If there is one thing I love to find and that is Kiss Bootlegs. Whether it is on CD or vinyl, I don’t really care. I do prefer vinyl, but I’ll take it on CD as well so I can play it anywhere once I load it up to the cloud. This time around it is a CD bootleg. And not any CD bootleg, but a whole collection of radio broadcast from over the years. In fact, there are 8 shows spread over 10 CDs and includes 119 tracks. A good coverage of years from as early as 1974 all the way up to 1994. I guess there aren’t too many broadcast after the 90’s as you can see from below…
I love that it covers the make-up era and the non make-up era all the way up to prior to the big Reunion Tour. And it even includes one Non-Kiss Show with a Frehley’s Comet one. The are radio broadcast so the quality is good, but realize these are bootlegs and not pure soundboard recordings released by the band with the sound cleaned up. The set comes in a small cardboard box with each individual disc in a fake vinyl-like sleeve. Nothing fancy, but they cram a lot of music in to a small package.
These are raw and rough and that is why I like them. I really enjoy bootlegs and getting all the shows that I can have from throughout their career. The band started releasing their own “bootleg” type albums with the ‘Off the Soundboard’ Series, but after five releases, that has been put on hold currently. I do hope they get back to it soon. For now, let’s go through this set of albums.
Disc 1:
WMMS, Agora Ballroom, Cleveland, Ohio, 1st April 1974 / King Biscuit Flour Hour, The Music Hall, Cleveland, Ohio, 21st June 1975
The tour for Def Leppard’s ‘Pyromania’ album started on February 9th, 1983 in London, England and would go on for 11 months, travel the world on and on December 18th, 1983 in Dortmund, West Germany. The tour was massive and a huge success. They even recorded the show at the L.A. Forum on the September 11th which was released as Live at the L.A. Forum which we reviewed last week. But being a such a fan of the band, I like to collect as many shows as I can get and I found one from a month earlier that was recorded in Seattle, Washington on August 3, 1983. Yes, it is a bootleg, but it is a radio broadcast so they sound is going to be pretty good…and it isn’t bad.
The show as recorded at the Seattle Center Colesium and it is the EXACT same setlist as the LA Forum show the band released. But the show is slightly different and the sound doesn’t sound the same as the other show so it does sound like a different show despite no variations in the setlist. First off, Joe Elliott’s voice is super high in this mix and the guitars are pushed a little to the back. Some songs I notice the bass is even higher then the guitars. The crowd noise isn’t as prominent so sometimes you forget they are there except when Joe interacts with them. The set I have was released in 2022 and on a 2 CD set split identical as my vinyl splits the LA Forum show.
The show kicks off with the air raid sirens, bombs bursting in the background and machine guns firing and it sounds way better and clearer then the Forum show. There is a gap in the track and and it makes it feel like the intro was not even a part of the show. Then the band goes in to “Rock! Rock! (Till You Drop)”, Joe’s vocals are a little rough and super loud along with the background vocals while the guitars don’t have the crunch or power you’d hope. But the energy is high and the tempo is really quick. “Rock Brigade” is up next and it sounds a little muddy and again, Joe’s a little rough around the edges and is sounds a little shot. The solo is ripping and they stick to the original song with not much extra added.
Def Leppard had made it big time with their third album ‘Pyromania’. The tour was huge. It traveled the world and saw millions of fans flock to their shows. They were on fire and the flame was growing hotter and hotter. There had been no shows released until the Deluxe Edition of Pyromania saw the light of day in 2009. That was the first time we had a taste of Live Leppard from 1983. Of course, this was only on CD. It wasn’t until the release of the giant box set ‘The Collection, Vol. 1’ in 2018 that we were able to get this on vinyl which is what we are reviewing here today.
The show was night two at the L.A. Forum on September 11, 1983 and thanks to MTV and Def Leppard’s high profile videos, the crowd was massive and the energy was high and electric. The band was in fine form and ready to rock. This show had been bootlegged heavily back in the day so now we get a freshly mixed and wonderfully sounding show. This would be the first live show Leppard had ever released that wasn’t a video. As a fan, we were thrilled to finally get an early show with Steve Clark on guitar. Now, since then we have a handful of live shows from that era and Leppard had released several newer shows, but this was the first one to see a CD release that we could pop in our car or home stereo and turn it up to 11.
Bon Jovi’s 7th Studio album was ‘Crush’ and it was released on June 13, 2000. The Japanese Edition, which I have in my collection, wasn’t released until September 27, 2000. It contained 2 Bonus Tracks, which we discussed when we went through the album on the last post, as well as an entirely new disc which is an E.P. of a live show from Osaka, Japan. The E.P. is called ‘Live from Osaka’ and that is what we are discussing today.
Before we get to that, let’s talk a little about the Japanese Edition. My copy has the OBIT strip as you can see below. That is the prize you want when you get a Japanese Edition CD. Also included, but not pictured, is a booklet that gives the lyrics to the songs in both English and Japanese as well as some commentary that is all in Japanese so I have no idea what it says. All together, it is the copy to get if you want this album…which you do! Bet you didn’t know that.
The Crush Tour started in Japan during July 2000 and this recording is taken from the July 20th show at the Osaka Dome in Osaka, Japan. There are only 6 tracks taken from the show, but it is a great snapshot of the show. We would get a full DVD from one of the stops on that tour which we will review later. It wasn’t the Osaka show, but that’s okay.
The CD opens with the classic Bon Jovi song “Runaway”, but it is done in a way that has never been before. It opens with David on piano and Jon talking a little about the song how he wrote the song 18 years earlier. The song is slowed down, done only with Jon and the piano and it changes the whole dynamic of the song. It is as if This Left Feels Right actually worked because this new interpretation really works. The song feels so dramatic and important. It is the best versioin of this song I’ve ever heard live. Yes, it is that good.
I can’t believe we are already to the 2000’s with Bon Jovi. Man, has this series been flying. However, we are no where near being done. We are now on the band’s 7th Studio album with ‘Crush’. After the band’s hiatus after the ‘These Days’ Tour, the band took some time to themselves and even released a couple of solo albums. But it was time to get back to work. Well, it was for Jon as he started planning to do a third solo, but that fell through because the band talked and it was decided it was time to start work on the next album.
Richie Sambora, Jon Bon Jovi, David Bryan and Tico Torres were ready to go so they planned on getting producer Bruce Fairbairn to handle the producing duties. However, that wouldn’t work out. Sadly, Bruce died in May 1999. The band decided to hold auditions for new producers, but they didn’t like anyone. They asked their old friend John Kalodner if he knew and new, up & coming producers that could help bring their sound in to the 21st Century and he suggested Luke Ebbin. And Luke helped do just that to amazing success.
The album was done and released on June 13, 2000 and it show up the charts thanks to the first single, “It’s My Life”. The album went to #9 in the U.S. and debuted at #1 in the UK which made it the fifth #1 album in the UK for the band. The album saw 3 singles and a fourth in Japan with overall sales reaching well over 4,000,000 copies which easily matched the success of previous albums for the band. Bon Jovi is one of the few bands to survive the 80’s and still see success in to the 2000’s. The album was nominated for a Grammy and Bon Jovi was back in a big way!
The copy of the album I have is the Japanese Edition with 2 bonus tracks and a bonus E.P. called ‘Live in Osaka’. We will talk more about that and the E.P. in the next post and stick to the main CD here. I do have the vinyl as well if you were wondering. You can see all of the Crush collection in the final picture. Let’s go ahead and get to the music.
The tide was changing, Def Leppard’s success was palpable at this point, but not quite there…YET! Robert John “Mutt” Lange was back as producer and the band hit the studios in January 1982 and went through November of that year at Park Gates studio in London. All didn’t go smoothly, there was one big issue and that issue was Pete Willis.
Pete’s drinking problem was…well, becoming a problem. It was causing issues that were impacting his work and the band. It got so bad that on July 11, 1982, mid-way through work on the album, the band fired Pete. This was not a rash decision as it was discussed fully amongst the band because on July 12, 1982, the very next day, the band announced his replacement in the likes of Girl’s guitarists, Phil Collen. By this point in recording, Pete had already recorded all his rhythm parts and those are still on the album. Phil came in and added a few guitar parts and as well as some solos, he had it easy.
The album was finished, it was called “Pyromania” and it would basically change the landscape of music for quite some time. It saw the band’s sound go from heavy metal to a more polished hard rock sound that was more radio friendly. They worked on their craft diligently with Mutt and their playing and their songwriting was getting better and better. The band was now Phil, Steve Clark, Rick Allen, Rick Savage and Joe Elliott, this is considered the classic line-up to some. The album saw the light of day on January 20, 1983 and would shoot up the charts going to #2 on the Billboard Charts. It was held out of the #1 slot thanks to Michael Jackson’s ‘Thriller’ album.
Thanks to MTV and the Leppard videos, the band would sell over 6,000,000 copies within the first year or so and go on to sell over 10 million copies making it Diamond Status. There would be 4 singles from the album and it would change me forever as this was the album that made me a lifelong fan and collector of the band’s music. It changed my listening habits and the 80’s hard rock sound was it for me and that would be all I listened to during the 80’s…heck even today I still love it as much as back then!
After Bon Jovi’s very successful ‘These Days’ album and especially that tour which ran for 126 shows in around 43 countries, the band was ready for a break. The tour ended on July 19, 1996 and the band decided, it was time for a hiatus from the band. They did a self-imposed two year break from the band. That 2 year break would turn in to 3, but no one is counting. During that time, we saw solo albums, Jon went and did a lot of acting and the thoughts that Bon Jovi were done were on everyone’s mind.
Jon didn’t waste any time and was the first with a solo album as he beat Richie by about a year. Jon’ second solo album is called ‘Destination Anywhere’ which he was working on even during the “These Days Tour”. It was finished around January 1997 and it came out on June 16, 1997 which is a long time after the album was finished. A lot of that had to do with Jon’s little vanity project of ‘Destination Anywhere’…the FILM! I don’t actually own a copy and won’t be reviewing, but I’ve heard nothing good about it. It was a movie with some big stars all surrounded by the songs from the album, but this wasn’t a concept album. The songs were just in the film.
The album saw Jon break away from the Bon Jovi sound which a good solo album would do. It was more Indie Rock and Pop then the glam rock that Bon Jovi did and for that I was super excited because if I want to hear Bon Jovi, I’ll listen to Bon Jovi. I want to hear what he can do outside of that arena and this was a great set of songs to showcase he could do more. And he filled it with a lot of influence from British bands as well like Blur and Manic Street Preachers which is completely unexpected.
The album saw four singles, it had four producers other than Jon and it was filled with talented musicians as you’d expect. Heck, a could of the Bon Jovi boys appeared on the album as well (not Richie though). the album would go to #2 in the UK and sell over a million copies in Europe, but it only hit #31 in the US and not sure how many it sold. This continued the success of the band on Jon more overseas than in the states.
The band was ready to refine their sound and improve on their debut, ‘Sheer Greed’, which in my opinion will not be easy to do. Before they got started on the new album, drummer Dave Gaynor would leave the band to be replaced by Pete Barnacle. After several live dates together and while recording their follow-up album, ‘Wasted Youth’, Pete would be replaced as well with Bryson Graham. If my count is correct that is at least 5 drummers in three years. Spinal Tap has nothing on these guys!
The band, along with Bryson, was still Phil Lewis, Phil Collen and brothers Simon and Gerry Laffy. They went in to the studio with producer Nigel Thomas hoping to improve on their glam sound and maybe make it harder and better than before. The album came out in 1982, a year after Def Leppard’s 2nd album. Where Def Leppard’s sound changed and improved and started a trajectory to stardom, Girl’s did not as it only reached #92 in the UK Chart.
They would falter and then guitarist, Phil Collen would leave the band in 1982 and replaced Pete Willis in Def Leppard and his life would change forever. Girl tried to carry-on with guitarist, Pete Bonas, but the band would break-up by the end of 1982. Two bands that came out at the same time saw two totally different paths. Phil Lewis do would do okay for himself as he would join L.A. Guns and see some success with them…not Leppard success, but they did well enough to still be playing today (in one form or another).
The album opener is “Thru the Twilite” and is another great opener, but it isn’t as powerful as “Hollywood Tease” from ‘Sheer Greed’. However, the guitar work is still great and I love the bass line in it. Phil Lewis has a young, cocky attitude on the vocals which I find quite pleasing. It is a glam rock song with a great stomp-like groove that makes it rock. A solid opening track.
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. This disc is the second prized disc to have. It is full of studio recordings and live songs from various BBC recordings in those early years. Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)
The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles. The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”. The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.
The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome.
After the end of the ‘Keep the Faith’ tour in 1993, the band need some time, so Jon Bon Jovi went on vacation and immediately started writing songs. Over the next 9 months, he and Richie Sambora wrote and demoed close to 40 songs. I guess they didn’t need much time. But the album was taking longer than anticipated so they agreed with the label to put out a greatest hits set called ‘Cross Road’ in 1994. The album did well. The band also ran in to trouble with bass player Alec John Such. Due to unsatisfactory performance during the live shows, they decided to dismiss Alec from the band in 1994 as well.
This made the album a four-piece technically as Alec is not on the album. Who is on the album is Jon, Richie, David Bryan and Tico Torres, officially. Unofficially, on bass was Hugh McDonald who we already met as he was the bass player on the song “Runaway” from the band’s debut album. They brought in producer Peter Collins to co-produce with Richie & Jon, but things weren’t easy. They started recording down in Nashville, TN. After 10 days of that, Jon wasn’t happy and erased all the tapes. Recording moved to New York to Jon’s home studio and also various studios in Los Angeles. One of the problems they had in New York was the band Fear Factory was recording their album and they were so loud that recording was not possible for them in their studio. Now, that is loud!
The album, ‘These Days’ was finally done and released on June 27, 1995. The album only went to #9 in the U.S., but overseas, the album was huge. It went to #1 in the U.K., Switzerland, Australia and numerous other countries. It sparked 5 singles and has sold over 10 million copies worldwide. They might not have been as popular in the U.S., but they were still doing fine. The album itself still sounded like Bon Jovi musically, but lyrically, it is a much darker album. It is not a rock & roll party full of sunshine. The band was in a good place funny enough. The music saw them really take the darkness of grunge but put it with the Bon Jovi sound. A lot of bands at this time were going heavier and completely changing their sound, but not Bon Jovi. And it worked.
The album opens with one of the heavier songs on the album, “Hey God”, and in the same epic way they open all their albums. According to wiki, the song was inspired by Jon looking out a window at 57 St. & Broadway and seeing a guy in an expensive suit standing next to a guy sleeping on the street. Also according to wiki, Richie was inspired by the song while looking out of his limo and seeing a homeless guy sleeping in a cardboard box. Who knos which is right or they both are. The song questions if God has forgotten about the world as all the good shit is gone and there nothing but bad. It is a darker tone, darker lyrics and sees the band questioning the world. A total ballbuster of a song. The song was the final single, but not in the U.S. and was released on June 24, 1996. It was a minor hit in Canada and several European countries. It is one of my favorites on the album.
2 Loud 2 Old Music 