Takara – ‘Eternity: The Best of 93-98’ (1998) – Album Review (The Jeff Scott Soto Series)

After Takara’s third album, The label decided to release a greatest hits compilation of those first three albums. Jeff Scott Soto was no longer a member of the band…okay…he was never an “official” member of the band even though he sang on three albums with them. Now that the band needed to search for a new singer, the label wanted to release this to hold fans over until that process was done. Neal Grusky’s search for a replacement would take a little while as their follow-up album didn’t come out until 2001 with Michael James Flatters as their new singer.

This compilation had 16 tracks and was released on November 18, 1998. If you have the Japanese Edition, you get two additional acoustic tracks as well which is always a plus. However, I think you get those two acoustic tracks on every edition so it isn’t that special…although I don’t think they were ever previously released. You also get the ever cherished OBI Strip along with a booklet with lyrics in both English and Japanese. As far as a breakout between albums you get 5 tracks from the debut, ‘Eternal Faith’, 6 from the follow-up ‘Taste of Heaven’ and 5 from the final Soto album, ‘Blind in Paradise’. The songs are in chronological order and even in the same order they were on the album so not much thought was put in to sequencing for this release. But it is a money grab, so what do you expect.

“Spotlight” kicks it all off and is the first of five tracks from ‘Eternal Faith’. It sounds like you are right back in 1985 with the keyboards and heavy guitar riffs. It is Bon Jovi meets Europe. The album sounds so dated in the 80’s which is not where the music scene was going in 1993!! It has the obligatory guitar solo and Jeff’s vocals have that higher register tone which was key for 80’s rock. The biggest problem is the keyboards are high in the mix and sound like crap. They have this crisp, clink, clink sound to them which I find rather annoying. But not too much that I don’t enjoy the song…more a production note.

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Jeff Scott Soto, Gary Schutt, Michael Voss, Neal Grusky – ’24th of June: Alive ‘N Kissing’ (1995) – Album Review (The Jeff Scott Soto Series)

Back on June 24th, of probably 1995 (I think) at a place called Kühners Landhaus in Kissing, Germany, a group of musicians and friends gathered together for a small promotional show. Those four friends were Jeff Scott Soto, Gary Schutt, Michael Voss and Neal Grusky. That short little show was released as Promo and limited to only 500 copies by Long Island Records and released sometime in 1995. I’ve been wanting this one for quite a long time and finally bit the bullet and bought it as it wasn’t too expensive, but is on the pricier side of things.

It is a very relaxed show and the guys have a lot of fun with it but when the music plays, it is all business and all perfection. They are in front of a very polite and yet receptive crowd and they whip through 6 tracks with Jeff on vocals for 5 and Michael Voss on 1 track. They are joined by Mike Foerster to help out on acoustic guitar as this is an all acoustic set. No drums, simply guitars and vocals. An intimate setting and the guys doing what they do best.

The CD opens with Gary Schutt calling for Jeff to come to the stage so they can start the show. When Jeff does finally arrive, they kick in to a beautiful rendition of Jeff’s band Takara’s song “Restless Heart”. The original version is a power ballad with some great keyboards and a big chorus. Here, it is stripped down to its bare essence with Jeff giving such a stellar rendition. There is no explosive moments like in the regular version, it is reserved and even more emotive than the original. Jeff sounds amazing and sounds as good or even better than the studio version. Simply stunning.

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Jeff Scott Soto – All The Albums Ranked Worst to First (The Jeff Scott Soto Series)

It took me 20 months to get through Jeff Scott Soto’s catalog and have been through 89 reviews of items in my collection. That is an insane amount of albums, singles and collector’s pieces to have in a collection, let alone one artist. Jeff started way back in 1984 with Yngwie Malmsteen and has been on over 50 studio albums, numerous live albums, compilations and tribute albums, soundtracks and anything else you can think of and it was a personal goal of mine to visit every single one. I don’t think you will find any website with a more extensive collection of Jeff Scott Soto Reviews then right here at 2 Loud 2 Old Music.

Not every album he has done is good..not at all, but most of them for me are at least a 3 out of 5 or better. And the ones that aren’t, have at least a few songs to add to an already impressive playlist. Along this journey, I have had the pleasure of meeting Jeff twice after his shows and he has been so kind each time and signed numerous album covers for me. However, I was never able to get the interview I had hoped for, but I am not giving up hope as one day it will happen. Until then, let’s go through every studio album where Jeff is the main singer and rank them from the worst album to the best album and everything in between.

There are 53 studio albums that I have where Jeff is the featured singer and we touch them all. I hope you enjoy the walk though the albums and maybe find something you would like to hear. If you discovered at least one album as a result of this series, then my work is done. If not, “WHAT IS WRONG WITH YOU???”…kidding. Sorry, lost my head there. Enough of this chitchat, let’s get to the list.

Updated May 2025

First, the ones that scored 2 or less out of 5 Stars

THE WORST: Bakteria- ‘Defecate! Suffocate! Mutilate! Masturbate!’ (1992/2009)

Musically, it is pretty freaking heavy. Uptempo, speed metal vibes at time and as the sticker says, a mixture of Metal/Sludge/Crust/Punk. All I know is it sucks. Jeff sings in almost a growl, that is deep and completely unrecognizable as it is borderline guttural vocals at times. I listened to this in the car on the drive home from work one day and I thought to myself, “If I have a wreck and die, the police and my family are going to wonder what the hell I was in to with that crap playing in my car.” I was actually a little embarrassed to be listening to it. I am a little embarrassed to actually own this and have it in the collection, but my Soto Collection isn’t complete without it sadly. My Overall Score is a 0.0 out of 5.0 Stars! And that is being nice. It is the WORST ALBUM I HAVE EVER HEARD IN MY LIFE!!!

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Slam – ‘Slam’ (2023) – Album Review (The Jeff Scott Soto Series)

When I went to see Jeff Scott Soto and Jason Bieler live a few months back, this CD was in the Merch booth. I got real excited real fast. Slam is a band Jeff was in way back in 1991. Jeff received a call from former Beau Nasty guitarist, George Bernhardt, about doing a project. Jeff didn’t have a steady gig yet as Talisman wasn’t a full time band so he was up for doing some demos. George’s songs that he sent Jeff were full of funk and groove and that is exactly what Jeff loved so the two hit it off immediately. They did 7 songs together and the band was formed. Well, the name Slam was really all they had as there was no real band since it was just the two of them so far.

They found a drummer, in Boston, by the name of Mark Bistany and then through an ad found two more New Englanders with guitarist Craig Polivka and bassist Chris McCarvill. Craig & Chris replied with a demo of a song that would become “Dance the Body Elektrik” that appears on this disc. There was a problem as these three new guys were all on the East Coast and Jeff & George were on the West. Jeff actually drove to the East Coast and picked the boys up. Once back out west, they added a fifth member, rapper EOG (Eric Grinstead) and he rounded out the band. With this line-up the band had a rock, a rap, a soul, a funk and a whole lot of other cool sounds in their music.

But, it didn’t last. The boys from the East coast decided to go on their own and then EOG left as well. But they did bring on another guitarist that would become a regular fixture in Jeff’s life, Gary Schutt. Ricky Wolking would come in on bass, but again..it didn’t last. After 3 to 4 months, they scaled down to a 4 piece with Gary out now, but the band could not get a deal. And Slam would eventually go out with a thud. Now, 30 years later, we get the full set of songs they worked on and we have 16 choice cuts to ponder. Let’s go through them and see what they were up to 30 years ago.

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SOTO – ‘Inside the Veritgo’ (2015) – Album Review (The Jeff Scott Soto Series)

Jeff Scott Soto has been around for over 30 years now and he started out singing for some heavy bands like Yngwie Malmsteen and Axel Rudi Pell. Then he was more melodic with bands like Talisman, Eyes and W.E.T. and he evened funked things up with his solo albums on occasion, but he has always liked the heavy stuff. For his next project, it wasn’t another solo album, but instead it was a new metal band called SOTO. Hmmm…where did he come up with that name? Jeff has said this is a working band and not a side project and will be around for a long while and there is definitely a band. In SOTO are of course, Jeff, but you also get Jorge Salan on guitars, BJ on guitars and keys, David Z (Of ZO2) on bass and Edu Cominato on drums.

However, there are so many guests and extra musicians on this album, that I’m not sure you can really count this as a band album as the “band” isn’t on every song. Now, that doesn’t take away from anything on the album, I’m just saying I don’t really see this particular SOTO album as a band more of as a project. The album came out on January 30, 2015, but I don’t see a physical release of the album in the States so they only had digital. My copy of the album is actually from Mexico and is a digipack. No bonus or nothing extra, but I will take what I can get. Let’s jump right and get in to the meat of it all as the music is why we are here.

The first track is “Final Say” and it is written by Jeff Scott Soto and Adrenaline Mob member Mike Orlando who does all the instruments on this song (see, no band members but JSS). And like I said above, that doesn’t take away from the music as this song kicks some major ass. The guitars are heavy, the drums are thunderous and Soto is aggressive and lethal with the vocals. An explosive opening that tells you right away this is a heavier, darker JSS and I’m all for it.

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Jeff Scott Soto – ‘The Authorized Biography’ by Frank Tunney and Ronny Hahn’ (2014) – Book Review (The Jeff Scott Soto Series)

Back in December 2021 when I announced I was doing a Jeff Scott Soto Series, I got a lot of response on the picture of my collection. One such person contacted me on Facebook and offered to send me a hard back edition of a biography on Jeff Scott Soto, so I quickly thanked him and agreed. He quickly mailed out this glorious copy of the book. His name was Sundeep Pooni and that book has been a massive reference guide for my review series up to this point. So, a big thank you to Sundeep and his very generous gift!! From here on out in the review series, we are past the date of the book so none of the albums I’ll be reviewing from ere on out are in the book, so I am on my own.

Before we get to the next review, let’s go through this book. It was originally written by Ronny Hahn and it was written in German and only an electronic book. For the 30th Anniversary of Jeff’s career, it was released thanks to Frank Tunney who took the original book and added more chapters and re-organized the structure. It is now a hard back book and chock full of the details of his career that all hardcore fans love to know. The book is called “Authorized” so it has the blessing of the man himself and that is good enough for me.

The book starts off with the original foreward written by Ronny Zahn and then there is a great dedication to the late Marcel Jacobs who played with Jeff in several bands and was a very close personal friend. It was a terrible loss, but thankfully he left behind a great legacy of music. Afterwards you get a brief biography of Jeff’s very early life, but the rest of the book is all Jeff’s music career.

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Jeff Scott Soto – ‘Damage Control’ (2012) – Album Review (The Jeff Scott Soto Series)

It had been 3 years since Jeff’s last solo album, 2009’s ‘Beautiful Mess’. That album was good, but a lot of people didn’t like it’s direction as it wasn’t the hard, melodic rock that fans of Jeff love. And I get it, but let’s be honest, Jeff should be able to make whatever music he wants to make. I wasn’t a massive fan of that album, but it had some great moments for sure. ‘Damage Control’ sees Jeff listening to his fans and giving them what he they want. He is always good about that. And I wonder if the title is in reference to that fan reaction from the prior album. It seems pretty tongue-in-cheek if you ask me.

I want to say the album dropped around January 6th, 2012, but I could be mistaken. But before that release date, Jeff put in a lot of work on this album and he worked with a ton of writers and a ton of musicians (and sometimes both). Some of the writers were old friends such as Jamie Borger (Talisman) and Gary Schutt (solo band) and then there were names we hadn’t heard yet in his career like Joel Hoekstra (Whitesnake/TSO). Jeff has known Joel for awhile and Jeff would return the favor a couple years down the road (which we will review as well.

Jeff had a total of 21 songs ready for the album, but they needed to dwindle it down to 11 which somehow he did. The songs were recorded all over the world on three different continents including Europe as well as North & South America. The album wound up on Frontiers due to the long standing relationship he has had with Serafino Perungino. They agreed to do a Deluxe Edition where Jeff could actually include 14 of the 21 songs as long as there was a DVD with an EPK (Electronic Press Kit) and some music videos and that is the copy I have and will review.

The album kicks off with “Give a Little More” and it is nasty piece of a rock with that gritty guitar riff, the heaviness of the bass the drums. Jeff attacks the vocals with in equal intensity. An almost anthemic, melodic rock song that is proof that Jeff can still deliver the heavy rock like fans complained about. This song is a statement and the guitar solo by Leo Mancini is the exclamation point on that statement.

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Jeff Scott Soto – ‘Live at Firefest 2008’ (2010) – Album Review (The Jeff Scott Soto Series)

Firefest is festival in Europe that came about after the end of another festival called The Gods of AOR. Firefest started in 2004 and it was bigger and even better than the Gods festival. Jeff Scott Soto performed at the Gods festival in 2002, and even released the show on a live CD/DVD. Jeff got the call again to do the festival in 2008 and he said Yes, obviously or this discussion would be ridiculous.

It wasn’t easy for Jeff because at the time of the festival, he was in the middle of rehearsals for the Trans-Siberian Orhcestra’s annual Winter Tour. TSO rehearsed 12 hours a day and Jeff was probably exhausted, but he jumped on a plane on a Friday in the U.S and landed in London by Saturday morning. He had to rush to Nottingham and meet his band. Luckily, it was his band so it was Howie Simon, Gary Schutt and Dave Dziaklak, but they hadn’t played in over about year and had like an hour to rehearse and get ready for the show. Did they pull it off…well, of course they did! They are professionals. It is a great show and another great live album from Jeff.

But…I have a major problem with this release and it isn’t the quality of the show as Jeff sounds amazing and the band is tight and all is good. It is the fact that this setlist is almost identical to Jeff’s last live release ‘One Night in Madrid’. Every song on here was played at that show in this order. The only difference is that the Madrid show had more songs (and was a totally killer show). I feel like I just reviewed this show and not really sure what new I can say about it. I could basically cut & paste that review here, delete out the songs that aren’t on here and BOOM!…the review and you probably wouldn’t know the difference.

So what I will do is walk through the little differences between the shows so I at least give you something different. Like the Madrid show, this one kicks off with the opening track “21st Century” from his latest album ‘Beautiful Mess’, but the big difference is when Madrid goes in to the next song “Colour My XTC” you get the whole song while her you get a small prelude portion before going in to the great “Soul Divine”. One of the highlights on this and the other live show is “Our Song” from his latest album. Jeff sounds amazing on this one and the band nails the song. A power ballad with a lot of Jeff’s powerful vocals. Such a great song.

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Jeff Scott Soto – ‘Live at the Queen Convention 2003’ (2004) – Album Review (The Jeff Scott Soto Series)

How does Jeff Scott Soto end up doing Queen songs at Queen conventions? Well, he had always loved Queen and Freddie Mercury was a big influence on his life, but that is common with a lot of people. For Jeff, it all started back in 1999 when one fateful day he met Jacky Smith who was the head of the Queen Fan Club. That chance meeting led to Jeff getting to meet Brian May and a chance to jam with him and the SAS Band at the annual Freddie Mercury Birthday Party.

That keep him in touch with the Queen family and in 2002, Jacky asked him to come to one of the Queen conventions. He made an appearance and actually jammed on a few songs during the convention. The feedback was so great, Jeff was brought back to do the North America convention as the first was in the UK. This led Jeff to be brought up on stage at an after party with Brian and Roger Taylor when they received a Star on the Hollywood Walk of Fame. If that wasn’t enough, Jeff was asked to come back in 2003 and instead of a handful of songs, they wanted Jeff to perform an entire set of Queen songs. But not as a tribute act, as a real act and doing everything his way with his own band.

Jeff brought his solo band with him which was Gary Schutt, Howie Simon and Alex Papa. Now, Jeff was a massive Queen fan and knew all the songs, even the deep cuts. However, his band only knew the hits. This was the Queen Convention and “the Hits” aren’t enough. You need deep cuts. So, the band took a crash course in Queen and after several rehearsals, the band was ready to go. What we get here on a 2 CD set is the entire set they performed and it is massive. They played around 45 cuts (some in song melodies) and it was incredible. They released it on video and CD. I have the CD, but I need to get the video. Let’s get to it.

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Jeff Scott Soto – ‘Lost in the Translation’ (2004) – Album Review (The Jeff Scott Soto Series)

As I had mentioned previously, 2004 was going to be a big year for Jeff Scott Soto. His introduction to Neal Schon during NAMM in January 2004, was the sign. Schon played on and co-wrote a song on his solo album, ‘Lost in the Translation’, which we are reviewing now and it led to a new band later that year and the Journey frontman shortly after that. Before we get ahed of ourselves, let us focus on the solo album first. And there is a live album to come out before Schon’s stuff as well.

‘Lost in the Translation’ is Jeff’s third solo album and what a step up from the prior two. He still had his good buddies playing on it – Howie Simon and Gary Schutt on guitar duty and Glen Sobel on drums and a guest appearance by Mr. Schon himself. It was a solid line-up, a solid album and would see Jeff head out on a full world tour that would last for 35 gigs and hit 4 continents that would run from August to November of 2004. Jeff was hitting his stride, finding his footing and the world was learning who he was. I know I did because it was this album and Talisman’s ‘Cats & Dogs’ where I discovered the greatness that is Jeff Scott Soto all thanks to Andrew McNiece at MelodicRock.com. Also, note the cover photo and under his right arm is Jeff’s autograph. This is one of the 5 albums I had him sign when I met him back in April 2022. Really Cool!!

The first track and single is “Believe in Me”. It was co-written by Jeff along with Neal Schon. I told you they began a great relationship…fruitful already. And let me tell you, it could be a Journey song. Not a ballad either, one of the rocking tracks. The opening guitar riff is cool as Schon shreds it. Jeff’s vocals are so smooth and melodic and you know what, he would sound great singing Journey songs…maybe that will happen!! (maybe real soon). You had Glen Sobel on drums and Jeff on bass and everyone sounded tight and laid down a great rhythm. A totally stellar track and very radio friendly even though no radio around here played it!

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