Sit back and relax. We have one of the biggest weeks ever with releases as there are over 70 new releases this week. WOW!! As a result, there will be no videos this week as it will be too many and slow down the load too much…sorry about that. There are a handful I’m really interested in hearing. Most obviously for me is Needtobreathe’s new one called Cave…I have the CD and Vinyl ordered for this one. The others I want to hear are Core Taylor’s second CMF album, CMF2 and Brian Sezter sounds interesting to me as well. Plus I’d like to hear Demi Lovato’s new one since Nita Strauss is on guitar. Let me know what you want to hear this week or if we missed anything, I’m sure it could’ve happened. Thanks for stopping by and have a great week.
Needtobreathe – Caves – (Drive All Night Records)
Corey Taylor – CMF2 – (CMFT & Co. / BMG Rights Mgmt)
Brian Setzer – The Devil Always Collects – (Surfdog Records)
Demi Lovato – Revamped – (DLG Recordings / Island Records / UMG)
Barenaked Ladies – In Flight – (Deal Data)
Thirty Seconds to Mars – It’s the End of the World But It’s a Beautiful Day – (Concord Records)
I do love bootlegs. They are a chance to hear a band’s live shows that were never released, a radio broadcast, old forgotten demos or whatever it may be. Bands hate them because they don’t get paid, however, diehard fans want them as they want to consume everything from their favorite bands. I own quite a few bootlegs for Def Leppard on CD, vinyl and DVD so we will go through a bunch, but first we will start with this one. It was released in 2013 and what is cool about this one it is a collection of various demos and rare albums from Def Leppard.
The first 3 songs, which were recorded a Fairview Studios in Hull, England back in November 1978, were actually released by the band. The songs “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture” are taken from the band’s debut E.P. called ‘The Def Leppard E.P.’. We discussed that album in full detail on the first post in this series so we won’t repeat that story here. Back in 2013 when this bootleg was released, those three songs were extremely hard to find. There were only 1,000 copies or so of the first E.P. The band has since released them as a Record Store Day Release on a 12″ Single rather than the 7″ E.P. originally (The Def Leppard E.P. (1979/2017)). They have also re-released in the Box Set called The Early Years ’79-’81 (2020). Check those out as well.
The next batch of demos, songs 4-10, were recorded back at Fairview Studios during the Summer of 1979. These songs were never released, then in 1984, the bootleg called ‘First Strike’ was released without the permission of the band or management. Def Leppard sued to get the production stopped and they won. They even were paid royalties on what was sold. You can still find these on Discogs or ebay, but be prepared to pay through the roof on them as they are very rare. Someday I’ll get one.
What was great about these songs is that “Heat Street” and “See the Light” I don’t think I have seen the light of day yet, while “Glad I’m Alive” was on The Early Years Box Set. The other 4 songs were re-recorded for the debut album ‘On Through the Night’ which we will get to later. These demos were recorded live and are raw and fantastic.
Some bands make it, some fade in to oblivion. Diving for Pearls had all the talent and the songs to make it, but for some reason faded in to oblivion. For me, their journey began when I was working at Sam Goody while in college. The promo for their debut album came in, I dropped it in to the CD player and was hooked from the first note of “Gimme Your Good Lovin'”. I made sure when the store was done with that promo that it went home with me. And it did!
But let’s go back in time a little. The band was started by Danny Malone (on vocals) and Jack Moran (Keyboards) back in Boston. They were in a band before that called The Trademarks. But where did they get a name like ‘Diving for Pearls’? Strange name. They actually pulled it from a line in Elvis Costello’s song ‘Shipbuilding’…
With all the will in the world Diving for dear life When we could be diving for pearls
The band played around Boston for years and decided to take the show to New York. While working at Hard Rock Cafe, I believe, they somehow met Yul Vasquez (Guitar) and Peter Clemente (Drums). Yul had been in the band Urgent prior while Peter had been working with Michael Monroe in the band Secret Chiefs. Now, all they needed was a bass player and they found that in the form of David Weeks. The band was complete.
They signed a development deal with Epic Records. Now, a development deal isn’t really a record deal so much as it is just here’s some money, go make an album, if it sells maybe we will do more, if it doesn’t, good riddance. Not the most enticing deal, but a deal nonetheless. So, the boys packed their bags and went to Nashville, Tennessee to record their first album with producer David Prater.
After being approached by actor, Emilio Estevez, to use the Bon Jovi song “Wanted Dead or Alive” for the soundtrack to his new movie, the western ‘Young Guns II’, Jon declined the offer. Instead of flat out declining though, Jon offered to write a new song for the movie and that one song turned in to a whole album of songs from and inspired by the movie.
The title track, “Blaze of Glory” was written on a napkin while Jon was sitting with the cast while they were eating hamburgers. Keifer Sutherland said that Jon wrote it in like 6 minutes and it made him feel stupid as he wrote a number one song while they ate. Jon played the song to Emilio Estevez and producer John Fusco. Fusco took the song to his co-producers in the trailer and the decision was made right then and there to make it the theme song for the movie.
The single was released on July 21, 1990 and was Jon’s one and only #1 song on the Billboard Charts outside of his day job band Bon Jovi. The song had a hell of a line-up on it including Elton John, Aldo Nova, Randy Jackson, Kenny Aronoff and on guitar was Jeff Beck. Not too shabby. As you can see here my version of the single is a Cassette Single or “Cassingle”. The B-Side is the Jon and Little Richard duet, “Your Really Got Me Now” and no , not the Kinks’ song.
For My Sunday Song #377, We explore another of Deke’s Choices with the song “Smoke & Ashes” by the Canadian band 13 Engines. The song was a single off their Canadian breakthrough album ‘Perpetual Motion Machine’. It was the band’s fourth album and released in 1993, but it isn’t grunge…more alternative rock. Billboard magazine called the song “the perfect two-minute rock song.” We will see if that is the case.
The song is about the consequences of doing drugs and leading a life that is nothing but destructive. The ticking of the watch is symbolic of all the time wasted and missed while doing drugs while you are kneeling down throwing up in the porcelain God. The comet burns and crashes is exactly what happens to you due to the addiction. You crash & burn. You end up alone in the world as everyone has been driven away. It is a sad commentary, but it is pretty accurate.
The song rocks out with a distorted guitar sound and John Critchley on vocals. The band has a sound that is reminiscent of the Gin Blossoms, but maybe a little heavier. At only around 2:30 minutes long, it has no time to waste and compacts a lot of sound in that brief window. A powerful song that packs a punch.
Discussion & Review: Generation X featuring Billy Idol w/John T. Snow
Join Grant and John as they take a look at the band Generation X.
This was a lot of fun, if you want to know where Billy Idol started, then you will enjoy this walk through the Generation X Catalog. Check it out! And thanks to Grant Arthur for having me on the show.
It’s Friday!! It is time for new releases and this week there is a huge one coming out. Well, a huge one for my kids as Olivia Rodrigo’s new album is out. I will be listening to this because my kids will be playing this non-stop. Another big one is Tyler Childers and I am sure the kids will be listening to that as well. The ones I really want to hear are the new Andy Taylor and Puddle of Mudd. What do you want to hear this week? Let us know and let us know if we missed anything. Thanks for stopping by and I hope you all have a wonderful weekend.
It all started way back in 1976 when Rick Savage, Tony Kenning and Pete Doubleday started a band called Atomic Mass. Savage & Doubleday were on guitar and Kenning on drums. They brought in Andy Nicholas on bass and lead vocals were handled by Nick Mackley. Andy would leave and Rick moved to bass while Pete Willis was brought in on guitar. The singer left to be replaced by multiple singers who came and went. It was a revolving door of musicians.
Finally, things started to take shape. Joe Elliott came in and auditioned at only 18, but to play guitar not sing. He had met Pete on a bus back in November 1977. While auditioning, I guess his guitar playing was only so-so as they felt he was better as the lead singer. Then finally the last missing piece was added in January 1978 with the late-great Steve Clark on guitar. At this point, there was still no Rick Allen.
Now, they needed a new band name and Joe suggested they go by Deaf Leopard. Thanks to Tony, they changed the spelling to be more in the style of Led Zeppelin and Tony thought it would look less punk.
The band went to record the E.P. Fairview Studios in Hull, England way back in November of 1978 and it was self-produced. However, right before the recording, Tony Kenning quit and they used drummer Frank Noon from a band that called themselves “The Next Band”. Shortly thereafter, the band hired a 15 year old kid to be the drummer named Rick Allen. The E.P. only included three songs and was recorded by a band that was quite different than the band you know and love today.
I’m a huge Ratt fan as the first series the site ever did was a Ratt one where we reviewed every Ratt album in their discography (and my collection). A big part of that is because I like Stephen Pearcy. So when I was in Los Angeles and saw a book by Stephen Pearcy called ‘Sex, Drugs, Ratt & Roll: My Life in Rock’, I had to grab it. Now, Stephen didn’t write it by himself, he had the help of Sam Benjamin. But the two together crafted a book that was an easy, entertaining read and I like easy. And you will notice down below, the copy I picked up had been signed by Stephen back in 2018 which I didn’t notice until I got back home. Pretty cool!!
The story opens with birth of his daughter and him going to rehab, then quickly jumps back to his childhood. He was a typical kid, parents divorced when he was young so he didn’t now his Dad very well and raised by a single mom. He had to move from L.A. to San Diego when he was young and didn’t fit in with the scene. He found some hippie type friends and got in to drugs and drinking at a young age. He was hit by a car and both legs broken and was in rehab in the hospital for months on end and took a long time to recover.
When he finally discovered music, that became his motivation, his drive, his obsession. He knew he was going to make it and did everything in his power to make it happen. He met David Lee Roth and Eddie Van Halen early on when that band was getting ready to break and there are some fun stories with that. And with a book called Sex, Drugs, Ratt & Roll, you get all of that and then some. Most of the book is about his sex addiction and his drug addiction and after awhile that does get old because how many times can you talk about getting trim and not just sound like it is on repeat. He gets a lot and constantly. Stephen is a giant man-child who can’t commit to anything or anyone except the addictions, but his drive to be a rock star was insane.
After the extensive worldwide tour for Bon Jovi’s ‘New Jersey’ album, the band was spent. They were exhausted and I am sure they were sick of each other. Over 200 shows together would make anyone need a break. And Bon Jovi needed a break or it was going to be over. The band members stayed busy as we will see these next few reviews. Jon Bon Bovi kept busy by doing his first solo album and it wasn’t your typical solo album. After being approached by actor, Emilio Estevez, to use the Bon Jovi song “Wanted Dead or Alive” for the soundtrack to his new movie, the western ‘Young Guns II’, Jon declined the offer.
Instead of flat out declining though, Jon offered to write a new song for the movie and that one song turned in to a whole album of songs from and inspired by the movie. In fact, only 2 songs were actually in the movie, the song Jon promised to write “Blaze of Glory’ and then the song “Billy Get Your Guns” which both appeared during the end credits. The rest were only inspired by the movie. Jon was so in to the movie, he was actually in the movie where he appeared in the movie during the scene where Doc and Chavez were prisoners in the pit…Jon was one of the other prisoners.
As we know, Jon doesn’t do anything half-ass and the musician friends he brought in were top notch. There is Jeff Beck, Elton John and Little Richard to name the A-Team. But the B-Team are no slouch either with Kenny Aronoff on drums, Robbin Crosy from Ratt, American Idol’s Randy Jackson and one of my favorite artists Aldo Nova. Jon would turn around and help Aldo for his next album ‘Blood on the Bricks’ where Jon and Aldo co-wrote all the songs together. The songs were not about rock & roll and girls anymore. Jon really pushed his boundaries and wrote about more mature subject matters, this would aid his future writing as we would see on future Bon Jovi albums.
The album came out on August 7, 1990 (that date will come up again in Jon’s world). The album would spawn four singles and reach #3 on the Billboard charts. The album sold over 2 million copies reaching Double Platinum in the States. The album wasn’t that much of a departure from Bon Jovi. It has the same cowboy rock style like their songs “Wanted Dead or Alive”, “Stick To Your Guns” and “Wild is the Wind”. So no surprise it did well. Also, Jon was the first with a solo album during this little break, but is it the best? We will see won’t we. Let’s get to the music.
Needtobreathe – Caves – (Drive All Night Records)
Corey Taylor – CMF2 – (CMFT & Co. / BMG Rights Mgmt)
Brian Setzer – The Devil Always Collects – (Surfdog Records)
Demi Lovato – Revamped – (DLG Recordings / Island Records / UMG)
Barenaked Ladies – In Flight – (Deal Data)
Thirty Seconds to Mars – It’s the End of the World But It’s a Beautiful Day – (Concord Records)
Olivia Rodrigo – Guts – (Geffen Records)
Andy Taylor – Man’s a Wolf to Man – (BMG Rights Mgmt)
2 Loud 2 Old Music 