Category: Album Review

Cheap Trick – ‘We’re All Alright!’ (2017) – Album Review (The Cheap Trick Collection Series)

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Cheap Trick is the fine wine of Rock & Roll…they keep getting better with age.  Okay, that was extremely cheesy if not entirely true!  They are now on their 18th Studio album after 44 years together.  To top it off, it has only been around 15 months since their last one, ‘Bang, Zoom, Crazy…Hello’.  The new album picks up right where that album left off.  ‘We’re All Alright!’ even takes it to the next level.

The album title, ‘We’re All Alright!’, is a line straight out of their classic song “Surrender” and the whole album is classic Cheap Trick.  The album is a fast paced, juggernaut of pure Cheap Trick rock.  The songs are generally around 3 minutes and the album flies by at only 33 minutes (45 for the deluxe edition).  The album consists of new songs and some old songs that were never recorded or released.

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Axel Rudi Pell – ‘Between the Walls’ (1994) – Album Review (The Jeff Scott Soto Series)

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While Jeff Scott Soto was touring with Talisman in Europe, Axel Rudi Pell was ready to make another album. After the mixed reaction from the fans on ‘The Ballad’ album, Axel was going to go to his roots and make a pure metal album…a German Metal Album as he has stated. He contacted Jeff and arranged for him to come in and work on the album while his other band was touring. Jeff was happy to do so as he really enjoyed working with Axel since it wasn’t a dictatorship like other bands he had worked in. Jeff and Axel work well together and Soto co-wrote 4 of the 10 tracks.

Most of the band was back from the last studio album, ‘Eternal Prisoner’. There was obviously Axel and Jeff, but Jorg Michael was back on drums and Volker Krawczak on bass. Keyboardist Kai Raglewski was out and in his place was Julie Greaux who has worked with Billy Idol and happened to be Soto’s girlfriend. That’s convenient wouldn’t you say!! What I would say is that this was a solid line-up and had me interested to hear what they had put together this time around. It is definitely more fantasy and mystical lyrics and it is truly metal for sure! One more thing, in the liner notes, it lists out what instrument each band member plays with and for Jeff…it says he plays with Julie….”Oh Heffe, Oh Oh Ooh”…Let me just say…Wow!! Okay, hold on tight and let’s get to the music.

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Cheap Trick – ‘Bang, Zoom, Crazy…Hello’ (2016) – Album Review (The Cheap Trick Collection Series)

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It has been seven years since Cheap Trick’s last studio album. A lot has happened. They did release a live album here or there and the three volume set of The Epic Archives, but the biggest change was with the line-up. Bun E. Carlos decided to stop recording and touring and as a result, the band pushed him to the side or moved on without him, however you want to look at it. There were lawsuits back and forth and in the end all was settled. Bun E. Carlos wasn’t in the band anymore, but he was still a part of it. In 2015, he helped write the liner notes for all three of The Epic Archive albums. But when it came to the 17th studio album, ‘Bang, Zoom, Crazy…Hello!’, Bun E. Carlos was not to be found.

Instead new drummer, Daxx Nielsen, was part of the band. Hmm…that last name sounds familiar. Oh, that’s right, he is the son of guitarists Rick Nielsen. It was the first studio album of their career without Bun E. Carlos and it was the first studio album for the band with a major label in 20 years and that label was Big Machine. When the album was released on April 1, 2016 the album went to #31 on the Billboard Charts and was their highest charting album since 1988’s ‘Lap of Luxury’. Don’t worry that it dropped of the chart in a couple weeks…oh well.

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Needtobreathe – ‘La Diferencia E.P.’ – Album Review

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Needtobreathe is one of my all time favorite bands and one of the few bands I have to everything they do and in that search I came across this beauty. It is the E.P. called La Diferencia. It was only available on the DRIVE ALL NIGHT TOUR 2013. If you went to a show on that tour and you placed a pre-order for their upcoming album ‘Rivers of the Wasteland, you received a pre-order card AND got the BRAND NEW EP called La Diferencia on CD. I actually missed that tour so I didn’t have this and I do now. The EP contains four previously unreleased live tracks and the title is quite misleading because it would make you think their were some Hispanic language songs on here but there are not…which is fine as I don’t speak Spanish anyway. The cover art I am sure was done by band member Bo Rinehart as he has been the artistic brain behind most of their visual side of the band.

The opening track, “Difference Maker” might be the best song the band has ever written. There is such a sadness and longing in the song and lyrically, it is splendid.  For me, it raises question as to why are we here in this world and what is our place in that world.  Is God the answer?  I think that is for each of us to decide as I find faith and religion to be a personal choice.  This song helped me take a longer look at myself and I believed has helped a lot. The song is not quite a demo. They call it a “work tape” so at this point it was a work in process but damn, it is so good.

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Talisman – ‘Humanimal’ (1994) – Album Review (The Jeff Scott Soto Series)

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1994 has been a real busy year for Jeff Scott Soto as you can see from all the 1994 reviews. His band Slam was pretty much done so all his time was now focused on Talisman. Marcel Jacob and Jeff Scott Soto would end up writing a ton of songs for the next studio album. Talisman was now a full band. They had Jamie Borger on drums and Fredrik Akesson on guitar and with them coming off the last tour, the band was tight and hitting on all cylinders.

The band recorded the album in Sound Trade Studios and when they finished, they had 22 songs in can which coincidentally only took 22 days to record and mix. They wanted to do a double album and each disc would have a separate theme. One would be songs with human characteristics and the second disc with animal characteristics. However, the songs actually would all fit on a single CD, so they decided they wanted to only release a single CD.

So, the band picked their favorite 14 songs for the album and it was released in Europe . It was to be released in Japan, but they wanted a different set of songs so the Japan label picked the songs for their version of the album. The albums came out on May 25, 1994. And then a funny thing happened. The European version was out selling the Japanese version…in Japan. Yes, the import of the European version was way more popular. As a result, they ended up releasing the European version in Japan. And if that wasn’t enough, they released a part 2 version with all the outtakes on October 19, 1994.

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Cheap Trick – ‘The Epic Archive, Vol. 3 (1984-1992) (2015) – Album Review (The Cheap Trick Collection Series)

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Back on November 27, 2015, Cheap Trick released a 3 Volume set called The Epic Archives, yet they were only released digitally. There was no physical product at the time. That has since been corrected as they eventually did release these on vinyl for Record Store Day on three separate occasions. I was lucky enough to get all 3. And since we been through ‘The Epic Archive, Vol. 1 (1975-1979) and ‘The Epic Archive, Vol. 2 (1980-1983), it is now time to review ‘The Epic Archive, Vol. 3 (1984-1992) and did they save the best for last? We will see.

My copy is the 2019 Record Store Day Release on April 13, 2019 and let me tell you it is yet another quite stellar release. As the sticker below says, it is a 2-LP Gatefold Set that is limited to 2,000 copies and both LP’s are on a beautiful flame red vinyl. And Bun E. Carlos might not be in the band anymore, but he was involved as the liner notes on the inside of the Gatefold are track-by-track commentary by Mr. Carlos as well as Rick Nielsen and this time around Robin Zander as you can see below. This Volume didn’t have the “Golden Ticket” like the Vol. 1 where you received a band picture autographed by all four original members. Nope, nothing like that in here.

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Matt Nathanson – ‘Plus E.P.’ – Album Review

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In my quest for Matt Nathanson music I don’t have, I found another E.P. in my hunts. This one is called ‘Plus’ and was a promotional CD and released on October 14, 2003 which is the same date as his 2003 album ‘Beneath the Fireworks’. That album is the one I feel where Matt was finding his voice as both a singer and a songwriter. It is from this point on that his writing develop and went to another level. The stories were so much better and his vocals were hitting on another level. This is also around the time I started to discover his music and it would suck me in.

There were 3 songs on this album and all were recorded live and done acoustically. Two of the songs were off the album ‘Beneath the Fireworks’ and was from his debut album ‘Please’ from 1993 which was a collection of songs he wrote in high school and college. Lets go through the songs, shall we.

The first song is “Lucky Boy” which was off the album ‘Beneath the Fireworks’ but originally was off his 1999 album ‘Still Waiting for Spring’. It was recorded live on August 20, 2003 at Ned’s Studio. Now I don’t know who Ned is but apparently he has a studio. The song was written by Matt Nathanson and Mark Weinberg and is done acoustically like I mentioned earlier. It features Matt Fish on Cello which is a really cool acoustic element to add. The song is about a friendship where the boy wanted more and was always there for her to comfort her at every turn. She treated him like a rug and walked all over him. He feels it is a cruel world, but he was still lucky to be with her and in her presence despite it never going anywhere he wanted it to go.

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Talisman – ‘Five Out Of Five (Live in Japan)’ (1994) – Album Review (The Jeff Scott Soto Series)

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As we already know, 1993 was a very busy year for Jeff Scott Soto. He jumped from the Talisman ‘Genesis’ recordings straight in to the Axel Rudi Pell’s ‘The Ballads’ recordings and then had to fly to Japan to do a set of shows for Talisman. Not to mention the Takara album and even the Biker Mice from Mars soundtrack. It was a whirlwind. And then around February of 1994, an album of the Japanese gigs was released called ‘Five Out of Five (Live in Japan)’.

The original release of this album was called ‘Five out of Five’. The reissue I have from 2004 is a double CD that includes their album ‘Life’ (which we will review soon) and this one now titled ‘5 Out of 5’. It is strange the album is called ‘5 out of 5’ because there are only 4 members in the band at this time. So, what is with the ‘5’? Easy, Marcel Jacobs thought it would be funny. At first you think, how is that funny, but if you read Kerrang magazine, that is how they do their ratings ‘5 out of 5’ or ‘4 out of 5’, you get the idea. Marcel thought if it ended up being mentioned or reviewed in Kerrang, it would already read Talisman ‘5 out of 5’. Pretty clever!! Thanks to Frnak Tunny and Ronny Hahn’s Jeff Scott Soto Biography for that little nugget.

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Aerosmith – ‘ 1971: The Road Starts Hear’ (2021 RSD) – Album Review (The Aerosmith Collection Series)

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It has been years since we have been given any new, unreleased material from Aerosmith. The last studio album was 10 years ago in 2012 and there were two live albums back in 2015, but nothing to light the world on fire. That was until Black Friday Record Store Day on November 26, 2021 when they had a “first release” of a found recording that contains the earliest known recording of the band to exist. The album is called ‘1971: The Road Starts Hear’ which is around 18 months prior to the release of their debut album in January 1973.

The timeframe of the release is sometime during the Fall of 1971 as Brad Whitford was in the band as he was the last cog in the wheel as he joined in August 1971. So, we had Brad as well as Steven Tyler, Joe Perry, Tom Hamilton and Joey Kramer and Aerosmith was born in the form we all know and love. However, the whereabouts of where this was actually recorded is in question. There are several possibilities, but no one actually knows for sure. We know it is not an actual concert as there is no crowd noise so thoughts are it is either a soundcheck or a band rehearsal, but whichever it is, it is totally amazing as we get a band that is fairly new, but extremely tight musically and destined to explode on to the world. The thought is it was recorded originally recorded in October 1971, Boston, Mass. on Joe Perry’s Wollensak 3M 1280 2-track tape recorder, but that is as much as we know for sure.

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Ace Frehley – The Space Cassette Box Set – Box Set Review

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Ace Frehley has been pumping out product lately and as a fan, I couldn’t be happier. His record label decided that it was time for a nice addition to his catalog and that was to finally issue all his albums on his label eOne on cassette and to do it in style. What you get is a box set that is all 5 of his eOne albums on cassette for the very first time. It is a limited edition box set (I don’t know how limited) and comes with a bonus of 4 collectible Ace Frehley picks. It is called The Space Cassette Box Set and I am glad to finally have it in the collection.

The box is sturdy and very well done. The lettering on the front is nice and the back gives you pictures of the albums as well as track listings of each album and a handful of Ace pictures. The box is small so reading the track listing for someone with my age and poor eyesight is quite difficult. The box fits the tapes perfectly and even room for an extra box that holds the picks. I like the way the lid folds back but still connected to the box. Good job with that packaging.

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