In 2003, the band decided to released an E.P. that was exclusive to Target. A giant retailer here in the States (and probably other countries, I don’t know). The CD only release included 8 tracks consisting of demos from both the ‘Crush’ and ‘Bounce’ eras as well as several live tracks from those albums as well. It was only available for a limited time and came in a clear shell with red translucent CD tray as you can see in the pictures below. The back cover had buttons of all the band members and then only little Target shaped button thrown in since it was a Target release. I don’t have a specific date of release, but I do know it was in 2003.
The demos on here were also all on the single to the song “Everyday” from the ‘Bounce’ album. In fact, there were two CD singles released for “Everyday” and on CD 1 you had “Lucky”, “No Regrets” and “Standing” while CD 2 had “We Can Dance” and “Breathe” as well as a couple other tracks. So, you could’ve gotten these tracks before a year earlier, but would’ve had to buy both singles. And that doesn’t count the live tracks that are on here though.
The first track is a demo called “Breathe”. It opens with an acoustic guitar, but the band comes blowing in with drums, maracas and bass. For a demo, it sounds pretty complete in my book. It isn’t over produced which is why I think it sounds so good. It is a little rough around the edges, but I like it a lot. It isn’t a full on ballad as it has a little more pop in its steps. A great track. The song ends up on the box set, ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’ so we will talk about it again later.
My love for bootlegs started with collecting Kiss Bootlegs and as you can see from the list at the bottom of this post, I have quite a few Kiss Bootlegs and as long as I keep finding them, the more I will buy. It is a never ending cycle as new Kiss bootlegs keep popping up all the time. This one I found over a Repo Records was released in 2022, but it is a re-issue of one that came out in 2012 and it is a little different than the others that I have. Most of my bootlegs are full shows, parts of one show or a collection of demos.
This one is different in that is a collection of live tracks from various shows and not one show in particular. That to me is odd. What is the purpose of this one? I can’t seem to find out. The timeframe of the shows range from 1974 up to 1978 so they are the peak years of the band. But it is still a strange collection.
What is not strange and rather cool is the packaging. The cover is a cool live shot of Gene as the Demon and the back cover is the Kiss Alive II photo of Gene with the blood all over his face. It is an awesome shot. The inner sleeve is a couple of cool band photos on bot sides. And the final piece is a cool colored vinyl in the color of purple. I don’t have too many purple discs, so very nice. The picture from the cover is on one side of the vinyl and the Kiss logo on the other, both with the Diamonds in the Dust title. I don’t have much info on this so let’s get to the music.
SIDE ONE:
The first track is “Room Service” which was taken from Fremd High School Gymnasium, Palatine, Illinois April 19, 1975 and it sounds like it was. It is very hollow sounding and not from a soundboard. It sounds like I am outside the gym getting refreshments and the sound is bleeding from the closed doors. Paul sounds good though.
Next up is the “Love Theme From Kiss” from the Bayou Theatre in Georgetown, Washington D.C. from March 25, 1974. You hear Paul say this is one we never perform live which is not true because they use to play it when it was called Acrobat. This is definitely an early version since it is 1974 and a month after the release of the debut album.
After it fades out we get “You’re Much Too Young” from Lafayette’s Music Room in Memphis, Tennessee on December 2, 1976. A song the band would never release, but I have several versions of it live. A really cool mostly instrumental piece with basically Gene saying “You’re Much Too Young” several times during the show. The band is jamming and Peter is killing it on the drums. An interesting cool piece that sees Ace ripping a cool solo and an all around killer track. The album jacket says The Lafayette show is from that same night as the next song “Strutter”, but at a different arena. Kiss are good, but I don’t think they are that good. That means the Lafayette show from “You’re Much Too Young” is probably from April 18, 1974. And I have that show down below in the Bootleg Series list. Just my guess.
Then we get a twofer with “Strutter and “Hard Luck Woman” back to back as they are from the same show at the Mid South Coliseum in Memphis, Tennessee on December 2, 1976….wait a freaking minute…”Strutter” just ended and so did Side one. Where the heck is “Hard Luck Woman”. I think I just got ripped off. And I did. The 2022 version is missing a couple songs that were on the 2012 release. Oh well. “Strutter” was pretty good though.
SIDE TWO:
Side Two kicks off with “Ladies in Waiting” which was played at the National Guard Armory in Rockford, Illinois on November 15, 1975. The sound is really rough, it sounds like it was taken from a tape that was taken from a tape and then taken from a tape again. It is muddied and almost unlistenable. I can make out Ace’s killer solo, but the vocals are tough to hear and so are the drums, but Gene’s bass is pretty loud. All simply horrible.
Next up is a group of shows from the same show starting with “Watching You”, then a Peter Criss drum solo and lastly “Flaming Youth”. These are taken from the Roosevelt Stadium show in Jersey City, New Jersey on July 10, 1976. The sound is really good on these tracks (compared to the others). Gene sounds menacing and you can hear Peter on backing vocals really well. Peter’s drum solo is typical Peter or I should say classic Peter. It sounds great, if not a little simple. He definitely is beating the crap out of the skins, but he’s doing it as well as Peter can. You can hear the crowd scream out a few things during it. He bangs the gong and then rips a drum roll before it fades out in to “Flaming Youth”, a personal favorite. Paul’s vocals sound so deep as the tape this taken from drags a little. Man, oh man.
For the last track, we get the classic Kiss song “Deuce”. This one is from the Roberts Municipal Stadium in Evansville, Indiana on January 23, 1978. Roberts Municipal Stadium what a boring name, I guess company’s didn’t fork out millions to sponsor stadiums yet. Anyway, on to the song. Paul introduces and says this isn’t one they’d done in a long time which surprises me. When the band kicks in the sound is horrible. I can’t make hardly any of it out. I can hear Gene, but it is distant and not all that clear. Man, it is hurting the ears the high pitch it is all coming out at. I hope this ends soon as my ear might actually be bleeding.
This is a very skippable bootleg except maybe real diehards. This one makes no sense being a collection of songs from various shows. The only real cool thing about it, other than the packaging, is the fact it isn’t the standard fair of songs. You get some deep cuts and thankfully no “Rock & Roll All Nite” as I could do without that one. The sound sucks at times and sometimes not, but overall this is not one I’ll pull out very often as I prefer to hear full shows. My Overall Score is a 2.0 out of 5.0 Stars and that is being generous. It gets points for great artwork and a cool Purple vinyl. I took one for the team on this one, but still glad it is in the collection because I didn’t have it. Thanks for hanging around.
My local record store, Noble Records, has exclusives vinyl releases for his store and I have been buying them all…well almost as I started late and I am missing the first three he issued. I have about 13 or 14 others though. And this is one of my favorites. It is an album by a band called Poobah and this is their debut release called “Let Me In”. But this is a special collectors edition as it is a 2 LP set with the original album on one LP and a ton of bonus tracks on the other LP. And it is all glorious. If you like early 70’s rock with a lot of distortion, wah wah pedals and some incredible drumming you are in for a treat. Any Sabbath fan, this would be right up your alley as well.
The original album was released in 1972 with founding members, Jim Gustafson on guitar and vocals, Phil Jones on bass and vocals, and Glenn Wiseman on drums and what a monster he is. The original album only has 6 tracks and they are impressive. The band was named after some girl from Jim’s high school that everyone feared. Poobah is weird nickname for a girl. The name makes me think of The Flintstones’ Loyal Order of Water Buffaloes. The cover art of the album was done by artist Jack Joyce and done in the style of American Underground Comix of the 1960’s. Jack had understood that Jim was a huge fan of comics so it inspired him to do this character throwing up in a toilet. Man, that is inspiration.
Then in 2010, the band signed a new deal with Ripple Records and the album was remixed and then on top of that they threw on 13 bonus tracks they had laying around that were recorded back in 1973. The band has seen a resurgence in popularity of the years with songs being in TV shows, critics loving them and seeing re-issues of the 2010 remixed album like this one from Noble Records. It is albums like this, I keep buying Dillon’s exclusives for his store because sometimes they are pure gold.
Bon Jovi wasted no time working on their 8th studio album, ‘Bounce’. They started writing while still on tour for their album, ‘Crush’. Then something happened in the world that would change it and strongly influence the album…the September 11th attacks on New York City. Since the boys were from New Jersey, this had a profound impact on the song writing. They started writing in the Summer of 2001 and it would really pick up after this event and by the end of 2001, they had around 25 songs written and demoed around 12. But by the end of the writing and recording, there was about 40 songs written over the span of a year. They used 12 for the album and several more for B-Sides and bonus tracks.
The band was still a four-piece with Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres. Of course, future member Hugh McDonald was there on bass like had been for awhile, but an old face came back to help on the album. Their good friend Desmond Child was back in and helping the band write some songs. They had more help on the songs with Swedish producer and writer Andreas Carlsson and Billy Falcon. As far as producing, Jon, Richie, Desmond and Andreas all had a hand, but most was done by Luke Ebbin who had a big hand in the new sound that started with “It’s My Life”.
The album finally saw the light of day on October 8, 2002 and went to #2 in the U.S., the UK and numerous other countries only going to #1 in the European album chart. And like had happened most of their career over the last decade, they were bigger in Europe than the U.S. They sold 500,000 copies in the U.S. going Gold while they sold over a million copies in Europe. They were still a massive global act as they inched closer to 20 years as a band. For me, this album was the start of the decline. I like this album and the next one, but a little more was taken away from with each passing one. But let’s see about this one first.
In 2002, Robbie was prepping the release of his new album ‘Escapology’. To help promote the album, he recorded a show filmed live in the Pinewood Studios for a television broadcast. The general public was able to buy it when the DVD was released in March 2003. The show contained songs from his upcoming album as well as a ton of hits and some of his Swing songs. It did fairly well as far as video releases go selling well over 100,000 copies worldwide. I was out at a place called 2nd & Charles and saw this and had to grab it. I think I got it for only around $2.50 and it is worth way more than that in my book. I am sitting here with it cranked on the 5.1 surround sound on a 65 inch TV and it sounds and looks amazing.
The show opens with a performance of “Trouble/Handsome Man” which happens to be the same songs that Elvis Presley opened with for his ’68 Comeback Special which Robbie has recreated the same stage set up except it has a big “RW” rather than an “Elvis” sign. When he goes out in front of the crowd it is a small round stage in the middle of the crowd with only Robbie and the bad was off behind the crowd. When he runs out and does “Rock DJ”, his energy and the crowd is electric. This was the firs time he had been on stage in 12 months.
“Strong” is up next and up on the screen comes the words to the chorus with a bouncing ball so you can all sing along during the chorus. He is interacting with the crowd poking fun at them with a change in the lyrics. He’s having a ton of fun and it shows. Then he played the song he originally sent to Tom Jones, but he changed his mind and did it himself. It is called “Something Beautiful” off the new album. The crowd clapped, the piano’s ivories were tickled and Robbie sang it wonderfully. And if that wasn’t good enough, he played one of my favorite songs of his called “Feel”. It is a new song and he joked if anyone was singing it, they obviously downloaded it from the internet illegally. They cut to a pre-recorded clip of him doing the song in front of the giant “RW”. It is a great live version and the piano and percussion on it are fantastic. Still my favorite song.
2000 was a big year for the band with a hit new album, a live DVD and to follow it up, the band gave us their first ever live album. But don’t get your hopes up as it isn’t one show from the tour. No, I guess the Crush DVD was enough for that. Instead it is really a greatest hits compilation with live songs taken from shows from 1985-2001. So, not a true live album in my book. But I’m being petty. We do get 14 live tracks and one remixed studio track of “One Wild Night 2001”.
The songs are taken from 8 different shows and some are actually repeats as the London shows were on the Live From London DVD and The Crush Tour DVD so we’ve heard a few of the songs before. And the band has one small change during the songs. We get Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres on all the songs. But we also get Alec John Such on bass for only 2 of the songs from Tokyo back in 1985 and then Hugh McDonald on bass for the rest. And we get one special guest with Bob Geldof on one song.
The album came out on May 22, 2001 and went to #20 in the U.S., but was never certified Gold. However, the album did better around the world as Bon Jovi continues to actually be more successful in Europe then their home country where the album sold over 1,000,000 copies in Europe making it Platinum status. It went to #2 in the UK as well as several other countries including Spain, Austria and the Netherlands and to #1 in Switzerland and Belgian. Europe continued to love on Bon Jovi.
I can’t believe we are through with another year. And what a year it was, It saw me complete my goal of reviewing my massive Jeff Scott Soto Series with over 80 posts and 18 months of work. I was crazy to do it, but I loved every minute of it. I also started two more rather large and incredible series with Bon Jovi and Def Leppard which should take me through most of 2024. These might be the last two really Series I do as they are the last of my large band collections I have in my possession. All the other artist I have aren’t in such abundance like these were.
With the Soto, Def Leppard and Bon Jovi Series, I actually didn’t spend much time with new releases and if I’m being honest, this was a pretty piss poor year for rock albums that I grabbed me interest during the year. So, we are going to go through what I call the Top Albums of 2023, but I missed so much this isn’t a definitive list. This is only what I listened to in the year so take it with a grain of salt. Of course there will be some honorable mentions, a worst of album and maybe a best of re-issue/box set. I am not doing a Rock only list this year as I want to highlight anything I listened to this year that I thought was great. Sit back, grab a cup of coffee if it is morning, or a beer if it is any other time of day…and enjoy!!
MY FAVORITE ALBUMS OF 2023:
#10 – The Rolling Stones – ‘Hackney Diamonds’
Is this the best Rolling Stones album, no, not at all. But let’s be honest, how cool is it we got another Stones album. I think it is really cool. Producer, Andrew Watt, was on board to bring the band back to life. He made it modern, but still a Stones album. I liked his work with Ozzy and I like it here. You Still get Mick and Keith and the boys sounding like who they are so don’t fret. There is a bar room blues feel to it, but it also feels relevant for today. They have Lady Gaga on board and even Sir Paul McCartney. I found it it to be a fantastic listen and one of my favorites for the year. Way to go boys. I like “Angry”, “Sweet Sounds of Heaven”, “Bite My Head Off” and so many more. Check it out!!
With Bon Jovi’s return and their ‘Crush’ album, the band was literally crushing it. The album was selling great and their worldwide tour was a smash hit selling out and reaching over 1 million people around the globe. In May of 2001, they released a live album with a collection of live songs from throughout the years to help capitalize on the new found success again. But before that, the band released a greatest hits package on March 28, 2001. The album was called ‘Tokyo Road: Best of Bon Jovi’ and it was released exclusively in Japan. As a result, I didn’t hear about it for years, but I finally did get a copy.
The album contains 16 songs only one of which is a new version which was “One Wild Night” which was remixed for this release. All the other songs appear to be album versions for the most part. Now, if you bought one of the initial pressings of the album, you were given a bonus 3″ Mini CD with 4 exclusive live tracks. My copy has that plus it still has the OBI strip and the extra booklet with the lyrics in both English and Japanese. It is all there in all it’s glory.
The opening track was the only unreleased track which was a remix of “One Wild Night 2001” which was originally off the ‘Crush’ album. “One Wild Night” originally had a cartoon tune opening, but that was removed and the song just starts with some weird sounding guitar licks that are less rocking, but then the song does rock out. The song is anthem and if you had heard this live your hands would be high in the airing, pumping along with the beat. The song is throwback to the early rock legends of the 60’s. They really changed up the sound and tone with this one all thought the heart of the song is still there.
While I was recording a show on Grant’s Rock Warehaus, we were discussing the Billy Idol Chrysalis Years and as I was gathering my vinyl for that show, I realized that I was missing the ‘Idol Songs: 11 of the Best’ from my collection. I could’ve sworn I had bought that one before as I remember holding it in my hand at one time. But, I apparently didn’t buy it. So, I told Grant I would remedy that situation and so I head over to discogs to see if I could get one and what the best one to get. Well, it turned out the best version to get was the UK 1988 version which came with a 12″ Limited 4 Track E.P. exclusive to this set. Sold. I bought it from someone in Sweden and a week later, it was in my hands. It still had the stickers on the front and back cover talking about the 12″ Exclusive 4 Track E.P. and it was in pristine shape.
The album was released on June 20, 1988 on Chrysalis Records and contains 11 tracks from his first three studio albums as well as the E.P. and includes a live version of “Mony, Mony” which wiki says comes from the ‘Don’t Stop’ E.P. but my E.P. does not have a live version, it is the studio track. You can get another limited edition version with 2 bonus tracks, but why do that when you get one like I have with the the 4 bonus tracks. The album went to #2 on the UK Charts and was certified Platinum. I don’t really remember this album here in the States as it came out after Vital Idol and I felt that was pushed way more than this compilation. But I have one now, so all is good. In 2003, they did reissue this album with a different cover and called it ‘Essentials’…I like my version better.
The opening track is the title song “Rebel Yell” which actually opened the ‘Rebel Yell’ album. It is a scorcher of a song, high energy and attitude. The opening of the song is all done with the guitar even though it sounds like both a guitar and a keyboard. Steve is showing off right out of the gate. Vocally, Billy is on fire and you can see his lip curling up while he is signing which is amazing as it is on vinyl. “Rebel Yell” was actually inspired by the Rolling Stones according to Billy on VH1 Storytellers. Billy was at a party thrown by the Stones and everyone was drinking Rebel Yell Bourbon Whiskey. I guess he loved that whiskey (along with a lot of drugs at the time).
On August 3rd, 1987, Def Leppard released their fourth studio album, ‘Hysteria’. Little did they know this ground breaking album would go on to sell over 25 million records, produce 7 hit singles and go to #1 on the Billboard Charts. The members didn’t change as it was stilll Joe Elliott, Rick Savage, Rick Allen, Steve Clark and Phil Collen who got his first writing credits on this one. Whether you like this album or not, there is no denying the impact it had on the world of music. In fact, I have so many copies of this album. I have it on CD, cassette and vinyl and in fact, I have three copies on vinyl. The original album, the picture disc and the one that came in the box set The Collection, Vol. 1. I would say I’m set.
The album was a labor of love for the band as it took several years to record and they struggled so much during this time. There were so many setbacks during the recording of the album. First, Robert John “Mutt” Lange turned down the producing job for the record after he had recorded “High & Dry” (my personal favorite) and “Pyromania” although he did help in the initial song writing for the record. The band went through several producers during the recording including working with Jim Steinman of ‘Bat Out of Hell’ fame. Their relationship did not go smoothly and he was later fired (they paid him a lot of money to get out of the contract so it must have gone really badly). Later in the process, “Mutt” did come back and produce the final product and then history was made.
The second big obstacle was Rick Allen’s car accident that severed his arm. Yes, the drummer of the band lost an arm. With all respect to the band, they did not abandon Rick. They stood by him and supported him until he was capable of playing the drums with one arm using an electronic drum set and a set of foot pedals to compensate for the lost arm. It definitely was a trying time. I won’t go into much more as you can watch the documentary or read the book to learn more otherwise we could go on forever and ever talking about the making of this album as it had been 4 years since their prior release ‘Pyromania’. Instead, we can jump right in to the album as I feel we are here for the music anyway.
The first track on the album is the song “Women”. The song was the first single for the album in the U.S., but “Animal” was the first everywhere else. The reason for that is that Leppard wanted to make sure their core audience, the males, would understand what they were going for with the sound of this new album. They knew women might not like this one, however, the song isn’t degrading women at all. It is actually inspired by the important women in Joe Elliott’s life and is an anthem that actually pays tribute and celebrates women both their beauty and their strength all with a biblical background to it.
2 Loud 2 Old Music 