Talisman – ‘Talisman’ (1990) – Album Review (The Jeff Scott Soto Series)

In 1989, Marcel Jacob had label interest but no band. You remember Marcel, he was in Yngwie Malmsteem’s Rising Force with Jeff Scott Soto. Although the two didn’t hit it off at first as their musical upbringing were so different. Marcel was a European music snob and Jeff was simple uncultured American. Over time, they became friends and Marcel needed help from his friend for a project he was working on that had no singer. He asked Jeff to sing the songs for the album.

Marcel’s project was originally called Guitars on Fire, but after the songs were completed and mixed, the name changed to Talisman. But the album almost didn’t happen. At the time of recording the album, Jeff Scott Soto was in a band called Eyes and his contract had him exclusively which means, Jeff can’t do anything outside of Eyes. At the time, Jeff was broke, and I mean flat broke. He needed money fast. So Jeff talked to his label, begged and pleaded and made them understand that this album is a one-off and wouldn’t compete with Eyes. It would have limited release only in Sweden so they had nothing to fear. And you know, they bought it.

Jeff went to Sweden and recorded the album with Jacob in 1989. For the album, you had Marcel Jacob on bass, drums (except for two tracks), keyboards and guitar. Jeff Scott Soto handled the vocals, Christopher Stahl on guitar, Mats Lindfors on guitar, Mats Olassaon on keyboard, and Peter Hermansson on drums for the two tracks Marcel didn’t play on.

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Aerosmith – ‘Gems’ (1988) – Album Review (The Aerosmith Collection Series)

Back in 1984, Aerosmith left Columbia Records and signed with Geffen. The great thing for Columbia was that despite them leaving the label, the new deal with Geffen still allowed the release material as they still had control of the bands earlier work. They took full advantage of that by releasing ‘Classics Live!’ in 1986 and ‘Classics Live! II’ in 1987. Then the bands new found fame was with the song “Walk This Way” and their smash album ‘Permanent Vacation’, Columbia records didn’t miss another opportunity to capitalize on that success. This time around they went for another greatest hits compilation package called ‘Gems’ which was released on November 15, 1988.

The great thing about this greatest hits compilation is that there are no repeats from the band’s first Greatest Hits album from 1980. Columbia purposefully delivered a much heavier set of songs that were extremely popular with fans even though they might not have all been huge hits. They were “gems”. All but one song on the release are basically the album cuts so no real reason to buy except for one. The album contained the studio version of the song “Chip Away The Stone” which had never been released prior except as a live version on ‘Live! Bootleg’. That gave reason enough for the serious fan to grab hold of this release. It didn’t do that great, only going to #133 on the Billboard Album Chart, but it has since been certified Gold.

The first track, “Rats in the Cellar” (off ‘Rocks’), was Steven’s answer to the hit song “Toys in the Attic”. The song was frantic in pace and was pretty much about the disaster of the band that was going on behind the scenes with the drugs and arguing as well as it being inspired by the death of their drug dealer. The song is a total blast with its maddening quick tempo and then Kramer’s drumming was incredible on this one as well. You get a harmonica solo and a full on jam section. It is the closest thing to heavy metal you are going to get from the band.

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Ratt – “Lovin’ You’s A Dirty Job” – 7″ Single

While at a Record Show here in Charlotte, I came across some really great singles and here is the first of 3 I found at the show that were in phenomenal shape. The first is from the band Ratt and it is the first single off their 1990 album ‘Detonator’ called “Lovin’ You’s A Dirty Job”. The song never made the Top 40 but did go to #18 on the U.S. Mainstream Rock chart. The song was written by Stephen Pearcy, Juan Croucier, Warren DeMartini and Desmond Child who also produced the song and the album.

My version of the single is actually the UK version with “What’s It Gonna Be” as the B-Side. It was also the B-Side of the US version as well. Both songs appear to be the album version and not the Radio edits, but honestly, “Lovin’ You’s A Dirty Job” is such a short song already at 3:14 that no edit is really needed.

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