This week on The Collection I join forces with Tim Durling at Tim’s Vinyl Confessions and we talk Kiss. Most importantly, we talk Kiss 8-Tracks. We are missing a couple of the 80’s ones, but have a pretty extensive collection of 8-Tracks and we go through them all. From the debut album all the way up to The Elder and then Tim has a surprise one he picked up and it was the final Kiss album on 8-Track. If you are a Kiss fan and love the 8-Track, this is a can’t miss episode for you.
So go check it out as it will be live tonight, August 25, 2025 at 7pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
For My Sunday Song #440, we are talking “In My Veins” by Colton Dixon. The song is off his stellar 2017 album ‘Identity’ released on March 24th of that year. The song was not a single, but my absolute favorite song on the album. The singles “Limitless” and “All That Matters” helped propel the album to #73 on the US Top 200 albums chart, but it went to #1 on the US Christian Albums chart. If you don’t know Colton, he is a former American Idol participant during Season 11 and made it to the Top 7, but amazingly didn’t win.
The song was written by Colton and Tommee Profitt and of course is a very religious song. The album it was from, ‘Identity’, was a concept album that had three parts, The Mind, The Body and The Spirit. “In My Veins” fell in The Body section. It is about how Jesus is inside of us, He is the fire in our veins. He gives us life through His death. When your world is dark, he is the light, the power that drives you and through your faith you can accomplish anything with His name written in your veins. A very spiritual and powerful message and every time I hear this song, I feel rejuvenated.
The song opens with a dramatic keyboard run, then the drums explode and you get some orchestration. It is all explosive and over the top in a good way. The chorus is huge, layers of vocals, great harmonies and Colton sounds amazing. The slow build up, the explosiveness and then to go go back to the softness before it explodes again takes you on a journey both musically and lyrically. The music gives you an uplifting, rejuvenated feeling that washes over you. Colton’s vocals are a higher range that is delivered so smooth and so effortlessly. The combination is perfection. A Christian song that is both a sensational pop song and a rock song at the same time.
This week we go we back to the very beginning for me when I fell in love with my first band…KISS!!! When you have older siblings, their music taste can influence what you like and my brother, Gary, was a huge Kiss fan and that spawned me bing one as well. From about 7-8 years old all the way til now at 55, I am still a Kiss fan.
We go through my Kiss albums on vinyl, but instead of doing all of them, we will go from the debut up until Creatures of the Night. We will save the rest for another show. I am still missing some of the more rare pieces, but I have a couple cool extras in this one.
I hope you enjoy this episode which goes “live” right now…Monday night, March 11th at 8pm. Please do leave a comment and I promise I’ll address them as soon as I can! Don’t forget to click “Like” and “Subscribe”. Thanks for watching.
This is not a side project, the band has made that clear and one way to prove that Sons of Apollo is a band is to tour and they did. But the show they decided to record wasn’t just a tour show, Nope! It was so much more. And it needed to be. They needed to capture the true essence of what this band is about and I have to say, I believe they did that and then some. They recorded the show back on September 22, 2018 at The Ancient Roman Amphitheater in Plovdiv Bulgaria and what a beautiful setting it is. Worthy of the Sons of the God Apollo. And the show couldn’t just be the band playing, Nope. It needed a little something extra so they brought in the Plovdiv Orchestra and a choir nicely named for this show as the Psychotic Symphony. This isn’t a band playing their songs with a symphony like so many bands, this is different, fresh and exciting.
You get it all packaged in a 3 CD set, that is right…3 CDs cover the whole entire show. Over 2 1/2 hours of rock & roll & prog bliss!! And if that isn’t enough, they throw in a DVD of the entire show as well. And the DVD is really where it is at in my book. Listening to the CD is great and you will enjoy the show, but when you watch it live and see these guys in action, Holy Shit!! These guys can play and they put on a master class of what musicianship really is. With Jeff Scott Soto on vocals, Mike Portnoy and drums, Derek Sherinian on Keyboards, Billy Sheehan on bass and Ron “Bumblefoot” Thal on guitar, these are some of the best in the field and they show you how it is done.
We interrupt the Jeff Scott Soto Series to bring you a new concert review for a show I attended this weekend that included Jeff Scott Soto and Jason Bieler. It was Saturday, I guess that makes it alright, so I headed down to the Evening Muse in Charlotte, NC, for another fun evening with the comedy stylings of Jeff Scott Soto and Jason Bieler…oh yeah…there was a lot of music too. What started out as two grumpy old men sitting on stage, ended with two very drunk men practically falling off stage…ok not quite, but they had a lot fun as people kept bringing them drinks all night long…as well as cookies.
The evening started at 6pm for those that bought the VIP package…and yes, I was one of those. Last year, they mostly sang, but this year they did a full on Q&A section. You had to stand up, say your name and where you are from, then the crowd said it back to you. My question was to both of them asking if we would see Solo tours from them anytime. Jason stated that he is working on doing a Baron Von Belski tour later in the year, but wants to make sure it presents those 2 Baron albums the right way. Jeff got all serious and laid down the truth. That truth is No, there will be no tour. He said there is no demand for his solo shows in the States and it would not be cost effective to pull it off. Sadly, I know he is right and that disappointments me greatly. I guess I need to keep writing the Soto reviews as the word hasn’t reached everyone yet.
After the Q&A, the boys played a few songs for us including the Saigon Kick songs “On and On”, “One Step Closer” (I think) and ‘Sgt. Steve”. All classic SK songs and performed beautifully. The two were in rare form, cracking jokes and keeping the audience in stitches and they even lost it a few times (especially Jeff). Sometimes Jeff would laugh so hard because Beiler would go off on these tangents that made no sense, but were funny as hell. After around 30-45 minutes or so, the VIP experience ended, the boys went to eat and then we waited for the show. Oh yeah, I forgot we were given a secret password and any time they said that word, we were to cheer really loudly and get all excited. They said this would confuse those that came in for the show and by the end the would start cheering and have no understanding why. The word was “New Jersey” as there were several people in the Q&A from there.
The roots of Sons of Apollo stem back to the band Dream Theater as both Derek Sherinian and Mike Portnoy were once members. They both left Dream Theater (Sherinian fired in 1999 and Portnoy left in 2010) and eventually teamed back up for a short-lived instrumental project called PSMS with Billy Sheehan and Tony MacAlpine. Billy had played with Mike in the band The Winery Dogs. Eventually, Derek, Mike and Billy decided to make it a full time band (not a project) and they started Sons of Apollo. They needed a guitarist and Mike suggest Ron “Bumblefoot” Thal because why not, he’s fantastic. They also needed a singer and Mike suggested Jeff Scott Soto as his band had opened for The Winery Dogs and I am guessing Mike was impressed. The band was complete and ready to go.
The band recorded in only 10 days as their schedules were busy. They were produced by the dynamic duo called The Del Fuvio Brothers. What? You never heard of them…well…it is the nickname that both Derek and Mike had while in Dream Theater so they used that as the Producer name since they both produced the album. The band’s sound is a pinch of early Dream Theater and a dab of pure Classic Rock. Musically, the songs were written mostly by Portnoy and Sherinian with help from Bumblefoot and Billy. Soto handled most of the lyrics, but there was input Sherinian and Portnoy on a lot of the songs as well. It was a team effort (led by Derek & Mike).
The cover art work on the album was handled by Mike Portnoy. He had the vision. It was going to be two lions facing each other, but Derek suggested that his lion be an eagle and you can see it holding the keyboard while the lion is holding the drumsticks. There is a crown with a bunch of Bumblefoot and Billy’s headstocks form their guitar and bass behind it. I am not sure what part represents Soto. Is it the crown because he is the king of vocals or are the 3 spikes in the center actually pipes which would represent his vocal pipes? I don’t know, I’m making things up as I go along. The album title comes from the song “Lost in Oblivion” which has the line ‘Psychotic Symphony” in one of the verses. The album was released on October 20, 2017 to much critical acclaim and was a resounding success.
Soul SirkUS started originally as a project called PlanetUS which had Neal Schon, Deen Castronovo, Sammy Hagar and Michael Anthony. They demoed a couple songs, but it ended abruptly when Sammy and Michael returned to their small side gig called Van Halen. Neal and Deen wanted to continue so they needed a singer. Then in January 2004 at the NAMM Convention in Anaheim, California. Neal had heard of Jeff Scott Soto thanks to Andrew McNiece at Melodicrock.com who was good friends with Jeff and mentioned it to Neal. At the NAMM Convention, Neal and Jeff met and jammed and the relationship between the two was born.
They pulled in the great bass player Marco Mendoza and now the band was complete. They recorded 11 songs and changed the name from PlanetUS to Soul SirkUS. The name had to have the US in the name as Neal wanted to show this as a continuation of what he started with PlanetUS. The Soul Sirkus parts each start with an S to represent Neal Schon and Jeff Scott Soto. They spent time writing together, Neal on music and Soto on lyrics, but from what I gather, it was recorded in two days!! That is impressive. The album was complete and released on December 7, 2004. The cover was black which is different than the copy I have and I still need to get that copy.
While rehearsing for a tour, Deen Castronovo was exhausted and his health was not great after the long Journey tour that he and Neal just recently finished. Deen stepped away. But no one wanted the project to end so they recruited drummer Virgil Donati most notably from the band Planet X. The band didn’t want to go on the road as a band and support an album that not every member played on so they went back in the studio and had Virgil re-do all the drum parts. This gave them time to do a couple new songs as well. They re-released the album in March 2005 and this time the cover was a bright yellow and there were now 16 songs and not just the original 11 tracks.
We are now to the band’s 16th Studio album. The album was released on June 23, 2009 and only went to #78 on the Billboard Charts and sadly sales only reached 24,000 records as of 2016 which is an absolute shame as this is a hidden gem. The Latest is the last studio album to feature all four members of the original band of Robin Zander, Rick Nielsen, Tom Petersson and Bun E. Carlos. In 2010, Bun E. Carlos stopped touring with the band and it led to him not recording with the band. There were lawsuits back and forth and it was ugly. But that is another discussion for another day.
Cheap Trick really lost their way in the mid to late 80’s and early 90’s. But with ‘Woke Up With a Monster’ up to ‘Rockford’, Cheap Trick was slowly remembering who they were. With ‘The Latest’, the band was back in full form and putting out their best album in years. Cheap Trick was back baby, but sadly, no one knew it. This was the Cheap Trick sound I loved. They band sounded refreshed, rejuvenated and reborn. ‘The Latest’ is the best we’ve seen from them in a very long time.
The version of the album I have is a digipak CD with a fold out cover (as seen below). There was no booklet inside as everything was printed on the reverse sides of the flaps below. One thing cool the band did for this release is they released a version of the album on 8-Track. This was 2009 and 8-Tracks were not a blip on anyone’s radar (except maybe Tim Durling).
If you follow this site at all, you know I am a massive Jeff Scott Soto fan and I am in the early stages of a Jeff Scott Soto Series where I am reviewing all of his albums in my collection. We are looking at over 70 reviews when all is said and done. I would love the opportunity to interview him, but that hasn’t happened yet. However, I did get to meet him. Jeff Scott Soto was in town with Jason Bieler (you know him, he is from Saigon Kick and wrote their massive hit “Love is On the Way”) and I bought tickets, of course. I also splurged and the the VIP package which got me in to the sound check and a Q&A.
Soto/Bieler played at a venue in NODA called The Evening Muse. A really small place and it holds about 300 people and it was packed which was great to see. I got there a little early as the VIP event started at 6pm. While I was walking from my car to the venue, I was crossing the street and who was coming the other way, Jeff and Jason. I realized it while they were passing me and Jason saw me do a double take and he said hello! It was cool. Then, while waiting in line, they came back from walking around NODA and while Jeff went in to get ready, Jason Bieler hung out and shook every one’s hand in line and talked for a few minutes.
With ‘Dressed to Kill’ out and sales only slightly better than ‘Hotter Than Hell’, the only thing the band really had going for them was their live shows. Their record label was nearly bankrupt and Kiss was about to lose their record deal and it was about to all coming to a crashing halt. The band had yet to receive any royalties after their pittance of an advance and their manager, Bill Aucoin, along with the band were ready to sue and get out of the contract.
In a last ditch effort to save the label and the band, Neil thought a Live album was the way to go. The Live shows is where people finally understood what Kiss was all about. With Gene Simmons spitting blood and breathing fire, with Ace Frehley’s electrifying guitar solos, Paul Stanley’s charm in his dialogue to the crowd and Peter Criss’ drum riser and solo, Kiss was a Live band that needed to be heard LIVE!! Plus, this was cheaper than an album, so they could afford to do this route.
‘Alive!’ was recorded over four stops on the Dressed to Kill Tour. You had May 16 at Cobo Arena in Detroit, Michigan, naturally; June 21 at Cleveland Music Hall in Cleveland, Ohio; July 20 at RKO Orpheum Theater in Davenport, Iowa; and July 23 at Wildwoods Convention Center in Wildwood, New Jersey. With four shows recorded, they could piece together a perfect live album…well…maybe not!
2 Loud 2 Old Music 