I had the absolute pleasure of joining Superdekes on his show “Scotch on the Rocks” as we discussed the box set from Kiss for Creatures of the Night…see what Deke has to say about it below, then go watch.
From Scotch on the Rocks:
It’s always a great chat when the Snowman hops on “Scotch On The Rocks” and this time was no different!
We talked of course about KISS and the Creatures album but with more of a personal angle than showing an unboxing video of the super deluxe as there are a hundreds of those kind of videos on Youtube currently.
We basically went back into the time machine to talk about how it was being a KISS fan when KISS wasn’t cool in the early 80’s. We talked about the music included in the various formats like the demo’s and live tracks with Vinnie Vincent in pretty good detail.
Some highlights were….
One of us got sprayed with perfume back in high school wearing a KISS shirt.
One of us also thought that “I Love It Loud” (live) wasn’t on the deluxe set.
One of us has Gene Simmons Money Bag Soda and could be seen swigging from the bottle of the Demon at the end of the show.
Talisman didn’t waste any time between their last studio album, ‘Cats & Dogs’, and this one, ‘7’. It is amazing they had time to even do an album as Jeff Scott Soto’s schedule was quite busy with his solo album & touring, his work with Soul SirkUS and then his stint as lead singer of Journey. It was a hectic and crazy schedule. Somehow they did it. The band was back together with Jeff, Marcel Jacob, Frederik Akesson and Jamie Borger and heck, even Pontus Norgren was there to help mix the album. The family was back for one last hurrah as it would turn out as this is the very last studio album by Talisman. A few years later, there were talks of doing another album, but before they could get to it, Marcel Jacob passed away in 2009. This was the end of Talisman and I still get sad thinking of it as I really do enjoy this band.
The original title of the album was called ‘BAR’ which was an inside joke with the band as it stood for ‘Bitter-Angry-Resentful’ which apparently was their outlook on certain life events…who knows if that is true, but I like it. They settled on ‘7’ which is actually the 7th Studio album of the band and they chose the theme of Lucky 7 with all the gambling pictures and Vegas pictures in the album artwork. The album was released on October 20, 2006 by Frontiers Records and they intended to do a tour with the release, but Jeff’s Journey commitment kept getting in the way. The tour was postponed until later in 2007 and by that time, Jeff was let go from Journey as we discussed in the last post. No need to rehash that story. We might as well talk music.
The album kicks off with the most upbeat, happiest guitars with a killer riff at a tempo that will have you flying down the road at 100mph if you are in your car. “Falling” is a modern sounding song while still holding on to the great melodic rock sound. There are keyboards in there (not credited) that really add a great punch to the song. I don’t know how Jamie Borger keeps up the pace he is going pounding those drums. It might be the fastest song they’ve done. Jeff sounds great and the melodies in the song are wonderful. What an astounding opening track.
Back on the Rock the Nation Tour in 2004, Kiss offered the Instant Live CDs. Basically, after the show was over, they burned the show to 2 CDs and sold them so you could instantly walk home with the show in your pocket. The band worked with Live Nation who handled all the recording and distribution of the CDs. Now, not every show on this tour was recorded and that was due to two reasons. 1) The arena was not owned / promoted by Clear Channel Entertainment and 2) there were technical difficulties at the show. Which that would suck if you were expecting a copy.
There are about 32 different shows recorded and this is the first one I’ve ever seen out in the wild, so I bought it. And lucky for me, it was the Charlotte show from Verizon Wireless Amphitheatre in Charlotte, NC which is the town where I live (or just outside of it anyway). The show was from July 28, 2004. Now, only 31 left to get…joking. I don’t think I will go for all of them although that would be fun. However, if I run across any in the wild, I’ll buy them.
The packaging is simple and the same for every city. No setlist is included as each city might be slightly different. If you want the setlist, they give you website to go and download. However, that site doesn’t seem to exist anymore. The way to tell them apart was by a clear sticker with the city, venue and date of the show as seen on the cover at the top of the post. The band was Paul Stanley, Gene Simmons as you’d expect and then Tommy Thayer and Eric Singer who had taken over for Peter Criss on this tour and is still with the band as is Tommy.
The setlist isn’t printed in it so I found it and have listed it below…
You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.
There are no longer rules for my selections, maybe themes. I’m just picking albums in my collection and this time they are all from my favorite era of music…The 80’s. We’ve done one with the 80’s rock scene now let’s go to the 80’s Pop scene and what was riding the charts. What are the 5 albums you ask? I have them right here…
U2 – ‘The Joshua Tree’
Prince – ‘Purple Rain’
Genesis – ‘Invisible Touch’
The Cars – ‘Heartbeat City’
Bryan Adams – ‘Reckless’
Let me know which one you would like to see and sometime in January, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
Journey were on a massive Stadium Tour with Def Leppard in 2006. Journey’s lead singer, Steve Augeri had struggled with throat issues and was really having a hard time vocally. The decision was made by Neal Schon to replace Steve and he needed someone he knew could handle the Journey catalog. Luckily for Neal, he had been working with Jeff Scott Soto in their supergroup Soul SirkUs and knew he was the man for the job. Neal called Jeff and there was no way Jeff could say no, it was a dream of his to sing with Journey. He had already been working with Neal, but now he could do it and sing those classic Journey songs, No way he was turning it down.
Jeff got the call and was on a plane the next day and arrived in D.C. on July 5th 2006 and luckily the band had a couple days off, but Jeff had to be ready to sing as the first show with him was on July 7th in Bristow, Virginia. And Jeff was thrown in to the deep end as he didn’t really get to talk with anyone until the day of the show and didn’t even have a setlist for the show until that day and to top that off, he didn’t even get a soundcheck or any real rehearsal with the band…damn that is insane. The only time he had with the band was on the tour bus prior to the show to discuss the set and show. Jeff, of course, survived and continued on with the band.
Jeff’s stint was supposed to be short term, but he was doing so well and the tour was extended until December. Then on December 19, 2006, Jeff was announced as the official new lead singer with the band. His reviews from the tour were glowing and all was going well. There were plans for a new album and work had begun, but by June 2007, it all fell apart rather quickly and as far as Jeff was concerned, unexpectedly. It was announced on June 12, 2007 that Jeff was no longer in the band and the band was going to take the rest of the year off. I don’t think anyone is really sure what happened, but the band eventually wound up with Arnel Pineda who is still with the band today.
Alright…You Picked It! This one started out close, but one ended up blowing away the rest. Another one had a late batch of votes, but wasn’t enough to get close to the winner. The winner for this month’s picks ended up being Alice Cooper’s ‘Billion Dollar Babies’ and I am real excited about this one. Here are the results.
Alice Cooper – ‘Billion Dollar Babies’ – 10 votes
Rolling Stones – ‘Sticky Fingers – 6 votes
Elton John – ‘Captain Fantastic’ – 2 votes
David Bowie – ‘Diamond Dogs’ – 2 votes
Led Zeppelin – ‘II’ – 2 Votes
Thanks to all for participating. The January choices will be up on Saturday! And the choices are all now from my collection and the next one will be some of the biggest albums of the 80’s. Hopefully you can help me decide which one I should review.
ALICE COOPER – ‘BILLION DOLLAR BABIES’ (1973):
I’ve been wanting to tackle an Alice Cooper album so I am glad this one won the vote. It is Alice’s 6th studio album and Bob Ezrin was still at the helm. Being a Kiss fan, having Bob as producer is a pretty big deal and I could hear a lot of Bob’s influence in the music as there is a lot on here that Kiss tried with Destroyer such as orchestration, sound effects and other magical Bob Ezrin inputs. I’m not Bob is the reason this album is so good, but it did go to #1 in both the UK and the US and sold over 1,000,000 copies giving it platinum status. Who am I kidding, it isn’t Bob that made this album #1 it is strictly Alice Cooper and this amazing band which includes Glen Buxton, Michael Bruce, Dennis Dunaway and Neal Smith.
The album was recorded in both Connecticut and in London. Band member, Glen Buxton, was sick throughout the sessions as he was suffering from pancreatitis brought on by abusive alcohol consumption. Guitarists Mick Mashbir, Dick Wagner (Kiss ghost guitarist) and the great Steve “the Deacon” Hunter who handled the guitar solos on 5 songs and pedal steel guitar on the opening track. The album was finished and released on February 25, 1973 and helped take Alice Cooper to a whole different level of success. The song is so good, that 4 of the songs are still played regularly in his live sets even today.
In my digging at a record show, I found a bunch of cool European releases from Scorpions. Most were German releases, but there was this one UK Only Release. It was an Advance DJ Copy of the album ‘Crazy World’. It was on vinyl and only had 4 tracks, but it was released prior to the album’s release. It is a pretty simple with only a flimsy cardboard sleeve that was the album jacket and album sleeve. The cover was black with a giant Scorpion on it and had the famous words at the bottom “For Promotional Use Only…Not For Resale”. Well, somebody sold it because I paid money for it.
It is short and sweet with 4 tracks, 2 on one side and 2 on the other. All four tracks are straight off the album, not any remixes nor single edits so nothing special, but I liked it enough to buy it as I like promos as you will see because the next four posts, including this one, are all on promos I have from the album ‘Crazy World’. Sorry about that, but this is the Scorpions Collection Series I believe and they are in my collection.
SIDE 1:
Just like thee album, the promo opens with, “Tease Me Please Me”, which is a sleazy little track that seems part Motley Crue, part everything else at the time and that is okay. The song is a rocker that doesn’t take a lot of thought, but it still kicks ass. A fun opening track with a cool riff, some nasty guitar work, Klaus’ gritty vocals and overall catchy as hell. It is straight up down and dirty rock & roll. Yes, please…sign me up. The song was written by Klaus Meine, Mathias Jabs, Herman Rarebell and Jim Vallance. It did go to #8 on the US Hot Mainstream Rock Track Chart.
Jeff has only had 3 solo albums up to this point, a couple E.P.’s and that is about it. Yet, we get an entire album of ballads from those releases. Yes, only from his solo albums which leaves out a bunch of great ones from other bands he has been in, but that is okay. This is more than enough. Now, I have no idea whose idea this was…maybe Frontiers Records and maybe Jeff’s which would not be a surprise since when he sang with Axel Rudi Pell, Axel put out entire ballad collections as well. Whatever reason, this is a lot of ballads to take in all at once.
The one good thing about this release is they did add 3 bonus tracks, 2 of which have never been released, so that is always a good thing. That is 16 songs…all ballads…did I mention that it is a lot of a ballads to take in all at once. However, there isn’t a ton of information on the background of this release, so that is all I have for you. As a result, we might as well go through all the songs.
First up from his latest solo release ‘Lost in the Translation’, we get “If This is The End”. It starts off with some slow tempo guitar picking and then Jeff’s vocals softly, yet smoothly float over the verses. Around the 2nd verse, the drums kick in and some electric guitar riffs tossed in. It does pick up a little on the tempo and when it hits that second chorus Jeff’s vocals soar to new heights. Not one of his best ballads, but I like it as it does have a decent solo and is more proof that Jeff can do it all.
Next up is “As I Do 2 U” from his E.P. ‘Believe In Me’. This track is a demo (one of two on here) from a project that never got off the ground called Three Kings. It had Jamie Borger (drummer for Talisman) and Goran Elmquist. It is an acoustic ballad and being a demo, it feels unfinished but it isn’t half bad. A little cheesy, but there are elements there that could’ve turned in to something nice.
The band’s eleventh studio was recorded in 1990 and was the first album in year (maybe decades) to not include Dieter Dierks as producer. Instead, they went with Keith Olsen and went back to a less polished sound which helped see the album go to #21 in the U.S. upon its release on November 6, 1990. It is also the last album to be certified 2X Platinum in the States. It is also known as the band’s first #1 album in their home country of Germany which I find insane it took that long.
The band is still in tact with Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. Little did we know though that this would be the last album to feature longtime bassist, Francis Buchholz. But before he leaves, he actually gets his first songwriting credit with the song “Kicks After Six” which we will talk about soon enough. This album saw the band have a more mature tone in some of their songwriting, but don’t worry there is still the whole sleazy piece of rock as well. The best of both worlds.
SIDE 1:
The album opens with, “Tease Me Please Me”, which is a sleazy little track that seems part Motley Crue, part everything else at the time and that is okay. The song is a rocker that doesn’t take a lot of thought, but it still kicks ass. A fun opening track with a cool riff, some nasty guitar work, Klaus’ gritty vocals and overall catchy as hell. It is straight up down and dirty rock & roll. Yes, please…sign me up.
“Don’t Believe Her” is up next and it is proof that the Scorpions were now an American rock band as the sound is like every other band rocking out in the U.S. at the time. I really like the opening guitar work and then it goes very Ratt-like with the tone. The only thing missing was Pearcy’s rough vocals. Instead we get much better with Klaus. The song isn’t something to write home about, but it is still a fun, upbeat song although chorus is pretty weak.
Then it is more radio-fodder with “To Be With You In Heaven”. I thought it was going to be a ballad, but it is too upbeat and too much a rocker to be one, but it doesn’t miss by much. Rarebell has a slamming drumming beat as the base to the song. The song does have those romantic lyrics you’d expect in a ballad and Klaus delivers them flawlessly, but still not a ballad with that dual guitar work from Jabs and Schenker.
The next track was the first ballad and it is the band’s mega-hit “Wind of Change”. The song was written by Klaus Meine and was inspired by the band’s trip to the Moscow Peace Festival in 1989. The song is about the change that was brewing in the Soviet Union and in Berlin. When the Wall fell and the Soviet Union was no more, the song was a unifying song for everyone. The whistling in the song was by Klaus, Mathias was playing the rhythm guitar and Schenker handled the solo. A slow ballad that seem to strike a chord with everyone as it went to #1 in 9 countries and #4 in the U.S. It was certified Silver, Gold or Platinum in 9 countries as well. To say this was a worldwide phenomenon would be understatement. And the YouTube video is closing in on almost 1 Billion views…impressive.
The band ends Side 1 with “Restless Nights” which is very bluesy and almost a doom like vibe to the whole thing. The chorus picks up and is more melodic while the everything is a little dark and foreboding. Even Klaus sings it with a little doom & gloom until his more sunny-vibed chorus. Jabs does lay down a great solo amongst the Meine screams. Still not a huge favorite of mine though.
SIDE 2:
Side 2 kicks off like Side 1 did with pure sleazy, sexualized rock and roll. “Lust of Love” is pretty mindless fun with a great, driving beat and a chorus that lingers long after its gone and you find yourself singing it around the house and your wife looks at you with a suspiciously strange evil eye. It is a rousing metal anthem…well pretty close. I do like it though.
And the next rack is the song with Francis’ first co-writing credit. “Kicks After Six” is more of the same, enticingly good time rock & roll. I have to admit, I like the raucous, sleazy, dirty little rockers. The are fun, joyful and put a little bounce in my step. This one opens with a really cool riff that I think makes the song. Rarebell pounds away the driving beat and the song kicks some major ass for me. Oh, and the solo…don’t forget the solo. Crank it baby!!
“Hit Between the Eyes” keeps the party going with some almost speed metal riffs and what I believe is a killer dual guitar solo between Mathias and Rudolf…love it! Klaus is brutal as he attacks the verses with a feistiness we haven’t seen yet on this album. Probably the heaviest track here and what a 1-2-3 punch we get on this side. A total rocking good time.
Then we get to a different tone on the album and first up is “Money And Fame”. It harkens back to an older Scorps sound, but I’m not really feeling this one. You’d think I like the gloomy feel to it. The talkbox, by Jabs, has been played to death by most bands at this time. The song drags on for me and doesn’t feel like it gets where it is trying to go.
The title track, “Crazy World”, is up next and it does pick up the pace and has a little more rocking feel to it. The “ooohs” by Klaus are a nice touch especially accompanied by some cool riffing. This is a different track from the rest of the album. A little more sophisticated from the sleazy tracks and I kinda dig it. A nice change of pace and a pretty deep cut that maybe should’ve been placed earlier in the set. Who knows.
And finally we get to end and as usual, Scorpions end with a ballad and I think it is one of their best ballads ever. “Send Me An Angel” sees Klaus give his best vocal performance as he conveys both a melancholy vibe yet there is still a shimmering light of hope. The keyboards add to the sadness and they are handled by Jim Vallance who actually co-wrote 7 of the tracks on here as well. You know Jim from his work with Bryan Adams. There is a desperation to the lyrics as he feels so lost but the hope that an angel will come and make everything better. A really beautiful track and one I never tire of hearing. They outdid themselves with this one in my book.
Track Listing:
Tease Me Please Me – Keeper
Don’t Believe Her – Keeper(1/2 Point)
To Be With You In Heaven – Keeper
Wind of Change – Keeper
Restless Nights – Keeper(1/2 Point)
Lust or Love – Keeper
Kicks After Six – Keeper
Hit Between the Eyes – Keeper
Money And Fame – Delete
Crazy World – Keeper
Send Me An Angel – Keeper
The Track Score is 9 out of 11 Tracks or 82%. I like this one and the fact they didn’t over produce this one like ‘Savage Amusement’. The sleazy songs were so much fun and sometimes you just need down & dirty. The more sophisticated tracks like “Winds of Change”, “Crazy World” and “Send Me An Angel” also were a nice dichotomy to the album. You got some slick and some sick…that is what you need sometimes. It was good to bring Keith Olsen in to produce as the guys needed to shake things up a bit. My Overall Score is a 4.0 out of 5.0 Stars as this is their last great album for some time to come…at least in my book.
NEXT UP: CRAZY WORLD – 4 TRACKS FROM CRAZY WORLD – PROMO VINYL (1990)
For his Modern Love Tour, Matt Nathanson had a number of in store performances and like he did for his Some Mad Hope Tour, he recorded them. The first we reviewed awhile back was Left & Right, Vol. 1, but this one was a little different. Left & Right, Vol. 2 was actually a Record Store Day release from 2012 and yes, it was on CD only and not vinyl. There were only 3,000 released and I think is the easier of the two to find (and cheaper one), but that doesn’t make it any less.
The E.P. consists of songs taken from his performance at Newbury Comics in Boston, Mass on October 8, 2011 and from his show at Music Millennium in Portland, Oregon on October 23, 2011. Like the last, it is filled with acoustic songs from his current album and a ton of great banter with the crowd. This time around, Matt brought his good buddy Aaron Tap along to assist on the acoustic guitar and the banter and the two together are quite a comic duo.
After the introduction, we get Matt’s hilarious commentary as he talks about having to pee and then a woman wanting his autograph after he peed, but he denied her as he was late to the in store. And his horse joke didn’t go over very well. He is all over the place. The opening track is the title track of his new album he is touring on. The song “Modern Love” is already a great pop song in full electric version, but acoustically it seems more intimate and like Matt is bearing his soul. The harmonies of him and Aaron really take it to another level. It might be more beautiful here than the actual studio version, yes, it is that good.
U2 – ‘The Joshua Tree’
Prince – ‘Purple Rain’
Genesis – ‘Invisible Touch’
The Cars – ‘Heartbeat City’
Bryan Adams – ‘Reckless’
2 Loud 2 Old Music 