As I mentioned in the prior Humanimal post…back in 2001, Talisman guitarist, Pontus Norgren, was working on a side project with Z-Records label boss, Mark Alger. Mark envisioned a Talisman type project that would be very different from the normal Talisman material. Pontus recruited Talisman bassist, Marcel Jacob, but the drummer was Thomas Broman who was not from Talisman. And yes, Jeff Scott Soto was on vocals. The big difference between Talisman and Humanimal is that the songs were more guitar driven than bass.
The first single released from the debut album was doing so well, Z-Records thought they would capitalize on the success and released this limited edition E.P. for the song “Find My Way Home”. To entice fans to buy it, they included a previously unreleased track…heck it worked…I bought it!!
“Find My Way Home” is off the debut Humanimal album and compared to some songs on the album this one slows things down, but it ain’t a ballad as there are none on that album. Slowed down means it is less than a million beats a second. This is one of the best songs on the album as it is more melodic and Soto brings it on home vocally as it sits right in his wheelhouse. The instruments take a little backseat to Soto’s vocals as they aren’t as in your face. But it doesn’t take away from that great rhythm section. A standout track for sure.
The second track and previously unreleased is “Love Dominion” which has some intense guitar work from Pontus with some really cool opening riffs and Thomas is pounding away on the drums. The opening gives us a guitar solo as well before Jeff joins in on vocals. The bass is heavy on this one, but not Talisman heavy. Jeff’s vocals aren’t as in your face and seem more reserved with such a rocking track, but it works. Great hooks, riffs and melodies…another cool track that would’ve fit nicely on the album. The song was issued on the album for the reissues and has been called “Love Dominion”, “Loves Dominion” and “Loves the Dominion” depending which version you get. Mine is “Love Dominion”.
Then with the final song on the E.P. and another from the debut album, things get a little funky with “Turn Away”. The song is dark and moody while also a very groovy song thanks to Marcel and the magic he can do with that bass. The chorus is really catchy and has more great harmonies. The a cappella break with just Soto and his many layers of vocals is awesome. Another Soto standout track.
And there you have it. I had to buy this one since I had the original release of the album and not a reissue which makes it cooler for me. It is a great 3 song set and is great taste of how good this short-lived band was. It is a must have for the Soto collector as it is a limited edition. The only thing is I don’t know how limited it actually is as I’ve never seen a number for how many were released. 3 powerhouse songs means a Perfect Score of 5.0 out of 5.0 Stars!
UP NEXT: JEFF SCOTT SOTO – ‘HOLDING ON’ E.P. (2002)
Back in 2001, Talisman guitarist, Pontus Norgren, was working on a side project with Z-Records label boss, Mark Alger. Mark envisioned a Talisman type project that would be very different from the normal Talisman material. It was thought to be a concept album with multiple lead singers including Jeff Scott Soto doing a few tunes as that was all he agreed to do. Pontus recruited Talisman bassist, Marcel Jacob, but the drummer was Thomas Broman who was not from Talisman.
Jeff signed on to do a few songs and said he was not a member of this band and was doing is at as a favor for his friends. Man, that sounds familiar (Takara and most of his early projects). And like normal, the multiple singer aspect didn’t work out and then Jeff agreed to do the whole album. This was basically a Talisman album with three of the four members, but it wasn’t that either. The biggest difference is the sound. This was a guitar driven album and much heavier than normal Talisman. In Talisman, you have Marcel’s bass front and center and the main focus, here, this is Pontus’ project so the guitar is the main focus. There are moments that feel and sound like Talisman, so any Talisman fan will love this album. But it is different.
The Humanimal name was chosen to mark the connection to Talisman, but at the same time to say that this is different, new and exciting. The album saw a release on January 2002, but it would end up being their last album together as this name. There were some shady dealings going on with the label and Marcel and Pontus ended up in a bitter dispute on royalties with Z-Records which led to bitter arguments between the two friends and as a result, the two parted ways. It was so bad, Pontus was now out of Talisman as well. Soto was planning on signing with Z-Records, but the royalty issue is rumored to have stopped him from signing with them as well. He would soon sign with Frontiers Records (which we will discuss on the next review). What started out as promising turned in to a total disaster…such is life in the Music Business!
By 1998, Jeff Scott Soto and Marcel Jacob thought it was time to bring Talisman back together and record a new album. Jamie Borger was brought back, of course, on drums and a new guitarist was found in Pontus Norgren (The Poodles, Hammerfall). The only problem is that Jeff was so busy with The Boogie Knights, they had to record in the States. Jeff had a home studio so he and Marcel spent about 10 days writing new material which then band then recorded in Jeff’s home studio. The drums, however, were not as they needed a better set-up so they were recorded elsewhere.
They found a couple record labels to release the album, Point Music in Europe and Pony Canyon in Japan. However, neither label wanted to promote the material so no touring was actually done which is nuts. The album was released on December 27, 1998 and that date alone should tell you how much the labels gave a crap about that album because who in their right mind releases an album 2 days after Christmas.
The band’s sound on this album was a nod to earlier Talisman where they tried to capture a little of the sound from the first two albums. They also ended up recording 3 cover songs on the album and actually opened the album with a cover song. I’ve heard Jeff describe this album as their ‘Diver Down’ album (which also had a lot of covers).
With Jeff Scott Soto still busy with Boogie Knights, his time with Axel Rudi Pell had come to an end. He was too busy to do both. However, he wasn’t too busy to play around with his good buddy Marcel Jacobs. Since Talisman was on hiatus, they decided to form Human Clay and pull together some of the old demos they hadn’t used with Talisman and make an album. That was the debut Human Clay album we reviewed a few weeks back. It was time for them to do another album together in Jeff’s spare time and this time around had a better batch of songs and they spent a little more money on it, double the last one.
As a result, the production was a lot better and so was the sound. This one sounded more like a Talisman record as the bass was more prominent in the mix and most importantly, the drums were actually real drums thanks to former Talisman drummer Jamie Borger. Jeff sounded great, they had real engineers this time around and it all came together much better. There was still no touring as Jeff’s other commitment made it too hard to do. In fact, Human Clay has never played live as a band and never will due the passing of Marcel in 2009. The Japanese label they were under actually had an option for a third album, but nothing ever came of that as one was never released or recorded that we know about.
My version of the album is a Japanese edition. It doesn’t have the OBI strip, but as you can see below, there is some Japanese at the bottom. Included in the CD was an extra booklet that was all in Japanese and being the Japanese edition, we get a bonus track. And that is really all the info I have on this one, so turn up the volume and let’s review the album.
Sometime during 1996, Jeff Scott Soto and Marcel Jacob were completely thrown for a loop when a best of album was released in Japan for their band Talisman. No one told them. The album was called “Besterious” and consisted of all songs that were previously released from the band. In response to this, Jeff and Marcel, along with Empire Records, decided they were going to release their own band approved version of a greatest hits compilation. It was called “Best of…” and it was chock full of hits plus a ton of previously unreleased tracks that any diehard fan would want to buy. I should know, I bought it!!
Two of the biggest treats were the first two tracks. These were both demos yet they had Goran Edman on vocals instead of Jeff Scott Soto. Goran was the singer for John Norum’s band and joined Talisman prior to Jeff. Goran left to join Yngwie’s band. The first of the demos is “Day By Day” and musically is no different than what ended up on the debut. It is a very Bon Jovi style song. Goran’s vocals are higher than Jeff’s but I’m not sure they have the power Jeff’s have. Regardless, it is still a stellar version of the song.
The second Goran demo is “Lightning Strike” seems a little more raw than the final Soto version, but all the elements are there. The chorus has some great harmonies and layers of vocals. Jeff sings it in this same style as Goran. I’m not sure which one I like better with this one. The rawness of this one adds a little to it.
After the disappointment of the last Talisman album ‘Life’, Talisman went on an indefinite hiatus. They technically weren’t broken up, just doing separate things…sort of. Guitarist extraordinaire, Frederik Akesson, did leave the band to pursue something more heavy with a band called Eyeball. Jeff Scott Soto and Marcel Jacobs thought stuck together. They wanted to put something out that would hold over the Talisman fans until they could decide what was going to happen with Talisman.
Out of that came the band Human Clay. You would ask, why not continue Talisman. The answer was simple. Jeff was needing a steady income and reforming Talisman at the time was not a viable option as he had committed to doing his 70’s tribute band Boogie Knights. This wouldn’t allow for touring. So, they stuck with the Human Clay idea and recorded between December 18th, 1995 and January 10th, 1996. They decided to grab a bunch of old material that they never released with Talisman and put together an album. They didn’t have a drummer so they used a drum machine instead (which I don’t usually like) and then Marcel handled all the other instruments with some minor exceptions. The production on the debut album is not that great as they didn’t have much of a budget, but I will try to focus on the songs and not the production value…much.
If you are curious as to how they got the name Human Clay, well, I will tell you what I know. They liked the name Human as part of the band name as Jeff’s a fan of Human League and they tried a bunch of different combinations and each one seemed to already be used by another band. Soto says he also liked Andrew Dice Clay so they took the clay part. The Human Clay name wasn’t being used by another band so they went with it. Not very exciting of a story and I am not sure how much of it is true or just the Soto trying to be funny.
When it was time to start work on the new Talisman album, Marcel Jacobs flew to the States to meet up with Jeff Scott Soto and write songs. He was there for a few weeks in March 1995 and they cranked out a batch of songs. But recording this time around was going to be different. The band didn’t meet up in the studio to record the album. Instead each member recorded their parts in different studios around the world. Once the music was done, they sent the tapes to Jeff and he added all the vocals. Not the quickest way or easiest and doesn’t always deliver the best results.
The first time the band members were all together in the studio was only when it was time to mix the records and that time was short. There was a big issue with the Japanese label. They wanted the album done by a set date. The band was rushed to get it mixed and that was done by Mats Lindfors. Marcel was not happy with the mix, but the Japanese label didn’t care so they took the original mix. The album was going to be released.
On the good side of it, their European label, Polydor Records didn’t have a deadline. This allowed the band to remix the album, make some vocal edits (as Jeff wasn’t happy with a few parts) and then on August 23, 1995 the album was released in Europe. And yes, it was a different mix than the Japanese Edition. Of course that means I now need both copies so off I go to find the Japanese Edition. My copy of the album is a 2004 release which was a 2 CD set including the ‘Life’ album and the ‘5 out of 5’ live album we reviewed a couple weeks ago.
The album didn’t do as well as the prior Talisman albums and that was all due to label issues. You see there was an issue with distribution as the new distributor prioritized their own albums over Polydor’s releases. People with the labels were getting fired and the Japanese label ended up going bankrupt. Mix all those things together and trouble will ensue.
1994 has been a real busy year for Jeff Scott Soto as you can see from all the 1994 reviews. His band Slam was pretty much done so all his time was now focused on Talisman. Marcel Jacob and Jeff Scott Soto would end up writing a ton of songs for the next studio album. Talisman was now a full band. They had Jamie Borger on drums and Fredrik Akesson on guitar and with them coming off the last tour, the band was tight and hitting on all cylinders.
The band recorded the album in Sound Trade Studios and when they finished, they had 22 songs in can which coincidentally only took 22 days to record and mix. They wanted to do a double album and each disc would have a separate theme. One would be songs with human characteristics and the second disc with animal characteristics. However, the songs actually would all fit on a single CD, so they decided they wanted to only release a single CD.
So, the band picked their favorite 14 songs for the album and it was released in Europe . It was to be released in Japan, but they wanted a different set of songs so the Japan label picked the songs for their version of the album. The albums came out on May 25, 1994. And then a funny thing happened. The European version was out selling the Japanese version…in Japan. Yes, the import of the European version was way more popular. As a result, they ended up releasing the European version in Japan. And if that wasn’t enough, they released a part 2 version with all the outtakes on October 19, 1994.
As we already know, 1993 was a very busy year for Jeff Scott Soto. He jumped from the Talisman ‘Genesis’ recordings straight in to the Axel Rudi Pell’s ‘The Ballads’ recordings and then had to fly to Japan to do a set of shows for Talisman. Not to mention the Takara album and even the Biker Mice from Mars soundtrack. It was a whirlwind. And then around February of 1994, an album of the Japanese gigs was released called ‘Five Out of Five (Live in Japan)’.
The original release of this album was called ‘Five out of Five’. The reissue I have from 2004 is a double CD that includes their album ‘Life’ (which we will review soon) and this one now titled ‘5 Out of 5’. It is strange the album is called ‘5 out of 5’ because there are only 4 members in the band at this time. So, what is with the ‘5’? Easy, Marcel Jacobs thought it would be funny. At first you think, how is that funny, but if you read Kerrang magazine, that is how they do their ratings ‘5 out of 5’ or ‘4 out of 5’, you get the idea. Marcel thought if it ended up being mentioned or reviewed in Kerrang, it would already read Talisman ‘5 out of 5’. Pretty clever!! Thanks to Frnak Tunny and Ronny Hahn’s Jeff Scott Soto Biography for that little nugget.
Talisman’s debut did quite well in Sweden, but for Jeff Scott Soto, it was only viewed it at the time as a side project as he was busy with his band Eyes. The band Eyes was frustrating for him so he left to work on a new band Slam. Marcel Jacob still kept Talisman alive. However, the label went belly up and Jason signed with Warner Sweden. With Jeff gone, Jason Bieler left to focus on Saigon Kick and everyone else left, Marcel needed a band. After much searching, he found 19 year old guitarist extraordinaire, Fredrik Akesson. Then shortly thereafter, he ran in to an old grade school pal, Matti Alfonzetti, who would join as the singer. They wrote and put some demos together for the label.
However, there was some management change at the label and they didn’t care about the success of the debut album as it wasn’t their baby so Marcel packed shop and left. They shopped the album around and after six months of nothing, Matti decided to leave and pursue other things. Marcel was not deterred and kept shopping the demo around without a singer. Finally Dino Records was interested in the band with one big catch. They wanted Jeff back on vocals. They knew about the success of their debut with Jeff and they loved that sound. That wasn’t a terrible thing for Marcel. Marcel decided to reach out to Jeff and catch up. And within 3 weeks of that call, the two were together again in the studio to record the next Talisman album. Why did Jeff join so quickly, well…the Eyes were done in his eyes and his band Slam was going nowhere as every door had been slammed in their face so what choice did he have. None really and we are all the better for it.
Talisman at this point was Marcel Jacob, Jeff Scott Soto and Fredrik Akesson (now in Opeth) and so they had enough players with just the three of them and they got to work. They didn’t have a drummer anymore as Jakob Samuel left to focus on finding a band where he could be singer so Marcel handled all the drumming through a machine as well as the bass work. They recorded the album in December 1992 and on July 7, 1993, the album was released. It actually got some international interest and not just in Sweden. A Japanese edition was done with a bonus track. My version is not either the original or the Japanese Edition. I have the 2003 Re-Issue that was a double CD. The original album with the Japanese Bonus Track, plus a Bonus CD full of demos and alternate mixes. You even get the songs that were sung by Matti Alfonzetti which for a collector is a pretty cool score.
“Time After Time” kicks off the album and it was a song developed during a sound check while on tour for the debut album. Marcel was playing around with it and took it back to the hotel and turned it in to a song with Jeff adding lyrics and vocals later. The song kicks off with some finger picking and then a funky bass groove and then BAM!! It explodes in to a heavy rock track that blows your head off as your mind tries to wrap around the greatness. Jacob’s bass is front and center laying down a nasty funked up groove and the riffs by this 19 year old virtuoso player a recipe for a masterpiece. Soto’s vocals are powerful and yet so melodic and the chorus is catchy and slick and pure bliss. What a way to kick off the album.
Next up is “Comin’ Home” which was actually the first song written for the album and is about finding that perfect place that is a part of you as much as you are a part of it. The combo of Jacob and Akesson are the new dynamic duo of bass and guitar. Together they lay waste to all that hears them. It is a smorgasbord to the senses. This stadium sized anthem is loud and features metal riffs while maintaining that melodic sound with Sotos smooth vocals. Check out the solo as Akesson shows what he is made of with this one. You do get Jakob Samuels on the backing vocals so he wasn’t totally gone yet.
The first single off the album and a classic Talisman song is “Mysterious (This Time It’s Serious)” and it keeps the party going. If this song would’ve come out 3 years earlier you would have an instant and massive radio (and MTV) hit. This Chic inspired song has some fun and funk that pays homage to them while still being a pure hard rock song. Jeff’s vocals soar and he has never sounded better. Talisman is the biggest showcase of the stellarness that is Jeff’s vocals. I think I’m making up words.
“If You Could Only Be My Friend” brings some more hot, sizzling, funky goodness. I guess when the main songwriter is the bass player, bass will be heavy in the songs and Talisman is certainly that. Marcel’s playing is so recognizable the minute I hear it, I know who it is. How many bass players can do that? This song is his showcase. The song is rick, textured and full of layers of goodness. Soto tackles the vocals with the veracity of those bass line. That chorus seeps into your ears and sets up shop to be sung long after the song is over. The guitar solo, with the heavy bass thumping along, slays and the album.
The bass keeps going straight into “All or Nothing” that explodes with a force that will shake the walls and rattle the floors. The lightning tempo will get you moving for sure. It is 100 mph rock frenzy as all the songs have been so far. The solo is a back and forth for the Bass and the Guitar before the Guitar solo knocks it out of the park. This 19 year old is a pure powerhouse and a major shredder. There is no time to catch your breath as it is pounding one song after the other. And Amen to that brother!!!
Then things finally slow down with the first ballad “All I Want”. The song is piano based which starts off with just the piano and Soto on vocals. The piano is actually played by Jeff’s girlfriend at the time Julie Greaux (Billy Idol & Axel Rudi Pell). The band comes kicking in and adds the power to the ballad. The song is quite nice with the emotive vocals that immerse you into the song. You have the obligatory solo and everything you want in a power ballad. It is a nice time to slow it down so you could catch your breath.
The next one opens with a bass solo accompanied by a heavy pounding bass drum. “U Done Me Wrong” kicks off the back half of the album as the first had started with power and energy. When these boys rock, the kick some major ass. The song follows the same formula as the rest and as a result works just fine. Jakob is back on backing vocals for this one too.
“I’ll Set Your House On Fire” is another rocker and this time the guitar riffs are nasty and a little gritty. There is a stylistic change, a more deliberate pacing, a darker tone and a heavier groove. The sound is crisp and clean and the guitar solo is short and sweet. Jeff’s vocals aren’t as sweeping and smooth as he adds some grit and gives a more serious delivery brings us one a really cool song.
Another rocker with “Give Me A Sign” was originally a Matti song that they tweaked the lyrics so Jeff could make it his own and he did. Not as heavy as prior songs, still a rocker though. Bumped up against the first half of the album shows the song is still good, but not as strong as the first half songs. Jeff’s vocals are melodic and strong, but the song itself is a little dull compared to the others. The saving grace is the guitar work by this kid at the end. It is stellar. But I still wouldn’t skip it.
More funky goodness comes with “Lovechild”. Marcel lays down some magic with those bass lines. Jeff turns the vocals into another melodic party. This one is a slower rocker with as not as much power, but more power than a ballad. It sounds like three guys playing and having fun making sound it so effortlessly and easy. When Frederik lays down that solo and has Marcel chugging along, it is fantastic. A great deep cut.
The dramatic, orchestrated keyboard opening of “Long Way To Go” is over-the-top goodness. The song then kicks in as the true rocker it is. Jeff’s vocals are on point and he delivers another great performance and just slays that short chorus with a scream of the song title. Another great solo and there are a lot of those. To think he was only around 19….crazy. Julie is also on this one but as backing vocals. What I like about this song is how different it sounds then a lot of the songs on here. I don’t know if it was a last minute add, but I am glad they did. It is great way to go out. Except not the end of the re-issue as we get a bonus track.
The Japanese Edition of the album had a Bad Company cover thanks in large part to Marcel who was getting in to Paul Rodgers at the time and loved this song. Jeff handles is beautifully as he can morph his vocals to fit almost any style and he takes this one and delivers an authentic Bad Company performance of the song with “Run With the Pack”. Okay his verses are pure Jeff, but I like the way he tackles the chorus with that deeper tone. It is great.
Track Listing:
Time After Time – Keeper
Comin’ Home – Keeper
Mysterious (This Time It’s Serious) – Keeper
If U Would Only Be My Friend – Keeper
All or Nothing – Keeper
All I Want – Keeper
U Done Me Wrong – Keeper
I’ll Set Your House on Fire – Keeper
Give Me A Sign – Keeper(1/2 Point)
Lovechild – Keeper
Long Way To Go – Keeper
Run With the Pack (Bad Company Cover) – Keeper
The Track Listing is 11.5 out of 12 or 96% which is almost flawless. But let’s be honest, this album is flawless. It is the perfect vehicle to highlight Jeff Scott’s vocals as this is his wheelhouse in style I like him the best. Fredrik Akesson is only 19 and he nails every note and solo perfectly. For a band that does this style of music, you need a gunslinger and they found it. Marcel’s bass playing might be one of my favorite things of Talisman. I love how prominent he is in the sound and he is the main songwriter along with Jeff. This is as close to perfect as you can get. My Overall Score is easily 5.0 out of 5.0 Starsand might be the best thing they ever did…I said might be.
Bonus Disc:
The 2003 Reissue had a bonus disc of demos and rare cuts from the band and it is pretty great. It kicks off an early cut of “Time After Time” which is a rough mix and and a little more raw which is kind of nice. It is definitely not finished production wise and I like the feel of it. Then we get “Comin’ Home” which again, not finished so a little rougher around the edges but you can hear the magic of this one. “U Done Me Wrong” still has the bass solo opener, but the bass drum is weak and awful, probably a cheap drum machine place holder. Once the song kicks in it is back to what you know. “Give Me A Sign” is next and wasn’t my favorite song on the album, and still not here either. It still not a bad song, but weaker in comparison.
Then we get the Matti Alfonzetti sung songs. First up is “Fighting For Your Life” which is the original title of “All or Nothing”. Matti has a great voice and I do like this early version of the song. They completely redid the lyrics and Matti’s song writing credit with the studio album. Musically it is basically the same. This is a very rough demo and not produced very well (thus a demo I guess). It does have the energy of the final version though. Cool track though I see why the label wanted Jeff. Then we get his version of “Time After Time”. and I think it sounds great. Basically same song with re-worked lyrics as again, no Matti writing credit on the final version like their is with this one. I’m guessing he didn’t write the chorus cause that is no different. Strange. “Give Me A Sign” is back again with Matti and again, same song, reworked lyrics. The next Matti sung song is “Angel” which Talisman never actually recorded for a studio album because it was written by only Matti. It was released on a Bam Bam Boys album and a Matti solo album I believe. It is a cool song. “Lovechild” which is like the others, rough different lyrics.
The last song is a song called “Rainbow’s End” which is a rare Talisman holy grail type song. It was recorded with Thomas Vikstrom on vocals. Thomas was lead singer of a band called Horny Strings. He recorded some demos with Marcel, but little interest was ever gained on them. The song is a great hard rock song with a great solo by someone. Marcel’s bass work is prominent as you’d expect. This is a cool treasure. The last track is a video that can be played on your PC. It is for the song “Mysterious (This Time It’s Serious)” and a great piece to have as well all on one spot (and you can see the video earlier on in the post).
I’m not going to rate the Bonus disc because it is demos and not quite fair. But as a collector this is 100% cool!! And worth every penny to grab this if you see it. I hope you enjoyed this long run through the album. Thanks for hanging around this long.
2 Loud 2 Old Music 