On November 21, 2006, Kiss and their label released the first collection of all the Alive! albums in the band’s catalog. It was called Kiss Alive! 1975-2000. I really great idea to get them all in one set. And what makes this special is that it is the first release of what was supposed to be Kiss Alive IV, Alive! The Millennium Concert from 2000. Their label got swallowed up and it was shelved. As you now know, ‘Symphony’ was released as Alive IV.
The Box Set had four CDs, one for each show, ‘Alive!’, ‘Alive II’, ‘Alive III’ and Alive! The Milllennium Concert’. There are also a couple of bonus tracks included in the set. The set came in a multi-layered cardboard fold out box and there was a cool feature. Each CD was housed in a the normal plastic shell, but behind each disc, was a live shot from each of the respective shows. The set also included a 72-page booklet.
DISC 1:
‘ALIVE!’ (1975)
‘Alive!’ was recorded over four stops on the Dressed to Kill Tour. You had May 16 at Cobo Arena in Detroit, Michigan, naturally; June 21 at Cleveland Music Hall in Cleveland, Ohio; July 20 at RKO Orpheum Theater in Davenport, Iowa; and July 23 at Wildwoods Convention Center in Wildwood, New Jersey. With four shows recorded, they could piece together a perfect live album…well…maybe not!
Welcome to a new series I have on YouTube called Retro Rock Reviews. Each week, we are going to pick an album and do a quick review. They won’t be long shows, something quick and fun to get you through your day. For the first episode, I am going to do a review of George Harrison’s debut solo album ‘All Things Must Pass’. I reviewed it years ago for the site and thought it would be fun to do that one as my first episode for the new series. I hope you enjoy it…oh yeah…since the original series on YouTube is called ‘The Collection’…these reviews will only be albums in my collection…makes sense!
So go check it out as it is live now on August 8, 2024 at Noon.…because why not!! Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
It is 2002 and the sound on the radio is now very different. Pop bands rule the world. Heck, even Bon Jovi had turned more to a Pop band with an album called ‘Crush’. Def Leppard chased the trend with this album and have moved completely away from their known rock sound to a more melodic pop record. They even brought some of the Swedish pop writers to help like Andrew Carlsson and Max Martin. Also included in on the writing was famed writer Marti Frederiksen who had worked with Aerosmith on the song “Jaded”. Phil remembers hearing this song and wanting Leppard to have a song like that. All these changes are huge and we probably thought this is not an album we were expecting from the band, but as it turns out, it was one we needed.
The album ‘X’, (or Ten), is the band’s 8th studio album, but its 10th album release if you count ‘Retro Active’ and ‘Vault’. The album was released on July 30, 2002, but only reached #11 on the Billboard charts. The album had 3 singles and never did well on the charts, I don’t remember hearing them on the radio. Heck, ‘X’ didn’t even get certified anything by RIAA…might be the first album of theirs to not get at least Gold. This album was a big change in more ways than one.
There wass one constant with Def Leppard and that was the line-up. It was still Joe Elliott, Rick Allen, Rick Savage, Phil Collen and Vivian Campbell. 10 years with this line-up and we are now 12 years after this and they are still the same line-up. Kudos to them. Maybe the band was in a good place at this time because this does seem like a happier album at times. I have even heard this album called the ‘Love Album’ as it has a lot of ballads and a lot of pop songs. I don’t have a problem with them doing a pop album…even Kiss did with ‘Unmasked’ and I like that album. So why not Def Leppard. Is this as bad as everyone says it is…maybe I’m the contrarian here, but I think it is awesome. I am a huge pop music fan, so this satisfies that side of my taste quite nicely. Let’s get in to it.
The first track and single off the album is the song called “Now”. The song was written by the band with the help of Marti Frederiksen who we mentioned earlier. If Phil wanted a song like “Jaded” with the classy, perfect production, well, he got it. “Now” is as slick of production as it comes. The opening acoustic guitars, the beautifully lush keyboards, a crazy cool bassline and a great snare beat, “Now” opens as great as any song they’ve done and when that chorus hits, the song is huge, with delicious harmonies and a great energy that drives the song. There is a rock element to the song, but let’s be honest, it is pop in all its glory. It is modern, but still has the Leppard tone to it that shows the band is still in there somewhere.
If you noticed the header at the top it says “re-review”. I had reviewed this album when it was originally released back in 2016. My views on this album have changed quite a bit since that review so I thought I would do another one. My first take on the album was a 2.1 out of 5.0 Stars, so it was pretty bad. Is that still the case…we will see. Let’s get started.
Bon Jovi was now on their 14th studio album. This time around they were now on their new label Island Records after having a bitter divorce with their former label of 32 years, Mercury label. Funny thing is that both labels are owned by Universal Music Group, so technically still the same label…in my opinion at least. Their new album, ‘This House is Not For Sale’, was released on November 4, 2016 and sold 129,000 copies in the first week making it #1 for that week.
This was the first album with their two new official band members. Phil X is the new guitarist replacing Richie Sambora officially. And long standing bass player since 1994, Hugh McDonald, was finally promoted to official member. The band was back to being a 5 piece with Tico Torres, David Bryan and of course Jon Bon Jovi being the remaining members. John Shanks is still producer and does a lot of the rhythm guitar on the album. He brings nothing new to the table so not sure why they still use him. (He becomes an official member many years later).
The cover of the album was a photo by Jerry Uelsmann and is of a house that is deeply rooted in to the ground. Jon Bon Jovi saw this black & white photo a few years earlier and was really inspired by it. So much so that it became the artwork for the album and the inspiration for the title song.
Kiss is notorious for releasing Greatest Hits compilations and it is both the band and the label responsible for that travesty. Don’t get me wrong, they have a ton of great songs so a few greatest hits compilations are probably necessary. However, this is not one of them even though this one is a little different. On either October 10, 2006 or November 21, 2006, depending on who you believe (Wikipedia shows both dates), the label allowed a third volume in the 20th Century Masters’ Millennium Collection. They released ‘The Best of Kiss: Volume 3 – The Millennium Collection’ and what makes it a little different is that it is only compilation from Kiss that focuses only on their material from the 1990’s. It gets a point for that.
But like Volumes 1 & 2, it is only 12 songs and all are previously released so nothing new here. No remixes, single edits, just album cuts which is easier and cheaper. The look is exactly like the other comps in this set so at least they are consistent. However, the 90’s weren’t the best time for Kiss, they had 3 studio albums and a couple live albums. Not much to work with I’m afraid.
The compilation kicks off with “God Gave Rock And Roll To You II” which is a cover of the Argent song written by Russ Ballard with heavy lyric changes by Paul, Gene and Bob. The song is the first good rock anthem Kiss has done in years and the first in 10 years to have a co-lead vocals with both Gene and Paul. This was from the Bill & Ted Bogus Journey movie and soundtrack as well as from ‘Revenge’. You can get in a multitude of places.
Welcome to a surprise episode of The Collection. Being today is August 3rd, I thought what a great time to talk the Def Leppard album ‘Hysteria’. Why? Because ‘Hysteria’ was released on August 3rd way back in 1987. The band’s biggest album to date and one of the biggest albums of all time. If you are fan of the album, stick around and check out all that I have related to Hsyteria!
So go check it out as it is live now on August 3, 2024 at Noon…because why not!! Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
Welcome back. Last week, we talked about the Cybernauts ‘Live’ album that was released in 2000 in Japan only. In 2001, they released a Deluxe Version of the album in the UK and the 2nd CD was studio recordings the band had done. If you remember, the Cybernauts are Joe Elliott and Phil Collen from Def Leppard; Trevor Bolder & Woody Woodmansey from David Bowie’s Spiders From Mars and then on keyboard is Dick Decent. They came together as a Mick Ronson & David Bowie tribute band for the Mick Ronson Memorial show back in 1997.
This week, we are talking about the 2nd CD in the Deluxe Edition called ‘The Further Adventures of the Cybernauts’. The Japanese only release was in June 2001 and consists of all studio recordings the band did of these David Bowie songs. We get 7 tracks and one hidden track which is an alternate version of one of the other seven.
The first four tracks were recorded on August 8, 1997 at Bow Lane Studios in Dublin, Ireland the day after they recorded the live show we saw on last week’s post. They didn’t waste any time getting these recorded…why not, they were on fire the night before so capture some of that magic. The first track is “Manic Depression” and it is not a David Bowie track as you already guessed. Nope, this is a Jimi Hendrix one and the band gives it a little psychedelic vibe and Phil does a bang up job doing his best Hendrix. Joe’s vocals are put through something to give it that spacey feel to it. A really cool opening track. “All the Young Dudes” is up next and the Mott the Hoople track is done as it should. Some great keyboards, great vocals and those gang vocals on the chorus see a band that loves and appreciates this music.
We are now on the 13th Studio album by Bon Jovi and the first without Richie Sambora. And this one has an interesting story behind it. Bon Jovi was at the end of his contract with Mercury and had been with them for 32 years. They could not come to agreement and this was the end of his relationship with the label. This album, ‘Burning Bridges’, is the final album to fulfill his contract with the label. And to say Jon was a little pissed is an understatement. He didn’t sit down to write a whole album because he was so pissed (as you will hear on the title track) and only wanted to end this deal and move on. I believe the label kept the rights to the masters and that didn’t sit well.
He grabbed a bunch of unfinished songs and actually finished them. He did write a few new songs, but most were leftover songs that needed to be finished. As a result, of the turmoil between Jon and the label, neither cared about the album. Heck, the label put cheap packaging on it (my copy is a cardboard sleeve and no liner notes) and didn’t even really promote it. And I will tell you that is a complete shame as this is the first album in years that I actually felt was a good Bon Jovi album.
The last three albums were so boring, but this one felt fresh to me and interesting. The reason I think this is better is because Jon didn’t sit down to write a full album and follow his paint-by number formula he had been using for years now. He grabbed from his archives left over tracks that created more variety and surprisingly the whole package struck a chord with me and I truly love this album.
Here is the funny thing to me. He left Mercury, which is owned Universal Music Group, and was signed by Island Records, which is owned by Universal Music Group. Hmmm….did he technically change labels then. It all seems for nothing to me. Anyway, on August 21, 2015, Bon Jovi released ‘Burning Bridges’ and it did go to #13 on the Billboard 200 Album Chart and after a whole year of release, it had only sold 67,000 copies in the U.S. Is this the worst performing album in their catalog? Quite possibly. All I will say is that people are missing out!! Let’s get to it.
Kiss is notorious for releasing Greatest Hits compilations and it is both the band and the label responsible for that travesty. Don’t get me wrong, they have a ton of great songs so a few greatest hits compilations are probably necessary. However, this is not one of them even though this one is a little different. On June 14, 2004, the label allowed a second volume in the 20th Century Masters’ Millennium Collection. They released ‘The Best of Kiss: Volume 2 – The Millennium Collection’ and what makes it a little different is that it is only compilation from Kiss that focuses solely on their material from the 1980’s. Well, most of the 80’s as it goes from 1982-1989. It does skip the ‘Unmasked’ (1980) and ‘The Elder’ (1981) albums which Volume 1 doesn’t cover either. So a big miss.
But like Volumes 1 & 3, it is only 12 songs and all are previously released so nothing new here. No remixes, single edits, just album cuts which is easier and cheaper. The look is exactly like the other comps in this set so at least they are consistent. My poor case is cracked, the CD is scratched up and is a bit of a mess, but it was free!! Noble Records threw it in when I bought some other Kiss material at the store. Such a great store!!
“Creatures of the Night” was written by Paul Stanley and Adam Mitchell and had Steve Farris on lead guitar. Steve would go on to play for the band Mr. Mister. Also on the album was Adam with additional guitars and Mike Porcaro on bass as Gene wasn’t available or something. The song starts off explosive with Eric’s drums and then some wicked, heavy guitar riffs. Paul sings with a swagger that he has not had in years. He sounds confident and serious and this is a much heavier and more determined Kiss.
“I Love it Loud” is up next and MTV played it a lot. Every time it came on it was event TV for me. I actually remember having our little black & white TV in the dining room on at dinner one night because I knew the song was coming on. When it did, I stopped eating to watch and made everyone else watch it too. Ace was in the video and I thought Kiss was chugging along just fine. Plus, I loved seeing the Giant Tank stage and Eric was slamming away on those drums. The song was written by Gene Simmons and Vinnie Vincent and it was our first glimpse in to Vinnie as a song writer and it was awesome. This was such a heavy metal track and it was the Demon rejuvenated. A massive anthem despite the simple, somewhat stupid lyrics. I love the fade out at the end to then come back again for a few more pointless seconds. Not sure the need, but as a kid, I thought it was cool.
I am sure you have a few questions… Like, who are the Cybernauts? The Cybernauts are a Mick Ronson/David Bowie tribute band and they play all the hits they had together. David might have wrote the songs, but Mick was the guitarist and what a player he was and what life he gave those songs. And, why is this part of the Def Leppard series? Well, that is because two members of this cover band are none other then singer Joe Elliott and guitarists Phil Collen from Def Leppard. The rest of the Cybernauts are Trevor Bolder (bass) and Woody Woodmansey (drums) both from David Bowie’s band Spiders from Mars. Also, to round it out on keyboard is Dick Decent.
Trevor and Joe meet way back in 1983 and had been friends ever since. When Trevor was asked to put together a band for a Mick Ronson memorial service, he found out Joe and Phil were asked to play as well so they teamed up for the event and performed. A few years later they were asked to do it again, but this time they decided to actually do a small tour with the band and finish it at the Mick Ronson memorial show. Joe had the idea of recording the Dublin show and they did. That was August 7, 1997 in Dublin, Ireland at the Olympia Theatre. And three years later in 2000, the CD was released and only released in Japan.
My copy though was released in 2001 and was a 2 CD set with the original show, plus a 2nd CD of studio recordings. The E.P. was called The Further Adventures of the Cybernauts…which we will discuss later. For now, we will focus on disc 1, the live show they recorded which consisted of 18 tracks that will take you back to those critical years of David Bowie and Mick Ronson and you are reminded of what an amazing catalog the two had together.
2 Loud 2 Old Music 