During the Covid Pandemic, Jeff had time on his hands since he wasn’t touring the world. However, that doesn’t mean he sat around twiddling his thumbs. Nope. Instead he decided to revisit some old songs. Now, he wasn’t thinking of doing another album like ‘Revisions’ and thank goodness for that. Instead, he re-recorded a bunch of his classic songs throughout his career and the twist was he invited a bunch of his fellow musical friends that could sing and do the songs as duets. And the line-up he has is second to none. They are some of the most exciting new melodic rock singers in the field and some that are legends in their own right.
He used a bunch of his bandmates and friends also to handle the music. Most of these names you will recognize if you’ve been following along on this series. He had Jorge Salan (guitars), Howie Simon (guitars), Leo Mancini (guitars), Tony Dickinson (bass) and Edu Cominato (drums). And let me tell you, they really brought these songs to life and made them sound fresh and more modern in some cases. These guys are playing songs by Yngwie Malmsteen, Axel Rudi Pell and Marcel Jacobs so they have to step up their game and let me tell you they do just that. The combination of this band, Jeff’s powerhouse vocals and these incredible guest singers actually surprised me with an album that at first I went…”really?”… but by the end I was like…”Hell Yeah!!”. The album came out on October 8, 2021 and continued his run with Frontier Records and what a run it has been. Enough chit chat, let’s get to the music.
The album opens with a high energy, bombastic guitar rocker called “Livin’ the Life” from the Rock Star soundtrack and what a way to open the album. Jeff had his W.E.T. bandmate, Erik Martensson, dueting with him and this one and if you’ve heard the W.E.T. albums, then you know what a lethal combo these two are together. This is not a song Jeff plays a lot, so what a pleasure to have this one covered and a sign of great things to come. If you were expecting an album full of ballads, you’d be so wrong.
Every year, I believe, Frontiers Records holds a festival with their artists getting up and playing a set. It was the Frontiers Rock Festival VI. It is a brilliant idea because they can take those sets and release albums or bonus material and it is all recorded at the same time so costs are cheaper. And fans are treated to a really great line-up and a great show each and every time. This particular Jeff Scott Soto was recorded at the 2019 show in Milan.
Fast forward to March 2020 and COVID hits. The world basically shuts down. No albums are getting a physical release, no touring is happening…nothing is happening. Frontiers does a brilliant move while waiting for the whole COVID thing to end, they decide to release a Jeff Scott Soto show digitally. And on April 27, 2020, we are greeted with the new album Loud & Live in Milan 2019. That date is signficant because it is the one year anniversary of the show which was April 27, 2019.
I was excited to have something because Amazon wasn’t going to be delivering much of anything as far as physical product, so I got this one. I will admit I was a little disappointed not having a physical product, but by November 6, 2020 that would change. Jeff finished his next solo album, ‘Wide Awake (In My Dreamland)’, and as a bonus disc, we were given this show on DVD, which of course I have. Now, let’s talk about this show since that is why we are here.
Jeff performed only a 10 song, 40 minute set, but what you get is worth every minute of your time. This a Jeff Scott Soto legacy set which is songs from through out his solo career with minor exceptions. The band is quite stellar as well as you get some SOTO regulars with BJ on bass, Edu Cominato on Drums and Leo Mancini on guitar.
Talisman’s founder, bassist Marcel Jacob, took his own life back on July 21, 2009 and to commemorate their friends passing, Talisman got back together to pen this song, “Never Die”. Time restraints didn’t allow them to finish the song in time, but it did come out in digital format only on December 20, 2019, 10 years after his passing. So, I probably should’ve done this earlier than I have, but there is a reason. Because now there is actually a way to get his song physically. On March 6, 2020, Talisman released the song as a limited run vinyl 7″ Single. And when I say limited, I mean it as there are only 300 copies of the single. I have copy #121 as you can see below. And my copy came with a large black chip (I guess you’d call it) with the Talisman logo on it. I don’t know if this was with it or something the person I bought it from threw in…either way, cool piece (you can see down further).
The three main Talisman members in the band got back together to write the song. You have Jeff Scott Soto on vocals, guitarist Pontus Norgren and drummer Jamie Borger. Jamie gave Jeff some great melodies and Jeff’s wrote the lyrics pretty easily. And what is great about them, as there are some Talisman song title shout outs in the song.
“i’ll be waiting, mysterious, coloured xtc just between us tears from the sky fall again”
It is a touching tribute to their fallen brother and captain of Talisman as it was his dream they all helped make come true. And to help celebrate his life even more, the proceeds from this single were donated to the organization Suicide Zero to help increase knowledge about mental illness and I think they did a great thing to honor their friend.
For those following along on the series, you know by now that SOTO is Jeff Scott Soto’s band that he uses to differentiate his solo stuff from his more heavier sounding metal songs. And this is heavy. This is the band’s third album now in the last 4/5 years and the only difference in the band is at bass. Sadly, bassist David Z (of Z02 & Adrenaline Mob) passed away in a tragic accident. In his stead is none other than Tony Dickinson and he also helped produce the album. We still have Jeff on vocals, obviously, along with BJ on keys and guitars, Edu Cominato on drums along with Jorge Salan on guitars.
The album was released on May 19, 2019 and it doesn’t stray far from the first two albums. It is a heavy rock album, a little at times and a modern, electronic sound also. But…I can’t say they’ve been my favorite projects from Jeff. Yes, I do like the heavier sound and Jeff does a fine job of singing, but the songs haven’t been as melodic as I like, the hooks aren’t as catchy and the choruses are a little lackluster at times. That doesn’t mean the first two albums were bad album, I just haven’t enjoyed them as much. And is this one any different? Well, it might be my favorite of the bunch, but is it a favorite of the Soto collection? We first need to dig deeper and explore these tracks to see how they stack up.
The album kicks off with “Hypermania” and a full on electronica bit before kicking in hard & heavy. Musically the song is really awesome, but I can’t get past the horrible lyrics in the chorus. The rhyming of hypermania with the words insania and no brainia. Totally childish and lame. Take out the lyrics and this is a killer modern metal track. For me, I just skip the whole thing and start the album with the title track.
The title track, “Origami”, explodes with some ear-splitting drum pounding, a vicious riff and then it turns in to a speed metal attack. Jeff’s vocals are aggressive and he attacks the song with a killer’s rage and it is awesome. One of the heaviest tracks on the album and it really grabs hold and slams it home. The guitars are freaking nasty, the solo is cool and Jeff even gives off a scream which he does so well. A real ballbuster of a track and should be the opening track!!
“Belie” is up next and it slows things down a little. No, not a ballad, just a slower tempo. There is a darkness tone to it, it is still heavy. The verses give off a sadness and don’t really connect with the music. The payoff comes with the chorus with layers of harmonies and Jeff does sound great. The cool thing about it is you get a bass break, a drum break and a guitar break in it which is nice to see all areas shine. And the guitar solo is a screamer. One of the best on the album.
More great guitar work opens “World Gone Colder” and the guitar never lets up. It is full of piss and vigor throughout the song. A roller coaster of riffs. The chorus is enjoyable and Jeff really goes all out, but you can’t say enough about the guitars on this one as they are the star. The solo will seal the deal for you.
“Detonate” is the only song to feature the late, great David Z on bass. For that, it is a little special. It starts with a slow build, a whispering Jeff Scott Soto on vocals and then the band comes roaring in and the song gets going. If you listen close, you can hear David just smacking the bass. The song is hard & heavy, and with a title like detonate, you’d expect this song to explode and it doesn’t quite get as explosive as I’d expect and starts to lose me by the end.
Things slow down with “Torn”, a quasi-power ballad. The foot comes off the gas with this one and Jeff gives a very pleasant vocal delivery. Musically, everything is toned down, softer yet full of emotion. The chorus is catchy and Jeff really takes it up a notch. The drum sound on this one is solid, the guitars give a melancholic tone and when Jeff screams “GO”, the guitars lay down a solo that fits perfectly with the song. The guys show they aren’t one-dimensional.
The heavy comes back with “Dance with the Devil” and if you are going to have devil in the title, it better kick ass. There is a whole Sons of Apollo vibe here with even hints of Dio. The riffs are speedy, gritty and brutal, the drum work is powerful and destructive especially the double kick drum whose speed is insane. A rocking track, but also a little forgettable when its over as it doesn’t stick with you.
“Afterglow” is up next and the sound is more like a Soto solo album as it is more melodic, a little funky at times and has a big band swing groove. The chorus is full on harmonies and the song is although has a serious tone, is a lot of fun for me as the groove is really cool. One of my favorite tracks on the album.
“Vanity Lane” takes it back to the heavy and it has a darker tone and more serious feel to it. The chorus is better than the verses and the guitar solo is great, however, I like the song well enough, but it doesn’t stick with you. Not memorable enough.
The final song on the album is a Michael Jackson cover of his song “Give In To Me” which is one of Michael’s more rocking songs and SOTO does it justice. It starts off slow and Jeff goes in to a deeper register and when the chorus explodes, he goes back to that Jeff sound he is so famous for. I love this song already, so I do enjoy it here as it is hard to screw up a Michael Jackson song.
But there is a bonus track so it ain’t over yet. “KMAG” closes things out and what is a KMAG? It is Kiss My Ass Goodbye! It is heavy as hell and the drums are earth shatteringly hard. I like this one a lot and the big payoff is that chorus as anytime you can scream out Kiss My Ass Goodbye it just feels great. A great way to go out on the album.
Track Listing:
Hypermania – Delete
Origami – Keeper
Belie – Keeper
World Gone Colder – Keeper
Detonate – Delete
Torn – Keeper
Dance with the Devil – Keeper(1/2 Point)
Afterglow – Keeper
Vanity Lane – Delete
Give In To Me – Keeper
KMAG (Bonus Track) – Keeper
The Track Score is 7.5 out of 11 Tracks or 68%. SOTO didn’t impress me much with the first two albums, and the third didn’t do much better. The songwriting is still subpar as the lyrics at times are cringe worthy and the songs aren’t as memorable as most of Jeff’s work, however, this one held my interest a little more and had more songs that I liked. If I had to pick a favorite of the three so far, this would be it, but not by much. My Overall Score is a 3.5 out of 5.0 Stars which is the same as the 2nd album, but since I like this one a little more maybe it should be 3.6, who knows. I’ll stick with Jeff’s other albums more than I will with SOTO…sorry Jeff.
UP NEXT: SONS OF APOLLO – ‘LIVE WITH THE PLOVDIV PSYCHOTIC SYMPHONY’ (2019)
Jeff Scott Soto has said this is a working band and not a side project and will be around for a long while. He is proving that fact by releasing a second album in just over a year after the debut. This one, called ‘Divak’, was released on April 1, 2016. The debut album, I didn’t feel was a band album as the band never really played on any of the songs. It was a solo album with a lot of guests if you ask me. This time around, Jeff makes it a band. And who is in that band? Aside from Jeff, it is the same guys from the debut artwork (as they weren’t really on the album). You get Jorge Salan on guitars, BJ on guitars and keys, David Z (Of ZO2) on bass and Edu Cominato on drums.
There are still a ton of guests, but this time they are really guests. They are additional guitarists, some solos, keyboards and backing vocals while the band handles most of the grunt work…as they should if this is a band. The album is just as heavy as the last, if not heavier. It rocks out as it is both melodic and a little proggy at times. Jeff usually does more melodic, rock and doesn’t get this heavy or hasn’t in a while, but he missed this stuff and that is why Soto exists. It fulfills his desire to really go full tilt and it certainly delivers that and more.
The album kicks off with, “Divak”, a symphonic, dramatic and totally intriguing instrumental piece. The intensity builds and totally makes you feel like you are in to an adventurous journey. The biggest problem is that it ends…it just stops. It doesn’t bleed into the next song which I think is a huge missed opportunity as this was a really fantastic piece and would’ve flowed better with that seamless transition.
Back in 2003, Jeff did his first ever solo tour and at the stop in Madrid, the energy from the crowd was insane and he said that if he made it back he would record the show for a live DVD and CD. It took 6 years before his next solo tour brought him back to Spain and he delivered on that promise and now we have ‘One Night in Madrid’. The tour was in support of his latest solo album ‘Beautiful Mess’ and the show as on April 18, 2009 at Sala Heineken in Madrid, Spain.
This time the band was not his usual cast of characters, but a brand new band consisting of Jorge Salan on lead guitar, Fernando Mainer on bass, Edu Cominato on drums and BJ on keyboards and acoustic guitar. Now, of course Jeff Scott Soto was their singing as it is his tour. I have the CD of the show and it is a 2CD set and includes 22 tracks including solos and the ever popular Funky Medley. Let’s go ahead and jump right in to another great show by Mr. Soto.
The show opens with a radio being changed from station to station and each stop was a classic Jeff Scott Soto song. Then a voice comes on says, “That was then…this is now!” and the show starts with the lead song from ‘Beautiful Mess’ called “21st Century” and it sounds great. Jeff really sounds on point and the band captures the essence of the song. The guitars sound fantastic, the backing vocals are all perfect and I would say this new band clicks pretty well together. And if you need further proof listen to “Colour My XTC” from his Talisman days. The bass on this one is key to make it work as Marcel was a beast on bass and Fernando holds his own on this one, really great job.
We get more of Jeff’s solo work the classic “Soul Divine’ off ‘Lost in the Translation’. A true highlight of his career. Then we go in to the 2nd track from ‘Beautiful Mess’ with “Our Song” and the crowd is clapping along. It is the softer side of Jeff and then goes more power. On the album it had an irritating electronic drum track, but here it is raw and real drums and so much better. Then it is back to the rock with “Drowning” another from the ‘Lost in the Translation’ album. The guitars on this one are badass, some great riffs and real heavy. A real barn burner with this one.
2 Loud 2 Old Music 