Category: My Sunday Song

My Sunday Song – “Let The Children Play” by Europe

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For My Sunday Song #475, we are talking about “Let The Children Play” by the band Europe. Don’t think this is an 80’s Europe song…you’d be wrong. This is a more mature and even better sounding band. The song is from their 2006 album, “Secret Society” which might be one of their best albums EVER!! The song was not a single, but it was one of the best songs on the album, if not the best song on the album. It is the fifth song on the album and when you get to it, you realize just how good this whole thing really is.

The song was written by Joey Tempest and Mic Michaeli even though I’ve seen it basically credited to the whole band too. Regardless, the message is something we all need to hear. We get advice from everyone in our life, our mom, our dad, our siblings and even God. The lyric below says it all…

It’s not where we’re coming from
It’s how we turn from here
We know where we want to go
We just need a line, to get us there.

The best advice is simply let the children play and be kids. Maintain that innocence as long as you can. You can only guide them, give them that line to follow. It is up to them to find their own way. They will make bad decisions along the way. It is how they move from that decision that will make them who they are…good or bad.

The song is a rocker, with some gritty riffs, a killer solo and a driving rhythm section with the bass and drum. John Norum’s guitar are definitely a highlight giving us the melodic feel and great guitar sound. Joey Tempest vocals have never sounded better. He gets stronger as he ages. It is such a powerful, catchy chorus that it sucks you right in. The coolest moment is towards the end when the children’s choir comes in with the chorus. It really ties it all together and leaves you wanting more.

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My Sunday Song – “Tall Cool One” by Robert Plant

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For My Sunday Song #474, we are talking Robert Plant’s “Tall Cool One”. The song is from his 1988 album ‘Now And Zen’ and was a change in Robert’s perception of his past…more on that in a minute. The song was released some time in April 1988 and saw Robert get a Top 40 hit as it went to #25 on the Mainstream Rock Tracks. What helps makes this song so special is that it brings back Robert’s longtime Led Zeppelin partner, Jimmy Page, on guitar for this song. This might’ve been their fourth collaboration since the band’s breakup. And maybe their most special…up to this point in time.

The song was written by Robert Plant and his keyboardist Phil Johnstone who is in large part key to why this song came about. Robert had been very lackluster about anything to do with his former band Led Zeppelin. He wanted to distance himself from it and be his own person. Phil told him to lighten up about it and embrace that legacy. Maybe working again with Jimmy helped or maybe it was Phil’s encouragement, but Robert did finally lighten up about and as a result we get this really cool rocker “Tall Cool One”. It sounds like he is talking about a woman in the song, but that woman is simply Led Zeppelin. Even the lyrics give a shout out to the past with lines from the songs “When the Levee Breaks” and even “Black Dog”.

If that wasn’t enough, the song is also about Roberts displeasure with sampling at the time. I believe it was The Beastie Boys who sampled a Led Zeppelin song on their album ‘Licensed to Ill”. Robert was none too pleased. At first, Robert thought about sampling some Beastie Boys songs for this one, but instead he sampled his own Led Zeppelin songs such as  “Black Dog”, “Dazed and Confused”, “Whole Lotta Love”,  “The Ocean” and “Custard Pie” which is a much better choice.

The song itself is an upbeat, blast of a rocker. One of the most fun songs he’s ever done as a solo artist, at least to me. There is that classic Plant vocal, that full on 80’s pop/rock sound and all together makes for a blast of a song. I love the spoken word break that adds some more layers to the song and then you get some some Page guitar work, although, he isn’t in the video. There is a tongue in cheek through-out the song which I think takes it to another level and helps make it stick in your brain. At the end he throws all those Led Zeppelin samples and Zeppelin lyrics in to it letting the song go out with a bang!

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My Sunday Song – “Joker & The Thief” by Wolfmother

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For My Sunday Song #473, we are going to discuss the song “Joker & The Thief” by the band Wolfmother. The song is from their debut album, ‘Wolfmother’, which was released on October 31, 2005. The sixth single was “Joker & The Thief” and it was released on October 28, 2006, almost a year after the release of the album and was one of the highest charting singles from the album. The singles was certified Gold in both Australia and the UK selling over 400,000 copies. Not too bad.

The song was written by Wolfmother, but a majority I am sure was by lead singer and guitarist, Andrew Stockdale. He state he was shopping in a store and heard AC/DC’s song “Thunderstruck” and got the idea to do a rock anthem. From there, he has admittedly stole the characters The Joker and The Thief from Bob Dylan’s song “All Along the Watchtower”. The Joker and The Thief are a representation of rebellion as well as duality. The song references the dark & the light, there is good & evil, sweet & sour…always one contradicting the other. The Joker is always looking for the good, the light, searching for life’s desires while the Thief is a sign for corruption and loss of innocence.

There was one article where someone said the that the Joker was a man searching for love while the Thief was the woman that would steal his heart. He was going through life searching for the sweet in all the sour. He wasn’t going to go home with any woman, but the one that had his heart. He would search all day, flying around and sees her in a field of clover. He wonders what would happen if he took her away. You can make any song mean whatever you want it to mean, I liked this interpretation simply because it was sweet in all the sour interpretations I had read.

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My Sunday Song – “Hip To Be Square” by Huey Lewis & The News

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For My Sunday Song #472, we are going to talk the pop culture powerhouse song, “Hip To Be Square”, by the band Huey Lewis & The News. The song is from their 1986 album ‘Fore!’. This was the second single from the album it was released on October 6, 1986 and it went all the way to #3 on the Billboard Hot 100 songs. It also went to #1 on the Album Rock Tracks chart and helped drive the album to multi-platinum status. Huey and the boys were on a roll. Little did they know at the time, that years down the road, it would become a big part of pop culture.

Yes, in the book, ‘American Psycho’ by Bret Easton Ellis, the song is brought up by the main character Patrick Bateman. Patrick goes on in detail discussing the success of Huey Lewis & The News. That whole piece made it into the movie starring Christian Bale. The character in the movie gives a shorter version of that discussion to his co-worker who was played by Jared Leto. Then I think there was a murder. It is a very memorable and quite funny scene. The song was licensed for the movie, but someone forgot to license it for the soundtrack. When the soundtrack was released, the song was on there, but Huey immediately had them pull the album as it should not have been since the licensing wasn’t done. So, if you have a copy with that on their, good for you!!

The song was written by Bill Gibson, Sean Hopper and Huey Lewis. It talks about how the hippies from the 60’s turned into these square individuals who ended up cutting their hair and working for the man. The turned into Yuppies. The term for them was bourgeois bohemians. It became cool to fit in to a little box and be boring and playing things real straight. Huey was poking fun at that whole lifestyle. The lyrics say they started out as “renegade”, now they are “playing it real straight”. They like their bands in “business suits” which I love that line. All the new wave bands of the 80’s wore suits so that fits and even Huey & the News did it too. It is a comical, yet a thoroughly enjoyable pop song.

Musically, it falls in line with their big hit “Power of Love”. It has that same beat and sound. There is a nice groove, or bounce to it that I find myself rocking back and forth to it. Huey’s vocals, as always, are stellar. He his delivery is always spot on. The saxophone adds some great texture to it and who doesn’t love a sax solo, I mean…really…who doesn’t because you are wrong if you don’t. Huey Lewis & The News could do no wrong at this point in their career.

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My Sunday Song – “Who’s The One” by Winger

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For My Sunday Song #471, we are going to discuss “Who’s The One” by Winger from their 1993 album ‘Pull’. An often overlooked album. By 1993, the music landscaped had completely changed for the 80’s glam metal scene. Gone were the bands I’d had grown up loving and replaced by Grunge, but that didn’t stop bands from putting out albums. In fact, for one band, Winger, it might have produced its best album to date. The band was down to three members with Kip Winger, Rob Morgenstein and Reb Beach. Released on May 18, 1993, ‘Pull” showcased a very mature Winger and a band that wasn’t going to be stopped creating and putting out their best material (even though this was their last album for years to follow).

I have a lot of favorites on here and the final track from pull might be #1. This one was written by Kip Winger and Reb Beach. It seems to have some socio-political leanings towards it as well as a crisis of faith. It feels as the song is about a complete lost of faith in religion and the government. There are is an utter darkness to the lyrics with lines like “When all the colors begin to fade” and “What will be your savior now / Dragon or machine”. The Dragon usually means drugs and the machine is quite possibly the government. Both depressing saviors.

There are so many religious lines and so many lines about guns and armies. This is 1993 and the U.S. was involved in Somalia which was a horrific event. This could all stem from his thoughts on that political matter. I don’t really know, but I do know the lyrics carry a lot weight. The video for the song, gives you a good idea of all the crap we were dealing with at the time.

The song is an acoustic ballad that is my all time favorite ballad by the band. Kip’s vocals with the acoustic guitars are a perfectly blend of melodies and harmonies between a voice and an instrument. He also is feeling the song as he sings as he pulls a lot of emotion in to it. It is one of the most beautiful songs the band has ever done. The chorus is a huge payoff as the percussion done by Rob also adds some beautiful flavors to the song. But it is the emotion coming off those acoustic guitars where you feel that weight of the lyrics. If a song can be perfect, this would be as close as you could get. What a way to go out, leave me wanting more.

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My Sunday Song – “Let There Be Shred” by Megadeth

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For My Sunday Song #470, we are tackling the new single “Let There Be Shred” from the brand new and final Megadeth album, ‘Megadeth’. The song was dropped as a single on December 19, 2025, but I didn’t hear it until I bought the new album which was released on January 23, 2026. I have not stopped listening to this album and song ever since. The song helped propel Megadeth to their First #1 Album in their 40 year history. What a way to go out as this is their last album, according to Dave Mustaine. Go out on top…not many bands can do that.

The song was written by Dave Mustaine, Teemu Mäntysaari and Dirk Verbeuren. All members of Megadeth. The only one missing is James LoMenzo. The song is a blistering fun romp down memory lane. It is a nostalgic driven song about their love for Thrash metal. It is about the destruction of playing guitar with a fierce, adrenaline-filled passion that leaves everyone else in your dust. “Clawing at Fretboards”, “Smash my guitar”, “Thunderous command”, “Guitars are all screaming”, “A machine gun on meth”…all ways of describing their playing and it fits it perfectly.

Musically, the song is total fire. This is a guitar showcase song for sure. You get two solos, one from Teemu Mantysaari and one from Dave himself. During the second solo, the whole feel of the song changes and the solo obliterates your ears. The drums, from Dirk, pummel you until you are black and blue. Dave’s gravely, dirty vocals are masterful and reminds you that although he isn’t the best singer out there, he is perfect for this type of music. I can’t imagine anyone else singing this song. But again, the highlight are the frightening brutal riffs, screaming solos and wall-to-wall destruction by the guitar. These guys were definitely born with a guitar in their hand!!

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My Sunday Song – “Afterlife” by Switchfoot

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For My Sunday Song #469, we are talking “Afterlife” by the band Switchfoot. The song is off their 8th studio album ‘Vice Verses’ which came out on September 27, 2011. The song was the third single off the album and came out on February 28, 2012 and though it didn’t chart, it was such a powerful song and set the tone as it kicked off the album. It was written by brothers and band members, Tim and Jon Foreman. The song helped propel the album to #8 on the Billboard 200 album chart, #3 on the Rock & Alternative Charts and #1 on the Christian Charts!!

The song sends a powerful message. It reminds us that we are not here for very long, but if we want to feel like we are living forever, we must live our life to the fullest. How we do that is surrender to Jesus and live a life that serves him and others. Don’t be so focused on the future and what happens after we die. Believing in Christ will get allow you to live forever in the afterlife, but start living that way now to make it feel like you are already really living. We are all broken, so surrender now and experience the Joy and embrace the journey of faith.

The music is as powerful as the lyrics. The song is an anthem that starts off with an extended guitar note, then a distorted guitar riff with Jon Foreman singing that first verse like he is calling us to action. The full band comes in and the song goes to another level with an electrifying intensity. The chorus is bombastic and one big hook. Short and sweet. The guitar riff throughout is intense and the little riffs and notes tossed in throughout give the song a punch. The solo is not as in your face and more fit to the song. I like how near the end, there is a moment where the music softens and Jon belts out another verse before the band comes back in and they carry us home.

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My Sunday Song – “Rejoice” by Def Leppard

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For My Sunday Song #468, we are going to talk the brand new song by Def Leppard called “Rejoice”. It was released prior to the start of their latest Las Vegas Residency that is occurring as we speak. The song isn’t from any album (yet) and is the 2nd single they’ve released over the last year, the last one being ’77’. Still no album. I am assuming they will play this during the residency as it would be a great place to debut the song live. I still want an album.

The song was written by Joe Elliott and Phil Collen. The song is about a guy, who according to Joe, is at rock bottom. The guy seems to be at that point where you realize the only way to go is up. He wants to fight his way to the top, he wants to feel Joy again, he wants to hit the point that he can rejoice.

Per Leppard’s press releases…Phil Collen stated…

“I had this riff, this idea for a song a while ago actually, so when Joe came to me I created this drum loop based with a tribal sound and it fit perfectly with this other arrangement I had,” adds Collen. “I sent it to Joe and it was like magic – he sang straight over the top of it. And that’s how the song was formed.

“Then we gave it to Ronan [McHugh, Leppard’s long-serving sound engineer] who’d done a proper drum loop with different sounds. It all started gelling and just sounded like a powerful chant. We love it. It’s hard rock for us. It’s got a bit more of an ‘oomph’ than stuff we’ve been doing for a while. It’s kind of magical.”

Musically, this song takes me back to around their ‘Euphoria’ era with that that guitar sound. The song definitely is heavier than anything they’ve done in awhile. As the band said above, “It’s got a bit more ‘oomph”. I would agree with him as it is a real banger of a song. I like the drum sound with its tribal beat, the harmonies are classic Leppard and Joe Elliott sounds great. It is so great to see Leppard still putting out material and finally having a little balls behind it. A great way to kick of 2026!! So why don’t we all rejoice we have a new Def Leppard Single!!

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My Sunday Song – “Anytime” by McAuley Schenker Group

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For My Sunday Song #467, we are going to talk about the song “Anytime” by the McAuley Schenker Group. I ordered a new box set from them and it got me thinking about this song and how much I love it. The song is off their 1989 album ‘Save Yourself’. The song was released as a single in April 1990 and I remember seeing it on MTV and get swept up in it. Ballads were huge and every band needed one and this delivered on all fronts.

The song was written by singer Robin McAuley and guitarist Steve Mann. The song is about longing for that lost love. It appears that the singer had not truly appreciated what he had until she was gone from his life. He realized he treated her poorly relegating her to “the corner of my empty room”…which I am assuming is a cold dark place in his heart. When she was gone, he realized he loved her and wanted her back. The song is plea for her that anytime she wants him back, he will be there. If she’s lonely and needs to someone to simply call because it sounds like he will come a runnin’.

Robin McAuley’s vocals are what make this song work so well. You can hear the longing in his vocals. He pulls out so much emotion you start to feel bad for him and hope she will call so they can get back together. As good as his vocals are, the music has to match to make it all work. The atmospheric keyboards at the beginning then accompanied by an acoustic guitar are so soft and gentle. If you thought the vocals were longing, the music will break your heart as well. There is a co-solo in the song with both Schenker and Mann that works so perfectly for the song. It accentuates the feelings and adds even more texture to the overall song. When all is said done, it is a brilliant masterpiece. It shows that when a ballad is done well, it can’t be beat. One of my all time favorite ballads from this era.

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My Sunday Song – “Bleed It Out” by Linkin Park

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For My Sunday Song #467, we are talking “Bleed it Out” by Linkin Park. The song is off their 2007 album ‘Minutes to Midnight and was the 2nd single off the album. The song went to #1 in the UK on their Rock chart and to #2 in the US and the Alternative charts (#3 on the Mainstream Rock Chart). It went 4x platinum in the U.S. which is crazy for a song that didn’t break the Top 40 on the Hits chart. The album was also produced by Rick Rubin, so they brought out the big guns.

The song was written by Chester Bennington and Mike Shinoda with all the music composed and credited to the entire Linkin Park band. The original working title of the song was “Accident”. According to Mike, the song is about the struggles of writing a song. For this particular one, he was having so much trouble with it and worked on it for over a month. The opening line highlights the struggles, “Yeah, here we go fro the hundredth time”, referring to how many times he has re-written the song. The process was driving him nuts and he was losing his mind. He bleeds for these songs and then ends up throwing it away and starting over to make the song better.

Well, he eventually found the right words and made a pretty damn fine song. I also love the line that says “Half the words don’t mean a thing / And I know that I won’t be satisfied” as that is usually the case for most songs. The words are there sometimes simply because they sound good together. Def Leppard has confessed to that in the past. Still, so much time and effort is put into it to make it right and he ended doing great with it. Another great example of the meaning behind the song is “Go stop the show /Choppy words and a sloppy flow” as it refers to picking the correct words so everything flows (again, they don’t have to mean anything, just needs to flow right).

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