Welcome to the final post in the Bon Jovi Collection Series. I have spent the past 14 months going through everything in my Bon Jovi collection and that included full reviews of ALL 16 Studio Albums. I had done a Ranking back in 2020 after the album ‘2020’ came out but that was based off what I thought listening to the albums only. No deep dive. I will admit this one is slightly different than before as I spent a week with each album and dove deep in to the songs. It isn’t entirely different as the #1 is the same, but there is a lot of movement below.
I am not going to go in to the band’s story here because you can read that if you want by going through the reviews yourself by clicking on the links at the bottom of the post. Bon Jovi has been through changes and some challenges, but they are still going strong…not necessarily with the same crew but Jon, David & Tico are still there holding down the ship…well Jon is as it is his ship as he is the dictator…I mean captain if we are staying with the ship analogy. So, hoist the sail, raise up the anchor and let’s cruise through the 16 Studio albums and see what is the best and what is the worst…I hope you enjoy.
In my quest for Aerosmith vinyl, I stumbled across this gem of a bootleg from very early on the band’s career. It is called Rattlesnake Shake: Live at Counterpart Studios in New York 1974. The bootleg vinyl was released in 1977 by Slipped Disc Records and like most bootlegs there is an error. Counterpart Studios is actually a radio station called WKRQ out of Cincinnati, OH. And the show was not recorded in 1974, it was actually on September 26, 1973. which I guess is close.
Aerosmith had not broken big yet as they would do with ‘Toys in the Attic’ in 1975, but so far all they had out was the debut and ‘Get Your Wings’ wouldn’t come out for about another 6 months. The band was Steven Tyler, Joe Perry, Brad Whitford, Joey Kramer and Tom Hamilton as they would stay for years to come. One cool thing that I found inside of the album jacket was an envelope to a DIR Broadcasting Corporation on Park Avenue in New York City. And they are just that, a broadcasting company. If they are still in business I do not know, but I think they are no longer on Park Avenue.
The album kicks off with the song “Make It” which is the opening track to the debut album. The sound is a little muddy and thick, but still sounds really great. The bass is heavy in the this one and the guitars rip. A bluesy little track that has Tyler sounding amazing. Almost as good as the album. They go in to “Somebody” and which has a killer opening riff that gets lost in the sound. Bass is still heavy, but those riffs are what is cool about this one. Another bluesy track that they do so well.
After a little noodling around and a quick introduction to the song, we get a song called “Write Me” per the label, but it is really “Write Me A Letter”. It opens with some nice Kramer drumming and then the nasty guitars. A straight-ahead rock song and not the most exciting one they’ve done. Live might be better though as the guitar playing is exceptional and a highlight. I do love Steven’s harmonica as it adds some flavor. Then we get to what might the best song they’ve ever written and that is “Dream On”. The song is driven by a piano and Tyler sings the hell out of it. Can he hit those notes on the studio track live? Hell yeah he can. The vocals are magic to this song and those screams he hits will send chills up and down your spine. It is an awe-inspiring track.
The first side ends with “One Way Street” and it is a pure jam session. Steven gets everyone clapping along and then right in to it. The studio is piano driven but this one is all guitar and harmonica. It feels like blues and straight-up rock and roll as well as one bit that feels a little honky tonk. The solo on this one is handled by Brad Whitford and there is a nice little jam section as this song goes on for an extended amount of time and it is all worth it. Side 2 says it kicks off with “Walking the Dog”, but that ain’t the truth. It actually ends Side 1 and it ends it in style. I mentioned the studio version has a whole Led Zeppelin vibe and think that holds true here, but it is also Aerosmith blues rock too and that is cool enough.
“Pandora’s Box” actually opens Side 2 and this one is from their upcoming album. But before he goes in to the song, Steven mentions it is off their new album named “Night in the Rut”, but as we know it is “Get Your Wings”…they save that title for a later album. There is no Motown here as the studio, this is pure Rock & Roll. The song is long as they jam some more on this one too and all I can say is thank you very much.
The album cover mentions “Rattlesnake” and then we get the bluesy cover of “Rattlesnake Shake” and it is bluesy. It is slow and they play it so nasty and it is great. The band lets loose and they are killing, the bass lines are stunning and the guitar licks are insane. The drum solo at the end to wrap it up is crazy as well. Holy crap do these guys slay live.
Next is the new track, “Train Kept A Rollin'” but it is a cover made famous by the Yardbirds, but Aerosmith have made it their own. The guitar work is again sensational and that solo, damn!! More pounding on the drums as he goes crazy for two songs in a row. The song bleeds right in to “Mama Kin” and the band closes out the song in style. No saxophone here like the studio track, nope. Just more wicked guitars, bass and drums and Steven Tyler’s vocals. What more do you really need.
And that is the bootleg “RattleSnake Shake”. As I said the sound is a little muddy to start, but that cleared up quickly and it all sounds great. You hear all the instruments and thank goodness because these guys were young and hungry and damn they could play. Steven’s vocals are in prime form and he hits every note. This early stuff from the is the best. Nothing better then a band in their prime and to think, they’d only get better over the next couple albums at least until the drugs kicked in. This is one you should seek out and grab if you are an Aerosmith fan. How this hasn’t been officially released is crazy. My Overall Score is a 5.0 out of 5.0 Stars. Might be some muddy sound, but none of it bothered me in the least. Just listen to their playing and nothing else matters.
My first album for The Police was ironically their last. MTV had played their previous songs quite often and I loved “Don’t Stand So Close To Me” and “Every Little Thing She Does is Magic”, but it wasn’t until “Synchronicity II” that I finally decided to actually buy one of their records. I picked up the cassette for ‘Synchronicity’ back in 1983 and later I did pick up their entire collection on CD by buying their box set which had all their albums. The Police were not an ordinary pop rock band. For me, their lyrics were intelligent and not the bubble gum crap that was on the radio. The songs made you think and look deeper into what they were saying. At least they did for me. It was the first time I felt music could be smart. Join me as I walk through the final album of a band that went out on top.
So go check it out as it is live now on September 19, 2024 at Noon. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
We are now to the 10th Studio album and you’d think that ‘X’ would’ve been a good title for this one, but they already used that title with their 10th album release including compilations. Nope, this time they named the album ‘Songs From the Sparkle Lounge’. A name in reference to a room at each of their live shows they used for tuning, for writing and overall creativity. It had a Christmas lights strewn about around the room along with some equipment such as a drum kit, some amps and even a tape recorder. Apparently, most of the songs, if not all, were written while on the road touring for the ‘Yeah!’ album.
This album saw the band try something new and have their first song featuring an outside party. They brought in Country singer Tim McGraw to assist on a song and yes ,the song has a country flair and we will bash the hell out of it later. I guess they needed to try something new. The album saw the light of day on April 25, 2008 and went all the way to #5 on the Billboard 200 selling around 55,000 copies out of the gate. They did reach #1 on the Hard Rock And Rock Album charts as well. Def Leppard still has some life left in them even after all these years. Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell were still going strong. But is the album strong or does it have any life left in it? We are about to find out.
The album opens with “Go” and it has a massive guitar riff that sounds menacing and powerful. The heavy track explodes with a metal energy and might be one of the best opening tracks the band has ever had. It harkens back to High ‘N’ Dry vibe where the riff was king. It also has a killer guitar solo and shows the talent of these two dynamic guitar heroes. Joe sounds great as well on vocals, but you can’t escape those guitars…damn this is exciting and has me desperate to hear the rest of this album.
To Celebrate the end of the Bon Jovi Series, it was time to do a show on The Collection where we walked through the Bon Jovi vinyl. For Part 1 was last week and we walked through their peak years of The 80’s & The 90’s. For Part 2, we are going to go through the vinyl in the collection that covers all of The 2000’s from 2000 to 2024. We will capture all the studio albums, compilations, and even some 10″ Picture Discs. Come join as we talk all things Bon Jovi from the 2000’s Crush’ to 2024’s ‘Forever’. I don’t know if this is everything you can get in the 2000’s, but it is everything in my collection and that is the show!
So go check it out as it will be live tonight right now, September 9, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
We are now to the most recent Bon Jovi album, ‘Forever’. It is the band’s 16th studio album and was released on June 7, 2024. It was an album I wasn’t sure we would get. Jon had some serious vocal issues, so bad in fact he needed surgery. Back in 2022, Jon Bon Jovi went under the knife to fix his vocal cord problem that had been well documented by the cruel trolls of the internet. After watching the documentary, ‘Thank You, Goodnight: The Bon Jovi Story’, we got to see first hand how bad things were for Jon. It is amazing he is even able to still sing. However, will we ever see them live again? That is the question. One I hope will get a resounding yes, but if not, what a hell of a ride it has been.
‘Forever’ charted #5 on the Billboard chart in its first week of sales and then suddenly disappeared. It was the shortest stay of any Bon Jovi album on the chart. It is a weird thing and one that baffles me as the press on this was really great. People were saying it was a good album. Why the sudden drop. Has the world abandoned Bon Jovi except for the diehards that bought it the first week. Who knows. Whatever the reason, I think it is unwarranted and we will get to that in a minute.
The new album also sees a slightly different band. We have some new official members. First, there are the trio that has been there from the beginning including Jon Bon Jovi, David Bryan and Tico Torres. Then the next group of Phil X and long time bassist Hugh McDonald. This time around, it looks like long-time producer (who I wish would stop producing) has wormed his way in to the band full time, a Mr. John Shanks. Lastly, we get Everett Bradley who is there to help with the background vocals and on percussion. I think that is great as the band is trying to help Jon as much as they can vocally. Smart move. If Richie was still in the band, that wouldn’t be needed (okay, last Richie comment…well…maybe not).
Before we get to the music, let’s talk about what I have in my collection regarding this album. I bought the CD, the Vinyl and even the Cassette. My CD came with an card inside that was signed by Jon and you can see it below. The vinyl is the Amazon exclusive with the 1/2 black. 1/2 transparent look and it looks awesome. You can see that further down in the post. The cassette, well, it is a cassette and still sealed. Not sure if I’ll break that seal yet. So, the only thing I need is the Japanese CD edition and not sure if it is worth paying for the album again for only one additional track, but who knows, I’ve done dumber things. Enough, let us talk about the music since that is why we are really here.
Judas Priest originally was signed to Gull Records for their first two albums. They moved on from them and when Priest started getting big in 1980 with ‘British Steel’ and before their next album in 1981 ‘Point of Entry’, the label decided to capitalize on that rise in popularity and released a greatest hits compilation called ‘Hero, Hero’. The songs on the compilation were from both ‘Rocka Rolla’ (1974) and ‘Sad Wings of Destiny’ (1976). Actually it was all of ‘Rocka Rolla’ and only 6 songs from ‘Sad Wings’. What made it interesting though was that the songs from ‘Rocka Rolla’ had been remixed in 1981 by Rodger Bain and so was the song ‘Diamonds and Rust’.
The compilation I have on CD is a re-issue under the Koch Records label. What makes it different is that the songs from ‘Rocka Rolla’ are not the remixed songs. They are actually the original versions from the album. So, it is not quite as collectible as the original 1981 issue. However, the “Diamonds and Rust” song is still the remixed I believe. Instead of doing the songs in order from the original albums, they have altered the listing a little. The band is Rob Halford, K.K. Downing, Glenn Tipton and Ian Hill. There are two drummers since they changed so frequently. You get John Hinch and Alan Moore.
The opener is “Prelude” which is an instrumental opening and actually has no correlation to the next track “Tyrant”. It is done in a baroque style with piano and a lot of tom tom drums. There is some guitar, but not much worth noting. It really seems completely unnecessary and very skippable. “Tyrant” opens with a killer riff and explodes with full on energy. This is the Priest I was always expecting. Hard, heavy and full on metal bleeding from its soul. Halford’s vocals are spot on and I love the layered on vocals of his in the chorus. The guitar work between Downing and Tipton is what it is all about. They way those two play-off each other is unbeatable. I could listen to those two battle all day.
“Rocka Rolla” is more upbeat and has several little solos by Downing and Tipton does the outro. It even has some harmonica played by Halford. Another blues track, but more upbeat and rocking then the opener and another great track.
This week on Retro Rock Reviews, we tackle Metallica’s 1983 album ‘Kill ‘Em All’. Now, growing up, I was an 80’s pop/rock kid and in 1983, it was Def Leppard, Kiss, Quiet Riot, Genesis, Billy Idol and bands of that style. Metallica was way too heavy for me and wasn’t melodic enough for my liking. They were never on my radar until the Black album and “Enter Sandman”. However, I never went back and explored their music. I had an opinion of Thrash and it wasn’t for me. So, here we are almost 40 years later I am now trying the debut ‘Kill ‘Em All’ and the first thing I notice is that by today’s standards, it isn’t as heavy as I would’ve thought. What else do I have to say? Check it out to see.
So go check it out as it is live now on September 12, 2024 at Noon. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
In 2006, Def Leppard released their 9th studio album, ‘Yeah!’. It was a covers album and had 14 tracks on it. The band, however, recorded a ton more songs that were not used. Some wound up on the Japanese Edition as bonus tracks, others as Best Buy bonus tracks, Target and even iTunes. You would literally need to buy 5 versions of the album to get all the tracks. Well, you don’t really need to buy the Japanese edition because the Wal-Mart edition had the two Japanese Bonus Tracks as well as 3 more songs and a selection of interviews with the band. This version has the most bonus tracks of any of the other offers and is a great buy. It would’ve been released on the same day as the album which was May 23, 2006.
The opening track is the only song that breaks the band’s rule about all being British songs. It is cover of the Tom Petty & The Heartbreaker’s “American Girl”. I want to say that all these songs are the demos because they aren’t played with all the band members. This one has Joe on vocals, but it is Vivian Campbell on all instruments except Marc Danzeisen on drums. Additional backing vocals with Jesse Sheely. The song captures the energy of the original, the guitar sound like they should and the harmonies are great. A fun, energetic song and a great choise.
The first interview with the band, “Backstage Interview #1”, sees the band talking about the most recent tour with little snippets from each member. They all say it has been great, but Rick Allen says travel was hard. They also talk about how the audience seems to change with each tour.
To Celebrate the end of the Bon Jovi Series, it was time to do a show on The Collection where we walked through the vinyl. For Part 1 of 2, we are going to go through the vinyl in the collection that covers the 1980’s and the 1990’s capturing all the studio albums, compilations, solo albums and even some 12″ Singles and a Bootleg. Come join as we talk all things Bon Jovi from the debut up to Richie Sambora’s ‘Undiscovered Soul’. Now, this isn’t everything there is, but it is everything in my collection and that is the show!
So go check it out as it will be live tonight right now, September 9, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
2 Loud 2 Old Music 