We all know Bryan Adams and what a great songwriter he is as he has had numerous hits such as “Cuts Like A Knife” and “Summer of ’69’ to only name a couple. He and his writing partner Jim Valance are two of the best. But did you know they also wrote for other artists? Before Bryan was famous as Bryan Adams, he and Jim wrote a couple songs for the band Kiss. On the Kiss album ‘Creatures of the Night’, they have two songs and both written with Gene Simmons and sung by Gene. One is one of his trademark songs “War Machine” and the other is “Rock And Roll Hell. What we have here is the brand new single released from Bryan covering those two songs. Is it technically a cover if he wrote it? Good question.
After all these years, why has he suddenly decided to release his own version? Easy, Bryan has started a brand new record label called Bad Records and this was his way of kicking off that label and it’s very first single release. They were released digitally and they decided to actually release a 7″ Vinyl Single as well which of course I had to buy as I am a huge Kiss fan and “Creatures” is one of my favorite albums by the band. It is Kiss Adjacent so I had to get it.
Another Friday and another load of new releases. Not as many as we’ve seen in the past and a handful of reissues. One I’m getting is the Ratt 40th Anniversary of ‘Out of the Cellar’. Let me know what you want to hear or what we may have missed. Thanks for stopping by and I hope you all have a great weekend.
Ratt – Out of the Cellar (40th Anniversary) – (BMG Rights Mgmt)
Neal Morse – No Hill For a Climber – (InsideOutMusic)
Talking Heads – 77 Super – (Rhino / Warner Records)
The Pineapple Thief – Last to Run – (KScope)
State Champs – State Champs – (Pure Noise Records)
Nathan Evans – 1994 – (Better Now Records / Universal Music)
For the first time on vinyl, Motley Crue released ‘Supersonic And Demonic Relics’ for the 2024 Record Store Day. And since this was the first time on vinyl, I had to grab a copy. There were only 2,500 copies available, so I guess I am lucky to have grabbed one of them. I am sure they will release this album on vinyl eventually, but hopefully this will be the only picture disc. Now, with the track record of RSD albums, I’m not holding my breath.
The album originally came out on June 29, 1999 and Wikipedia says this is the band’s fourth compilation, but I don’t know what their three are before it as I only know of Decade of Decadance 81-91 in 1991 and the Greatest Hits in 1998. Yes, this is compilation but it not a greatest hits album. Instead it is a collection of tracks from soundtracks, songs that were new on a greatest hits album, remixes and even a handful of unreleased tracks. I really like these type of releases even if the songs aren’t always great. I’ll take this over a greatest hits record any day. My only complaint about this RSD release is the quality of the pictures on the cover and even the choice for the vinyl pictures. The cover looks grainy and not very professionally done. And the side of the vinyl with the picture of the speakers from the album cover are a little dull and not very crisp. I know, I’m picky.
We are now on the 2nd album from Man Raze and still no new Def Leppard studio album. This time Phil Collen, Simon Laffy and Paul Cook bring us more of their eclectic style of music. This one is even in the title as we get some punk, some funk (very little) and a lot of rock. You get two Girls and one Sex Pistol which adds up to even more fun. The album is a chance for the boys to pay homage to their musical influences and so we get a variety of sounds and songs all fit into a fantastic package.
When this came out on back in 2011, I was all over it. I really loved the debut and expected I would this one as well. I have the standard U.S. edition, but Japan got one too on January 26, 2012 and of course it had a bonus track. One day I’ll get that one.
The opening riff of the opening track grabs hold and sucks you in. “Over My Dead Body” is a cranking rocker that is catchy as hell and will leave the song eating away at your brain like an ear worm. A song that could’ve easily been a Def Leppard song as it is so melodic and full of great harmonies plus a tight, killer guitar solo. Man Raze opens the album with a bang.
“I C U in Everything” is up next and instantly things sound different especially in Phil’s vocal delivery. A lot of effects are put on them and he sings much deeper and darker. I love the bass work on this one as it gives it a nice groove. It is another rocker, but a completely different style then the previous song. They are keeping it interesting. The vocals I didn’t like at first, but are growing on me with each listen and Phil does another great little solo.
The last 7″ Single I found this Summer was for a Southern Rock Band that did really well in the early 80’s. A lot of smash hits including this one from their 1983 album ‘Tour de Force’. I said last week that this week’s single was special. And that is because the band was .38 Special and the song was “If I’d Been the One”. The album went to #22 thanks in part to this Top 40 song which went to #19 and #1 on the Mainstream Rock Chart. The version I have is a standard U.S. version and the B-Side was also from the album, so sadly, no non-album track which I love to get as the B-Side, but at least we got another great track from the album.
“If I’d Been the One” was credited to Don Barnes, Larry Steele, Jeff Carlisi and Donnie Van Zant. The song is about Donnie and his relationship with his older brother Ronnie Van Zandt who was killed in the notorious plane crash that killed several members and crew of the band Lynyrd Skynyrd. Donnie asks the question, what if he was the one on that plane? Donnie was definitely hurting and seem to be suffering from survivor’s guilt even though he wasn’t on the plane. It was a chance for him to express his love for his brother and his battle with all the emotions he felt about his death. It is really a sad song.
We are already in November, the year is winding down but that doesn’t mean the new releases are. Here is a new batch of albums for you this week. Let me know what you want to hear or what we may have missed. Nothing for me this week, sadly! Thanks for stopping by and I hope you all have a great weekend.
Skillet – Revolution – (Hear It Loud)
The Cure – Songs of a Lost World – (Polydor Records / Lost Music Ltd / Universal)
VOLA – Friend of a Phantom – (Mascot Label Group)
Willie Nelson – Last Leaf on the Tree – (Legacy Recordings)
Whitesnake was touring Japan in the Spring of 1980 in support of the band’s 1979 album ‘Love Hunter’. This was only a month prior to the release of their new album ‘Ready ‘an Willing’ and surprisingly they didn’t test out any of those songs yet so close to the album release. So, we are getting some really old school songs and Deep Purple cuts here and I am thrilled about that myself. The show on April 12, 1980 at Aichi-Ken Kinro Kaikan in Nagoya, Japan was a live broadcast on FM radio. This is the entire show which is awesome. The band is David Coverdale (obviously), Micky Moody and Bernie Marsden on guitars, Neil Murray on bass, Ian Paice on drums and the great Jon Lord on keyboards.
This bootleg was released recently back in 2023 like the last one we discussed from Whitesnake. I love getting a newer version of such an old show. I love old school Snake so this was a no-brainer for me. This is a 2 LP set and both are on a beautiful white vinyl. It is a beautiful set and the sound quality is off a soundboard with some roughness on the mix the first couple songs, but all-in-all in it fantastic sounding for what it is.
LP 1:
The show opens with “Come On” which is from the ‘Snakebite’ E.P. from 1978. Written by David Coverdale and Bernie Marsden and right away you can hear how big the guitar sound is. The song is a pure rock song with a great groove and a blistering solo. A great opener and I love the fact that David has two Deep Purple references in the song…“Soldier of Fortune” and “Gypsy”. They go in to “You ‘N Me” from ‘Lovehunter’, and this is normally a real bluesy track with some slide guitar, but here it feels more straight-up rock & roll. The guitars are a little weak in the mix these first two tracks, but you can still hear them and know they are the main focus behind David of course. You can hear the organ, barely, as Jon Lord is going to town, wish it was higher in the mix as I love Jon Lord and as soon as I wish that, the organs get louder and bam, Lord is killing it. Much better live then studio version for this one.
Then it is a couple of down & dirty blues tracks with “Walking in the Shadow of the Blues” and “Ain’t No Love in the Heart of the City”. The first from ‘Lovehunter” and the latter from ‘Snakebite’. Both are dang brilliant and just listen to the rip roaring guitars and organ again. David is fine form and sounds awesome. Two of their best songs played with one of the best line-ups Whitesnake has seen!! What more do you need? I’ll tell you…nothing. And finally we end Side A with one of three solos on the album. This one is Micky Moody’s and well…you know what you are going to get so sit back and enjoy! Micky does a really cool slide-guitar solo and it is brilliant.
Flipping over to Side B, it starts out with the title track, “Lovehunter”, and it is full of David’s sexually inappropriate lyrics and even in today’s #MeToo movement, I don’t give a shit. His lyrics still rock even if his vocals are a little rough on this one. Not quite hitting the notes.. The song has the that blues tone and some serious slide guitar by Micky Moody accompanied by Neil Murray’s bass line and it is fantastic as he lays down the coolest groove. Along with Moody’s slide guitar you get a twin solo with both Moody and Marsden. It is that duo that really brings this one home.
The we get double treat of Deep Purple tracks with “Mistreated” and “Soldier of Fortune” brought together for a musical enjoyment. In 1980, smart move to still play off that Deep Purple connection. “Mistreated” is down and dirty with a slow nasty groove and things slow down even more with some great guitar picking that turns in to a beast of a solo and back to “Mistreated”. And then music stops and David sings a little “Soldier of Fortune” and it is a little too quiet and hard to hear (and it doesn’t help my neighbor is mowing his lawn!) Let’s just say with “Mistreated” portion was pretty killer.
LP 2:
The second LP kicks off with one of my favorite parts and that is a Jon Lord solo. I generally don’t care too much for keyboard solos, but this is Jon Lord. So, hell to the yeah for this one. The man is a legend and a master. He even mixes a little 2001 Space Odyssey in to his solo. The solo then turns in to the instrumental track “Belgian’s Tom Hat Trick” from the ‘Trouble’ album. The band jumps in and it is an all out master class of greatness. The song has a great melody and a real blast to hear, especially live. If I’m not mistaken, there are at least 3 solos racing through this song.
And since everyone has had a chance to shine, it is now Ian Paice’s turn for a solo on the drums. It plays beautifully out of “Belgian” without missing a beat. Ian goes to town on those drums and doesn’t hold back. And after the barrage of beats, we slip back in to “Belgian” where they all slam it home. After some Ian Paice chants, we go in to the final song on Side C with the Deep Purple track, “Might Just Take Your Life” after David goes “Here’s a song for ya!”…which we know he rarely says before a song (cough, cough – dripping with sarcasm). The band plays it well, but I do miss having Glenn Hughes on the song. They hand over the vocals to Bernie Marsden and he does a great job actually. But I still miss Glenn.
Flipping over to Side D, they kick it off with “Lie Down” and it is time for some sleazy cock rock as the song is really only about one thing. I love the honky tonk boogie of the keys from Lord. Speaking of Lord, he rails through a solo that is crazy. Another track where someone else sings a little and Bernie is back on the mic. Aside from a Lord solo, Micky Moody he gets a killer solo as well. This was definitely a band and not David focused which is great to see. A fun, upbeat track that has no artistic value, but who cares…have some fun. They then go in to “Take Me With You” and this is where David introduces the band and they each do a little notes. This drags the song down for me, but you know, he needs to do it. But when the song comes back in, it completely rocks out.
Then it was time for “Rock Me Baby” which is an old blues song. It has been covered by Muddy Waters and B.B. King. This is part of the encore and it is pretty rock & roll, although there are some blues elements to their performance like the slide guitar and the groove. The Micky Moody solo is the coolest part of the song for sure. Then we end the night with a little ‘Northwinds’ with “Breakdown” and mixed with some “Whitesnake Boogie”. A high energy, bluesy rock ending to a show that showcases the talent that is early Whitesnake. The band sounds like they are having fun and that is a good thing.
And there you have it. A great 1980’s Whitesnake show. I love the early years of Whitesnake about as much as the later years. You know what, I guess I like all the years. The sound quality is really good for what it is, which is a bootleg. A soundboard recording with some minor sound issues, mostly with sound levels. What I loved about this is how much it is the boys jamming and all the solos. There is nothing but talent in this band and it is showcased throughout. A great show so grab it if you ever see it. My Overall Score is a 4.0 out of 5.0 Stars. It is the band as raw as they are with not fixes…I like that. This is how the show sounded and is as it should be.
As we end another month, it is time to go back and see what 2 Loud 2 Old Music added to the collection. This is October 2024 and we have vinyl, CDs and even a book. So much to go through including a ton of Noble Record Exclusives and Test Pressings as well as another addition to the Rock Candy collection, the Kiss collection and 2 Box Set collections. Lots of great albums to go though and show for this month so I hope you enjoy the show!!
So go check it out as it will be live tonight right now, October 28, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
And here is everything in case you can’t watch the video…
We are in a time in Def Leppard’s career where there is a 7 year break between studio albums. To help fill that gap, the boys in the band kept busy. We’ve seen the Phil Collen side project Man Raze and now we have Joe Elliott’s side project called Down ‘N’N Outz. And during this stretch we don’t get only one album from each, we will actually see two albums from each before the next Leppard studio album. Hey, if I can’t have Def Leppard, I’ll take this stuff just as well.
The Down ‘N’ Outz were formed thanks to Mott the Hoople. Mott the Hoople was doing a reunion show, well a week’s worth of reunion shows. They asked Joe to be a part of it. One thing led to another and with the help of drummer Phil Martini, Ronnie Garrity from Raw Glory, and Paul Guerin, Guy Griffin, and Keith Weir from The Quireboys, the Down ‘N’ Outz were born. They performed as the opening act. The twist was they would be playing songs by bands or artists associated with Mott the Hoople, but not actually Mott the Hoople songs. They even recorded a show and released it on DVD, which I need to one day obtain.
After the gig, the band were having so much fun, they actually recorded an album. There is a 10 song edition that was released first on June 23, 2010 as part of an edition of Classic Rock Magazine (I want that one!!), but the final album actually had 13 songs, one of which was an original by the band. If you liked Joe & Phil’s band the Cybernauts, then this will be right up your alley. On July 13, 2010, their debut album ‘My ReGeneration’ was released. Don’t think it ever charted, but who cares. If you are fan of Mott the Hoople and all their side projects, a fan of Def Leppard or a fan of the Quireboys, then you need this. Let’s get to it! Wait…FYI…the band even started their own brand of beer…thus the bottle cap in the album pictures below.
The opening track is the classic “Golden Opportunity” which is an Ian Hunter cover from his album ‘Overnight Angels’. What is cool about this one is when it starts up you hear a needle dropping and some static like this was vinyl, but my version is a CD. A cool little trick. The band sticks to the essence of the song (and all the songs), but they can’t help put their own little flair on it. When the song is as cool and iconic as this one, how could they screw it up. The musicianship is stellar and Joe sounds awesome! The energy is electric and you can feel the excitement they have for playing this music. A great opening track.
Next up is “Storm” which is a Mott cover (Not a Mott the Hoople cover – just Mott). This one is from the album ‘Shouting and Pointing’. It fades in from the opening track and the tempo is fast. The riffs are cool, the keyboards are slamming as are the drums. Another fun, high energy track that keeps the party going. I have to say I wasn’t overly familiar with this one which I think helps my enjoyment as it feels new to me. The band is swinging and again I can’t get over their playing…these guys are really good.
Then it is time for another Ian Hunter song and this one is the title track to his album “Overnight Angels”. Man, I love this song and the Boyz bring down the house with this one. The gentle guitar riff opening with the heavy bass and drums are a slick contrast. Joe’s vocal delivery is slow and deliberate, well paced. The grit of his vocals adds so much to the song. I think this album so far has been a headphone album as there is so much going on musically and it all sounds like a smorgasbord of tastiness.
Okay, I’ve realized something…the Ian songs I know. The Mott songs I don’t. This next one was new to me as well. It is the song “Career (No Such Thing as Rock ‘n Roll)” from the ‘Shouting and Pointing’ album. It opens with a biting piano with some keyboards that sound like horns. It has this grand, epic tone. Joe’s vocals are more reserved to match the music. It is really beautiful in its presentation. I might need to be checking out these Mott albums. I have Mott the Hoople stuff, but no Mott.
It is time for “Cleveland Rocks”…oops sorry that is The Drew Carey Show theme song. This is actually “England Rocks” the Ian Hunter song that the Drew theme song is based. It is a rambunctious rocker that celebrates the England Rock & Roll scene. A fun singalong song.
It is back to Mott and this time we get the title track to the album that has two other songs here and that is “Shouting And Pointing”. The piano keys are fast and furious on this one. Then it gets dark and powerful. Joe’s attitude is matched in the music. I like the changes and different directions in the song as it keeps it interesting. Another really cool track and man, this Mott band must be something.
We stay with Mott, but now we are on to his ‘Drive Now’ album and the first song is “By Tonight”. This one feels different, a more guitar heavy song less piano/keyboards. While it still sounds good, it doesn’t feel as glam as the prior songs. I was really digging the piano on these songs. But the guitar work on here is stellar so I don’t want to take away from that at all. Overall, I’m not as in to this one, but it is still a really good track.
“Apologies” is up next from ‘Drive Now’ as well and this one is only 1 minute long. It is acoustic with just a guitar and Joe’s vocals. Joe sounds really cool, the guitar is smooth and a nice change of pace. Something completely different. I like it.
Ian Hunter is back with his song “Who Do You Love”. Leppard covered this one for “Yeah! II”. It is a high energy song and the piano is back in full force. They do a good job with this one, but it is not one of my favorites. It wasn’t on the Lep album either.
This time around we get a British Lion song called “One More Chance to Run” off their self-titled album. The Down ‘N’ Outz tackle this one with some major gusto. The guitars are lethal on this one, the heaviness of the opening riff, the crisp, biting notes of other notes. The energy is up to 10 and they dominate the song.
Back to an Ian song with “3000 Miles From Home” which is another acoustic song with the guitars and Joe on vocals. There is a gentleness to it and a sadness. It is a great song, but a little too one-dimensional with the same riff throughout the song.
“Good Times” is up next and this is a cover of The Easybeats classic done by Mott. It is a high energy, rocking track and a total blast…But…it isn’t as good as the Jimmy Barnes and INXS song as their version is the standard a I hold all other versions too. Joe is great and the music is awesome, but you can’t touch Michael Hutchense and Jimmy together. Sorry Joe. Still, I wouldn’t skip this one if it came on.
The final track is an original from the band. It is “The Flipside of the Shameless Whelk”. It feels incomplete, mostly instrumental and doesn’t seem to have any direction. It feels like an outro or something the band was jamming and threw in for good measure. You hear parts of other songs in it to. It is pretty much nonsense for me.
Track Listing:
Golden Opportunity – Keeper
Storm – Keeper
Overnight Angels – Keeper
Career (No Such Thing As Rock ‘n’ Roll) – Keeper
England Rocks – Keeper
Shouting and Pointing – Keeper
By Tonight – Keeper(1/2 Point)
Apologize – Keeper
Who Do You Love – Keeper(1/2 Point)
One More Chance to Run – Keeper
3000 Miles From Here – Keeper(1/2 Point)
Good Times – Keeper(1/2 Point)
The Flipside of the Shameless Whelk – Delete
The Track Score is 10 out of 13 Tracks or 77%. Let me tell you the production on this is incredible as all the instruments and effects are crystal clear and so full and vibrant. It is a party in your ears. Do all the songs work? No, but the majority of them are pure enjoyment and although not normally a covers band fan, I really dig this one. I am sure most of it is Joe as I love me some Leppard, but the musicianship on here is what really made this so much fun. They seem to really love what they were doing and appreciate these songs. It isn’t perfect, but it is worth a listen if you are a fan of anything Mott the Hoople adjacent. My Overall Score is a 4.0 out of 5.0 Stars.
Honeymoon Suite exploded on to the scene back in 1984 with their self-titled debut album all propelled by their debut single “New Girl Now”. The song went to #23 in their home country of Canada and only went to #57 in the U.S. So, maybe they didn’t explode on to the scene and it was more like a whimper. I remember seeing the song on MTV and I thought it was a great tune, but honestly, it didn’t make me run out and buy it. Granted, I didn’t have a job that year so I had no money to go out and get it.
The picture sleeve is really basic as it is a copy of the cover of their debut album. The back cover has a picture of all the band members including Gary Lalonde who plays bass; however, he didn’t play on the album as that was handled by Brian Brackstone. Gary was added to the band after the completion of the album. My pressing is the standard U.S. pressing and no non-album track on the B-Side. But I love saving 80’s picture sleeve singles from sitting in record stores and not getting loved.
The song was written by guitarists, Dermot (Derry) Grehan and the song was semi-biographical as he wrote after ending a relationship and moving off to college. The band started out as a cover band and would sneak their own songs in at the end of the sets and people noticed. They entered the song in to some local contest and actually one. This lead to more demos and eventually a record deal. For now, we are only focusing on the 7″ Single that I found this Summer while on vacation in Florida. It was in decent shape and it look like it needed to be adopted so I grabbed it. I figured my Canadian friends would be mad if I left it behind.
Ratt – Out of the Cellar (40th Anniversary) – (BMG Rights Mgmt)
Neal Morse – No Hill For a Climber – (InsideOutMusic)
Talking Heads – 77 Super – (Rhino / Warner Records)
The Pineapple Thief – Last to Run – (KScope)
State Champs – State Champs – (Pure Noise Records)
Nathan Evans – 1994 – (Better Now Records / Universal Music)
Skillet – Revolution – (Hear It Loud)
The Cure – Songs of a Lost World – (Polydor Records / Lost Music Ltd / Universal)
VOLA – Friend of a Phantom – (Mascot Label Group)
Willie Nelson – Last Leaf on the Tree – (Legacy Recordings)
Weezer – Weezer (Blue 30th Anniversary) – (Geffen)
Elvis Costello – King of America & Other Realms (Super Deluxe) – (UMe)
2 Loud 2 Old Music 