Poobah – ‘Let Me In’ (1972/2010) – Album Review

My local record store, Noble Records, has exclusives vinyl releases for his store and I have been buying them all…well almost as I started late and I am missing the first three he issued. I have about 13 or 14 others though. And this is one of my favorites. It is an album by a band called Poobah and this is their debut release called “Let Me In”. But this is a special collectors edition as it is a 2 LP set with the original album on one LP and a ton of bonus tracks on the other LP. And it is all glorious. If you like early 70’s rock with a lot of distortion, wah wah pedals and some incredible drumming you are in for a treat. Any Sabbath fan, this would be right up your alley as well.

The original album was released in 1972 with founding members, Jim Gustafson on guitar and vocals, Phil Jones on bass and vocals, and Glenn Wiseman on drums and what a monster he is. The original album only has 6 tracks and they are impressive. The band was named after some girl from Jim’s high school that everyone feared. Poobah is weird nickname for a girl. The name makes me think of The Flintstones’ Loyal Order of Water Buffaloes. The cover art of the album was done by artist Jack Joyce and done in the style of American Underground Comix of the 1960’s. Jack had understood that Jim was a huge fan of comics so it inspired him to do this character throwing up in a toilet. Man, that is inspiration.

Then in 2010, the band signed a new deal with Ripple Records and the album was remixed and then on top of that they threw on 13 bonus tracks they had laying around that were recorded back in 1973. The band has seen a resurgence in popularity of the years with songs being in TV shows, critics loving them and seeing re-issues of the 2010 remixed album like this one from Noble Records. It is albums like this, I keep buying Dillon’s exclusives for his store because sometimes they are pure gold.

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Bon Jovi – ‘Bounce’ (2002) – Album Review (The Bon Jovi Collection Series)

Bon Jovi wasted no time working on their 8th studio album, ‘Bounce’. They started writing while still on tour for their album, ‘Crush’. Then something happened in the world that would change it and strongly influence the album…the September 11th attacks on New York City. Since the boys were from New Jersey, this had a profound impact on the song writing. They started writing in the Summer of 2001 and it would really pick up after this event and by the end of 2001, they had around 25 songs written and demoed around 12. But by the end of the writing and recording, there was about 40 songs written over the span of a year. They used 12 for the album and several more for B-Sides and bonus tracks.

The band was still a four-piece with Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres. Of course, future member Hugh McDonald was there on bass like had been for awhile, but an old face came back to help on the album. Their good friend Desmond Child was back in and helping the band write some songs. They had more help on the songs with Swedish producer and writer Andreas Carlsson and Billy Falcon. As far as producing, Jon, Richie, Desmond and Andreas all had a hand, but most was done by Luke Ebbin who had a big hand in the new sound that started with “It’s My Life”.

The album finally saw the light of day on October 8, 2002 and went to #2 in the U.S., the UK and numerous other countries only going to #1 in the European album chart. And like had happened most of their career over the last decade, they were bigger in Europe than the U.S. They sold 500,000 copies in the U.S. going Gold while they sold over a million copies in Europe. They were still a massive global act as they inched closer to 20 years as a band. For me, this album was the start of the decline. I like this album and the next one, but a little more was taken away from with each passing one. But let’s see about this one first.

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Robbie Williams – ‘The Robbie Williams Show’ (2003) – DVD Review

In 2002, Robbie was prepping the release of his new album ‘Escapology’. To help promote the album, he recorded a show filmed live in the Pinewood Studios for a television broadcast. The general public was able to buy it when the DVD was released in March 2003. The show contained songs from his upcoming album as well as a ton of hits and some of his Swing songs. It did fairly well as far as video releases go selling well over 100,000 copies worldwide. I was out at a place called 2nd & Charles and saw this and had to grab it. I think I got it for only around $2.50 and it is worth way more than that in my book. I am sitting here with it cranked on the 5.1 surround sound on a 65 inch TV and it sounds and looks amazing.

The show opens with a performance of “Trouble/Handsome Man” which happens to be the same songs that Elvis Presley opened with for his ’68 Comeback Special which Robbie has recreated the same stage set up except it has a big “RW” rather than an “Elvis” sign. When he goes out in front of the crowd it is a small round stage in the middle of the crowd with only Robbie and the bad was off behind the crowd. When he runs out and does “Rock DJ”, his energy and the crowd is electric. This was the firs time he had been on stage in 12 months.

“Strong” is up next and up on the screen comes the words to the chorus with a bouncing ball so you can all sing along during the chorus. He is interacting with the crowd poking fun at them with a change in the lyrics. He’s having a ton of fun and it shows. Then he played the song he originally sent to Tom Jones, but he changed his mind and did it himself. It is called “Something Beautiful” off the new album. The crowd clapped, the piano’s ivories were tickled and Robbie sang it wonderfully. And if that wasn’t good enough, he played one of my favorite songs of his called “Feel”. It is a new song and he joked if anyone was singing it, they obviously downloaded it from the internet illegally. They cut to a pre-recorded clip of him doing the song in front of the giant “RW”. It is a great live version and the piano and percussion on it are fantastic. Still my favorite song.

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Bon Jovi – ‘One Wild Night Live: 1985-2001’ (2001) – Album Review (The Bon Jovi Collection Series)

2000 was a big year for the band with a hit new album, a live DVD and to follow it up, the band gave us their first ever live album. But don’t get your hopes up as it isn’t one show from the tour. No, I guess the Crush DVD was enough for that. Instead it is really a greatest hits compilation with live songs taken from shows from 1985-2001. So, not a true live album in my book. But I’m being petty. We do get 14 live tracks and one remixed studio track of “One Wild Night 2001”.

The songs are taken from 8 different shows and some are actually repeats as the London shows were on the Live From London DVD and The Crush Tour DVD so we’ve heard a few of the songs before. And the band has one small change during the songs. We get Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres on all the songs. But we also get Alec John Such on bass for only 2 of the songs from Tokyo back in 1985 and then Hugh McDonald on bass for the rest. And we get one special guest with Bob Geldof on one song.

The album came out on May 22, 2001 and went to #20 in the U.S., but was never certified Gold. However, the album did better around the world as Bon Jovi continues to actually be more successful in Europe then their home country where the album sold over 1,000,000 copies in Europe making it Platinum status. It went to #2 in the UK as well as several other countries including Spain, Austria and the Netherlands and to #1 in Switzerland and Belgian. Europe continued to love on Bon Jovi.

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Top Albums of 2023!!

I can’t believe we are through with another year. And what a year it was, It saw me complete my goal of reviewing my massive Jeff Scott Soto Series with over 80 posts and 18 months of work. I was crazy to do it, but I loved every minute of it. I also started two more rather large and incredible series with Bon Jovi and Def Leppard which should take me through most of 2024. These might be the last two really Series I do as they are the last of my large band collections I have in my possession. All the other artist I have aren’t in such abundance like these were.

With the Soto, Def Leppard and Bon Jovi Series, I actually didn’t spend much time with new releases and if I’m being honest, this was a pretty piss poor year for rock albums that I grabbed me interest during the year. So, we are going to go through what I call the Top Albums of 2023, but I missed so much this isn’t a definitive list. This is only what I listened to in the year so take it with a grain of salt. Of course there will be some honorable mentions, a worst of album and maybe a best of re-issue/box set. I am not doing a Rock only list this year as I want to highlight anything I listened to this year that I thought was great. Sit back, grab a cup of coffee if it is morning, or a beer if it is any other time of day…and enjoy!!

MY FAVORITE ALBUMS OF 2023:

#10 – The Rolling Stones – ‘Hackney Diamonds’

Is this the best Rolling Stones album, no, not at all. But let’s be honest, how cool is it we got another Stones album. I think it is really cool. Producer, Andrew Watt, was on board to bring the band back to life. He made it modern, but still a Stones album. I liked his work with Ozzy and I like it here. You Still get Mick and Keith and the boys sounding like who they are so don’t fret. There is a bar room blues feel to it, but it also feels relevant for today. They have Lady Gaga on board and even Sir Paul McCartney. I found it it to be a fantastic listen and one of my favorites for the year. Way to go boys. I like “Angry”, “Sweet Sounds of Heaven”, “Bite My Head Off” and so many more. Check it out!!

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Bon Jovi – ‘Tokyo Road: Best of Bon Jovi’ (2001) – Album Review (The Bon Jovi Collection Series)

With Bon Jovi’s return and their ‘Crush’ album, the band was literally crushing it. The album was selling great and their worldwide tour was a smash hit selling out and reaching over 1 million people around the globe. In May of 2001, they released a live album with a collection of live songs from throughout the years to help capitalize on the new found success again. But before that, the band released a greatest hits package on March 28, 2001. The album was called ‘Tokyo Road: Best of Bon Jovi’ and it was released exclusively in Japan. As a result, I didn’t hear about it for years, but I finally did get a copy.

The album contains 16 songs only one of which is a new version which was “One Wild Night” which was remixed for this release. All the other songs appear to be album versions for the most part. Now, if you bought one of the initial pressings of the album, you were given a bonus 3″ Mini CD with 4 exclusive live tracks. My copy has that plus it still has the OBI strip and the extra booklet with the lyrics in both English and Japanese. It is all there in all it’s glory.

The opening track was the only unreleased track which was a remix of “One Wild Night 2001” which was originally off the ‘Crush’ album. “One Wild Night” originally had a cartoon tune opening, but that was removed and the song just starts with some weird sounding guitar licks that are less rocking, but then the song does rock out. The song is anthem and if you had heard this live your hands would be high in the airing, pumping along with the beat. The song is throwback to the early rock legends of the 60’s. They really changed up the sound and tone with this one all thought the heart of the song is still there.

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Billy Idol – ‘Idol Songs: 11 of the Best’ (1988) – Album Review (The Billy Idol Series)

While I was recording a show on Grant’s Rock Warehaus, we were discussing the Billy Idol Chrysalis Years and as I was gathering my vinyl for that show, I realized that I was missing the ‘Idol Songs: 11 of the Best’ from my collection. I could’ve sworn I had bought that one before as I remember holding it in my hand at one time. But, I apparently didn’t buy it. So, I told Grant I would remedy that situation and so I head over to discogs to see if I could get one and what the best one to get. Well, it turned out the best version to get was the UK 1988 version which came with a 12″ Limited 4 Track E.P. exclusive to this set. Sold. I bought it from someone in Sweden and a week later, it was in my hands. It still had the stickers on the front and back cover talking about the 12″ Exclusive 4 Track E.P. and it was in pristine shape.

The album was released on June 20, 1988 on Chrysalis Records and contains 11 tracks from his first three studio albums as well as the E.P. and includes a live version of “Mony, Mony” which wiki says comes from the ‘Don’t Stop’ E.P. but my E.P. does not have a live version, it is the studio track. You can get another limited edition version with 2 bonus tracks, but why do that when you get one like I have with the the 4 bonus tracks. The album went to #2 on the UK Charts and was certified Platinum. I don’t really remember this album here in the States as it came out after Vital Idol and I felt that was pushed way more than this compilation. But I have one now, so all is good. In 2003, they did reissue this album with a different cover and called it ‘Essentials’…I like my version better.

The opening track is the title song “Rebel Yell” which actually opened the ‘Rebel Yell’ album.  It is a scorcher of a song, high energy and attitude.  The opening of the song is all done with the guitar even though it sounds like both a guitar and a keyboard.  Steve is showing off right out of the gate.  Vocally, Billy is on fire and you can see his lip curling up while he is signing which is amazing as it is on vinyl.  “Rebel Yell” was actually inspired by the Rolling Stones according to Billy on VH1 Storytellers.  Billy was at a party thrown by the Stones and everyone was drinking Rebel Yell Bourbon Whiskey.  I guess he loved that whiskey (along with a lot of drugs at the time).

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Def Leppard – ‘Hysteria’ (1987) – Album Review (The Def Leppard Collection Series)

On August 3rd, 1987, Def Leppard released their fourth studio album, ‘Hysteria’.  Little did they know this ground breaking album would go on to sell over 25 million records, produce 7 hit singles and go to #1 on the Billboard Charts.  The members didn’t change as it was stilll Joe Elliott, Rick Savage, Rick Allen, Steve Clark and Phil Collen who got his first writing credits on this one. Whether you like this album or not, there is no denying the impact it had on the world of music. In fact, I have so many copies of this album. I have it on CD, cassette and vinyl and in fact, I have three copies on vinyl. The original album, the picture disc and the one that came in the box set The Collection, Vol. 1. I would say I’m set.

The album was a labor of love for the band as it took several years to record and they struggled so much during this time. There were so many setbacks during the recording of the album.  First, Robert John “Mutt” Lange turned down the producing job for the record after he had recorded “High & Dry” (my personal favorite) and “Pyromania” although he did help in the initial song writing for the record.  The band went through several producers during the recording including working with Jim Steinman of ‘Bat Out of Hell’ fame.  Their relationship did not go smoothly and he was later fired (they paid him a lot of money to get out of the contract so it must have gone really badly). Later in the process, “Mutt” did come back and produce the final product and then history was made.

The second big obstacle was Rick Allen’s car accident that severed his arm.  Yes, the drummer of the band lost an arm.  With all respect to the band, they did not abandon Rick.  They stood by him and supported him until he was capable of playing the drums with one arm using an electronic drum set and a set of foot pedals to compensate for the lost arm.  It definitely was a trying time.  I won’t go into much more as you can watch the documentary or read the book to learn more otherwise we could go on forever and ever talking about the making of this album as it had been 4 years since their prior release ‘Pyromania’. Instead, we can jump right in to the album as I feel we are here for the music anyway.

The first track on the album is the song “Women”. The song was the first single for the album in the U.S., but “Animal” was the first everywhere else. The reason for that is that Leppard wanted to make sure their core audience, the males, would understand what they were going for with the sound of this new album. They knew women might not like this one, however, the song isn’t degrading women at all. It is actually inspired by the important women in Joe Elliott’s life and is an anthem that actually pays tribute and celebrates women both their beauty and their strength all with a biblical background to it.

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Ace Frehley – The 21st Century Singles Collection: 2009-2020 – Box Set Review

MNRK Records has been going a little overboard with the Ace Frehley collection in releasing so many different color variants of his vinyl that it borderlines on the ridiculous. How many copies do you really need. Me…one!! But they have a done a couple cool things with The Space Cassette Collection and now a Singles Collection. These are at least different formats and not the same vinyl with a different color or cover. I finally picked up the Singles Collection, but only because of a massive price drop. The set was way overpriced at $125 which I think is nuts for what you get. I saw someone post on Facebook that there was a huge sale on it and so I went and snatched a copy. The price had dropped to only $40 and now it is worth the price for what you get.

There are seven 7″ Singles all with picture sleeves and colored vinyl. You get at least one single from each album starting with his 2009 comeback album ‘Anomaly’ and going all the way up to his most recent album, the 2020 covers album, ‘Origins, Vol. 2’. Most of the albums get only one single, but ‘Origins, Vol. 1’ and ‘Spaceman’ get two singles. And I think those are two of the better albums so it makes sense to me.

We won’t go in to detail of each song, but we will post pictures of everything you are getting so you have an idea of what you are really getting in the box set in case you want to buy it. You also get a digital download card of the songs and I won’t post that picture because that is my card and I don’t want anyone using it before I do. I hope you enjoy the walk through the set.

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Bon Jovi – ‘The Love Songs E.P.’ (2001) – Promo CD (The Bon Jovi Collection)

Bon Jovi and the label were really pushing their single “Thank You For Loving Me” off their 2000 album ‘Crush’. The single was released on November 6, 2000 and only went to #57 on the Billboard Hot 100. So, to help promote the song even more, they created an E.P. with that song and other love songs. This is a rare bonus CD, that was available only on Valentine’s Day of 2001 with the purchase of the studio album Crush. It contained five Bon Jovi love ballads; “Thank You for Loving Me”, “Bed of Roses”, “Always”, “I’ll Be There for You” and “Never Say Goodbye”. I also read that it was sent to radio stations as well as promo to be played as it contains the radio edit of “Thank You For Loving Me”.

The CD comes in a cardboard gatefold sleeve with a bunch of hearts on the front. The gatefold opens with the chorus of the song on the right and a heart shapped cut-out that is holding the CD on the left. It is pure Valentine’s Day cheese. I’ll tell you, it isn’t that hard to come by and not real expensive so if you need to complete your collection with this, it won’t be to difficult. Hit up eBay or Discogs and you should find it easy enough. As I mentioned, the first song is a radio edit and so is “Always”. The rest are the original versions from the albums. Let’s go through them all.

The song title, “Thnk You For Loving Me” seems to be inspired by Brad Pitt’s character in the film ‘Meet Joe Black’ where he tells Claire Forlani’s character “thank you for loving me”…or it could be a giant coincidence. It was written by Jon Bon Jovi and Richie Sambora and was inspired by Jon’s own personal experiences and observations on how love can change you and it was a giant thank you to those special people in his life. It is chock full of ballad cliches with a full on string section, soft & gentle piano and some nice sweet guitar licks from Sambora giving us the power in power ballad. And yes, it is a little over-the-top at times and cheesy, but Jon still delivers it as only he can with all the emotion needed to draw in the listener and pull at their heartstrings. Not their best ballad they’ve ever done, but honestly, its pretty damn good nonetheless.

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