Category: Album Review

Van Halen – ‘Destruction in Dallas: Reunion Arena, Dallas, Tx – November 18, 1982’ (Bootleg) – Album Review

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There is no better feeling than out vinyl digging and find something unexpected like a bootleg. Make that bootleg Van Halen and make there be two different ones there by Van Halen and that is why I love collecting. Those little surprises and the first one I already reviewed.. It is a soundboard recording from April 3, 1978 and recorded at the Pogo’s Night Club and Discotheque in Wichita, Kansas. The other bootleg I found was Van Halen’s Destruction in Dallas. Recorded on November 18, 1982 at Reunion Arena in Dallas, TX in front of a sold out show of over 19,000 screaming fans. This recording is a soundboard recording, although not a great one. The sound is really low, you can hear everything, but you really have to turn it up and it never gets loud enough for me which does detract from the show a little.

But Michael Anthony, Alex Van Halen, David Lee Roth and Eddie Van Halen due to all out and I am sure the fans had a great time at the show. This was the Diver Down/Hide Your Sheep 1982 Tour. Now, the copy I have of this bootleg is on 2 LPs and both colored. We get a beautiful red one for Sides A/B and a white on for Sides C/D. The track list appears to be accurate from what I’ve seen and the last three songs on Side D are actually demos of songs that have not seen the light of day on any release.

The album opens up with an enthusiastic introduction from the announcer and the band goes in to “Romeo’s Delight” with Eddie’s guitar throwing riffs out like they were candy. Dave “woahing” and screaming as he forgot the fucking words (as he tells the crowd). Someone might be a little hammered already and we are only at the first song. Not a good sign of things to come. Sound quality wise, the sound is a little hollow for the instruments. And I have it cranked and still hard to hear the instruments. Dave is clear, Eddie’s guitar is clear, but the rest not so much. Oh, and the backing vocals are pretty loud too.

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Jeff Scott Soto – ‘Complicated’ (2022) – Album Review (The Jeff Scott Soto Series

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Released on May 6, 2022 by Frontiers Records, ‘Complicated’ is Jeff Scott Soto’s 8th studio album. And like his last solo album, he partnered again with Alessandro Del Vecchio to help write and produce the album. He wasn’t the only one to return as Jeff also had his good buddy Edu Cominato back on drums and Fabrizio Sgattoni on guitar who were both on ‘Wide Awake (In My Dreamland)’. With the same basic line-up, you’d expect the same sound and you’d be right. It is more of the same, which in my opinion is not always a great thing. Although at times it feels like Talisman and sometimes W.E.T., it kind of all sounds the same, but there are some great moments. Let’s find out what’s what on the album.

The album kicks off with “Last to Know” opens and all is good. You get a hard rocking song with a great chorus, memorable moments and Jeff’s awesome vocals. Jeff’s delivery is powerful and the chorus is such a big payoff with great backing vocals. Fabrizio throws in some great guitar riffs and lays down a solo that is fast and exciting. An energetic opener that will get you moving and get you anticipating the rest of the album.

“Disbelieving” comes up next and there are some great melodies and harmonies, but I quickly lose interest as it is too cookie cutter and no real surprises. Left me a little bored and my mind started wondering and I’d forget the song was playing…never a good thing.

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Jon Bongiovi – ‘The Power Station Sessions (1980-1983)’ (2001) – Album Review (The Bon Jovi Collection Series)

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Before there was a band called Bon Jovi, there was a young man, named Jon Bongiovi, who worked as a janitor at a recording studio called The Power Station which was located in Hell’s Kitchen in New York City. During his time as janitor, he’d be allowed to use the studio when it wasn’t in use. The years were 1980-1983 and this release is a collection of all these unreleased songs from that time period in his life prior to becoming Jon Bon Jovi and fronting one of the biggest bands in the world.

But wait…let’s go back a ways. Jon could play both guitar and piano and at 13 started playing gigs with his very first band called Raze. When he was 16, he met a curly haired dude named David Bryan and they would start a band called Atlantic City Expressway. David would leave that band to go to Med School…but that didn’t work out as he felt music was his path. So that band didn’t go anywhere and while still south of 20, he had another band called Jon Bongiovi and the Wild Ones. Again, nothing. So by 1980, he started yet another band called Rest and they actually got to open for a hero of Jon’s, Southside Johnny and the Asbury Dukes. During the 80’s he spent time at his cousin’s studio and recorded the song “Runaway”…yeah, that song. He shopped it around, but little notice. And we will end that story there as we will talk further about how that song changed things for him later.

This album was released by Tony Bongiovi who is Jon’s father’s first cousin…what does that make him to Jon? I have no freaking idea…maybe second cousin. Tony, I believe, owned the studio and was the producer of these songs we have before us. The album has been released several times and is not an official Bon Jovi or Jon Bon Jovi release so I am sure Jon wasn’t overly thrilled with it seeing the light of day. The first release was in 1998 and was only 10 songs. The second release was 1999 and suddenly was up to 14 tracks. My version, however, was released September 18, 2001 and was the third iteration of the songs and this time around there are a whopping 20 tracks. That is a lot of music. And when you hear it, you will hear a very young Jon with songs that were a sign of the times and a Jon whose voice hadn’t really found…well…his voice or style. The songs aren’t great…but that doesn’t mean this isn’t a fun and interesting listen to see how it all began.

“Who Said it Would Last Forever” kicks things off with an opening piano, an infectious groove, some nice guitar work and energized vocals by Mr. Bongiovi. A high energy rocker that shows a singer with a lot of promise as the chorus is catchy and you can see something there that was ready to explode.

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Whitesnake – ‘Still…Good to Be Bad’ Super Deluxe Edition (15th Anniversary) – Box Set

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David Coverdale has really outdone himself with these Super Deluxe Editions Box Sets.  First was the ‘1987’ album, then an UnZipped Box Set, then ‘Slide It In’ and the 1989 album ‘Slip of the Tongue’. Heck, He even did the 25th Anniversary Edition of ‘Restless Heart’ which for some reason I have yet to review. I need to get on that. Now, to the surprise of everyone, he has done a 15th Anniversary Super Deluxe Edition for ‘Good to Be Bad’ now called ‘Still…Good to Be Bad’. It doesn’t seem the album has been out long enough to deserve such a treatment and that might explain why it isn’t chock full of goodness the other ones gave us. More on that soon enough. The album was the band’s 10th studio album and the first one in over a decade which is way too long to go without a Whitesnake album. But they came back with a bang.

This special edition consists of 4 CDs, 1 DVD, 1 Book, 1 Tour Program replica and 1 Album Cover Poster.  And it has over 58 tracks amongst all the CDs.  Well…not really. It has 15 tracks done four different ways (minus 2 tracks done 3 ways). So, this is why I say this is for the diehard fans as it is very repetitive…this is for the diehard fans as it is very repetitive! Yes, I said this twice to prove a point and yes, I did this joke on pretty much every box set review for Whitesnake because its true. Here is everything you get.

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Jeff Scott Soto – ‘The Duets Collection, Vol. 1’ (2021) – Album Review (The Jeff Scott Soto Series)

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During the Covid Pandemic, Jeff had time on his hands since he wasn’t touring the world. However, that doesn’t mean he sat around twiddling his thumbs. Nope. Instead he decided to revisit some old songs. Now, he wasn’t thinking of doing another album like ‘Revisions’ and thank goodness for that. Instead, he re-recorded a bunch of his classic songs throughout his career and the twist was he invited a bunch of his fellow musical friends that could sing and do the songs as duets. And the line-up he has is second to none. They are some of the most exciting new melodic rock singers in the field and some that are legends in their own right.

He used a bunch of his bandmates and friends also to handle the music. Most of these names you will recognize if you’ve been following along on this series. He had Jorge Salan (guitars), Howie Simon (guitars), Leo Mancini (guitars), Tony Dickinson (bass) and Edu Cominato (drums). And let me tell you, they really brought these songs to life and made them sound fresh and more modern in some cases. These guys are playing songs by Yngwie Malmsteen, Axel Rudi Pell and Marcel Jacobs so they have to step up their game and let me tell you they do just that. The combination of this band, Jeff’s powerhouse vocals and these incredible guest singers actually surprised me with an album that at first I went…”really?”… but by the end I was like…”Hell Yeah!!”. The album came out on October 8, 2021 and continued his run with Frontier Records and what a run it has been. Enough chit chat, let’s get to the music.

The album opens with a high energy, bombastic guitar rocker called “Livin’ the Life” from the Rock Star soundtrack and what a way to open the album. Jeff had his W.E.T. bandmate, Erik Martensson, dueting with him and this one and if you’ve heard the W.E.T. albums, then you know what a lethal combo these two are together. This is not a song Jeff plays a lot, so what a pleasure to have this one covered and a sign of great things to come. If you were expecting an album full of ballads, you’d be so wrong.

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The Defiants – ‘Drive’ (2023) – Album Review

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The boys are back with their third album. The boys, of course, are Paul Laine, Bruno Ravel and Rob Marcello or more properly known as The Defiants. The band was brought together back in 2016 thanks to Frontiers Records. I was worried this was going to be a one and done, but thankfully that wasn’t the case.

I spoke with Paul Laine a couple years ago and I knew he was working on this album. And about 6 months later, when I was exchanging emails with him, he was coming up on his deadline to submit the album to Frontiers. He seemed a little stressed, but in a good way. This was around January 2022. I am not sure what happened, but the album didn’t see the light of day for another 18 months. I hope to talk with him again soon and I will make sure to see what was going on. Regardless, as of June 7, 2023, we have the new Defiants album and I couldn’t be happier.

The guys had worked together before in a band called Danger Danger, you remember them from the late 80’s and 90’s. The Defiants were made to recapture that 80’s rock magic and capture it they did. I will try not to be biased as I am a huge Paul Laine fan and I pretty much love everything he does and there is a reason for that…he is one of the best vocalists in the business and his voice gets stronger as he ages. He does not disappoint here either. In fact no one does. This is my album of the Summer and in fact, could wind up as album of the Year. Yes, I said it! And here’s why…

The album opens with a scorcher in “Hey Life” which is a massive anthemic rocker. And listen to that opening guitar riff…does it not sound like “Rise” by Extreme??? Which is wild as both albums came out on the same day. Paul’s vocals soar as he tells life to get out of his way. The drums are pounding, the guitars are a rip-roaring shredfest and the song makes a massive opening statement.

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Bon Jovi – ‘The Albums Box Set’ (2017) – Album Review (The Bon Jovi Collection Series)

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We are starting out things a little different. We aren’t starting with the earliest Bon Jovi piece in the collection. We are going to start the Bon Jovi Collection Series with the piece that convinced me to start the series. I picked this up around Christmas of last year and when I had all the album on vinyl, I thought, let’s do it. I took some time filling some holes in the collection and arranging what I wanted to review and now here we are. Currently this collection is going to take some time as there are around 60 pieces to review so this will take over a year to complete so I hope you are along for the ride. We will save the history of the band and how it got started to later. For now, let’s look at this box set in all its glory.

The Box Set was released on February 10, 2017 and was released on both vinyl and CD. I chose the Vinyl collection as I love to have their albums on vinyl. The set carries all studio albums up to that point which means it stops at ‘This House is Not For Sale’. But that isn’t all, it has both Jon Bon Jovi solo albums as well as an “Extra” LP with a bunch of their international B-Sides which is a nice treat. But that is it. There no extra posters, stickers, booklets or anything. Each album though is remastered on 180g LP and the 16 albums are spread over 24 LPs. At the time this was released, 7 of the albums had never been released on vinyl and then you have the “Extra” LP which is the first time this had ever been released. So, for the vinyl collector this was the easiest way to get everything. Now, they did release the albums individually, well the Bon Jovi ones were, I don’t think I ever saw the Jon Bon albums ever in the stores…I mean ever.

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W.E.T. – ‘Retransmission’ (2021) – Album Review (The Jeff Scott Soto Series)

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As we now know as we are now on their fourth studio album, W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. And a new face to the band with Andreas Passmark (Royal Hunt) will handle the bass duties.

The album was released on January 22, 2021 right slap dab during the COVID pandemic. So, no touring sadly. However, at this point in the pandemic, band’s were still delaying albums and we are so grateful that W.E.T. did not. Their fourth studio album, ‘Retransmission’, sees Erik still at the helm and this time, the guitar is king a little more than it has in the past. But don’t worry, if you are expecting to hear W.E.T., you will in spades as you still get melodic rock, 80’s anthemic AOR and solid music throughout still drenched in keyboards and smothered with great melodies and vocals from the great Jeff Scott Soto. They have become AC/DC in a sort of way with the fact that all the albums sounds the same, but in a very good way. I think people might be upset if they changed their sound, thankfully, they did not. Just punched it up, polished it off and delivered another spectacular release. Let’s see how it holds up.

“Big Boys Don’t Cry” comes screaming out of the gates with its bombastic drums, ear-splitting guitars and as is usually the blueprint, you get both Erik and Jeff on vocals for this first song and it is a scorcher. The melodies and harmonies between the two are better than ever. The anthemic beast of a song shows that W.E.T. have not lost a step in the three years since their last release. They come out swinging with this one.

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Night Ranger – ‘Dawn Patrol’ (1982) – Album Review

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One of my favorite debut albums from a band is ‘Dawn Patrol’ from the band Night Ranger. Most people got in to Night Ranger thanks to either “Sister Christian” or “(You Can Still) Rock in America”, but for me, it was actually their debut album which came out November 1, 1982 and I’m sure I saw the video on MTV as I am not sure how else I would’ve heard of them at that time.

For those that don’t know, Night Ranger is made up of a bunch of extremely talented musicians. The guitar duo of Brad Gillis and Jeff Watson is an unbeatable duo and it almost wasn’t meant to be as Brad was playing with Ozzy Osbourne in 1982 after the tragic death of Randy Rhodes, but he didn’t end up fitting in with the band so he came back to Night Ranger. Kelly Keagy (drums) and Jack Blades (bass) were from a band called Rubicon which also happened to have Brad Gillis in it as well. They then brought in Alan Fitzgerald on keyboards and he came from the band Montrose. The band was complete and what I liked even more was that they had two singers with Kelly and Jack. Kiss had two singers as well and I loved Kiss so I was high on these guys as well for that two singer approach as it gives so much variety to the music.

And the music was great. It was hard rock with a hint of AOR as well. The guitars were immense, the drumming was sensational and the vocals were the best. The keyboards accentuated the music and not over powering it. The debut album was probably the most raw, most intense and the heaviest of that 80’s run which makes it my favorite.

An interesting fact about the band is that they were originally called Ranger and the debut album was printed with that name. Before it was shipped, it was discovered there was a country band called Ranger in California (where Night Ranger is from) and they were worried about getting sued. So, they destroyed all the albums and reprinted them with the new name Night Ranger which was taken from a song on the album. I wonder if any of those Ranger covers ever slipped through and somehow survived as that would be a pretty impressive collectible if so.

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Soto – ‘Revision’ (2020) – Album Review (The Jeff Scott Soto Series)

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During the Covid pandemic, there was no touring, records kept getting delayed and the music industry felt like it was basically shut down. During this time though, some artists stayed creative and Jeff Scott Soto was one of them. He took 10 of his songs and redid them. If you are thinking this is a Bon Jovi ‘This Left Feels Right’ disaster, you would be wrong. It is less a re-imagining of the songs and more of stripping them down to their bare essence. He did everything himself, except for the mixing which he had some friends handle that part such as David Clarkson, John Ellis, and Alessandro Del Vecchio. And I was curious as to what songs he would choose to re-visit and he chose songs that he was the solo writer on and that makes sense as he wouldn’t need approval from anyone else since they were his songs.

The project was originally going to be released as a Jeff Scott Soto solo album, however, there were some legal issues with that maybe because he had just released a solo album a month or two earlier or who knows why. So, Jeff took it his other band, SOTO, and released it under their name. And the release is only available as a digital only release. There is no physical product as of now. Hopefully that will change down the road. I get why he put it under the SOTO moniker so it could get released, but don’t think this is a Metal album at all. This is stripped down, mostly acoustic and slowed down versions of his songs. Nothing metal about them.

The opening track is “Eyes of Love” off his second solo album, ‘Prism’. The original version is a hard rock, melodic ass kicker and here the song his just Jeff and a piano and turned in to a beautiful ballad. Stripping the songs down gives the songs a new chance to shine while really showcasing the power of Jeff’s voice and this is a great way to kick it all off.

The next rack is “My Love, My Friend” which was an a cappella track from Soul Sirkus’ album ‘World Play’ which he did with Neal Schon. He added a drum beat and a piano to it including extra lyrics and more arrangements. It is now a fully flushed out song rather than a short all vocal track. Is it better? It is different and not a bad track. The electronic drum sound hurts it for me. A respectable version for sure, but not a full on knock-out.

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