Category: Album Review

SOTO – ‘Origami’ (2019) – Album Review (The Jeff Scott Soto Series)

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For those following along on the series, you know by now that SOTO is Jeff Scott Soto’s band that he uses to differentiate his solo stuff from his more heavier sounding metal songs. And this is heavy. This is the band’s third album now in the last 4/5 years and the only difference in the band is at bass. Sadly, bassist David Z (of Z02 & Adrenaline Mob) passed away in a tragic accident. In his stead is none other than Tony Dickinson and he also helped produce the album. We still have Jeff on vocals, obviously, along with BJ on keys and guitars, Edu Cominato on drums along with Jorge Salan on guitars.

The album was released on May 19, 2019 and it doesn’t stray far from the first two albums. It is a heavy rock album, a little at times and a modern, electronic sound also. But…I can’t say they’ve been my favorite projects from Jeff. Yes, I do like the heavier sound and Jeff does a fine job of singing, but the songs haven’t been as melodic as I like, the hooks aren’t as catchy and the choruses are a little lackluster at times. That doesn’t mean the first two albums were bad album, I just haven’t enjoyed them as much. And is this one any different? Well, it might be my favorite of the bunch, but is it a favorite of the Soto collection? We first need to dig deeper and explore these tracks to see how they stack up.

The album kicks off with “Hypermania” and a full on electronica bit before kicking in hard & heavy. Musically the song is really awesome, but I can’t get past the horrible lyrics in the chorus. The rhyming of hypermania with the words insania and no brainia. Totally childish and lame. Take out the lyrics and this is a killer modern metal track. For me, I just skip the whole thing and start the album with the title track.

The title track, “Origami”, explodes with some ear-splitting drum pounding, a vicious riff and then it turns in to a speed metal attack. Jeff’s vocals are aggressive and he attacks the song with a killer’s rage and it is awesome. One of the heaviest tracks on the album and it really grabs hold and slams it home. The guitars are freaking nasty, the solo is cool and Jeff even gives off a scream which he does so well. A real ballbuster of a track and should be the opening track!!

“Belie” is up next and it slows things down a little. No, not a ballad, just a slower tempo. There is a darkness tone to it, it is still heavy. The verses give off a sadness and don’t really connect with the music. The payoff comes with the chorus with layers of harmonies and Jeff does sound great. The cool thing about it is you get a bass break, a drum break and a guitar break in it which is nice to see all areas shine. And the guitar solo is a screamer. One of the best on the album.

More great guitar work opens “World Gone Colder” and the guitar never lets up. It is full of piss and vigor throughout the song. A roller coaster of riffs. The chorus is enjoyable and Jeff really goes all out, but you can’t say enough about the guitars on this one as they are the star. The solo will seal the deal for you.

“Detonate” is the only song to feature the late, great David Z on bass. For that, it is a little special. It starts with a slow build, a whispering Jeff Scott Soto on vocals and then the band comes roaring in and the song gets going. If you listen close, you can hear David just smacking the bass. The song is hard & heavy, and with a title like detonate, you’d expect this song to explode and it doesn’t quite get as explosive as I’d expect and starts to lose me by the end.

Things slow down with “Torn”, a quasi-power ballad. The foot comes off the gas with this one and Jeff gives a very pleasant vocal delivery. Musically, everything is toned down, softer yet full of emotion. The chorus is catchy and Jeff really takes it up a notch. The drum sound on this one is solid, the guitars give a melancholic tone and when Jeff screams “GO”, the guitars lay down a solo that fits perfectly with the song. The guys show they aren’t one-dimensional.

The heavy comes back with “Dance with the Devil” and if you are going to have devil in the title, it better kick ass. There is a whole Sons of Apollo vibe here with even hints of Dio. The riffs are speedy, gritty and brutal, the drum work is powerful and destructive especially the double kick drum whose speed is insane. A rocking track, but also a little forgettable when its over as it doesn’t stick with you.

“Afterglow” is up next and the sound is more like a Soto solo album as it is more melodic, a little funky at times and has a big band swing groove. The chorus is full on harmonies and the song is although has a serious tone, is a lot of fun for me as the groove is really cool. One of my favorite tracks on the album.

“Vanity Lane” takes it back to the heavy and it has a darker tone and more serious feel to it. The chorus is better than the verses and the guitar solo is great, however, I like the song well enough, but it doesn’t stick with you. Not memorable enough.

The final song on the album is a Michael Jackson cover of his song “Give In To Me” which is one of Michael’s more rocking songs and SOTO does it justice. It starts off slow and Jeff goes in to a deeper register and when the chorus explodes, he goes back to that Jeff sound he is so famous for. I love this song already, so I do enjoy it here as it is hard to screw up a Michael Jackson song.

But there is a bonus track so it ain’t over yet. “KMAG” closes things out and what is a KMAG? It is Kiss My Ass Goodbye! It is heavy as hell and the drums are earth shatteringly hard. I like this one a lot and the big payoff is that chorus as anytime you can scream out Kiss My Ass Goodbye it just feels great. A great way to go out on the album.

Track Listing:

  1. Hypermania – Delete
  2. Origami – Keeper
  3. Belie – Keeper
  4. World Gone Colder – Keeper
  5. Detonate – Delete
  6. Torn – Keeper
  7. Dance with the Devil – Keeper (1/2 Point)
  8. Afterglow – Keeper
  9. Vanity Lane – Delete
  10. Give In To Me – Keeper
  11. KMAG (Bonus Track) – Keeper

The Track Score is 7.5 out of 11 Tracks or 68%.  SOTO didn’t impress me much with the first two albums, and the third didn’t do much better.  The songwriting is still subpar as the lyrics at times are cringe worthy and the songs aren’t as memorable as most of Jeff’s work, however, this one held my interest a little more and had more songs that I liked.  If I had to pick a favorite of the three so far, this would be it, but not by much.  My Overall Score is a 3.5 out of 5.0 Stars which is the same as the 2nd album, but since I like this one a little more maybe it should be 3.6, who knows.  I’ll stick with Jeff’s other albums more than I will with SOTO…sorry Jeff.

UP NEXT: SONS OF APOLLO – ‘LIVE WITH THE PLOVDIV PSYCHOTIC SYMPHONY’ (2019)

THE JEFF SCOTT SOTO SERIES:

  1. Panther – ‘Panther’ (1986) – recorded in 1984
  2. Yngwie Malmsteen’s Rising Force – ‘Rising Force’ (1984)
  3. Yngwie Malmsteen’s Rising Force – ‘Marching Out’ (1985)
  4. Kuni – ‘Lookin’ For Action’ (1988)
  5. Kryst the Conqueror – ‘Deliver Us From Evil’ (1989) / ‘Soldiers of Light: The Complete Recordings (2019)
  6. Eyes – ‘Eyes’ (1990)
  7. Eyes – “Nobody Said It Was Easy” (1990) – 7″ Single – Bonus Edition
  8. Talisman – ‘Talisman’ (1990)
  9. Talisman – “I’ll Be Waiting” (1990) – 7″ Single – Bonus Edition
  10. Skrapp Mettle – ‘Sensitive’ (1991)
  11. Axel Rudi Pell – ‘Eternal Prisoner’ (1992)
  12. Bakteria – ‘Deficate! Suffocate! Mutilate! Masturbate!’ (1992 / 2009)
  13. Eyes – ‘Windows of the Soul’ (1993)
  14. Talisman – ‘Genesis’ (1993)
  15. Axel Rudi Pell – ‘The Ballads’ (1993)
  16. Biker Mice From Mars – ‘Biker Mice From Mars (Soundtrack)’ (1993)
  17. Takara – ‘Eternal Faith’ (1993)
  18. Talisman – ‘5 Out Of 5 (Live in Japan)’ (1994)
  19. Talisman – ‘Humanimal’ (1994)
  20. Axel Rudi Pell – ‘Between the Walls’ (1994)
  21. Gary Schutt – ‘Sentimetal’ (1994)
  22. Jeff Scott Soto – ‘Love Parade’ (1994)
  23. Axel Rudi Pell – ‘Made in Germany (Live)’ (1995)
  24. Takara – ‘Taste of Heaven’ (1995)
  25. Talisman – ‘Life’ (1995)
  26. Axel Rudi Pell – ‘Black Moon Pyramid’ (1996)
  27. Human Clay – ‘Human Clay’ (1996)
  28. Talisman – ‘Best of’ (1996)
  29. Axel Rudi Pell – ‘Magic’ (1997)
  30. Human Clay – ‘U4IA’ (1997)
  31. Boogie Knights – ‘Welcome to the Jungle Boogie’ (1997)
  32. Takara – ‘Blind in Paradise’ (1998)
  33. Talisman – ‘Truth’ (1998)
  34. ‘Rock Star: Music from the Motion Picture (Soundtrack)’ – Various Artists (2001)
  35. Humanimal – ‘Humanimal’ (2002)
  36. Humanimal – Find My Way Home: Limited Edition E.P. (2002)
  37. Jeff Scott Soto – ‘Holding On E.P.’ (2002)
  38. Jeff Scott Soto – ‘Prism’ (2002)
  39. Talisman – ‘Live at Sweden Rock Festival’ (2002)
  40. Jeff Scott Soto – ‘JSS Live at the Gods 2002’ (2003)
  41. Talisman – ‘Cats & Dogs’ (2003)
  42. Jeff Scott Soto – ‘Believe in Me E.P.’ (2004
  43. Jeff Scott Soto – ‘Lost in the Translation’ (2004)
  44. Jeff Scott Soto – ‘Live at the Queen Convention 2003’ (2004)
  45. Soul SirkUS – ‘World Play’ (2004/2005)
  46. Talisman – ‘Five Men Live’ (2005)
  47. Talisman – ‘World’s Best Kept Secret DVD (2005)
  48. Jeff Scott Soto – ‘Essential Ballads’ (2006)
  49. Journey – ‘Live from Atlanta (Bootleg)’ (2006)
  50. Talisman – ‘7’ (2006)
  51. Talisman – The Albums Ranked Worst to First
  52. Jeff Scott Soto – ‘B-Sides’ (2006)
  53. Redlist – ‘Ignorance’ (2007)
  54. Jeff Scott Soto – LA Rocks Demo / Vinnie Vincent Demo 1988 (2008)
  55. Jeff Scott Soto – ‘Beautiful Mess’ (2009)
  56. Jeff Scott Soto – “21st Century” / “Gin & Tonic Sky” CD Single (2009) – Bonus Edition
  57. Jeff Scott Soto – ‘One Night in Madrid’ (2009)
  58. Trans-Siberian Orchestra – ‘Night Castle’ (2009)
  59. W.E.T. – ‘W.E.T.’ (2009)
  60. Jeff Scott Soto – ‘Live at Firefest 2008’ (2010)
  61. Jeff Scott Soto – ‘Damage Control’ (2012)
  62. W.E.T. – ‘Rise Up’ (2013)
  63. W.E.T. – ‘One Live in Stockholm’ (2014)
  64. Jeff Scott Soto – The Authorized Biography (2014)
  65. SOTO – ‘Inside the Vertigo’ (2015)
  66. Joel Hoekstra’s 13 – Dying to Live (2015)
  67. SOTO – ‘Divak’ (2016)
  68. Sons of Apollo – ‘Psychotic Symphony’ (2017)
  69. Jeff Scott Soto – ‘Retribution’ (2017)
  70. W.E.T. – ‘Earthrage’ (2018)
  71. SOTO – ‘Origami’ (2019)
  72. Sons of Apollo – ‘Live With the Plovdiv Psychotic Symphony’ (2019)
  73. Jeff Scott Soto – ‘Wide Awake (In My Dreamland)’ (2020)
  74. Jeff Scott Soto – ‘Live and Loud in Milan 2019’ (2020)
  75. Sons of Apollo – ‘MMXX’ (2020)
  76. SOTO – ‘Revision’ (2020)
  77. Talisman – “Never Say Die (A Song For Marcel)” – 7″ Single (2020)
  78. W.E.T. – ‘Retransmission’ (2021)
  79. Jeff Scott Soto – ‘The Duets Collection, Vol. 1’ (2021)
  80. Jeff Scott Soto – ‘Complicated’ (2022)
  81. Ellefson/Soto – ‘Vacation in the Underground’ (2022)
  82. Jeff Scott Soto / Jason Bieler – Live In Concert (2022) – Bonus Edition

Kiss – ‘Destroyer: 45th Anniversary 2-LP Deluxe Edition (Colored Vinyl) (2021) – Album Review (The Kiss Review Series)

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With the album ‘Alive’ in 1975, Kiss finally broke through and were on their ways to be Rock Gods!! But their next album needed to make a statement. It needed to capture the band like none of their other albums had been able to do. Famed record producer, Bob Ezrin, was brought in to man the boards all based on the work he was doing with Alice Cooper. Kiss needed that same energy and success. And did Bob deliver? Oh hell yeah he did!! ‘Destroyer’ was released on March 15, 1976 and with songs like “Beth”, ‘Detroit Rock City” and “Shout it Out Loud”, Kiss was on top. They had made it! A now platinum selling artist, a massive touring act and they were starting to reach heights they only dreamed about. At first thought, the album was slow out of the gate until “Beth” was played on the radio…it was the B-Side to “Detroit Rock City” and then Bam!! Everything changed. To celebrate this pivotal album, Kiss delivered the 45th Anniversary Super Deluxe Edition Box Set which we’ve already reviewed and it is jammed pack with goodness. This time we have the 2-LP Deluxe Edition Colored Vinyl which we are discussing. It isn’t as jammed pack but it is still pretty great for what it is.

One thing I really like about this set is the gatefold. It is stunning. When you open up the gatefold and there are the members of Kiss in full gear on their choppers, you get excited. It is really cool.

Continue reading “Kiss – ‘Destroyer: 45th Anniversary 2-LP Deluxe Edition (Colored Vinyl) (2021) – Album Review (The Kiss Review Series)” →

W.E.T. – ‘Earthrage’ (2018) – Album Review (The Jeff Scott Soto Series)

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Almost a decade earlier, Serafino Perugino of Frontiers Records, thought a supergroup with Jeff Scott Soto doing Journey type AOR music would be a smart idea. He is notorious for putting all these great musicians together for so-called supergroups and some would say he does it WAY TOO MUCH! And I would agree, except for W.E.T. W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. What most thought would be a one-off project has now turned in to 3 studio albums and one live album and we couldn’t be happier.

But, will the third time be the charm? Will this be as good or better than the first two or have they outlived their usefulness? The answer to those questions is that this band keeps getting better and better with age. They are like a fine wine and although there is a little cheese in this sound, the album gives us a group of songs that has so many hooks that the US Fish and Wildlife Service has issued a warning about that fact. So, sit back and get ready to get caught up in the music hook, line and sinker. And I am sure all that sounded as bad as it felt writing it. Since I’m only writing bad jokes at this point, lets get to the music.

The album opens with the stellar first single “Watch the Fire” and mine it is something to behold. It opens with an atmospheric keyboard sound, then the guitars and drums come roaring in and then we get Erik’s vocals to kick off the song and Jeff joins in as well. Another fantastic duet between the two and it is shame this is the only song they do it on, but what a song. The melodies, the harmonies, the hook-ridden chorus, the wicked guitar solo, it is melodic rock at its absolute best!! This is one of the best songs they have done on the three albums.

Continue reading “W.E.T. – ‘Earthrage’ (2018) – Album Review (The Jeff Scott Soto Series)” →

Mickey Ratt (feat. Stephen Pearcy) – ‘Ratt Era: The Best of’ (2020) – Album Review

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In a time where the Ratt gang is battling on who owns what, who is suing who, it is no wonder Stephen Pearcy took it upon himself to re-record a bunch of Ratt classic songs. Why it is called Mickey Ratt is beyond me because most of these songs do not come from the Mickey Ratt era…some of them do though. Plus, he couldn’t call it straight up Ratt with all the lawsuits now could he.

The LP version is what I have which was released back in 2020. My copy has the pretty cool Pink LP and the album has 16 re-recorded Ratt songs with a little help from some of his friends including George Lynch and Tracii Guns. The cover is bad, the picture on the back is bad and the sound of the record is…well…not that bad. The early Ratt / Mickey Ratt songs sounded rough, raw and almost garage style, so these were recorded with that old sound and songs that dated back to the Mickey Ratt time frame, but recorded by Ratt sound like the old Mickey Ratt sound and not the polished production Ratt albums had. And I kind of dig that.

George Lynch plas on about 5 songs including the opener “Round And Round”. The song sounds good enough, but I hate to say this, George is no Warren DeMartini so I don’t like the guitar sound on the re-recording much at all. Sorry George, I’ve never really been a fan although you are superbly talented!! And the overall recording is no where near as good as the original…the same goes with most of these.

Continue reading “Mickey Ratt (feat. Stephen Pearcy) – ‘Ratt Era: The Best of’ (2020) – Album Review” →

Jeff Scott Soto – ‘Retribution’ (2017) – Album Review (The Jeff Scott Soto Series)

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At this point in Jeff Scott Soto’s career, he had been signed with Frontiers Records for about 15 years now. This 2017 album, ‘Retribution'(which was released on November 10 of that year), was timed perfectly for his 15th Anniversary with the label. This is also his 6th solo album, the first dating back all the way to 1994’s ‘Love Parade’. As with a lot of his solo work, his good friend, Howie Simon, was back to help out and he did a lot. He co-wrote most of the songs, played on the most of them and co-produced the album with Jeff. Jeff brings in some help on drums with Edu Cominato who is Jeff’s drummer in his band SOTO. These three handle everything on the album on all songs, but two and we will talk about the players on those two songs when we get to them.

At times this album is as heavy as his SOTO band, but most of it is pretty standard melodic rock. And I say standard, because at this point in his catalog, I am not real thrilled with this solo albums. At first, I thought after spending around 15 months reviewing a Jeff Scott Soto album every single week, I was maybe getting burned out, but that is not the case. Reviewing the Sons of Apollo album was a lot of fun and so was the Joel Hoektra’s 13 album and all the recent W.E.T. albums. His music still excites me. But the solo stuff, especially this album, does not so much. I think it is the quality of the songs more than anything, but let’s dive in to those songs and find out why. I am apparently wrong in my thinking a vast majority of the reviews I read on this one praised it.

The album opens with a barrage of sound and then a dirty, gritty guitar riff. The title track, “Retribution”, is a on the heavier side closer to SOTO, but more melodic. The chorus is big, the guitars are powerful (listen to that solo), the drums are destructive and all leads to an explosive opening track.

Next up is “Inside/Outside” which is a pure melodic rock track. It has an ear catching opening like the title track, but toned down a little. The bass is heavy on this one, thumping hard and high in the mix. The song is a very radio-friendly track and has a really catchy chorus that will draw you in and you now it is Soto’s vocals that are the draw as they are powerful, smooth and they soar all at the same time.

Continue reading “Jeff Scott Soto – ‘Retribution’ (2017) – Album Review (The Jeff Scott Soto Series)” →

Whitesnake – ‘Best’ (1987) – Album Review (The David Coverdale Series)

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I was out at a record show here in Charlotte and I love to go digging at them when they come around. You never know what you will find and this last trip was no different. If you’ve been on the site, you know I’m a huge David Coverdale fan and that of course means a Whitesnake fan as well. I love to find obscure Whitesnake stuff and I believe this fits the bill. I never knew this existed so of course I had to have it. It is a best of compilation out of Greece. It is on EMI, but this wasn’t compiled by the band, nope. I am sure this was done to capitalize on the success of their self-titled album or as some call it, “1987”. This was released only in Greece in 1987 and other than the band name and song titles, the notes on the back are written in Greek.

The cover art work is really bad, which is why I think it is really cool. Just Coverdale on the cover with a snake wrapping around it. That same snake is on the back as well. Not very original to say the least. The copy I have has a label that is different than what is on Discogs so I think I have a different variant. My label is the “Liberty” label, the one on discogs has the Whitesnake logo on top, no Liberty. I think that is pretty cool too. All around, I was quite pleased to pick this up and add it to the Whitesnake collection.

The songs only have one song from the new album, “Still of the Night”, and the rest are from the back catalog and it goes deep and wide. Honestly, it is an interesting track listing with the exception of “Day Tripper” which I hate Whitesnake’s version, but we will get to that. Production wise, it is okay. Nothing stellar. “Still of the Night” isn’t as impressive as on the CD which hurts it I believe. Otherwise, it is all fine. Glad to have a copy.

SIDE 1:

Continue reading “Whitesnake – ‘Best’ (1987) – Album Review (The David Coverdale Series)” →

Kiss – ‘Destroyer: 45th Anniversary Super Deluxe Edition’ (2021) – Box Set Review (The Kiss Review Series)

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With the album ‘Alive’ in 1975, Kiss finally broke through and were on their ways to be Rock Gods!! But their next album needed to make a statement. It needed to capture the band like none of their other albums had been able to do. Famed record producer, Bob Ezrin, was brought in to man the boards all based on the work he was doing with Alice Cooper. Kiss needed that same energy and success. And did Bob deliver? Oh hell yeah he did!! ‘Destroyer’ was released on March 15, 1976 and with songs like “Beth”, ‘Detroit Rock City” and “Shout it Out Loud”, Kiss was on top. They had made it! A now platinum selling artist, a massive touring act and they were starting to reach heights they only dreamed about. At first thought, the album was slow out of the gate until “Beth” was played on the radio…it was the B-Side to “Detroit Rock City” and then Bam!! Everything changed. To celebrate this pivotal album, Kiss delivered the 45th Anniversary Super Deluxe Edition Box Set and it is jammed pack with goodness. Gene Simmons and Paul Stanley have been paying attention to other band’s box sets and now they know how to put one of these together and it is stellar…mostly.

It is jammed pack with 4 discs of music. A remastered edition of the main album; 2 CDs of demos, rarities, outtakes and remixes as well as 1 Live CDs chock full of goodness from the Paris show on May 22, 1976. And you also get a Blu-Ray Audio of the main album and I can’t wait to turn this baby on in surround sound and hear all that Bob put in to these songs. But that is not all, not by a long shot. The box set is packed with an 68-page book, posters, stickers, photo cards and all sorts of information about the band…don’t believe me, look at the sticker from the front of the box set…

So sit back and let’s go through the box set in detail with a lot of pictures to show you the beauty of this set.

Continue reading “Kiss – ‘Destroyer: 45th Anniversary Super Deluxe Edition’ (2021) – Box Set Review (The Kiss Review Series)” →

Sons of Apollo – ‘Psychotic Symphony’ (2017) – Album Review (The Jeff Scott Soto Series)

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The roots of Sons of Apollo stem back to the band Dream Theater as both Derek Sherinian and Mike Portnoy were once members. They both left Dream Theater (Sherinian fired in 1999 and Portnoy left in 2010) and eventually teamed back up for a short-lived instrumental project called PSMS with Billy Sheehan and Tony MacAlpine. Billy had played with Mike in the band The Winery Dogs. Eventually, Derek, Mike and Billy decided to make it a full time band (not a project) and they started Sons of Apollo. They needed a guitarist and Mike suggest Ron “Bumblefoot” Thal because why not, he’s fantastic. They also needed a singer and Mike suggested Jeff Scott Soto as his band had opened for The Winery Dogs and I am guessing Mike was impressed. The band was complete and ready to go.

The band recorded in only 10 days as their schedules were busy. They were produced by the dynamic duo called The Del Fuvio Brothers. What? You never heard of them…well…it is the nickname that both Derek and Mike had while in Dream Theater so they used that as the Producer name since they both produced the album. The band’s sound is a pinch of early Dream Theater and a dab of pure Classic Rock. Musically, the songs were written mostly by Portnoy and Sherinian with help from Bumblefoot and Billy. Soto handled most of the lyrics, but there was input Sherinian and Portnoy on a lot of the songs as well. It was a team effort (led by Derek & Mike).

The cover art work on the album was handled by Mike Portnoy. He had the vision. It was going to be two lions facing each other, but Derek suggested that his lion be an eagle and you can see it holding the keyboard while the lion is holding the drumsticks. There is a crown with a bunch of Bumblefoot and Billy’s headstocks form their guitar and bass behind it. I am not sure what part represents Soto. Is it the crown because he is the king of vocals or are the 3 spikes in the center actually pipes which would represent his vocal pipes? I don’t know, I’m making things up as I go along. The album title comes from the song “Lost in Oblivion” which has the line ‘Psychotic Symphony” in one of the verses. The album was released on October 20, 2017 to much critical acclaim and was a resounding success.

Continue reading “Sons of Apollo – ‘Psychotic Symphony’ (2017) – Album Review (The Jeff Scott Soto Series)” →

Scorpions – The Albums Ranked Worst to First (The Scorpions Collection Series)

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It started back on August 1, 2022 and it ends today. The Scorpions Collection Series has been a run ride and after 40 posts, we come to the conclusion. And that conclusion will take the 19 Studio albums and 1 compilation and rank them from the best album to the worst. The 1 compilation is really a studio album. ‘Comeblack’ is 1/2 re-recorded hits and 1/2 covers so in my book, it is a studio album.

Scorpions started way back in 1965, but their first album after many ups and downs finally came out in 1972. It was ‘Lonesome Crow’. There are two classic line-ups of the band in my book. You have the 1st with Rudolf Schenker, Uli Jon Roth, Klaus Meine, Francis Buchholz and Rudy Lennars. Then their heyday of the 80’s saw Rudolf Schenker, Klaus Meine, Francis Buchholz, Mathias Jabs and Herman Rarebell. Yes, Micheal Schenker was in the band and there have numerous drummers and the like, but I would say these two were my favorite line-ups. The final album came out in 2022 and it was called ‘Rock Believer’, so we have 50 years of albums and over 50 years of the band and it was a hell of a ride going through this series.

Now, let us get to the brass tacks here and start this ranking…and away we go….

THE WORST – ‘EYE II EYE’ (1999):

I think it is fair to say this might be the worst Scorpions album of them all.  And since I’ve heard them all, I think I’m qualified to make that statement.  I am all fine with experimenting, but with such a drastic change, it is a little too much all at once.  The techno sound, the rapping, the almost full album of ballads was too shocking for most humans to handle.  Now, there are a handful of great tracks on here, but not enough to save this pile of garbage (though good enough for a Scorps playlist).  My Overall Score is a 1.0 out of 5.0 Stars as the Scorpions are not a boy band, they are not a pop band and they are definitely not a techno band.  They are a hard rock, heavy metal giant that got lost in the 90’s like a lot of 70’s/80’s bands did.

#19 – ‘COMEBLACK’ (2011):

Continue reading “Scorpions – The Albums Ranked Worst to First (The Scorpions Collection Series)” →

SOTO – ‘Divak’ (2016) – Album Review (The Jeff Scott Soto Series)

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Jeff Scott Soto has said this is a working band and not a side project and will be around for a long while. He is proving that fact by releasing a second album in just over a year after the debut. This one, called ‘Divak’, was released on April 1, 2016. The debut album, I didn’t feel was a band album as the band never really played on any of the songs. It was a solo album with a lot of guests if you ask me. This time around, Jeff makes it a band. And who is in that band? Aside from Jeff, it is the same guys from the debut artwork (as they weren’t really on the album). You get Jorge Salan on guitars, BJ on guitars and keys, David Z (Of ZO2) on bass and Edu Cominato on drums.

There are still a ton of guests, but this time they are really guests. They are additional guitarists, some solos, keyboards and backing vocals while the band handles most of the grunt work…as they should if this is a band. The album is just as heavy as the last, if not heavier. It rocks out as it is both melodic and a little proggy at times. Jeff usually does more melodic, rock and doesn’t get this heavy or hasn’t in a while, but he missed this stuff and that is why Soto exists. It fulfills his desire to really go full tilt and it certainly delivers that and more.

The album kicks off with, “Divak”, a symphonic, dramatic and totally intriguing instrumental piece. The intensity builds and totally makes you feel like you are in to an adventurous journey. The biggest problem is that it ends…it just stops. It doesn’t bleed into the next song which I think is a huge missed opportunity as this was a really fantastic piece and would’ve flowed better with that seamless transition.

Continue reading “SOTO – ‘Divak’ (2016) – Album Review (The Jeff Scott Soto Series)” →