On August 3rd, 1987, Def Leppard released their fourth studio album, ‘Hysteria’. Little did they know this ground breaking album would go on to sell over 25 million records, produce 7 hit singles and go to #1 on the Billboard Charts. The title track, “Hysteria”, is up next and this was the third single in the U.S. and the fourth in the UK. It was released in the U.S. in January 1988 and the UK in November 1987. The song went to #26 in the UK and to #10 on the U.S. Billboard Charts and no surprise as it was crafted to be a hit. Mutt Lange basically built this song one note at time.
“Hysteria” was written by the whole band including Steve Clark, Phil Collen, Rick Allen, Rick Savage and Joe Elliott as well as the producer Robert John “Mutt” Lange. I say that on every single we’ve talked about because the band decided to credit each member for all the songs. My version is the U.S. version from the Hysteria Singles Boxset, but the B-Side is the same for all version worldwide which was “Ride Into the Sun”.
I’ve seen something from Phil Collen that said the song might be about enlightenment. That moment is the hysteria that you feel. But the song feels like a basic love song. About falling in love so deep and how that intensity feels. He wants to be with her so badly and wants to know if she’s alone tonight and would like some company. He gets crazy when he’s around her and wants to be with her in the worst way. When he is with her, he feels the hysteria of being so close physically. The song is sexy, it is passionate, it is even a little sublime.
On August 3rd, 1987, Def Leppard released their fourth studio album, ‘Hysteria’. Little did they know this ground breaking album would go on to sell over 25 million records, produce 7 hit singles and go to #1 on the Billboard Charts. “Pour Some Sugar On Me” is the band’s third single in the UK released on September 8, 1987. Here in the States, it was actually the fourth single released on April 16, 1988. The song would change the course of this album for the band and see their popularity rise to heights they had never seen before. The song was written by the band and producer Mutt Lange.
It was do or die time for the band. The album had been a hit and sold over 3 million copies before this song came on, but the album cost so much to make, that the band still hadn’t broken even. They needed to sell way more. They recorded a video with live footage for the song and when it hit MTV, the album started skyrocketing up the charts and selling millions of records. The song never made it to #1 as it peaked at #2 as Richard Marx’s song “Hold On To The Night” kept it from the top of the charts, but there was no denying this was their biggest hit every and their signature song.
Yes, the song is about sex, but it is it the energy of the song that make this one so good. The song was one of the last ones to be recorded as Mutt still didn’t feel they had that one massive song that was needed. There were to intros recorded for the song. The first had the opening line on the song as “Step inside, walk this way, you and me babe, hey hey!” while the single version opened with “Love is a like a Bomb”, and since this is the Single version that is what this one opened with and it is great. The B-Side for this album is another fantastic track with “Ring of Fire”.
On August 3rd, 1987, Def Leppard released their fourth studio album, ‘Hysteria’. Little did they know this ground breaking album would go on to sell over 25 million records, produce 7 hit singles and go to #1 on the Billboard Charts. The first track on the album is the song “Women”. The song was the first single for the album in the U.S., but “Animal” was the first everywhere else. The single was released on August 25, 1987. In the U.S., the song only went to #80 on the Billboard Hot 100, but did go to #7 on the Mainstream Rock Chart. But the lack of success of the single, was not a good start for the band that was heavily in debt from the long recording of the album.
The songwriting credits are for the entire band of Joe Elliott, Rick Savage, Rick Allen, Steve Clark and Phil Collen. And since producer, Robert John “Mutt” Lange, was so heavily involved, he gets a writing credit as well. The version of the single I have is the U.S. version and the version from the Hysteria Singles Box Set Collection.
The reason for that the single was first in the U.S. and not “Animal” like it was in the UK is that Leppard wanted to make sure their core audience, the males, would understand what they were going for with the sound of this new album. They knew women might not like this one, however, the song isn’t degrading women at all. It is actually inspired by the important women in Joe Elliott’s life and is an anthem that actually pays tribute and celebrates women both their beauty and their strength all with a biblical background to it.
On August 3rd, 1987, Def Leppard released their fourth studio album, ‘Hysteria’. Little did they know this ground breaking album would go on to sell over 25 million records, produce 7 hit singles and go to #1 on the Billboard Charts. The band’s debut single for the album in the rest of the world and the second single here in the States, “Animal” was also the band’s first hit in their home country of the UK going to #6! Finally, they had UK success. The song was released in the UK on July 20, 1987 and the U.S. in September 1987. “Animal was the second single in the U.S. and did much better than “Women” which had performed poorly on the charts. It went to #19 and cracked the Top 40. The Single I have is the US version with “I Wanna Be Your Hero” as the B-Side while the UK version had “Tear It Down”. My version is also from the Hysteria Singles Box Set.
I’ve read that the song was demoed back in 1984 by Rick Allen with drum parts on an acoustic drum kit prior to his accident. And I read that Phil had originally written the song, but either way the whole band gets the writing credit so it goes to Rick, Phil, Joe Elliott, Rick Savage & Steve Clark. None of the producers that worked on the album could do anything with it and then 2 1/2 years later, a flip switched and the song flowed with the help of producer Robert “John” Mutt Lange. Phil had stated the following…per songfacts.com
“We’d revisit it and I remember we were recording vocals in Paris for something and one day Joe [Elliott] had done this vocal and Mutt Lange had said, ‘Wow, this vocal’s killer. Let’s rewrite the song around that.’ So we did and it was our first English Top 10 single, so it was worth waiting.” Collen credits Lange for taking the song to the next level. “He said, ‘Yeah, this is okay but this can be great.’ That’s always his thing. ‘Yeah, it can be alright and it can be an okay song but we want to make it great.’ And I think we achieved that. Certainly with the album, Hysteria. It had a different kind of response to it than if we had just sat there and released the first draft.”
On November 6, 2000, Bon Jovi released their third single from ‘Crush’, well, their second single in the U.S. The song did really well for the band reaching the Top 40 in a ton of countries like the UK, Germany and Australia, but not in the U.S. where it only went to #57. Proving more that Bon Jovi were actually bigger overseas then in their home country which had the way it was for at least a decade. Back in 2000, when Bon Jovi released a single, there would be a ton of different variants of that single in many different parts of the world, each with their own unique B-Sides and this one was no different.
The version I have is actually a Canadian release (and I think I got this from my good pal Mike Ladano from Grab a Stack of Rock and MikeLadano.com. Go check him out as you won’t be disappointed. The version I have according to Wikipedia is says it is actually the Japanese Edition and that is possible I guess, but this is definitely a Canadian pressing as it states it below.
The song title, “Thnk You For Loving Me” seems to be inspired by Brad Pitt’s character in the film ‘Meet Joe Black’ where he tells Claire Forlani’s character “thank you for loving me”…or it could be a giant coincidence. It was written by Jon Bon Jovi and Richie Sambora and was inspired by Jon’s own personal experiences and observations on how love can change you and it was a giant thank you to those special people in his life.
The song is a ballad and chock full of ballad cliches with a full on string section, soft & gentle piano and some nice sweet guitar licks from Sambora giving us the power in power ballad. The song is a little over-the-top at times and cheesy, but Jon still delivers it as only he can with all the emotion needed to draw in the listener and pull at their heartstrings. Not their best ballad they’ve ever done, but honestly, its pretty damn good nonetheless.
The B-Side tracks (I now it is a CD so technically no B-Sides, but that is what I’m calling them) are all live and recorded to a two track player at The China Club in New York City on September 20, 2000. And all three tracks are not from the ‘Crush’ album. First up is the ‘New Jersey’ track “Born to Be My Baby”. This track was penned with the help of Desmond Child and you can feel his touch all over it with its melodies and hooks and that catchy chorus. Playing it live, they haven’t really altered it or strayed from the live version. It lacks a little of the studio version’s punch, but still a great track.
Next Up is “I’ll Be There For You” is also from ‘New Jersey’ and is a ballad. That opening guitar lick from Sambora is instantly recognizable on this track. Jon’s vocals are high in the mix and in 2000, he still sounded pretty great live. Richie’s backgrounds are key on this one too as I love how his vocals compliment Jon’s so much. If you listen close, you can hear the crowd singing along. They really nail this one and they don’t stray from the studio version much and that is okay.
The final track is “I’ll Sleep When I’m Dead” from ‘Keep the Faith’ and Bon Jovi shows they are still a bar band at heart, even though I don’t know how much they played in bars. Tico pounds away at the skins and Richie rips some riffs. David’s piano plays like an old honky tonk and the boys cut loose and have a good time with this one. Jon doesn’t sound the best as he sounds a little tired, but this is live and he shouldn’t sound perfect.
And there you have it. A cool gift from a friend and a nice addition to the Bon Jovi collection. I hope you enjoyed it and we still have one final ‘Crush’ related piece in the collection to review and that is coming next week. Until then, have a great day.
NEXT UP: BON JOVI – ‘THE CRUSH TOUR’ (2000) – DVD REVIEW
The final single for the album ‘Pyromania’ was unplanned. “Too Late For Love” would be the fourth single and was released on November 25, 1983. A song that wasn’t going to be a single, but due to the success fo the first three singles, they thought let’s release another one and it went to #9 on the US Mainstream Rock chart, but didn’t hit the Top 40 as no official video was done for it.
The single I have is a 12″ Single and it is also out of the U.K. like the “Photograph” single from last week. However, this I actually found in the wild here in the States so I grabbed it up quickly. You have “Too Late for Love” on one side and the other side has two tracks, “Foolin'” from Pyromania and “High ‘N’ Dry (Saturday Night)” off the ‘High ‘N’ Dry’ album. I’m sure that was done to help drive sales of the prior album…and it worked.
In my quest for 7″ singles with Picture Sleeves, I found another great 80’s single and this one is for Poison. The song is a cover of Loggins & Messina’s “Your Mama Don’t Dance” and was released as a single for Poison on February 1, 1989. The song reached #10 on the Billboard Hot 100 and went Gold which the Loggins & Messina version also went Gold while their version went to #4. So, not too different from one another. The song can be found on Poison’s second album, ‘Open Up and Say…Ahh!’
My version of the single is the U.S. promo as it says “Not for Sale” on the 7″ single label. There is no B-Side as “Your Mama Don’t Dance” is on both sides of the single. If you were to find the actual single for the song, the B-Side would be “Tearin’ Down the Walls” also from the ‘Open Up and Say…Ahh!’ album.
The song is about the generational gap between kids and parents. The parents don’t agree with that rock & roll and all the degenerative behavior. It is based off what happened during the ’50’s and ’60’s with the onslaught of that new fangled thing called Rock & Roll. The lyrics are cliched with all stereotypes from that era. It was also based a little on what Jim Messina went through with his mom and step-father.
I love to collect singles with picture sleeves and I love to find them in the wild. I generally will never buy a single on eBay or Discogs. However, there was one big exception and that was for the song “Photograph” by Def Leppard. The song is off the album ‘Pyromania’ and was the very first single released for the album and it was huge. It was released in January 1983 and went to #12 on the Top 40 and #1 on the US Mainstream Rock Chart for an impressive six weeks. The U.K. didn’t see them have as much success as it only went to #66, but the band was not overly loved in its home country because they felt the band were sellouts to the U.S. market..which truth be told, they were. But the single I wanted was a U.K. only release and I had to buy it online as I wasn’t expecting to ever find it in the wild in the U.S.
Now, why I did I have to have this U.K. only version? Simple…the cover is a 3-Dimensional cover that folds out to look like an actual camera. The Pop-up camera picture sleeve was very rare and only limited to 500 copies and I have now have one. See it below…
…but that isn’t the only cool thing about it. When you look into the view finder you see a photo of Marilyn Monroe. But…the song is NOT about Marilyn Monroe. She is only in the video for the song, see the info below which will talk more about the song. Now, I think this was pretty cool and a must have for any Def Leppard collector.
I always love to find a good picture sleeve single and most of the ones I have are from the 80’s, however, I found a gem from 1977 that I had to have. This one was from Alice Cooper and for his hit song “You and Me” which was the first single off his 1977 album ‘Lace and Whiskey’. The album was his third solo album and his tenth overall as Alice Cooper. The single did really well going all the way to #9 on the Hot 100 chart as well as #23 on the Adult Contemporary Chart which is significant as he was considered a metal act.
The song was so popular that in 1978, Alice appeared on The Muppet Show and did the song as a duet with a bird-like character named Beakie, who was a creepy bird-ish Muppet who was actually was the embodiment of Miss Piggy after she was transformed by Cooper. If you haven’t seen it, check it out.
The song was written by Alice Cooper and Dick Wagner and it is a ballad and just a plain and simple love song. It is a celebration of the little moments in every relationship. Those little pleasures we have with each other. The song is the final in a trilogy of love songs from Alice including “Only Women Bleed” and “I Never Cry”.
In an interview with Creem magazine a few months after the release of “You and Me,” Cooper discussed the impetus behind his trilogy of ballads: “I did those songs totally out of spite,” he said. “I kept reading so many interviews and articles that I said I was never considered musical. Best rock show they ever saw, but musically lacking (songfacts).
Journey’s ninth studio albums was 1986’s ‘Raised on Radio’ and the second single off the album was “Suzanne” which was written by members Steve Perry and Jonathan Cain. The song went to #17 on the U.S. Charts and was one of three Top 20 hits from the album. An album that would reach #4 and sell over 2 million albums going double platinum. The band at the time was really only Steve Perry, Jonathan Cain and Neal Schon as Ross Valory was out and during recording, so was Steve Smith which is why you only see 3 guys on the cover of the single.
The song came out in June 1986 and from an album that had 5 total singles. The song was about this guys ex-girlfriend who went on to become very famous and he can’t get her out of his head. Every time he sees here on TV, in the movies or hears her on the radio, he is tormented and can’t stand it. Steve Perry was asked if there was someone real the song was about, he basically said didn’t give a straight answer and said real or not, the girl in the song itself is real.
The version I have of the single is a 7″ Vinyl single and it is a promo as can be seen on the label with the words “Demonstration Not For Sale”. As a result, it is the same song on both sides so no new B-Side here. In the old days, the song would be Stereo on one side and Mono on the other, but by 1986, all stations were basically Stereo so no need for a Mono side.
2 Loud 2 Old Music 