Tag: Coming Home

Jeff Scott Soto – ‘The Duets Collection, Vol. 1’ (2021) – Album Review (The Jeff Scott Soto Series)

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During the Covid Pandemic, Jeff had time on his hands since he wasn’t touring the world. However, that doesn’t mean he sat around twiddling his thumbs. Nope. Instead he decided to revisit some old songs. Now, he wasn’t thinking of doing another album like ‘Revisions’ and thank goodness for that. Instead, he re-recorded a bunch of his classic songs throughout his career and the twist was he invited a bunch of his fellow musical friends that could sing and do the songs as duets. And the line-up he has is second to none. They are some of the most exciting new melodic rock singers in the field and some that are legends in their own right.

He used a bunch of his bandmates and friends also to handle the music. Most of these names you will recognize if you’ve been following along on this series. He had Jorge Salan (guitars), Howie Simon (guitars), Leo Mancini (guitars), Tony Dickinson (bass) and Edu Cominato (drums). And let me tell you, they really brought these songs to life and made them sound fresh and more modern in some cases. These guys are playing songs by Yngwie Malmsteen, Axel Rudi Pell and Marcel Jacobs so they have to step up their game and let me tell you they do just that. The combination of this band, Jeff’s powerhouse vocals and these incredible guest singers actually surprised me with an album that at first I went…”really?”… but by the end I was like…”Hell Yeah!!”. The album came out on October 8, 2021 and continued his run with Frontier Records and what a run it has been. Enough chit chat, let’s get to the music.

The album opens with a high energy, bombastic guitar rocker called “Livin’ the Life” from the Rock Star soundtrack and what a way to open the album. Jeff had his W.E.T. bandmate, Erik Martensson, dueting with him and this one and if you’ve heard the W.E.T. albums, then you know what a lethal combo these two are together. This is not a song Jeff plays a lot, so what a pleasure to have this one covered and a sign of great things to come. If you were expecting an album full of ballads, you’d be so wrong.

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W.E.T. – ‘Retransmission’ (2021) – Album Review (The Jeff Scott Soto Series)

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As we now know as we are now on their fourth studio album, W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. And a new face to the band with Andreas Passmark (Royal Hunt) will handle the bass duties.

The album was released on January 22, 2021 right slap dab during the COVID pandemic. So, no touring sadly. However, at this point in the pandemic, band’s were still delaying albums and we are so grateful that W.E.T. did not. Their fourth studio album, ‘Retransmission’, sees Erik still at the helm and this time, the guitar is king a little more than it has in the past. But don’t worry, if you are expecting to hear W.E.T., you will in spades as you still get melodic rock, 80’s anthemic AOR and solid music throughout still drenched in keyboards and smothered with great melodies and vocals from the great Jeff Scott Soto. They have become AC/DC in a sort of way with the fact that all the albums sounds the same, but in a very good way. I think people might be upset if they changed their sound, thankfully, they did not. Just punched it up, polished it off and delivered another spectacular release. Let’s see how it holds up.

“Big Boys Don’t Cry” comes screaming out of the gates with its bombastic drums, ear-splitting guitars and as is usually the blueprint, you get both Erik and Jeff on vocals for this first song and it is a scorcher. The melodies and harmonies between the two are better than ever. The anthemic beast of a song shows that W.E.T. have not lost a step in the three years since their last release. They come out swinging with this one.

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Sons of Apollo – ‘Live with the Plovdiv Psychotic Symphony’ (2019) – Album Review (the Jeff Scott Soto Series)

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This is not a side project, the band has made that clear and one way to prove that Sons of Apollo is a band is to tour and they did. But the show they decided to record wasn’t just a tour show, Nope! It was so much more. And it needed to be. They needed to capture the true essence of what this band is about and I have to say, I believe they did that and then some. They recorded the show back on September 22, 2018 at The Ancient Roman Amphitheater in Plovdiv Bulgaria and what a beautiful setting it is. Worthy of the Sons of the God Apollo. And the show couldn’t just be the band playing, Nope. It needed a little something extra so they brought in the Plovdiv Orchestra and a choir nicely named for this show as the Psychotic Symphony. This isn’t a band playing their songs with a symphony like so many bands, this is different, fresh and exciting.

You get it all packaged in a 3 CD set, that is right…3 CDs cover the whole entire show. Over 2 1/2 hours of rock & roll & prog bliss!! And if that isn’t enough, they throw in a DVD of the entire show as well. And the DVD is really where it is at in my book. Listening to the CD is great and you will enjoy the show, but when you watch it live and see these guys in action, Holy Shit!! These guys can play and they put on a master class of what musicianship really is. With Jeff Scott Soto on vocals, Mike Portnoy and drums, Derek Sherinian on Keyboards, Billy Sheehan on bass and Ron “Bumblefoot” Thal on guitar, these are some of the best in the field and they show you how it is done.

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Jeff Scott Soto / Jason Bieler – ‘Live at the Evening Muse: May 13, 2023’ – Concert Review (The Jeff Scott Soto Series)

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We interrupt the Jeff Scott Soto Series to bring you a new concert review for a show I attended this weekend that included Jeff Scott Soto and Jason Bieler. It was Saturday, I guess that makes it alright, so I headed down to the Evening Muse in Charlotte, NC, for another fun evening with the comedy stylings of Jeff Scott Soto and Jason Bieler…oh yeah…there was a lot of music too. What started out as two grumpy old men sitting on stage, ended with two very drunk men practically falling off stage…ok not quite, but they had a lot fun as people kept bringing them drinks all night long…as well as cookies.

The evening started at 6pm for those that bought the VIP package…and yes, I was one of those. Last year, they mostly sang, but this year they did a full on Q&A section. You had to stand up, say your name and where you are from, then the crowd said it back to you. My question was to both of them asking if we would see Solo tours from them anytime. Jason stated that he is working on doing a Baron Von Belski tour later in the year, but wants to make sure it presents those 2 Baron albums the right way. Jeff got all serious and laid down the truth. That truth is No, there will be no tour. He said there is no demand for his solo shows in the States and it would not be cost effective to pull it off. Sadly, I know he is right and that disappointments me greatly. I guess I need to keep writing the Soto reviews as the word hasn’t reached everyone yet.

After the Q&A, the boys played a few songs for us including the Saigon Kick songs “On and On”, “One Step Closer” (I think) and ‘Sgt. Steve”. All classic SK songs and performed beautifully. The two were in rare form, cracking jokes and keeping the audience in stitches and they even lost it a few times (especially Jeff). Sometimes Jeff would laugh so hard because Beiler would go off on these tangents that made no sense, but were funny as hell. After around 30-45 minutes or so, the VIP experience ended, the boys went to eat and then we waited for the show. Oh yeah, I forgot we were given a secret password and any time they said that word, we were to cheer really loudly and get all excited. They said this would confuse those that came in for the show and by the end the would start cheering and have no understanding why. The word was “New Jersey” as there were several people in the Q&A from there.

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Sons of Apollo – ‘Psychotic Symphony’ (2017) – Album Review (The Jeff Scott Soto Series)

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The roots of Sons of Apollo stem back to the band Dream Theater as both Derek Sherinian and Mike Portnoy were once members. They both left Dream Theater (Sherinian fired in 1999 and Portnoy left in 2010) and eventually teamed back up for a short-lived instrumental project called PSMS with Billy Sheehan and Tony MacAlpine. Billy had played with Mike in the band The Winery Dogs. Eventually, Derek, Mike and Billy decided to make it a full time band (not a project) and they started Sons of Apollo. They needed a guitarist and Mike suggest Ron “Bumblefoot” Thal because why not, he’s fantastic. They also needed a singer and Mike suggested Jeff Scott Soto as his band had opened for The Winery Dogs and I am guessing Mike was impressed. The band was complete and ready to go.

The band recorded in only 10 days as their schedules were busy. They were produced by the dynamic duo called The Del Fuvio Brothers. What? You never heard of them…well…it is the nickname that both Derek and Mike had while in Dream Theater so they used that as the Producer name since they both produced the album. The band’s sound is a pinch of early Dream Theater and a dab of pure Classic Rock. Musically, the songs were written mostly by Portnoy and Sherinian with help from Bumblefoot and Billy. Soto handled most of the lyrics, but there was input Sherinian and Portnoy on a lot of the songs as well. It was a team effort (led by Derek & Mike).

The cover art work on the album was handled by Mike Portnoy. He had the vision. It was going to be two lions facing each other, but Derek suggested that his lion be an eagle and you can see it holding the keyboard while the lion is holding the drumsticks. There is a crown with a bunch of Bumblefoot and Billy’s headstocks form their guitar and bass behind it. I am not sure what part represents Soto. Is it the crown because he is the king of vocals or are the 3 spikes in the center actually pipes which would represent his vocal pipes? I don’t know, I’m making things up as I go along. The album title comes from the song “Lost in Oblivion” which has the line ‘Psychotic Symphony” in one of the verses. The album was released on October 20, 2017 to much critical acclaim and was a resounding success.

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Soul SirkUS – ‘World Play’ (2004/2005) – Album Review (The Jeff Scott Soto Series)

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Soul SirkUS started originally as a project called PlanetUS which had Neal Schon, Deen Castronovo, Sammy Hagar and Michael Anthony. They demoed a couple songs, but it ended abruptly when Sammy and Michael returned to their small side gig called Van Halen. Neal and Deen wanted to continue so they needed a singer. Then in January 2004 at the NAMM Convention in Anaheim, California. Neal had heard of Jeff Scott Soto thanks to Andrew McNiece at Melodicrock.com who was good friends with Jeff and mentioned it to Neal. At the NAMM Convention, Neal and Jeff met and jammed and the relationship between the two was born.

They pulled in the great bass player Marco Mendoza and now the band was complete. They recorded 11 songs and changed the name from PlanetUS to Soul SirkUS. The name had to have the US in the name as Neal wanted to show this as a continuation of what he started with PlanetUS. The Soul Sirkus parts each start with an S to represent Neal Schon and Jeff Scott Soto. They spent time writing together, Neal on music and Soto on lyrics, but from what I gather, it was recorded in two days!! That is impressive. The album was complete and released on December 7, 2004. The cover was black which is different than the copy I have and I still need to get that copy.

While rehearsing for a tour, Deen Castronovo was exhausted and his health was not great after the long Journey tour that he and Neal just recently finished. Deen stepped away. But no one wanted the project to end so they recruited drummer Virgil Donati most notably from the band Planet X. The band didn’t want to go on the road as a band and support an album that not every member played on so they went back in the studio and had Virgil re-do all the drum parts. This gave them time to do a couple new songs as well. They re-released the album in March 2005 and this time the cover was a bright yellow and there were now 16 songs and not just the original 11 tracks.

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You Picked It!: Cinderella – ‘Long Cold Winter’ (1988) – Album Review

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Alright…You Picked It! Apparently, people didn’t like the new format as the vote count was way down. I am getting back to what my site is about and that is what is in my collection which is why I changed things. I was tired of the other way and needed to change…so I did. Get used to this way because this is how it will be for the time being. The first vote getter in this month’s picks ended up the winner. Therefore the winner was Cinderella’s ‘Long Cold Winter’. Here are the results.

  1. Cinderella – ‘Long Cold Winter’ – 5 votes
  2. Winger – ‘Pull’ – 4 votes
  3. White Lion – ‘Mane Attraction’ – 2 votes
  4. Night Ranger – ‘Man in Motion’ – 2 votes
  5. Poison – ‘Look What the Cat Dragged In’ – 1 Vote

Thanks to all for participating. The December choices will be up on Saturday! And the choices are all now from my collection and will have a loose theme of 70’s Classics!!!

CINDERELLA – ‘LONG COLD WINTER’ (1988):

Cinderella hit it big with their Glam Rock debut ‘Night Songs’ back in 1986 with a lot of thanks to Jon Bon Jovi who saw them play and helped them get a deal. Gene Simmons was interested first, but they weren’t interested in Gene. The debut album had them dressing all Glam in colorful outfits and I don’t think they were very fond of that whole concept. That became obvious with their second album when they went to a more all black and blue jean look and changed their sound to mostly blues rock. They wanted to distance themselves as much as they could from the Glam scene and I don’t think they did, but they at least sounded different. Fans of the debut, followed along with this one as well…I know I did.

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Scorpions – ‘World Wide Live (1985) – Album Review (The Scorpions Collection Series)

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With the massive success of ‘Love at First Sting’, Scorpions were riding high. So the label felt it was time for another live album as it had been 7 years since the last one. During the ‘Love at First Sting Tour’, numerous shows were recorded and a double live album was pieced together. The shows were as follows:

  • Bercy, Paris, France (1984-02-29)
  • The Forum, Los Angeles, CA, USA (1984-04-24 & 1984-04-25)
  • Sports Arena, San Diego, CA, USA (1984-04-26)
  • Pacific Amphitheatre, Costa Mesa, CA, USA (1984-04-28)
  • Sporthalle, Cologne, West Germany (1984-11-17)

The album was released on June 20, 1985 and went all the way to #17 on the US Billboard 200 Chart and sold over 1,000,000 copies giving it platinum status. The band could do no wrong. The classic line-up was in place with Klaus Meine, Rudolf Schenker, Matthias Jabs, Francis Buchholz and Herman Rarebell. And of course, the album was produced by long time Scorps producer Dieter Dierks.

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Scorpions – ‘Love at First Sting’ (1984) – Album Review (The Scorpions Collection Series)

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The band started recording their 9th studio album in Stommein, West Germany which is where producer, Dieter Dierks, studio was located. The album was recorded in 1983 and 1984 and finally saw its release on March 27, 1984. The line-up was intact with Klause Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell.

However, some of the early recordings that took place were actually in Sweden and had former Rainbow members, Jimmy Bain on bass and Bobby Rondinell on drums. Jimmy Bain’s name was brought up by Herman and then later Herman got sick and Bobby stepped in. The band then left Sweden and did a two week tour in the States with the normal members of the band. After the tour it was determined that everyone felt great and they headed to Germany to record with the original members.

The album became Scorpions biggest selling album of all time going triple platinum with well over 3,000,000 copies sold in the U.S. alone. Thanks in large part to MTV and the smash song “Rock You Like a Hurricane” which is a staple at sporting events and a song I think everyone in the world knows. The album went to #6 on the Billboard 200 album chart, but it was really the constant rotation on MTV that got the U.S.’s attention. I know it got mine. They played all their videos and even the ones from Blackout which made a lot of people run out and get that album as well. “Love at First Sting” was the band’s pinnacle album. The smooth, high glossed rock was so well polished it gave off a platinum sheen. And in fact, it was one of the first fully digital metal albums ever made. They have reached the top…or had they?

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Talisman – ‘Best of’ (1996) – Album Review (The Jeff Scott Soto Series)

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Sometime during 1996, Jeff Scott Soto and Marcel Jacob were completely thrown for a loop when a best of album was released in Japan for their band Talisman. No one told them. The album was called “Besterious” and consisted of all songs that were previously released from the band. In response to this, Jeff and Marcel, along with Empire Records, decided they were going to release their own band approved version of a greatest hits compilation. It was called “Best of…” and it was chock full of hits plus a ton of previously unreleased tracks that any diehard fan would want to buy. I should know, I bought it!!

Two of the biggest treats were the first two tracks. These were both demos yet they had Goran Edman on vocals instead of Jeff Scott Soto. Goran was the singer for John Norum’s band and joined Talisman prior to Jeff. Goran left to join Yngwie’s band. The first of the demos is “Day By Day” and musically is no different than what ended up on the debut. It is a very Bon Jovi style song. Goran’s vocals are higher than Jeff’s but I’m not sure they have the power Jeff’s have. Regardless, it is still a stellar version of the song.

The second Goran demo is “Lightning Strike” seems a little more raw than the final Soto version, but all the elements are there. The chorus has some great harmonies and layers of vocals. Jeff sings it in this same style as Goran. I’m not sure which one I like better with this one. The rawness of this one adds a little to it.

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