Tag: Rudolf Schenker

Scorpions – ‘Sting in the Tail’ (2010) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic20 Comments

‘Sting in the Tail’ is Scorpions 17th Studio album. Dang! Not many artist can say they’ve done that many albums. The band was still the usual crew of late with Klaus Meine, Rudolf Schenker, Mathis Jabs, James Kottak and Pawel Maciwoda. They had some new producers this time around with Mikael Nord Andersson and Martin Hansen. They hit the studio in May 2009 and wrapped things up in December 2009. They started with 18 songs and narrowed it down the 12 you see here. Out of the original 18, 5 were actually from their ‘Unbreakable’ Session from a couple albums earlier. Since last album was a concept album, they didn’t fit on that one, but they re-worked them and they ended up on this one. The rest were written strictly for this album. And no covers!!

The album was finally released on March 14, 2010 and it landed at #23 in the U.S. and #2 in their home country of Germany. It saw the band go back to their 80’s sound, but with a modern twist on it so it sounds fresh and not dated. I would say they succeeded with that. At this point, this was suppose to be their last album as they announced their retirement and were doing a farewell tour, I guess you could say. Well, we all know how that turned out as they are still going strong today in 2023.

The biggest problem with this album is that there is too much ROCK! No, No!! Not the music…but the word “ROCK”. That word is in four different song titles on the album. 1/3 of the album. That is a little nuts. To make matters worse, if you look at the back cover, the letters in red spell out “It Rocks”. We get it, we get it…Scorpions rock so you have to use the word rock so people know you are rock & roll…rock, rock, rock…ugh!! Outside of that, there isn’t anything wrong with this record…well, not much anyway. So, let us get to it, shall we.

Continue reading “Scorpions – ‘Sting in the Tail’ (2010) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Humanity: Hour 1’ (2007) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic25 Comments

For their 16th Studio album, Scorpions wanted to shake things up a bit. But before they could do that they needed to get a producer and that seemed like a daunting task. They had hoped to work with Dieter Dierks yet again, but that didn’t work out yet again due to contract issues. They brought a ton of producers to Germany to interview including Roy Thomas Baker, but the band wasn’t exactly pleased with those results. In the end they settled on two producers. They chose James Michael (lead singer of the band Sixx A.M.) and famed songwriter/producer Desmond Child. They each had their own specific expertise that was utilized on the production. James worked on the guitars, drums and bass while Desmond concentrated on the vocals.

So, Rudolf Schenker, Mathias Jabs, Pawel Maciwoda and James Kottak were in one studio with James while Klaus Meine was in another with Desmond. Desmond believes that if a singers vocals are in great shape, you will get a great performance so Desmond had Klaus basically take vocal lessons every day for an hour before they recorded the vocals. They brought in vocal coach to help Klaus warm up his vocals each and every day. The album is full of songwriters from outside the band as well, but the band still is on every song. You get Eric Bazilian (Hooters), Marty Frederiksen, Jason Paige, Russ Irwin, James Michael, Desmond Child and there are even more.

The band started recording in October 2006 and had about 30 songs and by the second recording process they had another 20 songs. The album was going to be a concept album that was developed by Desmond Child and futurist Liam Carl. It was based on a civil war between humans and robot, it is very apocalyptic in nature and at times very dark. Which is why a number of songs were thrown out because they were too dark. The album needed some more upbeat style songs and those were added, but they were all based around this concept and all tied together because the songs were about humanity. The album was called ‘Humanity: Hour 1′ and was released on May 14, 2007 in Europe and August 28, 2007 in the U.S. We were introduced to a very modern sounding Scorpions album, but at the same time, it still sounded like the Scorpions. All I know is that when I heard this album, I was back on board the Scorpions’ train and been riding it since. Sit back and get ready for the best Scorpions album in decades!!

A woman robot welcomes us to Humanity: Hour 1 as “Hour 1” is the start of the war. The earth-shattering drum beats, the Sabbathy guitar riffs and then Klaus comes in and sounds amazing as he introduces the reasons behind our downfall and that humans tried to play God with their machines causing all the problems we are now facing. It is a heavy, intense and rocking opening track. Very modern and very brutal and a solo that will rip your face off as the battle rages on. A killer opening track and one of their most aggressive tracks…ever!! And what is even cooler about this one is that the guest guitarist is none other than the mighty John 5.

Continue reading “Scorpions – ‘Humanity: Hour 1’ (2007) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Unbreakable’ (2004) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic17 Comments

We are now on to the 15th Studio album from the Scorpions called ‘Unbreakable’. It had been 5 years since their last studio album, ‘Eye II Eye’, which was not a success. The band had some success with their live albums ‘Moment of Glory’ and ‘Acoustica’ and after some touring, the guys were ready to go at it again. They went to the studio in late March or early April and recorded 16 demos. Not a bad start…but…they scrapped every single one and started over. They tried again in June 2003 and nothing much from that one either. Finally after another short tour, they went back in to the studio a third time in September 2003 and did another 20 songs and finally they felt they could pull an album from those tracks.

They shopped for a producer and they had a number of people on the list that they sent the demos to in hopes of hiring a producer. They wooed Bob Rock, Max Martin, Rick Parasher, Erwin Musper and even old time producer Dieter Dierks. In the end they ended up using Erwin Musper and he did a pretty good job. But that wasn’t all they were shopping for as they also needed a bass player. The courted Jeff Pilson (Dokken) and Jimmy Bain (Rainbow/Dio), but they wound up with Paweł Mąciwoda who was able to play on about 10 of the 13 tracks.

After recording from October 2003 to January 2004, the album was finally complete. It saw the light of day on May 3, 2004 and I have to say after the last two albums were a departure from what we expect from Scorpions, this one brought the band back to form. They brought back the heavy riffs, the great bombastic choruses and even modernized it all a little. This is the album that reminded me that Scorpions still had the goods to deliver what the fans like best. Solid guitar rock. I think a lot of what I like about this one is due to the fact of there was so much I didn’t like about the last two. This probably elevates this one a little as a result, but still so much goodness.

It all starts with the killer opening track “New Generation” which starts out with a slow build that keeps getting grander as you go and then the song really kicks in slamming it home. The hypnotic guitar riff is stellar and the song sounds so modern yet so like classic Scorpions at the same time. A brilliant track that reminds a lot of the opening tracks from a lot of bands in the 80’s as it has that grand feel and runs close to 6 minutes. Love it!!

Continue reading “Scorpions – ‘Unbreakable’ (2004) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Bad for Good: The Very Best of Scorpions’ (2002) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic26 Comments

Really! Another greatest hits album. Why? Well, the labels want money as this is a cash grab, but it does have some good points. The album was released on May 28, 2002 on Hip-O Records and contains 18 classic songs from the band. Scorpions – ‘Bad for Good: The Very Best of Scorpions’ does offer something a little different than some of their other compilation albums. First, you get 3 tracks that are single edits and not straight album tracks. Second, you get two brand new Scorpions songs!! That right there is the reason to buy this one.

Now, that doesn’t mean there aren’t problems with this release and for that problem is glaring. Again, we get a greatest hits compilation that completely ignores any album prior to 1979’s ‘Lovedrive’. Why do they keep leaving off all those good songs? Is it that the band, or the label, don’t own the rights to those songs? Whatever is the reason, it is an absolute shame that the public doesn’t get to hear those great songs from the 70’s up against these smash hits. Being a single disc release, I see that there is no room and I do get the label wants the biggest hits…but biggest doesn’t mean the best.

The album is in chronological order…wait…not quite. They start it off with “Rock You Like A Hurricane” because that is like their biggest, most notable hit. After that, the rest are in chronological order. Not sure the point of that and seems quite silly in my book. I am not sure how much input Klaus Meine, Rudolf Schenker or Mathias Jabs had, but at least they might have had a say in the two new songs, but that might be it. There is a nice multiple page write up in the liner notes about the band by Gerri Miller from Metal Edge magazine and she talks about 3 decades of the band, but the compilation doesn’t give us songs that cover the whole period…but I’ve said that already. Enough bitching, let’s get to the songs.

Every band needs a signature song and Scorpions did that on their 9th album with the song “Rock You Like a Hurricane”. It only went to #25 on the Top 40 chart, but it has lived on and given the band one of the quintessential 80’s rock songs ever made. There is no one that doesn’t know this song the second that opening riff kicks in. It is a rock anthem like very few achieve. For ever how many songs the album sold, most were sold because of this track. With heavy riffs, killer solos and one of the most catchiest choruses ever, this song took the band to a level they probably never thought they would see.

Continue reading “Scorpions – ‘Bad for Good: The Very Best of Scorpions’ (2002) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Acoustica’ (2001) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic22 Comments

The Scorpions were in a mood to keep doing things their own way and after doing an album and touring the classically orchestrated Scorpions rock, they decided to strip it all back and do some shows acoustically. The band performed 3 shows at the Convento do Beato in Lisbon, Portugal in February 2001 and those shows were recorded. From those 3 shows, the album called “Acoustica” was made. The album was released a few months later on May 14, 2001.

The show was a little unusual for the band as it was just the normal guys. Yes, Klaus Meine, Rudolf Schenker, Mathias Jabs, Ralph Rieckermann and James Kottak performed, but they weren’t alone. The actually had three guitarists and the third was Johan Daansen which really fills the songs up with that acoustic guitar sound. On keyboards was Christian Kolonovitis who also helped the band arrange the songs for the acoustic set. Christian was also the one who was the conductor and arranged the Scorpions songs for the Moment of Glory Berlin Philharmonic Orchestra album the prior year. James might have been on drums, but they also had a percussionist by the name of Mario Argandona. And to fill up the stage even more, there was a cellist, Ariana Acu and a group of female vocalists to help with backing vocals. They were Hille Bemelmanns, Liv Van Aelst and Kristel Van Craen. They really went all out to bring a different experience and I would say it worked pretty well.

The band also were great in giving us a few things extra on this release. We got the biggest hits, no doubt, but that wasn’t all. We actually were treated to 3 brand new songs (four if you got the DVD). And on top of that, we got a handful of great covers from The Cars, Kansas and Queen. With all that, it made this a very worthwhile purchase to get all the songs we hadn’t heard before. But was it all worth it? Let’s see.

The set opens with “The Zoo” and it has this cool groove which is almost like ‘Black Velvet” by Alannah Myles. Then we get the ballad “Always Somewhere” and the crowd claps along and at times sings along, there are female backing vocals and Klaus sounds stellar. Ballads usually work well in the acoustic setting and this one is no different. After this one we get the first of three new songs. First one up is “Life is Too Short” and this one brings some string orchestration. It is another ballad but it really shows the maturity of the band. I would really love to hear a studio version as this is really a great song. The chorus is really catchy which helps draw you in and as the song builds it just keeps getting better.

Continue reading “Scorpions – ‘Acoustica’ (2001) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Moment of Glory (with The Berlin Philharmonic Orchestra)’ (2000) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic34 Comments

Scorpions did something a lot of bands were doing and that was recording a live album using an orchestra. Metal and classical music go together as metal’s influences are heavily drawn from classical music. However, it doesn’t mean it should be done with every band. They were accused of copying Metallica who had released ‘S&M’ a year earlier. However, it actually had been discussed to do back in 1995 when the Berlin Philharmonic originally approached Scorpions to do such a show. Originally they had approached Michael Kamen, but he gave up on the job so he could actually go work Metallica on their album. They eventually found a composer by the name of Christian Kolonovits and along with the Berlin Philharmonic Orchestra, the album was completed.

It was recorded during January, March and April 2000 and was finally released on August 8, 2000. The album features only 10 tracks that consist of re-worked songs integrated with an orchestra and some really cool interludes from classical pieces. The album went to #3 in Germany and it did go Gold, but did nothing in the U.S. as I don’t think I heard about this until years later, but I was checked out on the band at this time any way. During the Hanover EXPO in June of 2000, they performed the show live and it was recorded for a DVD and was released in December 2000. During 2021, the band took it on the road and did 7 shows in Russia and other Baltic countries.

The show kicks off with a complete rearrangement of “Rock You Like a Hurricane” called “Hurricane 2000”. You get a grand opening that all the orchestra and it feels like the opening to a movie or maybe even a Bugs Bunny cartoon. The band joins in and you get that classic Hurricane riff re-imagined with an orchestra and a lot of extra notes thrown in. The overall tempo is slowed down as Klaus seems to slowly sing the lyrics instead of the rapid fire approach in the original. They added some women’s backing vocals towards the end of the song which totally strips the balls off the song. It isn’t bad, but it isn’t the Hurricane we all grew up with either. It does kick off the show with a bang though even if a little muted.

Continue reading “Scorpions – ‘Moment of Glory (with The Berlin Philharmonic Orchestra)’ (2000) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Eye II Eye’ (1999) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic41 Comments

For the band’s fourteenth album, ‘Eye II Eye’, Scorpions decided to take a hard left turn and change up their sound as that was what most bands were doing during the 90’s. They decided to follow trends instead of being themselves. They had become insecure and started listening to the record companies and producers rather than go with their gut. Per Mathias Jabs, ‘Eye II Eye’ was the band’s biggest mistake. In fact, it almost destroyed them with their fans as it was too much a change. Thankfully the would recover, albeit years later.

The album was released on March 9, 1999 and though it did chart in their home country of Germany (#6), it failed to gain any ground whatsoever in the UK and the US. Their one single, “Mysterious” did chart on the US Mainstream Rock track going to #26, but outside of that, there was nothing. Producer Peter Wolf from Austria was brought in to man the boards and the album was recorded at Little America Studios in Austria. Peter help co-write a bunch of the album and some other guests were brought in including Marti Frederiksen and the wonderful Mick Jones from Foreigner.

The band was still Klaus Meine, Rudolf Schenker and Mathias Jabs as the man group and you can tell as they are the only 3 on the cover. The rest of the band saw Ralph Rieckermann on bass and for the first time saw James Kottak on drums. This would end up being Ralph’s last album with the band. And on one song on backing vocals we have long time drummer, Herman Rarebell which I thought was really cool. The sound of this album was a little pop and a little techno at times with very little rock which is why the fans weren’t happy with this release. Should we see what all the fuss was about? Okay, why not…

“Mysterious” opens the album and you get a little electronica, almost dance type music. Have the Scorps gone all boy band on us?? When the song finally kicks in to full band mode, it improves a little. The chorus is catchy and all, but this is not the Scorpions you remember and love. Nope, this is a brand new band trying to follow trends and find itself as they are completely lost at this point and it’s obvious. At least there is a guitar solo that toughens the song up a little, Overall, not a bad song when you compare it to the rest of the album.

Continue reading “Scorpions – ‘Eye II Eye’ (1999) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Pure Instinct’ (1996) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic29 Comments

We are to the band’s 13th Studio album now in the series, however, 13 isn’t really their lucky number with this one. First off, longtime Scorpions drummer, Herman Rarebell, left the band to go start his own record label. They didn’t replace him right away and used a session drummer, Curt Cress, to handle the daunting task of following Rarebell’s footsteps. The band did replace the role with James Kottak who ended up being in the band longer than Herman was as he lasted almost 20 years before he was fired in 2016. The rest of the band was in tact with Klaus Meine, Rudolf Schenker, Mathias Jabs and the newest member Ralph Rieckermann. And for this album, they brought back as producer, Keith Olsen, who helped produced the album ‘Crazy World’. He produced the first seven tracks while Erwin Musper and the Scorps did the rest.

‘Pure Instinct’ followed in the footsteps of several Scorpions albums and showed nudity. My CD has the original nude cover of the humans in the cage being watched by the animals instead of the other way around. For those parts of the world that had issues with the cover, there was an alternate cover of just the band which is what I am showing as the header as I don’t want to be flagged on Facebook or any site for the so called offensive cover. But what I find offensive is the music on this album. This is not a rock album by any stretch of the imagination. Instead we get an album that is mostly ballads and then heavier songs that are more pop than hard rock except maybe for the opening track.

They released several songs as singles and the only one to chart in the U.S. was “Wild Child” which went to #19 on the Mainstream Rock Chart. All the other singles charted, just not in the U.S. as the album didn’t do well at all not even reaching Gold. The album only went to #99 on the Album Charts which is not good for a Scorpions record. There isn’t anything else I want to add at this point so let’s get in to the meat of this album and the music.

The album starts off with what sounds like bagpipes before the full band kicks in with the heavy drums on the verses and riffing guitars throughout and a solo that is so high pitched the dog howled! Klaus vocals are as perfect and classic sounding as ever. The chorus is catchy and sounds like Scorpions through and through. “Wild Child” is a great opening rocker to kick things off.

Continue reading “Scorpions – ‘Pure Instinct’ (1996) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Live Bites’ (1995) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic32 Comments

The Scorpions camp felt it was time for another live album. This would be the band’s third to date and was released April 3, 1995. Now, the disc is not one show as that would be the smart thing to do and this instead is the easy way out. They took shows from several concerts from 1988 to 1994. The cities were Leningrad (Russia), San Francisco (US), Mexico City (Mexico), Berlin (Germany) and Munich (Germany). The album has the normal crew of Klaus Meine, Rudolf Schenker, Mathais Jabs, Herman Rarebell and current bass player, Ralph Rieckermann. However, most of the bass playing is long time member Francis Buchholz. The best thing about the album is that they did include 3 studio tracks which is the real reason to buy. No definitive time on the recordings, but I believe they range for 1988-1995, just no where I can prove that out.

As far as live albums go, it does sound fantastic. The guitar sound is actually killer, almost to amazing which makes me wonder if any touch up was done. And Klaus’ vocals are spot on, the drum sound is hard and heavy. There is no denying these boys can play live. They kick off with “Tease Me Please Me” and it would be a good song to start with as it totally rocks out and gets you on your feet. Then we get a real treat with the ‘Lovedrive’ track “Is There Anybody There”. I love the reggae vibe to the song. I really unexpected choice for the live show, but very welcomed. Really cool. Back to the heavy rock guitar sound with “Rhythm of Love” and they nail it here before going in to the only song that is a found on another live album and that is the fantastic “In Trance” and this is a classic track. Man is it good.

The first misstep for me is “No Pain No Gain” as I’m not a fan of this song, but they do make it sound a little better than the studio track here. It fits better in the live setting than album setting, but not by much. Then from ‘Blackout’ we get “When the Smoke is Going Down” and another surprise track for me. I didn’t like this song as the ending to that album, but mixed here in the middle of the show and listening to Klaus sound incredible on this one, I dig it here. Next up is “Living for Tomorrow” and this song had been released previously on the 1992 compilation called ‘Still Loving You’. On here, two slow songs in a row really can start to drag the show down. Klaus speaks to the crowd in Russian as it was recorded in Leningrad.

Continue reading “Scorpions – ‘Live Bites’ (1995) – Album Review (The Scorpions Collection Series)” →

Scorpions – ‘Face the Heat’ (1993) – Album Review (The Scorpions Collection Series)

Published on by 2loud2oldmusic30 Comments

We are not on to the twelfth studio album for the Scorpions and it is called ‘Face the Heat’. It sees the band bring on a new producer with the late, Bruce Fairbairn and it sees them go a little more political as well as change their sound a little to be heavier at times and yet more contemporary. Whether or not that is a good thing we will soon see. As with most Fairbairn produced albums, we see the band go to the famous Little Mountain Studios in Vancouver Canada to record this one as that was Bruce’s home base. And with them being in Canada, Bruce brought in Paul Laine to work on some backing vocals and as you know, Paul Laine was my first rock & roll star interview so anytime I can draw a connection to him, I point it out.

The band saw their first line-up change in a long time as Francis Buchholz left the band and new bass player, Ralph Rieckermann was now in. This would also end up being Herman Rarebell’s last album with the band but we will get to that on the next album. The rest of the gang was still in place with Klaus Meine, Rudolf Schenker and Mathias Jabs. The album was released on September 21, 1993 and saw the band’s popularity drop significantly. The album only went to #24 on the US Billboard 200 and only sold 450,000 copies, not even going Gold. Was it the change in sound or the fact the US was going in to a more grunge direction. I think it was a little of both.

Now my copy is a recent re-issue of the album with the first LP being the regular album and then a Bonus E.P. added holding 4 bonus tracks a couple of which were bonus tracks on the European and Japanese editions of the original album. The first LP is the standard 33 1/3 RPM while the Bonus E.P. was a 45 RPM and it is important to note that because when you throw on the second LP, if you don’t make the switch it sounds like a demon is singing as it is too slow. Now, if you play the 2nd first and then the first 2nd, you get Alvin & the Chipmunks, but I’m going off topic now. Back to the album.

Continue reading “Scorpions – ‘Face the Heat’ (1993) – Album Review (The Scorpions Collection Series)” →