Billy Idol became fascinated with technology and the cyberpunk movement of the early 90’s. He saw how the advancement could be used to make music and in fact, ‘Cyberpunk’ was one of the first albums to use ProTools for almost the entire recording of the album. He felt the use of the computers allowed him to do things faster and he felt it gave the whole feel of a garage band. I don’t know about that last part, but it was the very early stages of how albums and music would be recorded down the road. ‘Cyberpunk’ is the result of all these technological advances and it was an album way ahead of the times. How far ahead?
Well, when he released the single for “Shock to the System” he sent out the promo copies that contained a 3 1/2″ Floppy Disk. MP3’s eat your heart out. The disc housed pictures, bios and all the things you now see issued in todays electronic press kits (EPK). He was also was one of the first albums to actually have an email address in the booklet that came with the album (don’t try it, it though as it no longer works). I finally found a pristine copy of the Promo and now I have the 3 1/2″ Floppy Disk as well. This is now one of the coolest pieces in my collection.
The sixth and final single from ‘Adrenalize’ was for the song “Tonight”. The song was written by Joe Elliott, Phil Collen, Steve Clark, Rick Savage and Robert John “Mutt” Lange. Written back during the ‘Hysteria’ Tour as a possible B-Side, it was instead held on to use for an album as they felt it was too good for a B-Side…and they’d be right. The song charted in the U.S. going to #62 on the Hot 100 and #13 on the Mainstream Rock chart while it also charted in the UK at #34.
The song is a ballad and it sees the singer longing to be with the woman he loves and have some very passionate, satisfying sex. He sees the passion in her eyes and he wants to get lost in those eyes and that passion. A night of unbridled love making. Yeah baby!!!
The band was overdoing it with ballads on ‘Adrenalize’, but this one reminded me of “Love Bites” and “Hysteria” which are two of their best and for that I like this one. When I wrote about “Have You Ever Needed Someone So Bad”, I also said it was a sophisticated sounding ballad with some great melodies and emotive music. Joe captured the lyrics with the perfect intensity and feelings. Joe knows how to deliver a lyric, no doubt. I don’t really get tired of their ballads because Def Leppard are so good at writing and performing them.
The album, ‘Nine Lives’ saw the light of day on March 18, 1997. Aerosmith released 5 singles off the album, it went all the way to #1, they won a Grammy and the album sold over 2 million copies. It is not quite as good as their last album did, but I would say it is still pretty damn good. The third single off the ‘Nine Lives’ album was for the song “Pink” and was released on November 18, 1997. The song was written by Steven Tyler, Glen Ballard and Richard Supa. It went all the to #1 on the Mainstream Rock Charts and it made the Top 40 hitting #27 on the Billboard Hot 100. The single went Gold selling over 500,000 copies. A time when rock wasn’t at the top of it’s game, Aerosmith was still going strong.
The song itself is a very suggestive and dirty. The word “Pink” is referencing a certain part of the girls anatomy. Every line in the song starts with the word “Pink” as well and if you listen you quickly understand what they are talking about. The music video for this song was just as suggestive and pushed things to where they were eventually censored if they wanted the video shown. This song definitely hits the “Sex” part of “Sex, Drugs & Rock & Roll”.
There are two versions of “Pink” on this single. The first is a non-album version called “The South Beach Mix” which was produced and mixed by Glen Ballard along with help on the mix by Christopher Fogel. This mix still opens with Tyler on harmonica, but it feels less bluesy then the original. They’ve taken it a brightened it up giving it a more pop feel to it. It isn’t a bad version, but I prefer the original album version.
“Silent Lucidity” by the progressive metal band Queensrÿche will be the point of discussion today. The song was released on Valentine’s Day in 1991 and was on their triple platinum selling album ‘Empire’. “Silent Lucidity” was the band’s top selling single ever in the U.S. where it reached #1 on the Album Rock Tracks and all the way to #9 on the Billboard Top 100. The song was even nominated for a Grammy for Best Rock Song.
The version I have is a 2 CD set out of the UK. It was released individually each a week apart, but the version I have has them both compiled in to one set. In the UK, it doesn’t look like this was released until August 1992. There is supposed to be a Free Fold-Out Banner Poster, however, my version does not have it included…darn it. In the 2 CD set, “Silent Lucidity” kicks off both discs so we will only discuss the song once. The set then has three songs from ‘Operation: Mindcrime’ all performed Live and one bonus track called “Last Time in Paris”.
“Silent Lucidity” was a ballad, which was not something the band was known for doing. The song is absolutely beautiful with the whole lullaby feel, the wonderful orchestration added and lastly, Geoff Tates vocals perfectly fit the mood of the song. It felt like you were in a dream state while listening to the song which was exactly the impact the band was intending.
The song was supposedly inspired by the book ‘Creative Dreaming’ by Patricia Garfield, PhD which explains how to control your dreams…which I don’t think I have ever been able to do that. The song is about lucid dreaming which is the where you are actually aware that you are dreaming and as the book states, you can actually have control over parts of the dream. During the song, there is actually a voice that is explaining how to do just that. They state…”Visualize your dream. Record it in the present tense. Put it into a permanent form. If you persist in your efforts, you can achieve dream control.”
On November 6, 2000, Bon Jovi released their third single from ‘Crush’, well, their second single in the U.S. The song did really well for the band reaching the Top 40 in a ton of countries like the UK, Germany and Australia, but not in the U.S. where it only went to #57. Proving more that Bon Jovi were actually bigger overseas then in their home country which had the way it was for at least a decade. Back in 2000, when Bon Jovi released a single, there would be a ton of different variants of that single in many different parts of the world, each with their own unique B-Sides and this one was no different.
The version I have is actually a Canadian release (and I think I got this from my good pal Mike Ladano from Grab a Stack of Rock and MikeLadano.com. Go check him out as you won’t be disappointed. The version I have according to Wikipedia is says it is actually the Japanese Edition and that is possible I guess, but this is definitely a Canadian pressing as it states it below.
The song title, “Thnk You For Loving Me” seems to be inspired by Brad Pitt’s character in the film ‘Meet Joe Black’ where he tells Claire Forlani’s character “thank you for loving me”…or it could be a giant coincidence. It was written by Jon Bon Jovi and Richie Sambora and was inspired by Jon’s own personal experiences and observations on how love can change you and it was a giant thank you to those special people in his life.
The song is a ballad and chock full of ballad cliches with a full on string section, soft & gentle piano and some nice sweet guitar licks from Sambora giving us the power in power ballad. The song is a little over-the-top at times and cheesy, but Jon still delivers it as only he can with all the emotion needed to draw in the listener and pull at their heartstrings. Not their best ballad they’ve ever done, but honestly, its pretty damn good nonetheless.
The B-Side tracks (I now it is a CD so technically no B-Sides, but that is what I’m calling them) are all live and recorded to a two track player at The China Club in New York City on September 20, 2000. And all three tracks are not from the ‘Crush’ album. First up is the ‘New Jersey’ track “Born to Be My Baby”. This track was penned with the help of Desmond Child and you can feel his touch all over it with its melodies and hooks and that catchy chorus. Playing it live, they haven’t really altered it or strayed from the live version. It lacks a little of the studio version’s punch, but still a great track.
Next Up is “I’ll Be There For You” is also from ‘New Jersey’ and is a ballad. That opening guitar lick from Sambora is instantly recognizable on this track. Jon’s vocals are high in the mix and in 2000, he still sounded pretty great live. Richie’s backgrounds are key on this one too as I love how his vocals compliment Jon’s so much. If you listen close, you can hear the crowd singing along. They really nail this one and they don’t stray from the studio version much and that is okay.
The final track is “I’ll Sleep When I’m Dead” from ‘Keep the Faith’ and Bon Jovi shows they are still a bar band at heart, even though I don’t know how much they played in bars. Tico pounds away at the skins and Richie rips some riffs. David’s piano plays like an old honky tonk and the boys cut loose and have a good time with this one. Jon doesn’t sound the best as he sounds a little tired, but this is live and he shouldn’t sound perfect.
And there you have it. A cool gift from a friend and a nice addition to the Bon Jovi collection. I hope you enjoyed it and we still have one final ‘Crush’ related piece in the collection to review and that is coming next week. Until then, have a great day.
NEXT UP: BON JOVI – ‘THE CRUSH TOUR’ (2000) – DVD REVIEW
Poison’s ‘Swallow This Live’ came out on November 12, 1991 and it was the band’s first live album. As an added treat the album contained four studio tracks so the band released the single for “So Tell My Why’ which was one of those four new studio tracks on the album. It did not chart in the States and a point of interest, it was the very last single with C.C. DeVille…well at least in to the album ‘Power to the People’ in 2000.
This CD Single was Made in England which is significant in the fact that the UK version of ‘Swallow This Live’ was a single disc edition. Aside from not having the solos, it was missing the songs “Let it Play”, “Life Goes On” and the 3rd track on this single “Ride the Wind” making it the only place to get that song in the UK. “So Tell Me Why” actually charted in the UK going to #25 on the Singles Chart maybe it was helped by this CD single. The other track on here is the live version to “Unskinny Bop” giving us 3 songs on the single which is always a nice value.
The single “So Tell Me Why” is a fun track with a lot of energy. It sounds like anything that was on either of the last two albums. Great melodies and lots of guitar and Bret sings his heart out. Probably the best of the four new tracks on that album which is why it was a single I’m sure. The song is about a guy who still wants to be this woman and do anything and everything for her, but she is cold, distant and seems to be emotionally empty. He just wants to know why she doesn’t want to be with him anymore.
In my digging, whether vinyl or cd, I like to find things I hadn’t seen before and this was one of those items. It was a Limited Edition CD Single from Creed for their song “With Arms Wide Open”. The release was to help promote and fund the With Arms Wide Open Foundation that was started by the band. $3 from the sale of each single went to the Foundation.
The CD has 3 separate versions of the song. It has the Strings Version, the Acoustic Version and the Rock Version. There is also a video of the song as well. So if you like the song, you get a nice variety of versions for the song and that usually makes every collector happy. I will be honest, vocally each version of this song is feel exactly the same. The only difference is they layered in strings for the String Version and acoustic guitars for the Acoustic Version. The Rock Version has all instruments at full force but is around seconds shorter.
What I loved about the CD single is the fact it was transparent. Yes, you get a picture disc as well with the crossed hands of the father and child, but you can see right through the disc. I don’t think I’ve seen one like that before so I had to grab it. And I do like Scott Stapp so there was that as well.
2 Loud 2 Old Music 