes, I have a problem.

Enough about my problems, let’s talk the album. It opens with the song “Take What You Want” which I swear is a throwback to ‘Pyromania’ era Leppard. I heavy rocker (well, as heavy as they get nowadays). Gang vocals, gritty riff, catchy chorus, it is all there. Then they glam it out with “Kick”. A poppy rock song that harkens back to T. Rex and Mott the Hoople. I admit, I like this one. Damn, is it catchy and gets stuck in your head.

“Fire It Up” cranks up the rock with some slamming riff, heavy bass from Sav and pounding drums from Allen. Joe almost raps the vocals and the chorus is layered with vocals as they are known to do. Their choruses are always huge. I have a love/hate with this one. Musically, killer…the rapping style lyrics, not so much.

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Scorpions – The Albums Ranked Worst to First (The Scorpions Collection Series)

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It started back on August 1, 2022 and it ends today. The Scorpions Collection Series has been a run ride and after 40 posts, we come to the conclusion. And that conclusion will take the 19 Studio albums and 1 compilation and rank them from the best album to the worst. The 1 compilation is really a studio album. ‘Comeblack’ is 1/2 re-recorded hits and 1/2 covers so in my book, it is a studio album.

Scorpions started way back in 1965, but their first album after many ups and downs finally came out in 1972. It was ‘Lonesome Crow’. There are two classic line-ups of the band in my book. You have the 1st with Rudolf Schenker, Uli Jon Roth, Klaus Meine, Francis Buchholz and Rudy Lennars. Then their heyday of the 80’s saw Rudolf Schenker, Klaus Meine, Francis Buchholz, Mathias Jabs and Herman Rarebell. Yes, Micheal Schenker was in the band and there have numerous drummers and the like, but I would say these two were my favorite line-ups. The final album came out in 2022 and it was called ‘Rock Believer’, so we have 50 years of albums and over 50 years of the band and it was a hell of a ride going through this series.

Now, let us get to the brass tacks here and start this ranking…and away we go….

THE WORST – ‘EYE II EYE’ (1999):

I think it is fair to say this might be the worst Scorpions album of them all.  And since I’ve heard them all, I think I’m qualified to make that statement.  I am all fine with experimenting, but with such a drastic change, it is a little too much all at once.  The techno sound, the rapping, the almost full album of ballads was too shocking for most humans to handle.  Now, there are a handful of great tracks on here, but not enough to save this pile of garbage (though good enough for a Scorps playlist).  My Overall Score is a 1.0 out of 5.0 Stars as the Scorpions are not a boy band, they are not a pop band and they are definitely not a techno band.  They are a hard rock, heavy metal giant that got lost in the 90’s like a lot of 70’s/80’s bands did.

#19 – ‘COMEBLACK’ (2011):

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Scorpions – ‘Unbreakable’ (2004) – Album Review (The Scorpions Collection Series)

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We are now on to the 15th Studio album from the Scorpions called ‘Unbreakable’. It had been 5 years since their last studio album, ‘Eye II Eye’, which was not a success. The band had some success with their live albums ‘Moment of Glory’ and ‘Acoustica’ and after some touring, the guys were ready to go at it again. They went to the studio in late March or early April and recorded 16 demos. Not a bad start…but…they scrapped every single one and started over. They tried again in June 2003 and nothing much from that one either. Finally after another short tour, they went back in to the studio a third time in September 2003 and did another 20 songs and finally they felt they could pull an album from those tracks.

They shopped for a producer and they had a number of people on the list that they sent the demos to in hopes of hiring a producer. They wooed Bob Rock, Max Martin, Rick Parasher, Erwin Musper and even old time producer Dieter Dierks. In the end they ended up using Erwin Musper and he did a pretty good job. But that wasn’t all they were shopping for as they also needed a bass player. The courted Jeff Pilson (Dokken) and Jimmy Bain (Rainbow/Dio), but they wound up with Paweł Mąciwoda who was able to play on about 10 of the 13 tracks.

After recording from October 2003 to January 2004, the album was finally complete. It saw the light of day on May 3, 2004 and I have to say after the last two albums were a departure from what we expect from Scorpions, this one brought the band back to form. They brought back the heavy riffs, the great bombastic choruses and even modernized it all a little. This is the album that reminded me that Scorpions still had the goods to deliver what the fans like best. Solid guitar rock. I think a lot of what I like about this one is due to the fact of there was so much I didn’t like about the last two. This probably elevates this one a little as a result, but still so much goodness.

It all starts with the killer opening track “New Generation” which starts out with a slow build that keeps getting grander as you go and then the song really kicks in slamming it home. The hypnotic guitar riff is stellar and the song sounds so modern yet so like classic Scorpions at the same time. A brilliant track that reminds a lot of the opening tracks from a lot of bands in the 80’s as it has that grand feel and runs close to 6 minutes. Love it!!

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