David Coverdale has really outdone himself with these Super Deluxe Editions Box Sets. First was the ‘1987’ album, then an UnZipped Box Set, then ‘Slide It In’ and the 1989 album ‘Slip of the Tongue’. Heck, He even did the 25th Anniversary Edition of ‘Restless Heart’ which for some reason I have yet to review. I need to get on that. Now, to the surprise of everyone, he has done a 15th Anniversary Super Deluxe Edition for ‘Good to Be Bad’ now called ‘Still…Good to Be Bad’. It doesn’t seem the album has been out long enough to deserve such a treatment and that might explain why it isn’t chock full of goodness the other ones gave us. More on that soon enough. The album was the band’s 10th studio album and the first one in over a decade which is way too long to go without a Whitesnake album. But they came back with a bang.
This special edition consists of 4 CDs, 1 DVD, 1 Book, 1 Tour Program replica and 1 Album Cover Poster. And it has over 58 tracks amongst all the CDs. Well…not really. It has 15 tracks done four different ways (minus 2 tracks done 3 ways). So, this is why I say this is for the diehard fans as it is very repetitive…this is for the diehard fans as it is very repetitive! Yes, I said this twice to prove a point and yes, I did this joke on pretty much every box set review for Whitesnake because its true. Here is everything you get.
I was watching Tim’s Vinyl Confessions a few week’s back and they were going through their Whitesnake vinyl and one of the guys had a Japanese Edition of Whitesnake’s ‘Live at Hammersmith’ and I don’t think I had seen it before. So, after the show ended, I went to Discogs and bought it from someone in Japan. I received a week later…yes, only a week from Japan. Heck, I can’t get things from the next town over that fast. And it lived up to expectations and then some. I mean just look at the cover with the deep rich green snake and the back cover is just as cool. This might be my favorite Whitesnake cover ever! It is so awesome.
‘Live at Hammersmith’ was recorded on November 23, 1978 at The Hammersmith Odeon in London. The album was only released in Japan back in November 1980 as a single disc vinyl. I say single disc vinyl, because this album is actually the 2nd LP on the 2LP edition of ‘Live…in the Heart of the City’. I don’t have the two LP version of that album. I have the single version which is the 1st LP which was recored in 1980 on June 23/24 at The Hammersmith Odeon in London as well. You can read that review at the links at the bottom of the page.
I have done two posts already on the Best & Worst songs from every Judas Priest album and also from Cheap Trick. I really enjoyed doing that so I thought I would continue that process and this time we would go through every Whitesnake album and see what is the best song and the worst one off each album as well. Whitesnake has 13 studio albums to go through so sit back and take it all in. Now, let’s preface this with the fact that these are my choices and not necessarily yours as we can have different opinions. If you watched the show you will see that sometimes my worst song was their favorite so you never know what people like and we all like different things or this would be a very dull world. I hope you enjoy!!
‘TROUBLE’ (1978)
BEST SONG –“Belgian Tom’s Hat Trick”: The coolest song on the album and probably the best is “Belgian Tom’s Hat Trick” which is a full assault of an instrumental with 3 different solos. One for Moody, One for Lord and One for Marsden. I don’t see it as out of place as Purple threw in an instrumental on ‘Burn’ and this one is way better. I really love when Jon Lord lays it down and he does just that. The guitar’s have a riff that plays through-out that is the main feel for the song and everything is played beautifully off of that riff. No David Coverdale on this one, so sorry, but this is too killer not to include.
WORST SONG – “Day Tripper”: The worst is this horrible cover of the Beatles’ “Day Tripper”. It is…let’s say…not good. It is uninspiring and bluh. The adding in of the Framptonesque Talk Box doesn’t help and I really can’t stand it. I hope that point is coming across. Skip/Delete whatever you do, just avoid it.
I was out at a record show here in Charlotte and I love to go digging at them when they come around. You never know what you will find and this last trip was no different. If you’ve been on the site, you know I’m a huge David Coverdale fan and that of course means a Whitesnake fan as well. I love to find obscure Whitesnake stuff and I believe this fits the bill. I never knew this existed so of course I had to have it. It is a best of compilation out of Greece. It is on EMI, but this wasn’t compiled by the band, nope. I am sure this was done to capitalize on the success of their self-titled album or as some call it, “1987”. This was released only in Greece in 1987 and other than the band name and song titles, the notes on the back are written in Greek.
The cover art work is really bad, which is why I think it is really cool. Just Coverdale on the cover with a snake wrapping around it. That same snake is on the back as well. Not very original to say the least. The copy I have has a label that is different than what is on Discogs so I think I have a different variant. My label is the “Liberty” label, the one on discogs has the Whitesnake logo on top, no Liberty. I think that is pretty cool too. All around, I was quite pleased to pick this up and add it to the Whitesnake collection.
The songs only have one song from the new album, “Still of the Night”, and the rest are from the back catalog and it goes deep and wide. Honestly, it is an interesting track listing with the exception of “Day Tripper” which I hate Whitesnake’s version, but we will get to that. Production wise, it is okay. Nothing stellar. “Still of the Night” isn’t as impressive as on the CD which hurts it I believe. Otherwise, it is all fine. Glad to have a copy.
Come join us tonight as I join Superdekes on his live stream ‘Scotch on the Rocks’. This is what Deke has to say about it…
Mr. John T Snow returns tonight and we will spend the hour chatting about those good old boys known as Whitesnake specifically those years from ’84-90 when Coverdale was firing, hiring, selling records, and concert tickets and making those videos!
Oh yeah those three albums as well. “Slide It In”- “87 Album” and “Slip of the Tongue”!
Tonight at 7pm live on YouTube at the Official Scotch On The Rocks page. Or click below…
I was out and about with my daughter and we actually made an unexpected trip to one of our local record stores called Repo Records. I wasn’t expecting to find anything and I came across a great early Whitesnake single for the song “Fool For Your Loving” but not from the album you are thinking. Nope, this is the 1980 version that you might not known existed. Whitesnake fans that came on board in the late 80’s know this song from the album ‘Slip of the Tongue’. However, this is the original and first release of the song which went to #13 in the UK and #53 in the US. It was actually the band’s first single and first hit outside the UK.
“Fool For Your Loving” was written by Bernie Marsden (who had the riffs and the verses), Micky Moody (who wrote the bridge) and David Coverdale (who did the lyrics). The funny thing about the song is that it was originally written for BB King, however, they soon realized the song was too good to pass up…and they were right. This version of the song is more bluesy and has a nice groove and not as rocking as the hair metal version, but that is okay. You have Bernie belting out a great solo that is so different than Vai’s version.
In the last few years, David Coverdale has been quite busy rehashing old material, but in a good way. He has brought us deluxe box sets for albums such as ‘Slide It In’, ‘1987’, ‘Slip of the Tongue’ and even ‘Unzipped’ the all acoustic box set. And thid year in 2021, we are supposed to get ‘Restless Heart’. But for now, he is rehashing old material yet again.
This time it is a series called ‘Red, White & Blue’ Trilogy. The Rock Album (White) was up first and then we got the Love Songs (Red) and now it is time for the The Blues Album (Blue, duh) which is our 40th Review in the David Coverdale Series. Crazy! Each album is really a glorified greatest hits album with its own theme and the titles give you those themes quite nicely. The big difference on these albums is more than just a remastering. The songs have been tinkered with and given a little touch-up with some re-mixing and even a little touch-up on arrangements and other little surprises. The songs aren’t completely re-imagined, thankfully it is no Bon Jovi “This Left Feels Right”. The songs are still very much recognizable, just enhanced ever so slightly.
This time around we get 14 Tracks and because of that, we aren’t going in to full detail song by song. We will highlight them as we go. The thing about these albums is they only cover a certain period of the band from 1984’s ‘Slide it In’ up to 2011’s ‘Forevermore’. Nothing off their latest album, 2019’s ‘Flesh & Blood” and strangely, this time there is nothing off 1989’s ‘Slip of the Tongue’ which is quite baffling. We do get a song from the bonus tracks on ‘Live in the Shadow of the Blues’ which is a nice treat. The biggest difference from this release and the other two are that there are NO new tracks on this one like the others. I’m a little disappointed by that aspect. There are also two tracks that appear on the other two which is another disappoint. Granted they are still a different mix than those other albums, but still.
The theme of the album is Blues so all the songs are sonically blues in nature…some more so than others. We do get some songs that are more rock and then blues, but there are hints of it in the guitar. One of the more rocking tracks is the opening song “Steal Your Heart Away” which is a beast and completely rocks out with the exception of the guitar has hints of Jimmy Page that blues sound he had. The mix on this brings those guitar to the forefront and cleans them up nicely. “Good to Be Bad” is more metal than blues, but Dave’s vocals seem to be enhanced to give them a more blues tone. “Give Me All Your Love” seems to only have been tweaked to give John Sykes guitars a little more punch.
The one track that was tweaked the most was “Take Me Back Again” which had Whitesnake current guitarists, Joel Hoekstra, adding a solo and keyboardist Derek Sherinian adding his own flair to the song as well. This is the most blues track so far and is plain killer. Side Two kicks off with the dirtiest, most awesome song, “Slow & Easy” seems to have an improved drum sound as damn, Cozy Powell is killing it and then “Too Many Tears” which was on the Love album prior, but here now sounds like more of a country & blues track with the guitar sound. The final track on the first LP is “Lay Down Your Love” and that opening sounds cleaner and doesn’t have the annoying echo opening as the original, a vast improvement and then that guitar comes in dang near blows the roof off this joint.
The second LP kicks up the blues with the opening track “The River Song” and is really what this album is about. The blues guitar playing is exceptional throughout especially that opening picking. And then to go in to “Whipping Boy Blues” is magical especially with the brand new opening with the frog and nature sounds. Takes you down to the swamp and really makes you feel the blues. Then we get the bonus track from “In the Shadow of the Blues” called “If You Want Me” and another brutally rocking track. The vocals have been improved with added textures and flavors. And lastly on this side we get “A Fool In Love” which is David doing the Blues the best. This side of the album has been what this album is all about. Perfection filled Blues Rock!!
The final side kicks off with the foot-stomping “Woman Trouble Blues” which has added come guitar to boost the song, but I have always loved the harmonica playing in the song which really adds that extra blues flair. It is all stellar. They slow things down with 1987’s “Looking for Love” which seems to have Sykes guitar cleaned up and clearer which no one would complain about. The final track is the classic “Crying in the Rain” which seems to have a slightly new beginning, some added guitar parts and a new ending that fades out with an echo added.
And there you have it. I think I like every track on here and the changes to the mix are all subtle and yet effective. Nothing strays far from the original and it is only enhancing the flavors of the song to give us the desired taste we are salivating over. He tweaked a pinch here and a dash there and gave us the best of the three albums in the trilogy. I will give it a 4.5 out of 5.0 Stars only because no new tracks and two repeated songs from the other albums (although a different mix). I know for sure that this one and the Rock one will get played again and again depending on my mood as to which one. The Love album is good, but too much on the ballad side. I still think you need to pick up all three…why not!!!
The Red, White & Blue Trilogy is now complete. The Love Album, The Rock Album and now the Blues Album. What a thing of beauty…
Now we are waiting on the announcement of The Restless Heart Super Deluxe Box Set and now rumors are running rampant that David Coverdale and Jimmy Page are working on a Deluxe Edition of Coverdale/Page…ooooh!!! That would be awesome. And in the liner notes of the Blues Album he even talks about a Box Set for Good to Be Bad!!! Some interesting stuff coming the David Coverdale world. Until next time…
In the last few years, David Coverdale has been quite busy rehashing old material, but in a good way. He has brought us deluxe box sets for albums such as ‘Slide It In’, ‘1987’, ‘Slip of the Tongue’ and even ‘Unzipped’ the all acoustic box set. And next year in 2021, we will get ‘Restless Heart’. But for now, he is rehashing old material yet again.
This time it is a series called ‘Red, White & Blue’ Trilogy. The Rock Album (White) was up first and now we are on Love Songs (Red) and I believe The Blues Album (Blue, duh) will come in early 2021 (February was last I heard but that has not been confirmed yet). Each album is really a glorified greatest hits albums each with its own theme and the titles give you those themes quite nicely.
The big difference on these albums is more than just a remastering. The songs have been tinkered with and given a little touch-up with some re-mixing and even a little touch-up on arrangements and other little surprises. The songs aren’t completely re-imagined, thankfully it is no Bon Jovi “This Left Feels Right”. The songs are still very much recognizable, just enhanced ever so slightly.
For My Sunday Song #210, we come to the last song in the 10 song set of Whitesnake songs with “Still Of the Night”. The song was the first single off their groundbreaking, career breaking album known as ‘Whitesnake’ or ‘1987’ to some. This took the band to new heights and MTV played the hell out of it. The song was written by David Coverdale and John Sykes.
Lyrically, it comes as no surprise this song has a lot to do with Sex. The “cock rock” Kings are at it again. The song has an almost vampire element and stalker element. He is obsessed with this woman and wants to be with her all night. The daylight seems to hurt him as to keep his head down and hide his face from the sun. I know it isn’t about vampires, but I like the analogy so give me that.
Musically, this was a new Snake, a hungrier Snake, a more badass Snake. It has some blues elements of the old Whitesnake, but John Sykes took it, distorted it and turned it on its ass. David’s swagger on belting out the opening verse is full of confidence and aggression and exactly what every teenage boy wanted to hear (and girl wanted to see). There is a musical interlude in the middle that gives an awesome guitar solo a whole different style with an almost cello/violin/string instrument orchestration to the whole thing. Pretty freaking cool.
For My Sunday Song #209, we are going back to the first album that really broke in the states for Whitesnake and one of the songs that helped start it all, “Slow An’ Easy”. The song was the fourth single off the album and was written by David Coverdale and Micky Moody who were the last two remaining original members of the band at the time, Micky wouldn’t last much longer as he was replaced by John Sykes before the album’s release and is guitar parts were replaced by Sykes, but that is whole other discussion.
Whitesnake was notorious at the time with critics for their “cock rock” lyrics and “Slow an’ Easy” is pretty much that to a T. The song is about Sex! No sugar coating it here, it is Sex! I wish I could give you a deeper meaning to the song, but I can’t and I wouldn’t want to as the song is what it is and it is awesome! In the 25th Anniversary edition of the album (and thanks to wikipedia), David had this to say…
“Slow & Easy was recorded at 4 in the morning in Munich after a serious night’s partying…Most of the vocals is just a live ‘jam’ lyric I made up to inspire the band as we recorded…I played around with the lyric later to try and make some sense of it…”
2 Loud 2 Old Music 