Sons of Apollo – ‘MMXX’ (2020) – Album Review (the Jeff Scott Soto Series)

After playing over 80 shows together to support the debut album, Derek Sherinian, Mike Portnoy and Ron “Bumblefoot” Thal joined up at Mike’s studio and started working on the new album. The three gelled and wrote the album in around 3 weeks. Of course, after that, the songs need lyrics and that is were lead singer Jeff Scott Soto comes in as he wrote all the lyrics for the album (with minor exceptions of help from Mr. Sherinian on some of the melodies). And the songs were ready to record. Writing and recording happened over 8 months and each member of the band, including bassist Billy Sheehan, able to work in their own studios for their parts.

The album was called MMXX which is 2020 in Roman Numerals and the time when it was released which was on January 17, 2020. The album’s sound changed a little from the last album which had a lot of sounds from the past as it had some Dream Theater elements as well as some classic rock. This time around, they went for a more modern sound and a much more polished feel which is why the cover with the band’s crest seems more polished. The prior songs were more mythical and now they are more futuristic. Is the change in a sound a good thing or is it a bad thing? I guess we need to go through the tracks and find out.

The opening song and first single (came out on November 15, 2019), “Goodbye Divinity”, brings the prog right out of the gate as it goes on for about 2 minutes before Soto gets his pipes in the mix. After that happens it becomes a solid rock song with ample time for each musician to show what they can do. With not just hints of Dream Theater’s sound, but obvious stamps that show their roots are front and center. Honestly, it is a good song, but not as strong as the opener “God of the Sun” from the debut in my opinion. The working title on this one was called “Blood Orchid” which was inspired by a riff by Derek that he did during one of his live solos (thanks wiki for that one).

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Sons of Apollo – ‘Live with the Plovdiv Psychotic Symphony’ (2019) – Album Review (the Jeff Scott Soto Series)

This is not a side project, the band has made that clear and one way to prove that Sons of Apollo is a band is to tour and they did. But the show they decided to record wasn’t just a tour show, Nope! It was so much more. And it needed to be. They needed to capture the true essence of what this band is about and I have to say, I believe they did that and then some. They recorded the show back on September 22, 2018 at The Ancient Roman Amphitheater in Plovdiv Bulgaria and what a beautiful setting it is. Worthy of the Sons of the God Apollo. And the show couldn’t just be the band playing, Nope. It needed a little something extra so they brought in the Plovdiv Orchestra and a choir nicely named for this show as the Psychotic Symphony. This isn’t a band playing their songs with a symphony like so many bands, this is different, fresh and exciting.

You get it all packaged in a 3 CD set, that is right…3 CDs cover the whole entire show. Over 2 1/2 hours of rock & roll & prog bliss!! And if that isn’t enough, they throw in a DVD of the entire show as well. And the DVD is really where it is at in my book. Listening to the CD is great and you will enjoy the show, but when you watch it live and see these guys in action, Holy Shit!! These guys can play and they put on a master class of what musicianship really is. With Jeff Scott Soto on vocals, Mike Portnoy and drums, Derek Sherinian on Keyboards, Billy Sheehan on bass and Ron “Bumblefoot” Thal on guitar, these are some of the best in the field and they show you how it is done.

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Sons of Apollo – ‘Psychotic Symphony’ (2017) – Album Review (The Jeff Scott Soto Series)

The roots of Sons of Apollo stem back to the band Dream Theater as both Derek Sherinian and Mike Portnoy were once members. They both left Dream Theater (Sherinian fired in 1999 and Portnoy left in 2010) and eventually teamed back up for a short-lived instrumental project called PSMS with Billy Sheehan and Tony MacAlpine. Billy had played with Mike in the band The Winery Dogs. Eventually, Derek, Mike and Billy decided to make it a full time band (not a project) and they started Sons of Apollo. They needed a guitarist and Mike suggest Ron “Bumblefoot” Thal because why not, he’s fantastic. They also needed a singer and Mike suggested Jeff Scott Soto as his band had opened for The Winery Dogs and I am guessing Mike was impressed. The band was complete and ready to go.

The band recorded in only 10 days as their schedules were busy. They were produced by the dynamic duo called The Del Fuvio Brothers. What? You never heard of them…well…it is the nickname that both Derek and Mike had while in Dream Theater so they used that as the Producer name since they both produced the album. The band’s sound is a pinch of early Dream Theater and a dab of pure Classic Rock. Musically, the songs were written mostly by Portnoy and Sherinian with help from Bumblefoot and Billy. Soto handled most of the lyrics, but there was input Sherinian and Portnoy on a lot of the songs as well. It was a team effort (led by Derek & Mike).

The cover art work on the album was handled by Mike Portnoy. He had the vision. It was going to be two lions facing each other, but Derek suggested that his lion be an eagle and you can see it holding the keyboard while the lion is holding the drumsticks. There is a crown with a bunch of Bumblefoot and Billy’s headstocks form their guitar and bass behind it. I am not sure what part represents Soto. Is it the crown because he is the king of vocals or are the 3 spikes in the center actually pipes which would represent his vocal pipes? I don’t know, I’m making things up as I go along. The album title comes from the song “Lost in Oblivion” which has the line ‘Psychotic Symphony” in one of the verses. The album was released on October 20, 2017 to much critical acclaim and was a resounding success.

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Friday New Releases – July 1, 2022

Wow! Already July and sadly, there are not a lot of releases this weekend and that couple that we are coming up on July 4th…Independence Day in the U.S. and maybe they know everyone is either traveling and/or spending too much on Fireworks. There is one I am excited about and have pre-ordered. Hopefully it will be here today. It is the first on on the list. Let me know what you want to hear this week. Thanks for stopping by and I hope everyone has a great and wonderful weekend!

  • 812wUhU32NL._AC_UY436_FMwebp_QL65_  Shinedown – Planet Zero – (Atlantic Recording Corp): My one big listen this week (and purchase) is Shinedown’s new one ‘Planet Zero’. This is the band’s 7th album in almost 20 years, so not too bad. They keep pushing themselves and trying new things and I can’t wait to hear what they bring to the table this time around.

And then we have all the rest. Hopefully you find something you like!!

  • 814REH0ZWOL._AC_UY436_FMwebp_QL65_  Imagine Dragons – Mercury – Acts 1 & 2 – (KidinaKorner / Interscope Records)
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My Sunday Song – “Coming Home” by Sons of Apollo

For My Sunday Song #287, we are going to discover the first single from one of the most talented bands Jeff Scott Soto has been in. The song is “Coming Home” and it is off the album ‘Psychotic Symphony’ from the band Sons of Apollo. Why do I say most talented, let’s look at the players. Obviously you have Jeff Scott Soto on vocals or this post wouldn’t be happening, but you also have Ron “Bumblefoot” Thal on guitar, Billy Sheehan on bass, Derek Sherinian on keyboards and Mike Portnoy on drums. It don’t get much better than this. This song was the world’s introduction to the band and what a statement they made with it.

Normally, I go in to the song meanings before I get in to the music, but I can’t wait to talk about the music. That opening keyboard riff by Derek Sherinian is classic and brutal. If you expected the album to be all prog rock, you’d be wrong. This song is pure Hard Rock reminiscent of Van Halen but maybe even heavier. Bumblefoot’s effortless riffs dance throughout the song, Sheehan’s bass gives us a new sound from what you’d expect from Billy and it adds so much groove to the song. And you can’t forget Portnoy’s drums which are as immense and immersive as you’ve ever gotten from him. It is pure power! Speaking of power, Jeff Scott Soto attacks the vocals and they are filled with such anger and intensity that you feel it throughout your body and those screams are piercing and yet so beautifully done. This was so unexpected and totally amazing and you have to hear it to believe it.

And what does the song mean, who cares. Just put it on repeat and let the abundance of sound fill every void of your body and rock the hell out of you. Each time you hear it, there is something you hadn’t heard before as there is so much going on musically you can’t help but be blown away.

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Kiss – ‘Alive III’ (1993) – Album Review (The Kiss Review Series)

Finally!! Kiss decided to release another live album and this one is ‘Alive III’ which was 17 years after their last release. Now they did release a live video, but this is the first album since ‘Alive II’ in 1977. The band recorded the album during the Revenge Tour in 1992 and used the recordings from the Cleveland, Detroit and Indianapolis stops of the tour. This is also the first live album of the Non-Makeup era and the first to not have the original Kiss line-up. The line-up is of course Paul Stanley and Gene Simmons, but now it is Eric Singer on Drums and still Bruce Kulick on guitar. Oh yeah, and off to the side of the stage on keyboards is Derek Sherinian who toured with the band at this time since they added keyboards to a lot of the late 80’s songs.

Before we get to the music, let’s talk the packaging. We get a 2 LP set in a beautiful Gatefold cover. One side of the Gatefold has a really cool Kiss Family Tree. Although hard to read at times, it is a cool tracing back of where all the Kiss members, current and past, come from in their musical careers.

On the flip side of the Gatefold, you get the track listing and all the tour credits as well as some band pictures and a little note from the band.

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Friday New Releases – September 18, 2020

Ace is back!!! Welcome to Friday’s new releases and there are a handful of releases worth noting and of course, the true Spaceman himself has a new album out. Even if it is a covers album, I have already bought it is on its way! All my choices are highlighted in Blue which is only 2 for sure and maybe I will check out the Derek Sherinian and Flying Colors albums, but it will all depend on time. What is out this week that you want to hear or what did I miss from the list? Let me know in the comments. Thanks for stopping by and have a great weekend!!

  • 517kMXR55OL  Ace Frehley – Origins, Vol 2 – (Entertainment One): Yes!!! Ace is finally releasing his 2nd covers album which has been talked about since the release of Vol 1 a few years ago. It has some John 5, Robin Zander of Cheap Trick and the one and only, Bruce Kulick!! Yes Kiss Fans…Bruce!!! The two best Kiss guitarist are on a song together. Doesn’t get much better than that!!
  • 61sw2gzbXtL._SX522_  White Lion – All You Need is Rock & Roll: Complete Albums 1985-1991 – (Cherry Red): This album has been bumped time and time again and is finally coming out. It is a box set with the first four studio album plus a live disc which is the one I am wanting. I can’t “WAIT”!!!!
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Billy Idol – ‘Devil’s Playground’ – Album Review (The Billy Idol Series)

On March 22, 2005, Billy Idol returns to music with his first album of new material in over 12 years.  Way too long in my book.  While on tour prior to the album, Billy was approached by Sanctuary Records to record an album.  The trick was that they wanted it in the old Billy style and sound.

As a result, Billy, Steve Stevens and producer Keith Forsey re-teamed to record the album. Yep, the gang was back together and I couldn’t be more happy.  Along for the ride was Stephen McGrath on bass, Derek Sherinian on keyboards and Brian Tichy on drums.  Not a bad line-up.

Of course, Steve and Billy had some songs together.  However, it was only 3 songs for Steve.  Billy did most of his writing with drummer Brian Tichy who had 8 writing credits on the album.  Of course, Billy had to have a cover song and the album checks that bucket as well.  All was now in place.

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