Every year, I believe, Frontiers Records holds a festival with their artists getting up and playing a set. It was the Frontiers Rock Festival VI. It is a brilliant idea because they can take those sets and release albums or bonus material and it is all recorded at the same time so costs are cheaper. And fans are treated to a really great line-up and a great show each and every time. This particular Jeff Scott Soto was recorded at the 2019 show in Milan.
Fast forward to March 2020 and COVID hits. The world basically shuts down. No albums are getting a physical release, no touring is happening…nothing is happening. Frontiers does a brilliant move while waiting for the whole COVID thing to end, they decide to release a Jeff Scott Soto show digitally. And on April 27, 2020, we are greeted with the new album Loud & Live in Milan 2019. That date is signficant because it is the one year anniversary of the show which was April 27, 2019.
I was excited to have something because Amazon wasn’t going to be delivering much of anything as far as physical product, so I got this one. I will admit I was a little disappointed not having a physical product, but by November 6, 2020 that would change. Jeff finished his next solo album, ‘Wide Awake (In My Dreamland)’, and as a bonus disc, we were given this show on DVD, which of course I have. Now, let’s talk about this show since that is why we are here.
Jeff performed only a 10 song, 40 minute set, but what you get is worth every minute of your time. This a Jeff Scott Soto legacy set which is songs from through out his solo career with minor exceptions. The band is quite stellar as well as you get some SOTO regulars with BJ on bass, Edu Cominato on Drums and Leo Mancini on guitar.
If there is one thing I love to find and that is Kiss Bootlegs. I was out on Record Store Day, in line to check out with my RSD vinyl when I looked down and to my left and at the bottom of this shelf were a handful of bootlegs. 2 Van Halen boots and 1 Kiss. Well, all three are mine now and first up we have the Kiss Bootleg, Alive! in Amityville 1973. It was recorded at the Daisy in Amityville, NY on June 16, 1973. It says it is an audience recording, but I’ve read else where it is a soundboard recording, but either way…it is a recording and I have it. The sound quality is actually quite good as it has been remastered and repaired as it says on the back cover.
The really cool thing about this album is that this is about 8 months before the debut album ‘Kiss’ came out in 1974. You can’t get much earlier than this with Kiss recordings. Except maybe the Coventry shows. This is the original line-up of Gene Simons, Paul Stanley, Peter Criss and Ace Frehley. The band didn’t form until late January 1973, so we are only 6 months in to the life of this band. A lot of these songs you know as they did get released, but not all of them made to recording stages. Heck, the band hasn’t even been signed yet and Bill Aucoin isn’t even in the picture at this point. Really cool stuff. Let’s check this show out.
SIDE 1:
First up is the song “Nothin’ to Lose” and it sounds like the song from the debut. You have both Gene and Peter and they attack this song with a vicious ferocity. The lyrics don’t match up perfectly and it seems a little scattered as some of the arrangement does differ from the final studio version, but you do recognize it for what it is. The band is killing it as you can feel the energy and excitement in their playing.
The strange thing is that Peter seems to do most of the talking between songs. He does a great job, but it is weird not hearing Paul. Then we get the song “Firehouse” which seems to have Gene and Paul on vocals. The song sounds like you’d expect, but it isn’t quite the same. There is a strange scream before the chorus, and extra long drum part and the guitar solo from Ace sounds nothing like the one from the studio version. They didn’t have a siren so the end is Peter hitting the cymbals to make that sound. But still so cool to hear it played this way.
The next track is one I’ve never heard before, ever. It is called “Life in the Woods” and it is almost 8 minutes of riffing as it is a guitar heavy song. It was originally titled “Want You Beside” and written by Paul. The song has Paul yelling at the crowd to get up and get moving. There are a lot of harmonies at the beginning with Paul and Peter and then the band comes full force in. There is a break in it where they are screaming “Life in the Woods” and honestly I don’t know who is singing it as it doesn’t sound like any of the guys. And Peter seems to take over the vocals at the end and let’s out an F Bomb at the end. It is a strange song and doesn’t sound like they really know what to do with it as it is all over the place. I don’t think the song really works well and within a month or so, they stopped playing this one which is great because it is awful.
The final track on side 1 is the old Wicked Lester song “Simple Type”. This one I have heard before and have the studio version of the track on a bootleg or two. Ace opens this one with a great riff and then they lay down a cool groove while Ace throws out riffs all over the place. The studio song is less than 3 minutes I believe but this goes on for over 7 minutes. You have both Paul and Gene on vocals and I have to admit this doesn’t sound like the “Simple Type” song I remember from other bootlegs. This one is more of a rocker and the guys are letting all hang out on this one. Ace is really tearing things up here. What drags this song for 7 minutes is the cool jam section and I like to see the boys do that. Now, on the vocals so far, it seems like most of the songs have had two different people in each song singing…this would later become, one song, one voice except for may “Rock & Roll All Nite” and very few others. It’s nice to see more of a band focus here.
SIDE 2:
The first song up is “Acrobat” which is a part of two songs one of which would become “Love Theme from Kiss” off the debut and the other is called “Much Too Young” which was a Gene idea that never materialized. Most of the song is an instrumental, but there are some lyrics with the “Much Too Young” part. Mid way through, Peter gets a drum break and then Ace gets to let loose as well. If you have the Kiss Box Set, this recording of “Acrobat” is in there and it is attributed to the August Daisy shows, but there is some disagreement on that front. I don’t know or care which is true.
Next up is the classic song “Deuce” and this will sound familiar. It is basically the album version, but maybe some tweaks to the ending. Come on, you know it isn’t going to match perfectly. Gene is on vocals, liked you’d expect, and he tears it up. It is Gene, all dark and menacing. This feels like the Kiss I know and love.
“100,000 Years” is another off the debut album and you get what you expect here. You get Gene’s opening bass line which is so recognizable and then Paul comes in on vocals. Paul’s vocals are stellar and hits those high notes perfectly. And then throw in Ace’s blistering guitar work and you have a masterpiece. The biggest difference is Paul’s lyrics at the end are completely different and he even tells the woman he’s speaking to in the lyrics to give him head!! Okay, that’s different.
The famous guitar lick kicks in and you know it is time for “Watchin’ You”. Gene’s on vocals and they are a little rough as he’s screaming too loud in to the mic at first, but it gets better. This song sounds like the final version and it is such a killer tune and great to hear live.
The final track we have here is “Let Me Know” which sees Gene and Paul trade off on the vocals. It is a fun song and a little more poppy. It is basically the old song “Sunday Driver” which Paul had written. I really like this song and I love it when those two trade off on vocals. It is something they should’ve done more of through their career.
And there you have it. Another cool piece in Kisstory. I will point out that this bootleg of the show appears to be missing the songs “Black Diamond” and “Strutter” so if I ever find another version of this show and those two songs are on it, I’ll have to grab it. Otherwise, this set is awesome. I really love it. The sound quality is actually phenomenal so whatever they did to clean it up worked beautifully. I can see myself pulling this one out again and again. My Overall Score is a 5.0 out of 5.0 Stars. There is nothing negative I really have to say about this one. Yeah, “Life in the Woods” isn’t a great song, but how cool is it to have a recording of it when the band never actually recorded this song. If you see this one, you need to grab it.
For the 2022 Insiders Club, Needtobreathe changed things up. They were no longer going to release a physical product and only do the Digital Songs only. I stopped being a member right then and there as I want a physical product. Well, I think the backlash was swift and loud as a few months in to the year, that all changed. They decided that there will be a new tier level in the Insiders Club, more expensive of course, but a physical product would be given. This time around instead of only a CD, you will get an autographed vinyl copy as well. They still have the digital songs, which are different then the ones on here. The new CD and Vinyl are now a Best of The Insiders giving us the 10 best songs from the 8 years of The Insiders CD series started. This is the 1st Edition which means there will be more (and there is because 2023 is doing the same thing and it is the 2nd Edition).
I bought this immediately after the announcement when out to make sure I got a copy. They sent a bunch of other goodies as well right away, but the album didn’t show up until March of 2023. That is due to the fact they had so much backlash and had to create this from scratch and with vinyl pressing times so slow, it took quite a long time to come. The CD came back in the fall, so it was much quicker. But what was great is they did give updates on the vinyl, but it showed up unannounced and made for a great surprise. Well, almost surprise. I saw someone had already stuck one of these for sale on eBay for $250 and I thought…”Hey! How did they get their’s already?”…little did I know, that a few hours later mine arrived at the door. BTW…they still haven’t sold it yet. I hope they do, because that price would be sweet!
You read that right. The next series here at 2 Loud 2 Old Music will be Bon Jovi. It is coming July 4th, 2023. What better way to spend America’s birthday then to start reviewing one of the most American Bands there is…BON JOVI!!!
This Collection Series will include everything I have in my collection and that includes Jon Bon Jovi Solo stuff as well as Richie Sambora as to me, they are Bon Jovi (even if it is Jon’s band). No Richie, No Bon Jovi…okay, no real good Bon Jovi without Richie. There, I said it and got that out of the way. We have around 60 reviews coming to you and of course, that is going to take over one year to get through as we normally do 1 post a week on a series.
After playing over 80 shows together to support the debut album, Derek Sherinian, Mike Portnoy and Ron “Bumblefoot” Thal joined up at Mike’s studio and started working on the new album. The three gelled and wrote the album in around 3 weeks. Of course, after that, the songs need lyrics and that is were lead singer Jeff Scott Soto comes in as he wrote all the lyrics for the album (with minor exceptions of help from Mr. Sherinian on some of the melodies). And the songs were ready to record. Writing and recording happened over 8 months and each member of the band, including bassist Billy Sheehan, able to work in their own studios for their parts.
The album was called MMXX which is 2020 in Roman Numerals and the time when it was released which was on January 17, 2020. The album’s sound changed a little from the last album which had a lot of sounds from the past as it had some Dream Theater elements as well as some classic rock. This time around, they went for a more modern sound and a much more polished feel which is why the cover with the band’s crest seems more polished. The prior songs were more mythical and now they are more futuristic. Is the change in a sound a good thing or is it a bad thing? I guess we need to go through the tracks and find out.
The opening song and first single (came out on November 15, 2019), “Goodbye Divinity”, brings the prog right out of the gate as it goes on for about 2 minutes before Soto gets his pipes in the mix. After that happens it becomes a solid rock song with ample time for each musician to show what they can do. With not just hints of Dream Theater’s sound, but obvious stamps that show their roots are front and center. Honestly, it is a good song, but not as strong as the opener “God of the Sun” from the debut in my opinion. The working title on this one was called “Blood Orchid” which was inspired by a riff by Derek that he did during one of his live solos (thanks wiki for that one).
I want to thanks Geoff Stephen of The 1002nd Album Podcast for having me on the show. Join Geoff and I as we talk though the album as well as discussing the impact of opening acts, unforced concept albums, and records that feel like movies. It was a lot of fun discussing one of my all time favorite albums and why it should be the 1002nd album on the The 1001 albums you should hear before you die.
Click on The 1002nd Album to hear…or click on the Youtube link below…
By 1993, the music landscaped had completely changed for the 80’s glam metal scene. Gone were the bands I’d had grown up loving and replaced by Grunge, but that didn’t stop bands from putting out albums. In fact, for one band, Winger, it might have produced its best album to date. Beavis and Butthead might have made Winger a laughing stock, but us diehard fans, didn’t take stock in that farce. No, we continued to follow the band’s music and if we hadn’t we might’ve missed out on the band’s heaviest and most daring album.
The band was down to three members with Kip Winger, Rob Morgenstein and Reb Beach as keyboardist Paul Taylor had left the band. He wasn’t the only one to leave as producer Beau Hill was out as well. In his stead were Kip Winger himself along with the help of Mike Shipley who had recently worked on Def Leppard’s Adrenalize album. Released on May 18, 1993, ‘Pull” showcased a very mature Winger and a band that wasn’t going to be stopped creating and putting out their best material (even though this was their last album for years to follow).
The opening track, “Blind Revolution Mad”, starts off with an acoustic guitar with a very dark overtone. Kip was singing in richer, deeper tone that came across as eerie and meaner. The song keeps building slowly with each line and you feel an intensity that is about to be unleashed. The first chorus is ready to explode and the song goes full on gangbusters. It is bombastic, energizing and electric. The guitar riffs are shocking, the drums are destructive and when Kip lets loose, his energy is set forth upon the world. A brutal and glorious song.
If you are thinking, “John, you’ve reviewed this show before”. You would be right. I reviewed it about a 1 1/2 years ago. But this one is different…it has a different cover and from a different manufacturer. In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record show, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $20 for it. When I saw it, I knew I had this show, but I really liked the cover and this one has clear vinyl. Otherwise, there is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.
Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.
If you look at the setlist, you will notice a few things stand out. One is they basically played the entire debut album with a few minor exceptions. Two, they play the song “She” which won’t come out until 2 albums later on ‘Dressed to Kill’. And Three, they play a song called “Acrobat” which is actually the basis for the song “Love Theme From Kiss” from the first album. This is two months after the debut album release, so it is strange they played the “Acrobat” version and not the album version.
SIDE A:
The album and set opens with “Deuce” and boy can you hear the tape drag on this one, pretty drastic. But you can still make out the song and hear Gene just fine as it is in the instruments where you have the issues. Nothing is real clear except the vocals. Towards the end of the song, it clears up and gets a little louder and that cowbell comes in nicely. “Strutter” is up next after a slight pause and you get more wobbly instruments and even a little on the vocals this time around. Paul sounds like he is singing the song so much slower. Again, you are buying this strictly for the historical value…that is what I keep telling myself anyway.
“Firehouse” sounds great and I happy with that version. It is an untouched, live version warts and all and it is quite enjoyable. Ace’s solo sounds good and you get a glimpse of the band doing what they do best with no real hiccups. The cool song on here is “She” as I said it hadn’t even been released yet on an album. The guitar opening on it sounds a little slower and I am guessing that is the tape drag as there is a lot of wobble. But vocally again, sounds good. Gene is menacing as ever and Paul on background duties. The coolest part is the instrumental break/guitar solo as it isn’t what we get later. This the reason to buy this release if you need one. And last up for Side 1 is the badass song “Nothin’ to Lose”. And by this time you are used to the wobble and so it starts sounding pretty decent (okay, decent enough). I love this song as you get both Gene and Peter on vocals (and Paul is heard pretty good on backing vocals). I love Peter’s gritty and raspy old school singing on this one. Always fun.
SIDE 2:
Side 2 kicks off with the Ace Frehley penned song “Cold Gin” (after the radio DJ does a station break), but with Gene on vocals as Ace wasn’t singing this early on in the band. Now, I did get to see Ace do this one this past Summer when he opened for Alice Cooper but that is another story. I really love this song but I will say this version seemed a little flat and not sure if that was the band or the recording itself. After a little tuning, we get Gene’s bass and some thumps until they become “100,000 Years”. Paul sounds fresh and youthful and can do some great ooh-yeahs back then.
Another favorite of mine to hear live is “Black Diamond” even with a DJ interrupting the opening notes for a station break. The tape is wobbly again as it sounds a little funky and messed up, but it is still “Black Diamond”. I love the slow opening and then the bombastic explosion for the rest of the song. Plus, the instrumental break and solo are always great. An all around fantastic song every time I hear it. The song ends the broadcast. Then the show announcer comes back and the band is tuning their instruments a little they go in to what is labeled as “Acrobat” but it cuts out the “Love Theme From Kiss” parts off and is just the band jamming. Peter has a little drum solo piece then the band kicks in and they jam out, all instrumentally and then they start singing only a little. There are very few lyrics and they sing “You’re much too young” a couple times and then they go back to jamming and we get a killer guitar solo piece as well. Then Paul says “Good Night” and it is all over. Fun track.
Despite the tape drag and the wobbly sound in out at times throughout, I still find this an enjoyable most especially for an early version of “She” and for the encore with “Acrobat”. It is also a cool historical piece to have anything live and uncut from 1974 with them really just getting going. All-in-all, it turned out to be an okay show as you get used to the sound issues and you enjoy it for what it is. I can’t give it too high of a score, but I will give it at least a 2.5 out of 5.0 Stars (but it should get more for the two songs I mentioned – maybe a 3.0 to 3.5…but that might be too generous).
This is not a side project, the band has made that clear and one way to prove that Sons of Apollo is a band is to tour and they did. But the show they decided to record wasn’t just a tour show, Nope! It was so much more. And it needed to be. They needed to capture the true essence of what this band is about and I have to say, I believe they did that and then some. They recorded the show back on September 22, 2018 at The Ancient Roman Amphitheater in Plovdiv Bulgaria and what a beautiful setting it is. Worthy of the Sons of the God Apollo. And the show couldn’t just be the band playing, Nope. It needed a little something extra so they brought in the Plovdiv Orchestra and a choir nicely named for this show as the Psychotic Symphony. This isn’t a band playing their songs with a symphony like so many bands, this is different, fresh and exciting.
You get it all packaged in a 3 CD set, that is right…3 CDs cover the whole entire show. Over 2 1/2 hours of rock & roll & prog bliss!! And if that isn’t enough, they throw in a DVD of the entire show as well. And the DVD is really where it is at in my book. Listening to the CD is great and you will enjoy the show, but when you watch it live and see these guys in action, Holy Shit!! These guys can play and they put on a master class of what musicianship really is. With Jeff Scott Soto on vocals, Mike Portnoy and drums, Derek Sherinian on Keyboards, Billy Sheehan on bass and Ron “Bumblefoot” Thal on guitar, these are some of the best in the field and they show you how it is done.
Sadly, Eric Carr passed away on November 24, 1991 due to an aneurysm that probably stemmed from the numerous surgeries he had to remove tumors related to his heart cancer. Before his death, Eric was always writing songs as he was a very creative soul. He could write, he could sing and he could play more than just the drums. ‘Rockology’ is a collection of the songs he had been working on prior to his death. These are demos and not necessarily full fledge songs in some cases so keep that in mind. Think of this as his ‘Vault’ because it is very similar in the type of songs you get on Gene Simmons ‘The Vault’. You get some fully fleshed out songs, you get some where lyrics are being scatted because their aren’t any yet and you get some straight-up instrumentals.
The album was put together by one of Eric’s great friends and former Kiss bandmate, Bruce Kulick. With the help of Adam Mitchell (co-writer of numerous Kiss songs), they pieced together a collection of songs from old cassettes or where ever they could find them. They would clean them up the best they could, add some backing vocals where appropriate and even Bruce overdubbed some killer solos in a few songs to help complete them. Bruce produced the album and I think this was a wonderful tribute to his old friend and bandmate.
This release is a Record Store Day release that came out on April 22, 2023 and it was released as a 2 LP Vinyl and a limited run of CDs (only 500 available). Luckily I got them both. The cool thing about this release is that there are 5 bonus tracks that have been previously unreleased so this it the only place to currently get them. The other really cool thing is how they changed up the cover to look like the 4 Kiss Solo albums with Eric getting an orange color around him. They even included a poster done in the same style of posters from the original Kiss Solo albums. The LP version comes on 2 LPs with translucent splatter vinyl, one orange and one clear. Both beautiful. The CD was designed as a Vinyl replica with a cardboard sleeve and the CD looks like a vinyl. Both packages done with care.
2 Loud 2 Old Music 