Tag: Japanese Edition

My Sunday Song – “Weight Of The World” by Storm Force

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For My Sunday Song #395, we are on Mike’s next Japanese Only selection and this time around it is by the Canadian band Storm Force and it is from their fantastic album ‘Age of Fear’. The song is the “Weight of the World” and although not a single, it should’ve been on the album. I have the album on CD and my copy is missing this one, although it is autographed by the band. And that band is guitarist Greg Fraser, who Ladano has interviewed before, singer Patrick Gagliardi, drummer Brian Hamilton and bassist Mike Berardelli. And for those that don’t know, Greg is the guitarist for a band called Brighton Rock as well. Another killer band.

The song appears to be about someone under a great deal of pressure. They keep getting hit with one thing after another and the weight of it all is waving heavy on their soul. It gets to be so much they are having anxiety attacks as they are having trouble breathing. It is becoming too much to handle, but yet people keeping coming at you. I am sure he is not alone with that feeling. Now, the song came out in January 2020 and a couple months later Covid lockdowns occurred and I have a feeling this song would’ve been relatable to millions of people during that time.

The song opens with a wicked bass line from Mike Berardelli before the band joins in. Patrick’s vocals are the final piece to the puzzle and let me tell you he slays this one. He really digs deep and you almost feel like he is feeling the weight of the world. He is really the highlight for me as his vocals have just enough grit and yet silky smooth at the same time. He sounds so rock & roll here. Simply killer. That doesn’t mean the rest of the band doesn’t kill it either because when you have their talent, they make it seem so effortlessly. The final piece to the puzzle is Fraser’s solo and man does he deliver a great piece that really ties the song together. Simply wonderful song that should’ve been on the album everywhere. Now, I have to go buy the Japanese Edition to get this one song. Thanks Mike!!

Mike reviewed the album on his site and he had this to say about the song…“A solid rocker, “Weight of the World” might express how some of us feel right now.  “The weight of the world is tearing out the heart of me.”  Ever felt that way?”

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My Sunday Song – “Return Of The King” by Bruce Dickinson

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For My Sunday Song #394, we see Mike continue his Japanese Edition Bonus Tracks with “Return of the King” by Bruce Dickinson. The song is off his 1998 album ‘The Chemical Wedding’. The song was written by Bruce Dickinson and his Iron Maiden bandmate Adrian Smith. Now, don’t think you can only get this on a Japanese Edition as that is not the case anymore. It is on the Expanded Edition of the album and you can stream it on Apple Music and probably any streaming service and you should.

The song is partially about Stonehenge or maybe the Beltany Stone Circle as referenced by the Beltane Fires. It talks about how long it took to build and the mysteries behind it. It also talks about Uther Pendragon the legendary King of the Britons and father to King Arthur. This is one reason I’ve never listened to Bruce or Maiden as it makes you think and learn history. I just want to rock out.

However, the song does kick ass. Bruce’s vocals are really incredible as they soar to amazing heights and are perfectly suited fo heavy metal. He is one of the best in the business. The song to me feels more like Iron Maiden then I expected, to be honest. I figured this was a solo album, it would be his own thing, but I guess with Adrian also in on the writing, the Maiden connection makes sense. It is a is rocking track and some great guitar work and the drums are immense and powerful. A really cool song I will admit.

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My Sunday Song – “Crossing Over” by Van Halen

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For My Sunday Song #393, we are on the third Japanese Bonus Track picked by Mike Ladano. This time around it is the Van Halen song “Crossing Over” off the band’s 1995 album ‘Balance’. The song was written by Van Halen (credited to all the members) and was not just a Japanese Bonus Track, but was also used as the B-Side to “Can’t Stop Loving You”. And if you recently bought the new Van Halen Collection II box set, you got the track on the 4th Bonus LP so that is really cool.

I read somewhere that the song was not actually written during the Balance recording sessions, but originated way back in 1983 when it was titled “David’s Song”. Eddie played all the instruments on the demo. The song wasn’t about Roth, it was about a friend of Eddie’s name David who had committed suicide. If you read the lyrics you can get that from them. Eddie is trying to reach out and see his friend one more time. To touch him one more time before he crosses over. It is a dark song and powerful too.

The song starts off with Eddie and the tone is really eerie and then the bass comes in with a little duh dum, and then the Alex is in on the drums and those drums are unmistakable Alex as he has such a unique sound. There are some electronic drum elements too. It all is very dark. Sammy finally comes in and sings and it isn’t all powerful. It is slow and the lyrics are very deliberate and meant to convey the dark tone to the song. There is an importance to the lyrics, to the sound, to it all. I read somewhere that Eddie’s demo was used for this track and they layered in Alex and Sammy and if that is true, that is cool. The song isn’t explosive and the chorus isn’t very catchy, but this is the mid 90’s and things were not always done the way we were used to hearing things. Overall, a really cool track.

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Bon Jovi – ‘Tokyo Road: Best of Bon Jovi’ (2001) – Album Review (The Bon Jovi Collection Series)

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With Bon Jovi’s return and their ‘Crush’ album, the band was literally crushing it. The album was selling great and their worldwide tour was a smash hit selling out and reaching over 1 million people around the globe. In May of 2001, they released a live album with a collection of live songs from throughout the years to help capitalize on the new found success again. But before that, the band released a greatest hits package on March 28, 2001. The album was called ‘Tokyo Road: Best of Bon Jovi’ and it was released exclusively in Japan. As a result, I didn’t hear about it for years, but I finally did get a copy.

The album contains 16 songs only one of which is a new version which was “One Wild Night” which was remixed for this release. All the other songs appear to be album versions for the most part. Now, if you bought one of the initial pressings of the album, you were given a bonus 3″ Mini CD with 4 exclusive live tracks. My copy has that plus it still has the OBI strip and the extra booklet with the lyrics in both English and Japanese. It is all there in all it’s glory.

The opening track was the only unreleased track which was a remix of “One Wild Night 2001” which was originally off the ‘Crush’ album. “One Wild Night” originally had a cartoon tune opening, but that was removed and the song just starts with some weird sounding guitar licks that are less rocking, but then the song does rock out. The song is anthem and if you had heard this live your hands would be high in the airing, pumping along with the beat. The song is throwback to the early rock legends of the 60’s. They really changed up the sound and tone with this one all thought the heart of the song is still there.

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My Sunday Song – “In Your Face” by Kiss

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For My Sunday Song #392, then next one in the Japanese Bonus Tracks from Mike Ladano’s picks is one from Kiss off the 1998 reunion album ‘Psycho Circus’ is the Japanese Bonus Track called “In Your Face”. It was written by Gene Simmons but it is Ace that is on vocals. The song didn’t make the regular album, but did show up as a B-Side on singles and listed as a non-album track. Therefore, there are no charting on the song and it didn’t help drive sales, but I have to say I really dig it.

The song seems to be autobiographical for Ace even though Gene did write it. Gene made it from Ace’s perspective. The song seems to be about that Ace doesn’t feel like he belongs, but he is who he is and he won’t apologize for it. And if you push him, he will get in your face so you better watch out. They lyrics mention Ace and the Spaceman and the song feels like an Ace track. It is better than numerous songs on this album.

As I said, Ace sings and actually plays lead guitar on this one which he only does on 3 of the 11 tracks on the Japanese Edition. I assume Gene is on bass since he wrote the song and Paul on rhythm guitar, but there is no Peter on drums as it is handled by Kevin Valentine. I do love the bass on this one as Gene really gets a little nasty on this one. Ace sounds great and his solo is also spectacular. Again, the song has a classic Ace feel to it and is a solid rocker with a catchy chorus and all around melodic track.

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Richie Sambora – ‘Stranger In This Town’ (1991) – Album Review (The Bon Jovi Collection Series)

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While Bon Jovi was on an extended hiatus, Jon Bon Jovi wasn’t the only to put a solo album. The band’s lead guitarist, Richie Sambora, decided to spread his wings and release a solo album as well. Richie would step out of the shadows and take on the lead vocals as well as most of the guitar duties as well. And like Jon on his solo album, Richie brought along a few friends for the ride including fellow Bon Jovi bandmates, Tico Torres and David Bryan. On bass, he had Tony Levin, but he also had Randy Jackson on one song who also worked on Jon’s solo album too. The biggest guest on the album would be one of his idols, Eric Clapton for Mr. Bluesman.

Speaking of Blues, Richie didn’t stick with the same Bon Jovi sound. He shook things up and focused the album on more of a blues sound and I would say he captured it beautifully. The album would be released on September 3, 1991 and would #36 on the Billboard Hot 100 and #20 on the UK Charts. He would release 3 singles officially as well as one promo single. None went Top 40, but they still had moderate airplay and one single did hit #13 on the Mainstream Rock Charts. Richie might not have sold as many albums as Jon, but for me had the more interesting album of the two.

My version is a Japanese reissue from 2020 and came with the ever cherished OBI strip as well as a bonus track which is the cover of Jimi Hendrix’s “The Wind Cries Mary”. You can’t have a Japanese edition without a bonus track, then it is just an overpriced copy of the CD. I have to say that I think Bon Jovi isn’t the same without Richie for the reason of his backing vocals (and songwriting abilities). His solo work gives us the chance to hear how well Sambora can sing and a chance for his vocals to be front and center. Too band Bon Jovi, the band, didn’t utilize the two singer approach as it wouldn’ve been awesome. But it is and willl albums be Jon’s band so I get it. I am off on a tangent now, so let’s get back to the album.

The album opens with “Rest in Peace”, an atmospheric, bluesy piece that sees Richie sparsely place the licks as David Bryan gives the orchestrated sounds that give it an ethereal tone. Richie’s vocals are sparse as well, sounding angelic and little sad. The song is more of an opening for “Church of Desire” than a song on its own, but the tone is set and we know this is NOT going to be a Bon Jovi style album. When “Church of Desire” comes bleeding in, the tempo picks up, the bluesy riffs keep coming and Richie’s vocals come in strong. The song is polished, all glossy and perfect production which doesn’t make it pure blues, just dashed with its essence. The solo is exciting as it plays for the song while showcasing the talent he is and then the 2nd solo is pure joy as he takes it to another level. The thing we learn from this song is that Richie’s vocals are better than we ever heard as backing vocals with Bon Jovi.

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Whitesnake – ‘Live at Hammersmith’ (1980) – Album Review (The David Coverdale Series)

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I was watching Tim’s Vinyl Confessions a few week’s back and they were going through their Whitesnake vinyl and one of the guys had a Japanese Edition of Whitesnake’s ‘Live at Hammersmith’ and I don’t think I had seen it before. So, after the show ended, I went to Discogs and bought it from someone in Japan. I received a week later…yes, only a week from Japan. Heck, I can’t get things from the next town over that fast. And it lived up to expectations and then some. I mean just look at the cover with the deep rich green snake and the back cover is just as cool. This might be my favorite Whitesnake cover ever! It is so awesome.

‘Live at Hammersmith’ was recorded on November 23, 1978 at The Hammersmith Odeon in London. The album was only released in Japan back in November 1980 as a single disc vinyl. I say single disc vinyl, because this album is actually the 2nd LP on the 2LP edition of ‘Live…in the Heart of the City’. I don’t have the two LP version of that album. I have the single version which is the 1st LP which was recored in 1980 on June 23/24 at The Hammersmith Odeon in London as well. You can read that review at the links at the bottom of the page.

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Takara – ‘Blind in Paradise’ (1998) – Album Review (The Jeff Scott Soto Series)

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Takara had 2 albums in the can with Jeff never really being an official member. He was always doing the vocals to help promote the band and hopefully giving them a chance to find a new singer. The third album was written and the music was laid down back in December 1996. The tapes were sent to Jeff and it took almost a year for Jeff to finish the vocals as he was so busy with The Boogie Knights. You might ask yourself, why did the band wait for Jeff. Well according to Neil Grusky, there was no one as good as Jeff. And that might be true, but was it worth it? Probably not as the band never really took off and never found success with or without Jeff. Without a full commitment from Jeff and the band not finding another singer, they were really destined for nothing.

Three years after the release of their second album, ‘Taste of Heaven’, the new album ‘Blind in Paradise’ was finally released. The band consisted of Jeff Scott Soto on vocals, Neal Grusky on guitar, Carl Demarco on bass, Eric Rango on keyboards and Robert Duda on drums. The band continued their AOR sound and being 1998, it is a very dated sound for even that time as this album reeks of the 80’s. I’m not saying that is a bad thing…it just isn’t really a good thing.

My copy is a cool one I think as I have the Japanese version. It comes with the prized OBI strip and even a postcard to join their MVP Supporting Club. The booklet is half in English and half in Japanese which better than getting two separate books. It also has two bonus tracks and that is really why we want the Japanese Edition is those bonus tracks. If you look at the song titles, you see a lot of numbers or letters replacing words. Soto is huge fan of Prince and Prince did that a lot so Soto thought if it was good enough for Prince, it is good enough for him. Now, enough about this version, let us get to the music.

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You Picked It! – Danger Danger – ‘Screw It!’ (1991) – Album Review

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Alright…You Picked It! And this one really surprised me as I didn’t expect this one to get picked or many votes at all. But I am glad it did as I do enjoy this one a lot! A guilty pleasure you could say. The winner was Danger Danger’s 1991 album ‘Screw It!’ which is one I do have in my collection. Here are the results.

  1. Danger Danger – ‘Screw It!’ – 9 votes
  2. Neil Young – ‘After the Gold Rush – 5 votes
  3. Halestorm – ‘Back from the Dead’ – 4 votes
  4. Boston – ‘Boston’ – 3 Votes
  5. Miranda Lambert – ‘Revolution’ – Sadly, 0 votes

Thanks to all for participating. The July choices will be up on Saturday!

DANGER DANGER – ‘SCREW IT!’:

Danger Danger’s second album was not a repeat of their debut, but an improvement. It was more polished, more naughty and well…more everything. They recorded at in Ft. Lauderdale, Fl at New River Studios where Skid Row recorded their album ‘Slave to the Grind’. The funny thing is both bands put out singles called “Monkey Business” in the same year. Danger Danger was going to call their album ‘Monkey Business’, but changed their mind. I think they had trouble finding a name for the album and they said screw it! So, that became the name of the album ‘Screw It!’. And based on the lyrics in the album, there is a lot of that going on.

The band Danger Danger consists of lead singer, Ted Poley, guitarists Andy Timmons, Kasey Smith on keyboards, Bruno Ravel on bass and Steve West on drums. These guys were awesome. They were a true hair metal band and their music was the epitome of the genre. It was rude, crude, and anthem rocked out. It was one of the most sexualized albums I have ever heard and yet, even in today’s #MeToo Movement, I lover every minute of it. There is no denying their target audience with this one…young teenage boys…who had hot chicks as friends. I first heard of them because in 1990, they opened for Kiss. After I got that taste, I went and bought the debut and then was a day one shopper when this was released and I have loved it ever since. In fact, it is my #1 album on their Worst to First Ranking. I guess I have now spoiled the review…oh well…here it goes anyway.

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Cheap Trick – ‘The Doctor’ (1986) – Album Review (The Cheap Trick Collection Series)

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After recording the fantastic track, “Mighty Wings” for the Top Gun Soundtrack, Cheap Trick headed in to the studio to record their next album. At the time, not knowing that song wasn’t written by the band, I had high hopes that their album would come out rocking like that song. Yeah, but it didn’t…AT ALL!! Thanks to the production by Tony Platt, Cheap Trick came out with an album that had no balls and sounded so dated with the massive keyboards that you threw your hands up in the air and said “what is this crap”. Yes, I am ruining this review by telling you the ending right away…that is how bad this album is to me.

The band was really fighting with their label as the label kept screaming more keyboards and the band, in the end, just threw up their hands and finished the album in 3 weeks. I don’t think they even realized at the time how weak and lame this would turn out to be. They probably had an idea as it was Tony Platt that mixed their last album after Jack Douglas had to back out due to legal problems with Yoko Ono (that is whole other story for another time). Tony turned their album. “Standing On the Edge” in to a wimpfest when it was supposed to be a rocker…at least that was Jack’s vision. Why would they expect anything different with this one.

The band line-up was unchanged from the prior as we still had Robin Zander, Rick Nielsen, Bun E. Carlos and Jon Brant. However, this would be the last album to feature Brant as the band’s next album would see the return of founding bass player Tom Petersson. And not a moment too soon. The album finally saw its release on November of 1986 and it didn’t do well at all. It peaked at #115 on the Billboard Charts and only had one U.S. single which didn’t even chart. That says all you need to know right there. The band had probably hit rock bottom at this point in their career which would make you think that after this, there was no where to go but up. We will see if that happens.

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