This week we stay in the 90’s and we go with another Glam Metal / Hair Band but this album was a huge change on their image and messaging. It is Stryper’s ‘Against the Law’. It saw the band shed their Christian image from losing the Yellow and Black to dropping the Christian, God fearing lyrics. They don’t go all devil worshipping, the songs are still positive, just different. It was released August 21, 1990 and had three singles, but overall did not perform to where it should have. I think it is their best, even if Michael Sweet ranks it as the worst Stryper album. We will find out if this is worth your time or not so join me as I walk through the album song by song.
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Welcome to Friday New Releases and today we have a ton of new music for your listening pleasure. There are four that I really want to check out and they are Honeymoon Suite, Durbin, Crazy Lixx and Blackberry Smoke. But there is one that tops them all and that is the new Jeff Scott Soto album as he joins the band Art of Anarchy!! That one has been bought and I’m ready to crank it up. Jennifer Lopez has a new one too if you are interested (i’m really not, but you might be) or maybe Idles or Chromeo, who knows. Take a look and let me know what you want to hear this week or what we may have missed. Thanks for stopping by and I hope you all have a wonderful weekend.
The Art of Anarchy – Let There Be Anarchy – (Pavement Music)
When I went to see Jeff Scott Soto and Jason Bieler live a few months back, this CD was in the Merch booth. I got real excited real fast. Slam is a band Jeff was in way back in 1991. Jeff received a call from former Beau Nasty guitarist, George Bernhardt, about doing a project. Jeff didn’t have a steady gig yet as Talisman wasn’t a full time band so he was up for doing some demos. George’s songs that he sent Jeff were full of funk and groove and that is exactly what Jeff loved so the two hit it off immediately. They did 7 songs together and the band was formed. Well, the name Slam was really all they had as there was no real band since it was just the two of them so far.
They found a drummer, in Boston, by the name of Mark Bistany and then through an ad found two more New Englanders with guitarist Craig Polivka and bassist Chris McCarvill. Craig & Chris replied with a demo of a song that would become “Dance the Body Elektrik” that appears on this disc. There was a problem as these three new guys were all on the East Coast and Jeff & George were on the West. Jeff actually drove to the East Coast and picked the boys up. Once back out west, they added a fifth member, rapper EOG (Eric Grinstead) and he rounded out the band. With this line-up the band had a rock, a rap, a soul, a funk and a whole lot of other cool sounds in their music.
But, it didn’t last. The boys from the East coast decided to go on their own and then EOG left as well. But they did bring on another guitarist that would become a regular fixture in Jeff’s life, Gary Schutt. Ricky Wolking would come in on bass, but again..it didn’t last. After 3 to 4 months, they scaled down to a 4 piece with Gary out now, but the band could not get a deal. And Slam would eventually go out with a thud. Now, 30 years later, we get the full set of songs they worked on and we have 16 choice cuts to ponder. Let’s go through them and see what they were up to 30 years ago.
Jeff Scott Soto has worked with some massive players so a hook up with David Ellefson, formerly of Megadeth, is no surprise. The two were working together back in March 2021 and had released a single which was a cover of Riot’s “Swords & Tequila” and I have to say it was pretty damn great. But two months later, Ellefson saw himself wrapped up on a major sex video scandal. The two decided to let things lie low for a long while and about a year later, they finally announced that a full album from the two would be coming soon. And finally on October 7, 2022, the album “Vacation in the Underworld” saw the light of day. But no “Swords & Tequila” sadly.
The two guys had a little help with Andy Martongelli on guitar. He is with the metal band Arthemis and he and David had been writing some songs together for a future project. David thought his long time friend, Jeff Scott Soto would be great for these songs. They needed a drummer so Paulo Caridi has played in Hollow Haze, The Bad Guy Experiment, and Cosmic Dead Ringers was brought in to complete the band. The sound of this band is heavy. It is a cross between Thrash, Metal and Melodic Rock. Jeff has a band that is for his metal side called Soto, but that band was missing the songs. Let me tell you, the songs are on here!!!
When this project was announced, I immediately went and pre-ordered the CD bundle which was signed by both David and Jeff as you can see from the top picture of this post. It also came with a 4×4 limited card, a couple stickers and a guitar pick as you can see below. And here is the thing. About 3 weeks before it’s release, I saw and ad for the album and I completely forgot I had ordered this already a few months earlier…so…I ordered it…AGAIN! Yes, I have two signed copies of the album. Man, I’m getting old. That was definitely a mistake on my part…but there is a mistake on the band’s part too. The back cover (above) shows 15 tracks…but there are only 14. Someone skipped track 12 and went from 11 to 13 on the track numbers…OOPS!! Enough, let’s get to the music.
The album opens with the title track, “Vacation in the Underworld”. The eerie, menacing guitar solo opens and when the drums hit, the power is even darker and more ominous. When the song kicks in, those double kick drums are so threatening and then Jeff finally comes in on vocals and all is right with the world or the underworld. The song is pure metal with a Power metal vibe to it. I love the heaviness and the power…it is a killer opener.
My introduction to Jeff Scott Soto was thanks to MelodicRock.com and was around 20 years ago. Since then, I’ve followed his whole career from Panther and Yngwie Malmsteen all the way to Talisman, Eyes, Takara & Axel Rudi Pell and even to W.E.T., SOTO and Sons of Apollo. But today, we are focusing on this solo career from his debut solo album ‘Love Parade’ in 1994 and his career with Frontiers Records starting with 2002’s ‘Prism’ up to 2022’s ‘Complicated. An impressive collection of 8 studio albums and one compilation from 2021 called ‘The Duets Collection’ that I am including as he did re-record those songs…my site, my rules.
The one thing I’ve always enjoyed about Jeff is that voice. So powerful and at times so gentle. Whether he is belting out a rocker, doing a little funk, or even a beautiful ballad, you can always count on vocal perfection. And let me tell you, live is just as impressive. So, I present to you my interpretation of what are the best and worst albums. Do note, that even the worst album here is 3 Stars out of 5 Stars…which means there is no real bad album…only albums I like more than others.
Enjoy as we Rank The Solo Albums by Jeff Scott Soto…
Released on May 6, 2022 by Frontiers Records, ‘Complicated’ is Jeff Scott Soto’s 8th studio album. And like his last solo album, he partnered again with Alessandro Del Vecchio to help write and produce the album. He wasn’t the only one to return as Jeff also had his good buddy Edu Cominato back on drums and Fabrizio Sgattoni on guitar who were both on ‘Wide Awake (In My Dreamland)’. With the same basic line-up, you’d expect the same sound and you’d be right. It is more of the same, which in my opinion is not always a great thing. Although at times it feels like Talisman and sometimes W.E.T., it kind of all sounds the same, but there are some great moments. Let’s find out what’s what on the album.
The album kicks off with “Last to Know” opens and all is good. You get a hard rocking song with a great chorus, memorable moments and Jeff’s awesome vocals. Jeff’s delivery is powerful and the chorus is such a big payoff with great backing vocals. Fabrizio throws in some great guitar riffs and lays down a solo that is fast and exciting. An energetic opener that will get you moving and get you anticipating the rest of the album.
“Disbelieving” comes up next and there are some great melodies and harmonies, but I quickly lose interest as it is too cookie cutter and no real surprises. Left me a little bored and my mind started wondering and I’d forget the song was playing…never a good thing.
During the Covid Pandemic, Jeff had time on his hands since he wasn’t touring the world. However, that doesn’t mean he sat around twiddling his thumbs. Nope. Instead he decided to revisit some old songs. Now, he wasn’t thinking of doing another album like ‘Revisions’ and thank goodness for that. Instead, he re-recorded a bunch of his classic songs throughout his career and the twist was he invited a bunch of his fellow musical friends that could sing and do the songs as duets. And the line-up he has is second to none. They are some of the most exciting new melodic rock singers in the field and some that are legends in their own right.
He used a bunch of his bandmates and friends also to handle the music. Most of these names you will recognize if you’ve been following along on this series. He had Jorge Salan (guitars), Howie Simon (guitars), Leo Mancini (guitars), Tony Dickinson (bass) and Edu Cominato (drums). And let me tell you, they really brought these songs to life and made them sound fresh and more modern in some cases. These guys are playing songs by Yngwie Malmsteen, Axel Rudi Pell and Marcel Jacobs so they have to step up their game and let me tell you they do just that. The combination of this band, Jeff’s powerhouse vocals and these incredible guest singers actually surprised me with an album that at first I went…”really?”… but by the end I was like…”Hell Yeah!!”. The album came out on October 8, 2021 and continued his run with Frontier Records and what a run it has been. Enough chit chat, let’s get to the music.
The album opens with a high energy, bombastic guitar rocker called “Livin’ the Life” from the Rock Star soundtrack and what a way to open the album. Jeff had his W.E.T. bandmate, Erik Martensson, dueting with him and this one and if you’ve heard the W.E.T. albums, then you know what a lethal combo these two are together. This is not a song Jeff plays a lot, so what a pleasure to have this one covered and a sign of great things to come. If you were expecting an album full of ballads, you’d be so wrong.
As we now know as we are now on their fourth studio album, W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. And a new face to the band with Andreas Passmark (Royal Hunt) will handle the bass duties.
The album was released on January 22, 2021 right slap dab during the COVID pandemic. So, no touring sadly. However, at this point in the pandemic, band’s were still delaying albums and we are so grateful that W.E.T. did not. Their fourth studio album, ‘Retransmission’, sees Erik still at the helm and this time, the guitar is king a little more than it has in the past. But don’t worry, if you are expecting to hear W.E.T., you will in spades as you still get melodic rock, 80’s anthemic AOR and solid music throughout still drenched in keyboards and smothered with great melodies and vocals from the great Jeff Scott Soto. They have become AC/DC in a sort of way with the fact that all the albums sounds the same, but in a very good way. I think people might be upset if they changed their sound, thankfully, they did not. Just punched it up, polished it off and delivered another spectacular release. Let’s see how it holds up.
“Big Boys Don’t Cry” comes screaming out of the gates with its bombastic drums, ear-splitting guitars and as is usually the blueprint, you get both Erik and Jeff on vocals for this first song and it is a scorcher. The melodies and harmonies between the two are better than ever. The anthemic beast of a song shows that W.E.T. have not lost a step in the three years since their last release. They come out swinging with this one.
During the Covid pandemic, there was no touring, records kept getting delayed and the music industry felt like it was basically shut down. During this time though, some artists stayed creative and Jeff Scott Soto was one of them. He took 10 of his songs and redid them. If you are thinking this is a Bon Jovi ‘This Left Feels Right’ disaster, you would be wrong. It is less a re-imagining of the songs and more of stripping them down to their bare essence. He did everything himself, except for the mixing which he had some friends handle that part such as David Clarkson, John Ellis, and Alessandro Del Vecchio. And I was curious as to what songs he would choose to re-visit and he chose songs that he was the solo writer on and that makes sense as he wouldn’t need approval from anyone else since they were his songs.
The project was originally going to be released as a Jeff Scott Soto solo album, however, there were some legal issues with that maybe because he had just released a solo album a month or two earlier or who knows why. So, Jeff took it his other band, SOTO, and released it under their name. And the release is only available as a digital only release. There is no physical product as of now. Hopefully that will change down the road. I get why he put it under the SOTO moniker so it could get released, but don’t think this is a Metal album at all. This is stripped down, mostly acoustic and slowed down versions of his songs. Nothing metal about them.
The opening track is “Eyes of Love” off his second solo album, ‘Prism’. The original version is a hard rock, melodic ass kicker and here the song his just Jeff and a piano and turned in to a beautiful ballad. Stripping the songs down gives the songs a new chance to shine while really showcasing the power of Jeff’s voice and this is a great way to kick it all off.
The next rack is “My Love, My Friend” which was an a cappella track from Soul Sirkus’ album ‘World Play’ which he did with Neal Schon. He added a drum beat and a piano to it including extra lyrics and more arrangements. It is now a fully flushed out song rather than a short all vocal track. Is it better? It is different and not a bad track. The electronic drum sound hurts it for me. A respectable version for sure, but not a full on knock-out.
Jeff Scott Soto keeps cranking out the music whether solo or one of his many projects. This time around we are on Jeff’s 7th Solo album and it as with almost all his solo albums, it is on Frontiers Records. This time around he brought in a staple at Frontiers, Alessandro Del Vecchio, to produce, arrange, mix and master the album. He also helped with the songwriting and instrumentation as well. Wait, is this a Jeff solo album or an Alessandro album with Jeff singing? No, don’t worry, it is a Jeff solo album and that voice is on full display. And if you were around when this came out, you were excited because you were in the midst of the Covid pandemic and happy to get any album as so many bands were constantly delaying their albums in hopes the pandemic would end soon. But not Jeff. He was releasing albums and this one came out on November 6th, 2020.
The rest of the band on this album aside from Jeff and Alessandro was Fabrizio Sgattoni on guitar and damn he can play. Good friend Edu Cominato on drums who is also in Jeff’s band Soto so you know this musicians are top notch. And to make this album even more appealing, there is a bonus disc of Jeff’s digital only release (up to this point) Loud & Live in Milan 2019 which we reviewed last week.
The album opens with a solid rocker called “Someone to Love” and it blasts out of the gate with Soto’s soaring vocals in overdrive. The guitar playing by Frabrizio is to notch and with the accompanying rhythm section that drives the song home, you get a brilliant opener. The song slides in to “Mystified” with Edu slaying the drums and giving us a driving beat throughout. Jeff again sounds great and while the song is another rocker, it is a little forgettable and doesn’t quite go where you think it is. Aside from another killer little guitar solo, the overall song left me a little wanting more as there was no big payoff with the chorus or anything really.
The Art of Anarchy – Let There Be Anarchy – (Pavement Music)
Honeymoon Suite – Alive – (Frontiers Records)
Durbin – Screaming Steel – (Frontiers Records)
2 Loud 2 Old Music 