Bruce Fairbairn – Producer Extraordinaire #3

In my producer extraordinaire series, this is the 3rd producer who helped create some of my favorite albums.  The first post in the series was for Robert John “Mutt” Lange and then second post was for Brendan O’Brien.  Both legendary producers.

Bruce Fairbairn didn’t have as long as career as the first two guys due to his untimely death back in 1999.  However, during his brief time, he crafted some of the most memorable albums of the 80’s & 90’s and the albums sold well over 65 million copies if you just count the platinum and gold albums.

It all started in back in Canada in the late 70’s when he started out producing for a band called Prism.  Prism had moderate success in Canada, but not much internationally.  In 1980, Bruce started production on the debut album for another Canadian band called Loverboy.  Loverboy opened the doors for Bruce with the bands international appeal. He produced 4 albums with Loverboy in the 80’s.  They were as follows:

  • Loverboy – (2x Platinum)
  • Get Lucky – (4x Platinum)
  • Keep It Up – (2x Platinum)
  • Wildside – (Gold)

The success with Loverboy lead to so many more opportunities including working with one of the biggest bands of the 80’s, Bon Jovi.  Most of his work over the years was done in Vancouver, Canada out of one of the most successful studios in Canada, Little Mountain Sound Studios.  He brought Bon Jovi up and a lot of crazy shit happened, but most importantly what happened was Slippery When Wet in 1986.  He only did two albums with Bon Jovi, but they were the two most crucial in Bon Jovi’s career.

  • Slippery When Wet (12x Platinum – over 28 million copies sold)
  • New Jersey (7x Platinum)

We also have Bruce to thank for helping in the revival of Aerosmith’s career.  He ended up working on 3 Aerosmith albums and it is that sound that he helped them find that revitalized a sinking band.  They blew up and ended up having a second life that drugs and alcohol almost destroyed.  I look at Aerosmith in two phases.  You have the 70’s popularity and the 80’s.  I am still partial to their 70’s sound, but there is no denying the impact they had in the 80’s and early 90’s.  The three albums were as follows:

  • Permanent Vacation (5x Platinum)
  • Pump (7x Platinum)
  • Get a Grip (7x Platinum)

The only other band he did multiple albums for was none other than AC/DC. Both of these were huge albums for AC/DC and continued success for them into the early 90’s.  One of the albums spawned one of their most memorable songs that is played at many major sporting events “Thunderstruck”.  I remember when the Tampa Lightning Hockey team were introduced in their opening season, this was the song that was cranked up to 10 in the arena.  The two albums were as follows:

  • Razor’s Edge (7x Platinum)
  • Live – (3x Platinum)

He also had some huge albums that were massive sellers for these artists. Poison saw major success on their album Flesh & Blood which went 3x Platinum.  The album gave us the hits “Unskinny Bop” and “Something To Believe In”.  He worked with the Cranberries on their album To The Faithful Departed which was 2x Platinum.   And he even worked with Van Halen on their 3x Platinum album Balance.  This was the last studio album in the Sammy Hagar era of the band.

A few other notable albums:

  • When Kiss decided to record another album, with the make-up on in 1998 after the reunion tour, they worked with Bruce.  The result was Psycho Circus and the first with Ace Frehley and Peter Criss back in the fold in over 15 years.


  • He worked with INXS on the last album with Michael Hutchence, Elegantly Wasted.  It was one of the band’s biggest selling albums of their career even though it wasn’t as well received as some of their other releases.


  • Back in 1990, he worked with Paul Laine on his debut solo album, Stick It In Your Ear. I came across this album when I worked at a record store during college and thought it was such an incredible album.  I have followed Paul’s career ever since.


  • The last studio album he worked on was in 1999.  It was the album, The Ladder, by the progressive rock band Yes.  Bruce died before the final completion of the vocals and the final mixing.  The band dedicated the album to Bruce.


A final list of other albums from various artists in the 80’s & 90’s that I either owned or have listened to over the years:

  • Blue Oyster Cult – The Revolution By Night
  • Krokus – The Blitz
  • Black n’ Blue – Without Love
  • Honeymoon Suite – The Big Prize
  • Gorky Park – Gorky Park
  • Scorpions – Face the Heat
  • Jackyl – Push Comes to Shove

Bruce Fairbairn had a rather fantastic career with some great albums.  It is a shame he died so young at only 50 because who knows what else he would have been album to put together with bands he worked with.  He will always be remembered for these albums.  It is amazing how many of these I owned over my life.  I would say I had around 15 of these albums at one time or another.  For that reason, he is a producer extraordinaire in my book.

One of the engineers that worked with Bruce early on in his career was Bob Rock.  Bob will be the next focus of Producer Extraordinaire somewhere down the line.

23 thoughts on “Bruce Fairbairn – Producer Extraordinaire #3

  1. Nice post. I think I read that Bruce was due to get on a plane with Bob Rock the week he died to meet with Bon Jovi to discuss their new album. Following his death they went with Luke Ebbin but I wonder how differently things would’ve gone.

    Liked by 1 person

      1. I’ve got – though have no idea how to confirm this now short of digging around in a box to find it – that he produced the Real Life single. Of course had he produced the album that became Crush it would be easy to imagine that there’d have been less of a reinvention of Jovi so no It’s My Life etc (but, on the plus side, there’d have been no John Shanks or What About Now either)

        Liked by 1 person

          1. I listened again to Have A Nice Day recently – there’s so much more diversity in sound and subject matter than anything they’ve done since, certainly the last one worth listening to all the way through. Everything from that point sounds so flat in terms of sonics and so… unconsidered lyrically I have to wonder if it’s just become about lifestyle maintenance now

            Liked by 1 person

              1. I don’t know… I think there was an old article somewhere with Alex when he quit saying that JB had started sitting around deliberately trying to write a hit as opposed to writing as good a song as he could and seeing if it became a hit. That’s all I hear these days (or since These Days), the sound of JB thinking “this big chorus and chord should be a hit” and just… missing. Yeah, but I reckon Richie’s return is a ‘when’ rather than ‘if’ and will be ‘when the money starts to slow’ and as the massive chart tumble the last one took shows; that might be sooner rather than later.

                Liked by 1 person

      1. Look what Ol Detective Deke’s Found
        Real Life
        Written by Jon Bon Jovi and Desmond Child
        Produced by Bruce Fairbairn
        Performed by Bon Jovi
        Courtesy of Mercury Records
        on the Edtv Soundtrack from 1999…

        Liked by 2 people

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