It had been four years since the band’s last studio album ‘Love at First Sting’ in 1984. The band toured extensively for that record and then released a live record ‘World Wide Live’ celebrating that tour. Then the band toured again for the Live album and they were exhausted. They finally headed back in the studio in 1987 to start recording ‘Savage Amusement’ and worked on the new album through to early 1988. The band’s sound changed as they became way more polished and mature sounding thanks in large part to the success of Def Leppard. I would say the sound tried to mirror them to some degree.
The album saw the full band return with Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. The producer was the same as well with Dieter Dierks, however, this would wind up being his last Scorpions album. ‘The ‘Savage Amusement’ was released on April 16, 1988 and did really well going to #5 in the U.S. and going Platinum with over 1,000,000 copies sold. Sadly though, it was considered a disappointment.
With the massive success of ‘Love at First Sting’, Scorpions were riding high. So the label felt it was time for another live album as it had been 7 years since the last one. During the ‘Love at First Sting Tour’, numerous shows were recorded and a double live album was pieced together. The shows were as follows:
Bercy, Paris, France (1984-02-29)
The Forum, Los Angeles, CA, USA (1984-04-24 & 1984-04-25)
Sports Arena, San Diego, CA, USA (1984-04-26)
Pacific Amphitheatre, Costa Mesa, CA, USA (1984-04-28)
Sporthalle, Cologne, West Germany (1984-11-17)
The album was released on June 20, 1985 and went all the way to #17 on the US Billboard 200 Chart and sold over 1,000,000 copies giving it platinum status. The band could do no wrong. The classic line-up was in place with Klaus Meine, Rudolf Schenker, Matthias Jabs, Francis Buchholz and Herman Rarebell. And of course, the album was produced by long time Scorps producer Dieter Dierks.
To capitalize on the success that the Scorpions were seeing now with ‘Blackout’ and ‘Love at First Sting’, the label decided it was time for a ‘Best of Scorpions, Vol. 2’. The new compilation, a companion piece to Vol. 1, was released on July 10, 1984. It didn’t do that great as it only went to #175 on the Billboard 200 albums chart. But still not a bad idea to try and reap some rewards off a band riding high.
It followed the same concept as Vol. 1 by picking songs only from the Uli Jon Roth era. This means it is only songs from ‘Fly to the Rainbow’, ‘In Trance’, ‘Virgin Killer’ and ‘Tokyo Tapes. For some reason, no songs were picked from ‘Taken By Force’. like on Vol. 1…which didn’t have any ‘Tokyo Tapes’ songs. Being Volume 2, these are the next level tier of songs so instantly makes this set a little less in goodness. There is one repeat, but Vol. 2 has a live version rather than a studio…we will get to that.
SIDE A:
“Top of the Bill”, from ‘In Trance’, is basically same as a song on their newest album “Gas in the Tank”. Okay, not really, but not far off. Klaus’ vocals are ear splitting high at times as his shrieks rip through your head. It is a solid rocker that is both explosive and melodic. It is balls-to-the wall energy and I love the vocal harmonies as they add even more to the dynamic track.
Flying high from the release of their 9th Studio album, the band released their second single “Still Loving You” on July 3, 1984. The song went to #64 on the US Billboard Hot 100 Charts, but it didn’t chart in Germany. The Maxi Single I found for “Still Loving You” was a German only release and it was released to promote their German tour which ran from October 26th until December 3rd of 1984 as the dates of the tour are on the bottom of the back cover.
Side 1 was only the single “Still Loving You” from their latest album ‘Love at First Sting’. Side 2 was the song “No One Like You” from 1982’s ‘Blackout’ and “Always Somewhere” from their 1979 album ‘Lovedrive’. A good way to promote the back catalog. The songs are studio tracks and not remixes, but that’s okay because it is still a cool piece for me to have in the collection especially since was, as I said earlier, a German only release.
The band started recording their 9th studio album in Stommein, West Germany which is where producer, Dieter Dierks, studio was located. The album was recorded in 1983 and 1984 and finally saw its release on March 27, 1984. The line-up was intact with Klause Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell.
However, some of the early recordings that took place were actually in Sweden and had former Rainbow members, Jimmy Bain on bass and Bobby Rondinell on drums. Jimmy Bain’s name was brought up by Herman and then later Herman got sick and Bobby stepped in. The band then left Sweden and did a two week tour in the States with the normal members of the band. After the tour it was determined that everyone felt great and they headed to Germany to record with the original members.
The album became Scorpions biggest selling album of all time going triple platinum with well over 3,000,000 copies sold in the U.S. alone. Thanks in large part to MTV and the smash song “Rock You Like a Hurricane” which is a staple at sporting events and a song I think everyone in the world knows. The album went to #6 on the Billboard 200 album chart, but it was really the constant rotation on MTV that got the U.S.’s attention. I know it got mine. They played all their videos and even the ones from Blackout which made a lot of people run out and get that album as well. “Love at First Sting” was the band’s pinnacle album. The smooth, high glossed rock was so well polished it gave off a platinum sheen. And in fact, it was one of the first fully digital metal albums ever made. They have reached the top…or had they?
With the album ‘Blackout’, the Scorpions were starting to break big and it looks like the record company wanted to promote more of the band’s 70’s material, especially with Uli Jon Roth. This is the band’s second compilation and like the first one, only features songs with Uli. Released on May 4, 1982, ‘Hot & Heavy’ is released under the RCA banner of “Takeoff” series. The album, as the title suggests, features the heavier songs by the band and even has 3 Uli sung songs. The songs cover the years 1974-1977.
Admittedly, this is not really necessary as a release, but it is a good showcase of the band’s more rocking material. Sadly, there are 6 repeats on this compilation that are on the ‘Best of Scorpions’ released a few years back. My version is the German release of the album and the back cover has a brief history of the band in both German and English. The back cover also highlights a few other albums under the “Takeoff” series umbrella.
Shortly after the release of their previous album, ‘Animal Magnetism’, Klaus Meine started having vocal issues. It got so bad he had to have surgery on his vocal cords which left a lot of doubt if he was going to heal and be able to continue as lead singer of the band. Scorpions started working on this next album and brought in singer Don Dokken to do the guide vocals on the demos. None of Don’s demoes made the album, naturally, but one can hope they get released one day (if they’ve survived). Luckily for the band, Klaus’ vocal cords healed up nicely and he had no problem completing the album. The album would see its release on March 29, 1982 and would go all the way to #10 on the Billboard Hot 100 chart in the U.S. going platinum with over 1,000,000 records sold.
The band’s line-up ended up unchanged thanks to Klaus’ recovery. It was still Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. Don Dokken is credited with background vocals as they did leave some of his work in tact. Producer was still Dieter Dierks and with all the same cast of characters, the band was really starting to find their way. They were gelling and put together one of the Top 100 Greatest Metal albums of all time according to Rolling Stones Magazine in 2017. I don’t know if I agree or disagree with that, but I do know it is one hell of a great album.
It has been almost two years since I’ve done a Turntables & Vinyl post. And since today is the 2,000th Post on the site, why not do another. 2,000 Posts!! That is insane. I can’t believe I have bored you for that long now and yet you still come back. Thank you for that.
These Turntable & Vinyl post are basically about my collection or interesting things about collecting and this one is about collecting. As far as collecting goes, I haven’t gone down the rabbit hole of getting every variant of an album, but I have found myself, a little unknowingly, picking up duplicate albums with the big difference being they have a completely different album cover. I don’t have a lot, but I am noticing more and more that if I know there is a different album cover, I am now actively looking for it. However, most of the time it has been by utter accident that I found a different cover and didn’t know it existed.
This post is going to show you the handful that I have and then show the ones that I am actively hunting down. But first, why do artist have different album covers in the first place? Most of the time it is simply down to controversy. Some album covers have a little nudity or something offensive that pisses off the wrong people so in order to sell those albums in certain stores a new cover is done. In other parts, it is simply different tastes in different parts of the world. And then it might be a reissue so they change up the cover a little, either way, I think it is cool and so I am now collecting alternate covers.
This is my most recent acquisition and it is from Joe Satriani. The one on the left was the album cover I originally had and all I knew about and it turns out it is the European release cover and the one used in the 1988 reissue. But apparently there was alternate cover because I found the one on the right in a record store in St. Augustine Florida. It really isn’t the alternate cover because I believe it is the original release cover from 1986 and the one i had first was actually the alternate cover. Both are awesome.
Here is another one where I had the alternate cover first, the one on the left, before i had the original cover, the one on the right. The original cover was the UK only release of the original album. The giant snake on the left is the alternate cover for the releases outside of the UK. Not sure why the difference, but both are equally cool.
In 1980, not sure if the record label was capitalizing on Scorpions growing success or what they were doing, but the released this 2LP set called “Rock Galaxy”. It isn’t a compilation album…nope. It is a re-release of two of the bands albums…’Fly to the Rainbow’ (1974) and ‘In Trance’ (1975). It was released in 1980, out of Germany, but sold across Europe as you can see from the back cover. It would see re-issues later in Spain and Greece, but my copy is from Germany.
The release I have is a 2LP set and on a wonderful gatefold. The inside picture is of the band and not a great one at that as Klaus is either frightened or he is just totally uncomfortable getting his picture taken. The story of the band is on written in both English and German and is called ‘The Scorpions Chronicle’ or in German as ‘Die Scorpions Chronik’.
The album at least isn’t controversial. It is basically plain and utterly awful. I hope the band didn’t have an input in the cover, because if they did I would question their sanity. We already know record labels were full of idiots so if they chose the cover it then makes sense. However, it is the awful cover that is the main reason I bought this. I already have the two albums, but dang, that cover is so bad I had to have it.
As reported in the ‘Lovedrive’ review, Michael Schenker rejoined Scorpions after he left UFO. He toured with the band and left during the tour so Mathias Jabs was brought back in the fold after some heave negotiations. It is the line-up of Mathias Jabs, Rudolf Schenker, Klaus Meine, Francis Buchholz and Herman Rarebell that bring us the bands seventh studio album, ‘Animal Magnetism’. A name that was thought up by Mr. Rarebell.
The album was released on March 31, 1980 and saw the band maintain their current sound with hard rock songs that were melodic and catchy as hell. The sound that the world would soon catch on too and see them hit the stratosphere, but not just yet. The album went #52 in the U.S. and it would reach platinum status. In the UK, the album spawned two singles that reached the Top 100 though the only made it as high as the 70’s and not Top 40 hits. It was another album that saw the band keep moving in the right direction.
Now, like almost all of Scorpions album covers, this one too had a little controversy. It was designed by renowned artist, Storm Thorgerson of the design firm Hipgnosis. It had a young lady on her knees in front of a man and she only comes up waist high. It is very suggestive as we wonder is she going to do something sexually to the man although nothing is shown. It is purely speculation. As a result, there was no alternative cover done for this one. But the most interesting thing about the cover is the addition of the dog right next to the girl. Why is he/she there, we have no idea other than to stick with the name of the album, ‘Animal Magnetism’. It is so strange and yet so captivating. I love this cover for everything that it doesn’t show.
2 Loud 2 Old Music 