Tag: Eyes of Love

Eyes – ‘November Mass / Full Moon’ (1994) – Album Review (The Jeff Scott Soto Series)

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Eyes only recorded two albums with Jeff Scott Soto…well..one studio album and the other was a collection of demos but we will count it. Jeff had departed the band due to creative differences, however, his popularity in Europe was growing. As like the ‘Windows of the Soul’ album, this too was probably released to capitalize on that popularity. This is an interesting release as it is a two disc set with the first being called ‘November Mass’ (basically a greatest hits compilation for the debut and ‘Windows of the Soul’) and the second disc is called ‘Full Moon’ that is a complete album for Eyes with a different singer, Mark Weitz that was recorded in 1992/1993. The 2CD set was released in 1994 on Bulletproof Records and it was only released in Germany & Switzerland yet thanks to the internet, I obtained a copy.

The first disc is ‘November Mass’ and is supposed to be a greatest hits compilation of the first two albums. Well, it isn’t…sorry. It is really only the debut Eyes album on a shuffle with a different track listing. There is not one song off ‘Windows of the Soul’. Yes, three songs appear on that album that are on the debut, but as demo versions of those songs. And those songs are not used here. These are the same tracks as the debut album. A nice thought to think it a compilation, however, that would be false. Does it make this album no good…not in the least. The songs are still great no matter the order.

The second disc is called ‘Full Moon’ and I think there is a misconception with this album. Jeff Scott Soto does not sing on this album except he does appear merely as a background singer. Jeff did record a handful of these demos as the were preparing for a new album. Jeff left the band before the album was finished so Aldy Damian removed Jeff’s lead vocals, while leaving the backing vocals, and brought in a new singer to record the album…in full. The new singer was Mark Weitz and he does an amazing job turning the final Eyes album into a very underrated classic. The band for this album was Aldy Damian on drums, Mark Weitz on vocals, Steve Dougherty on guitar, Jamie Sheriff on keyboards and Bobby Fraga on bass.

‘NOVEMBER MASS’ Songs:

The song opens with Jeff calling out Stevie who lays down so riffs and has Soto screaming when the band kicks in . “Walkin’ Fire” sees Soto change up his deliver a little on the lyrics as he gets a little more gritty. However, the song is a little generic and I would say probably filler. When you compare it to some of the early stuff, not as solid and developed. But still not too bad.

Next is the balls-to-the wall rock anthem, “Callin’ All Girls”. It is a great party song full of bluesy guitar licks, great harmonies, head banging drums and full on sleazy lyrics that wouldn’t do well in the #MeToo movement of today. Jeff’s vocals soar and is right in his wheelhouse of vocal capabilities. When he sings this type of music, he could sing the phone book and I would be on board. The production layers tons of backing vocals (all sound like Jeff) and the sound is immense. You get your typical guitar solo break and the catchy choruses, everything you want in a melodic rock song.

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Soto – ‘Revision’ (2020) – Album Review (The Jeff Scott Soto Series)

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During the Covid pandemic, there was no touring, records kept getting delayed and the music industry felt like it was basically shut down. During this time though, some artists stayed creative and Jeff Scott Soto was one of them. He took 10 of his songs and redid them. If you are thinking this is a Bon Jovi ‘This Left Feels Right’ disaster, you would be wrong. It is less a re-imagining of the songs and more of stripping them down to their bare essence. He did everything himself, except for the mixing which he had some friends handle that part such as David Clarkson, John Ellis, and Alessandro Del Vecchio. And I was curious as to what songs he would choose to re-visit and he chose songs that he was the solo writer on and that makes sense as he wouldn’t need approval from anyone else since they were his songs.

The project was originally going to be released as a Jeff Scott Soto solo album, however, there were some legal issues with that maybe because he had just released a solo album a month or two earlier or who knows why. So, Jeff took it his other band, SOTO, and released it under their name. And the release is only available as a digital only release. There is no physical product as of now. Hopefully that will change down the road. I get why he put it under the SOTO moniker so it could get released, but don’t think this is a Metal album at all. This is stripped down, mostly acoustic and slowed down versions of his songs. Nothing metal about them.

The opening track is “Eyes of Love” off his second solo album, ‘Prism’. The original version is a hard rock, melodic ass kicker and here the song his just Jeff and a piano and turned in to a beautiful ballad. Stripping the songs down gives the songs a new chance to shine while really showcasing the power of Jeff’s voice and this is a great way to kick it all off.

The next rack is “My Love, My Friend” which was an a cappella track from Soul Sirkus’ album ‘World Play’ which he did with Neal Schon. He added a drum beat and a piano to it including extra lyrics and more arrangements. It is now a fully flushed out song rather than a short all vocal track. Is it better? It is different and not a bad track. The electronic drum sound hurts it for me. A respectable version for sure, but not a full on knock-out.

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Jeff Scott Soto – ‘Live and Loud in Milan’ (2020) – Album Review (The Jeff Scott Soto Series)

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Every year, I believe, Frontiers Records holds a festival with their artists getting up and playing a set. It was the Frontiers Rock Festival VI. It is a brilliant idea because they can take those sets and release albums or bonus material and it is all recorded at the same time so costs are cheaper. And fans are treated to a really great line-up and a great show each and every time. This particular Jeff Scott Soto was recorded at the 2019 show in Milan.

Fast forward to March 2020 and COVID hits. The world basically shuts down. No albums are getting a physical release, no touring is happening…nothing is happening. Frontiers does a brilliant move while waiting for the whole COVID thing to end, they decide to release a Jeff Scott Soto show digitally. And on April 27, 2020, we are greeted with the new album Loud & Live in Milan 2019. That date is signficant because it is the one year anniversary of the show which was April 27, 2019.

I was excited to have something because Amazon wasn’t going to be delivering much of anything as far as physical product, so I got this one. I will admit I was a little disappointed not having a physical product, but by November 6, 2020 that would change. Jeff finished his next solo album, ‘Wide Awake (In My Dreamland)’, and as a bonus disc, we were given this show on DVD, which of course I have. Now, let’s talk about this show since that is why we are here.

Jeff performed only a 10 song, 40 minute set, but what you get is worth every minute of your time. This a Jeff Scott Soto legacy set which is songs from through out his solo career with minor exceptions. The band is quite stellar as well as you get some SOTO regulars with BJ on bass, Edu Cominato on Drums and Leo Mancini on guitar.

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Eric Carr – ‘Rockology’ (2023 Record Store Day Release) – Album Review

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Sadly, Eric Carr passed away on November 24, 1991 due to an aneurysm that probably stemmed from the numerous surgeries he had to remove tumors related to his heart cancer. Before his death, Eric was always writing songs as he was a very creative soul. He could write, he could sing and he could play more than just the drums. ‘Rockology’ is a collection of the songs he had been working on prior to his death. These are demos and not necessarily full fledge songs in some cases so keep that in mind. Think of this as his ‘Vault’ because it is very similar in the type of songs you get on Gene Simmons ‘The Vault’. You get some fully fleshed out songs, you get some where lyrics are being scatted because their aren’t any yet and you get some straight-up instrumentals.

The album was put together by one of Eric’s great friends and former Kiss bandmate, Bruce Kulick. With the help of Adam Mitchell (co-writer of numerous Kiss songs), they pieced together a collection of songs from old cassettes or where ever they could find them. They would clean them up the best they could, add some backing vocals where appropriate and even Bruce overdubbed some killer solos in a few songs to help complete them. Bruce produced the album and I think this was a wonderful tribute to his old friend and bandmate.

This release is a Record Store Day release that came out on April 22, 2023 and it was released as a 2 LP Vinyl and a limited run of CDs (only 500 available). Luckily I got them both. The cool thing about this release is that there are 5 bonus tracks that have been previously unreleased so this it the only place to currently get them. The other really cool thing is how they changed up the cover to look like the 4 Kiss Solo albums with Eric getting an orange color around him. They even included a poster done in the same style of posters from the original Kiss Solo albums. The LP version comes on 2 LPs with translucent splatter vinyl, one orange and one clear. Both beautiful. The CD was designed as a Vinyl replica with a cardboard sleeve and the CD looks like a vinyl. Both packages done with care.

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Jeff Scott Soto – ‘Live at Firefest 2008’ (2010) – Album Review (The Jeff Scott Soto Series)

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Firefest is festival in Europe that came about after the end of another festival called The Gods of AOR. Firefest started in 2004 and it was bigger and even better than the Gods festival. Jeff Scott Soto performed at the Gods festival in 2002, and even released the show on a live CD/DVD. Jeff got the call again to do the festival in 2008 and he said Yes, obviously or this discussion would be ridiculous.

It wasn’t easy for Jeff because at the time of the festival, he was in the middle of rehearsals for the Trans-Siberian Orhcestra’s annual Winter Tour. TSO rehearsed 12 hours a day and Jeff was probably exhausted, but he jumped on a plane on a Friday in the U.S and landed in London by Saturday morning. He had to rush to Nottingham and meet his band. Luckily, it was his band so it was Howie Simon, Gary Schutt and Dave Dziaklak, but they hadn’t played in over about year and had like an hour to rehearse and get ready for the show. Did they pull it off…well, of course they did! They are professionals. It is a great show and another great live album from Jeff.

But…I have a major problem with this release and it isn’t the quality of the show as Jeff sounds amazing and the band is tight and all is good. It is the fact that this setlist is almost identical to Jeff’s last live release ‘One Night in Madrid’. Every song on here was played at that show in this order. The only difference is that the Madrid show had more songs (and was a totally killer show). I feel like I just reviewed this show and not really sure what new I can say about it. I could basically cut & paste that review here, delete out the songs that aren’t on here and BOOM!…the review and you probably wouldn’t know the difference.

So what I will do is walk through the little differences between the shows so I at least give you something different. Like the Madrid show, this one kicks off with the opening track “21st Century” from his latest album ‘Beautiful Mess’, but the big difference is when Madrid goes in to the next song “Colour My XTC” you get the whole song while her you get a small prelude portion before going in to the great “Soul Divine”. One of the highlights on this and the other live show is “Our Song” from his latest album. Jeff sounds amazing on this one and the band nails the song. A power ballad with a lot of Jeff’s powerful vocals. Such a great song.

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Jeff Scott Soto – ‘One Night in Madrid’ (2009) – Album Review (The Jeff Scott Soto Series)

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Back in 2003, Jeff did his first ever solo tour and at the stop in Madrid, the energy from the crowd was insane and he said that if he made it back he would record the show for a live DVD and CD. It took 6 years before his next solo tour brought him back to Spain and he delivered on that promise and now we have ‘One Night in Madrid’. The tour was in support of his latest solo album ‘Beautiful Mess’ and the show as on April 18, 2009 at Sala Heineken in Madrid, Spain.

This time the band was not his usual cast of characters, but a brand new band consisting of Jorge Salan on lead guitar, Fernando Mainer on bass, Edu Cominato on drums and BJ on keyboards and acoustic guitar. Now, of course Jeff Scott Soto was their singing as it is his tour. I have the CD of the show and it is a 2CD set and includes 22 tracks including solos and the ever popular Funky Medley. Let’s go ahead and jump right in to another great show by Mr. Soto.

The show opens with a radio being changed from station to station and each stop was a classic Jeff Scott Soto song. Then a voice comes on says, “That was then…this is now!” and the show starts with the lead song from ‘Beautiful Mess’ called “21st Century” and it sounds great. Jeff really sounds on point and the band captures the essence of the song. The guitars sound fantastic, the backing vocals are all perfect and I would say this new band clicks pretty well together. And if you need further proof listen to “Colour My XTC” from his Talisman days. The bass on this one is key to make it work as Marcel was a beast on bass and Fernando holds his own on this one, really great job.

We get more of Jeff’s solo work the classic “Soul Divine’ off ‘Lost in the Translation’. A true highlight of his career. Then we go in to the 2nd track from ‘Beautiful Mess’ with “Our Song” and the crowd is clapping along. It is the softer side of Jeff and then goes more power. On the album it had an irritating electronic drum track, but here it is raw and real drums and so much better. Then it is back to the rock with “Drowning” another from the ‘Lost in the Translation’ album. The guitars on this one are badass, some great riffs and real heavy. A real barn burner with this one.

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Jeff Scott Soto – ‘JSS: Live at the Gods 2002’ (2003) – Album Review (The Jeff Scott Soto Series)

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2002 was a big year for Jeff Scott Soto. It was the year of his coming out as a solo artist. Yes, he released a solo album back in 1994, but the intent was not to tour and showcase as a solo artist. He had signed with Frontiers Records and was getting ready to release his 2nd solo album ‘Prism’, but before that Frontiers’ promotional crew were in high gear. With press releases and having Jeff involved in the 10th Anniversary of The Gods Festival. The festival consists of artists/bands from the Frontiers Records label as well as Now & Then label.

The festival occurred on June 2, 2002 and was to be released as a live album and a DVD. I only have the live album, I need to get the DVD still. The line-up was pretty impressive as it had Eric Martin, Hardline, Harem Scarem, Honeymoon Suite, Ten, Soto and several other bands. It took place at Pennington’s in Bradford, England and what I’ve read, it was a helluva show by all.

Jeff’s band that night consisted of some old familiar friends including Alex Papa on drums, Gary Schutt on bass & acoustic guitar (did an album review of his for this series) and on guitar, Howie Simon. JSS is listed as “Top Dog” and he is right. It is his show, his songs, his voice everyone came to hear. He proved that when he came out on stage, alone, dressed all in black and did “2 Your Heart” a cappella. The song is from the debut Human Clay album. Jeff proved that voice is for real. The band comes in full force as the race through the Queen cover “Let Me Entertain You” which is appropriate because Soto does just that.

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Jeff Scott Soto – ‘Prism’ (2002) – Album Review (The Jeff Scott Soto Series)

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Rumors were flying that Jeff Scott Soto was going to leave The Boogie Knights and start concentrating on his solo career. Those rumors turned out true. Jeff started working with his Talisman bandmates on a side project called ‘Humanimal’ which was singed to Z-Records. Jeff was negotiating with Z-Records for a solo album and when things looked good and ready to go, Jeff and Z-Records split. Luckily, it wasn’t on bad terms as he continued with Humanimal until they had issues with Z-Records and that band was done.

Meanwhile, back on January 25, 2002, Frontiers Records had a press release that talked about them signing Jeff for his new solo album and if that was enough, they gained the rights to his debut solo album, ‘Love Parade’ and re-issued it as well. The new solo album was to be called ‘The Calm B4 The Storm’ and as Jeff has said, his earlier career was the Calm and what was coming after is The Storm. If Calm is being apart of 30+ albums over almost 20 years, I can’t wait to see what The Storm brings. However, that name was changed to Prism in parts due to where it was recorded, Prism Studios, and Jeff stating that is about a person that reflects many different lights. The album was released in December 4, 2002, I believe as I found the date on Discogs.

The new album was going to be done in the style of say Journey and Survivor which means it is power ballad heavy and not in a bad way. The songs were mostly done over the past few years for various projects that they didn’t quite fit so were never used and some new and all but one written by Soto. Jeff played most of the instruments and sang, but he was worried the label might not like that fact so he credited numerous fake people on the album. First is someone by the name of Michael Scott which is just Jeff’s middle name and his son’s middle name put together. He also credited two names that appeared in Jerky Boy’s episodes, Sam Isanogud and Mikos Scarbacci. There was also Jay Michael another reference to his son as well as Anthony Papa who is real, but didn’t actually play. That doesn’t mean there aren’t other musicians on the album because we do get Gary Schutt, Glenn Hughes and numerous Soto friends.

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Eric Carr – ‘Rockology’ (1999) – Album Review (The Kiss Review Series)

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As we discussed back in the 1991 timeline, Eric Carr passed away on November 24, 1991 due to an aneurysm that probably stemmed from the numerous surgeries he had to remove tumors related to his heart cancer. Before his death, Eric was always writing songs as he was a very creative soul. He could write, he could sing and he could play more than just the drums. ‘Rockology’ is a collection of the songs he had been working on prior to his death. These are demos and not necessarily full fledge songs in some cases so keep that in mind. Think of this as his ‘Vault’ because it is very similar in the type of songs you get. You get some fully fleshed out songs, you get some where lyrics are being scatted because their aren’t any yet and you get some straight-up instrumentals.

The album was put together by one of Eric’s great friends and former Kiss bandmate, Bruce Kulick. With the help of Adam Mitchell (co-writer of numerous Kiss songs), they pieced together a collection of songs from old cassettes or where ever they could find them. They would clean them up the best they could, add some backing vocals where appropriate and even Bruce overdubbed some killer solos in a few songs to help complete them. Bruce produced the album and I think this was a wonderful tribute to his old friend and bandmate.

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