You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.
There are no longer rules for my selections, maybe themes. I’m just picking albums in my collection and this time they are all from the 90’s. I’m not a huge fan of the 90’s so my collection is limited and don’t expect grunge. What are the 5 albums you ask? I have them right here…
Saigon Kick – ‘The Lizard’(1992)
Queensryche – ‘Hear in the Now Frontier’(1997)
Stryper – ‘Against the Law’(1990) – Apparently I’ve reviewed this so don’t pick it. My memory sucks!!
Arcade – ‘Arcade’ (1993)
Collective Soul – ‘Collective Soul’ (1995)
Let me know which one you would like to see and sometime in February, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
Three weeks in and two I actually am anxious to check out this week. The year of releases is starting to pick up!! Take a look through the list and see what you can find that will break the bank. Let me know what you want to hear this week and what we may have missed. Thanks for stopping by and I hope you all have a fantastic weekend!!
Maneskin – Rush! – (Arista Records): One of the more exciting new rock bands out there so looking forward to hearing this one. We need some good new bands!!
Heroes And Monsters – Heroes And Monsters – (Frontiers Records): Lead singer is Todd Kerns who actually is in Slash’s band and is the lead singer in Bruce Kulick’s band on the Kiss Cruises…That is all I need to hear. Sign me up for this one…
And all the rest…
Black Star Riders – Wrong Side of Paradise – (Earache Music)
Scorpions is no stranger to releasing compilation albums. In fact, there are 28 official greatest hits compilations over their career. That is insane. Out of those 28, some are worth getting, like ‘Deadly Sting’ or ‘Best of Rockers ‘n Ballads’ and some are not…like this one!! This is a complete money grab except it was released at a time where Scorpions weren’t getting much publicity so I am sure this was overlooked by everyone. There are no unreleased tracks, no single mixes, no nothing excited that would make this worth getting. So why do I have it? I found it in a bin for like $2 so why not. It isn’t worth anymore than that, I promise!
It was released on July 11, 1998 on Rebound Records & Universal Music Distribution. There is one interesting thing about it, some copies have the song “No One Like You (Live)” was weirdly replaced with the studio version, but still listed it as “Live” on the track listing. My copy is the boring old version with the actual live version. And that is it, nothing else interesting about this release. So, I will at least go through the songs and give my input on them.
“Big City Nights” is up first and it is off the album ‘Love at First Sting’ and was the third single off the album. This one leans more to the 80’s pop rock, very radio friendly and although a rocker, a little calmer. Yet, it is very effective with its cool riff, contagious chorus and of course, that great Klaus vocal. What is there not to like.
I like to find Promo CDs. I’m not sure why as usually there is nothing new on them, but I think it is for the fact the cover is usually not the same as the album and it is a cool piece that was used to promote the upcoming albums and/or songs. So, when I saw this I had to have it. It is a Promotional CD for the upcoming Soto album in 2009 of ‘Beautiful Mess’. The top corner of the sleeve says it is from Promotional Use Only and This CD Cannot be Sold…well…it was…to me!
The CD contains two songs from the album, “21st Century” and “Gin & Tonic Sky”. Not only that, it has the two promotional videos that were shot for those songs as well. If you have the 2 CD version of the album, like I do, you already have these videos, but if you don’t, then this is cool to have as well. Let’s talk through the two songs.
The album kick off with “21st Century” which is a rocking, guitar driven track, however, Jeff’s vocals are more funky and there are modern electronic elements as well. The chorus though is as catchy as you’d expect as he knows how to have a little hook to make you sing along. It isn’t a typical Soto sound as that album saw Jeff stretch his wings a little and try other things. The song is a little left of center and yet it works and is a great start to the album with its high energy and all around fun sound. Sometimes its okay to try new things.
Alright…You Picked It! This one was really close as we almost ended in a tie, but one edged out the pack by one little vote. The one vote that made it not a tie was someone said that they wanted either one album or another that I should pick, so I always go with the first name on the choices. If I didn’t, we would’ve ended in a tie. The winner for this month’s picks ended up being The Cars with ‘Heartbeat City’ and I am real excited about this one. Here are the results.
The Cars – ‘Heartbeat City’ – 8 votes
Prince – ‘Purple Rain’ – 7 votes
Genesis – ‘Invisible Touch’ – 3 votes
U2 – ‘The Joshua Tree’ – 2 votes
Bryan Adams – ‘Reckless’ – 2 Votes
Thanks to all for participating. The February choices will be up on Saturday! And the choices are all now from my collection and the next one will be some albums I have from the 90’s but probably not the ones you’d expect. Hopefully you can help me decide which one I should review.
THE CARS – ‘HEARTBEAT CITY’ (1984):
The Cars were now on their fifth studio album by 1984 and they made some changes with this one. Long time producer, Roy Thomas Baker, was replaced with some dude name Mutt…that is right…Mutt…Robert John “Mutt” Lange. I think you’ve heard of him before. Mutt had just come off Def Leppard’s album ‘Pyromania’ so he was one of the hottest producers around, plus he had done ‘Back in Black’ and “For Those About to Rock, We Salute You” by AC/DC, ‘4’ by Foreigner and ‘High & Dry’ by Def Leppard. Just a few massive albums. With Mutt signing on to do this album, he had to turn down Def Leppard’s next album ‘Hysteria’…but delay after delay allowed him to eventually join in and help with that mind blowing album.
But the Cars were different, they pure pop. They were not a hard rock band. The Cars also co-produced with the album as well. I do know that Mutt’s influence on here is huge and obvious at times as I can hear hints of his other work in these songs. This saw the band return to form and even see elements of their debut on here as well. It might be slick and polished, but is quite incredible too! If this isn’t their best album, it is pretty damn near close.
For My Sunday Song #333, we are going to discuss a James Bond Theme song. This one is “You Know My Name” by Chris Cornell. It holds the distinction of being the only Bond theme song not to be included on the soundtrack. And we have Chris to thank for that as he wanted the song to be his and as a result it appears on his 2007 album ‘Carry On’. The song was written by Chris and David Arnold who was the composer of the Bond music for the film ‘Casino Royale’. The song was leaked early, but did get an official release on November 13, 2006 and did really well in the U.S. where it made the Hot 100 landing at #79 and sold 290,000 copies. In the U.K. it faired better at #7 on the UK Singles Chart and reaching Silver status selling over 200,000 copies.
The song doesn’t mention the movie title and instead is about the person not the movie and thus they came up with “You Know My Name” because after 40+ years of Bond, you know his name. It is about the conflicted side of Bond and not that overly confident super spy. It is about his sacrifices and struggles he battles with internally with being the spy. When he kills, the impact it has on him internally. The fact that everyone ends up betraying him, the impact that has on him. All giving us a different look at Bond which is how Daniel Craig’s Bond has done in his stint as the infamous character.
Chris approached the song two-fold. First, he was inspired by Tom Jones and wanted to sing the song in an almost Crooner style. Second, he loved the intensity of Paul McCartney’s “Live & Let Die” Bond Theme song so he and David made sure to include some heavier rock elements along with the heavy orchestration we get with Bond themes. It is a great combination of styles. I have to say, I think Chris did a great job as I did love his approach with the singing and there are hints of Mr. Jones. There is no mistaking the Bond musical elements as every Bond theme. It is a great Bond Theme!
The second week of the year and we have a much larger selection for you this week. And one that I am actually interested in hearing and then will decide if I get. Let me know what you want to hear this week or what we may have missed and as always, thanks for stopping by and I hope you all have a great weekend!!
VV – Neon Noir – (Heartagram Records): Former lead singer of the band H.I.M., Ville Valo is going solo and I am looking forward to hearing this as I have always loved his tone and I found H.I.M. pretty interesting so this will be first listen this week.
Margo Price – Strays – (Loma Vista Recordings / Concord)
We are to the band’s 13th Studio album now in the series, however, 13 isn’t really their lucky number with this one. First off, longtime Scorpions drummer, Herman Rarebell, left the band to go start his own record label. They didn’t replace him right away and used a session drummer, Curt Cress, to handle the daunting task of following Rarebell’s footsteps. The band did replace the role with James Kottak who ended up being in the band longer than Herman was as he lasted almost 20 years before he was fired in 2016. The rest of the band was in tact with Klaus Meine, Rudolf Schenker, Mathias Jabs and the newest member Ralph Rieckermann. And for this album, they brought back as producer, Keith Olsen, who helped produced the album ‘Crazy World’. He produced the first seven tracks while Erwin Musper and the Scorps did the rest.
‘Pure Instinct’ followed in the footsteps of several Scorpions albums and showed nudity. My CD has the original nude cover of the humans in the cage being watched by the animals instead of the other way around. For those parts of the world that had issues with the cover, there was an alternate cover of just the band which is what I am showing as the header as I don’t want to be flagged on Facebook or any site for the so called offensive cover. But what I find offensive is the music on this album. This is not a rock album by any stretch of the imagination. Instead we get an album that is mostly ballads and then heavier songs that are more pop than hard rock except maybe for the opening track.
They released several songs as singles and the only one to chart in the U.S. was “Wild Child” which went to #19 on the Mainstream Rock Chart. All the other singles charted, just not in the U.S. as the album didn’t do well at all not even reaching Gold. The album only went to #99 on the Album Charts which is not good for a Scorpions record. There isn’t anything else I want to add at this point so let’s get in to the meat of this album and the music.
The album starts off with what sounds like bagpipes before the full band kicks in with the heavy drums on the verses and riffing guitars throughout and a solo that is so high pitched the dog howled! Klaus vocals are as perfect and classic sounding as ever. The chorus is catchy and sounds like Scorpions through and through. “Wild Child” is a great opening rocker to kick things off.
1982 was a pivotal year for Kiss. After the disaster of their last album, ‘Music from the Elder’, Kiss were in a do or die situation. They needed to get back to their hard rock roots and show the world that Kiss was still Kiss. Producer Michael James Jackson was brought in to produce the album and Kiss new they needed to rock. Heck, Eric Carr was telling them that all the time…and he was right. To celebrate this pivotal album, Kiss delivered the 40th Anniversary Super Deluxe Edition Box Set and it is jammed pack with goodness. Gene Simmons and Paul Stanley have been paying attention to other band’s box sets and now they know how to put one of these together. If you thought the Destroyer 45th Anniversary Box Set was stellar, then this one will make you even happier.
It is jammed pack with 5 discs of music. A remastered edition of the main album; 2 CDs of demos, rarities, outtakes and remixes as well as 2 Live CDs chock full of goodness from various shows in 1982. And you also get a Blu-Ray Audio of the main album and I can’t wait to turn this baby on in surround sound and hear those drums surround the room. But that is not all, not by a long shot. The box set is packed with an 80-page book, posters, stickers, patches, photo cards, buttons, picks and all sorts of information about the band…don’t believe, look at the sticker from the front of the box set…
So sit back and let’s go through the box set in detail with a lot of pictures to show you the beauty of this set.
Jeff Scott Soto’s last solo albums was back in 2005 called ‘Lost in the Translation’. A lot had happened to Jeff after that album including Soul Sirkus and his brief stint with Journey as well as the final Talisman album. To say he had been busy would be an understatement. When it was time to sit down and do another solo album, Jeff wanted to shake things up a little sort of like he did with his band Redlist, only not as extreme as that. He had been loving the music of Swedish musician Paulo Mendonca and wanted to work with him on the album. Paulo ended up producing the as well as co-writing 11 of the 14 songs. Heck, Jeff only co-wrote 7 of the 14 songs which means a lot of these songs were written by other people for him to sing. To be honest, that scared me as Jeff has always written all or almost all of the songs on his albums in the past. Plus, Jeff’s normal band of Howie Simon, Alex Papa and Gary Schutt didn’t get to play on the album as it was Jeff and Paulo mostly which is disappointing.
The album was completed and released on February 20, 2009 with Frontiers although they wasn’t originally the expectation since Jeff felt the songs didn’t fit his normal sound. Soto’s sound for this album wasn’t as heavy as ‘Lost in the Translation’ and sort of went the other direction. It was a little bit groovy, a little bit funky, a little bit of soul and even a little bit of pop with maybe a dab of hard rock and a dash of blues. It is really all over the place. Is that good or bad, I guess we will see. The album was titled ‘Beautiful Mess’ and became known as ‘BM’. Wow! That is a disgusting nickname for the album. I don’t usually enjoy my BM’s so do I want to listen to an album nicknamed BM?
The album does kick off with a rock song. “21st Century” is a guitar driven track, however, Jeff’s vocals are more funky and there are modern electronic elements as well. The chorus though is as catchy as you’d expect as he knows how to have a little hook to make you sing along. It definitely sets the pace and lets you know that this isn’t going to be the typical Soto release. It is a little left of center and yet it works and is a great start to the album with its high energy and all around fun sound.
“Cry Me A River” slows the tempo down and brings us more of a funk-infused pop song with some heavy soul influences. The bass line is pretty cool, that funked-up guitar riff is interesting and though Jeff doesn’t go full on singing for the verses, that bridge and chorus are full of that Soto sound. This confirms you aren’t getting what you expect and so far I’m okay with that change.