I know, we’ve been doing a lot of Def Leppard Bootlegs from the Slang era, well, I do have a lot from that time. So bare with me for one more item. This time though, it is a Bootleg DVD so we get to actually the boys playing. This one was filmed down in Argentina back in 1997 and was actually recorded and played on Canada’s MuchMusic. How do I know that? Well, in the top left hand corner of the screen throughout the show is their logo. Yes, someone videotaped the show off their television and later transferred it to DVD.
When I googled the show, AI had this to say about it…Def Leppard performed at Cine Teatro Gran Rex in Buenos Aires, Argentina on April 19, 1997, marking their first show in the city and country. The venue is located near the coast and east of the city center, and was built in an Art Deco style in July 1937...Couldn’t have said it better myself. If I’m not mistaken, the song “Photograph” from the show was not shown during the broadcast and sadly, as a result, that isn’t here on this DVD either. Heck, what did you expect, he/she recorded it straight from the broadcast.
The band at the time and still today is still Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell. And they are all in fine form for this show. The setlist is basically identical to the Montreal Show I reviewed a couple weeks ago. The big differences being the Montreal Show had “Photograph”, “Another Hit & Run” as well as “Miss You In a Heartbeat” sung by Phil Collen. The Argentina show doesn’t “Photograph” but it does have, “Action” (which is great) and “Make Love Like a Man” (which is a horrible song). The DVD also has “When Love & Hate Collide” instead of “Miss You In a Heartbeat”, but I think I like Phil Singing “Miss You…” better. Everything else is spot on in same order as well.
Sometimes, when you buy a bootleg CD you have no idea what you are buying. This is one of those cases. I couldn’t find anything about the release other than the front cover. All it said was “Def Leppard – Live Bites” and it listed out a handful of classic Leppard songs. And it was cheap. Those two things were all I had to go on, so I bought it.
When I received the CD in the mail, It didn’t offer much else to it either. It did have a full track listing, but it was only 11 songs and from the looks of it, not a full live show…only pieces. There were two songs from ‘Slang’ and nothing later that told me it was from around 1997 at the very least. There was nothing in the booklet…ha! booklet…one sheet of paper…so not really a booklet…that gave me any indication of where these songs were recorded. The back of the CD had something that said the following…
Having sold over 65 million albums worldwide since their debut release in 1980 and proved themselves as one of rock music’s hardest working and consistently powerful live bands, Def Leppard remain one of only five rock groups who can claim two separate original 10 million-plus selling albums.
The band’s first show in this beautiful city since August 1992 for the Adrenalize Tour sees them at the Centre Molson in Montreal, Canada on September 15, 1996. A tour that ran from May 9th, 1996 through to April 27th, 1997 in support of their new album, at the time, ‘Slang’. No more ‘In the Round’, the band played on the traditional end stage set-up, but instead of 20,000 people, the place held anywhere from 5,000-9,000 people. No more massive shows, they were no doing a straight up rock show with less lights and less everything. A pure rock & roll show.
This show was broadcast on the radio in Montreal and southern Canada as well as across the U.S. And what we have here is a wonderful bootleg of that show across 2 CDs. A fun fact, a month later on October 23, 1996, the band would enter the Guinness Book of World Records for being the first band to play on three continents in a 24 hour period. That has nothing to do with this release, but figured why not throw that in for good measure. Back to the bootleg, this one sounds fantastic, there appear to be no errors in the track listing as far the titles are right, and the pictures are even of the era of the band. Finally, a bootleg with no mistakes.
Well, it was completely devoice of mistakes actually, the opening track “Rock! Rock! (Till You Drop)” actually fades in part way through the song. I am guessing someone forgot to hit “record” on the tape deck. Otherwise, the only issue. The song sounds great, but man, they are playing it at warp speed. They then go into a track from ‘High & Dry’ that doesn’t get played enough, “Another Hit And Run”. The guitar work is sensational on this one and has a great solo. Then we get “Animal” and then the ballad “Have You Ever Needed Someone So Bad” which for me is one of the better songs on ‘Adrenalize’.
We are now in the mid 90’s and the rock bands from the 80’s were basically gone. Ok, they were still around, but they were not cool. Those bands were try going darker, heavier and try to match the grunge scene and the style of rock that was going on at the time. Def Leppard were no different as far as not being cool anymore (except I still thought they were). Thankfully though, they did not follow the other bands and go heavier and grungier. No, instead they went in a direction no one saw coming. They experimented with new sounds, new instruments and delivered an album that was like nothing you’ve ever heard from them. They tried something entirely new.
The result of the new sound was ‘Slang’. It was a darker album for sure, but not grunge dark. Lyrically dark. The band members were not having the best of times around then. Joe Elliott and Rick Allen had both been arrested for spousal abuse (not to each other, they weren’t married to each other). Rick Savage was suffering from Bells Palsey and the death of his dad. And Phil Collen was going through a divorce. All of that impacted the writing of this album.
Another thing that impacted the album was that there was no more Mutt Lange. He wasn’t involved at all. However, we did get the impact of Vivian Campbell as this was his first studio album he had made with the band since he joined. I think that helped change things up as well. The band ended up producing the album themselves with Pete Woodroffe. They also recorded the album completely different. No more Lange style of one instrument, one note at a time. This time around, they recorded it together. A novel concept.
It was released on May 14, 1996 and it did not do well at all. Well, it did go Gold, but it didn’t go Platinum. It only went to #14 on the Billboard albums chart. They did release 4 singles but no Top 40 tracks anymore. Nope. Times had changed. However, it doesn’t mean that this album was not good…not in the slightest.
The opening track, “Truth?”, was blatantly obvious that this was not the same band. A darker, more foreboding sound. Very experimental as the band show no signs of their old self and that is why this song is a stellar choice to open the album. It says, hold on to your hat…this is going to be different. It’s heavy drumbeats and very progressive guitar work are exceptional an unlike anything else they’ve done. When I first heard this back in 1996 my initial reaction was…WHAT???? But it quickly turned in to “HELL YES!!”.
The next track, “Turn to Dust”, was an even bigger departure. With the band’s use of a sarangi in the opening of the song, you get a South Asian folk flair. There is a Beatles tone to it and even a Bowie shout-out so the boys haven’t completely abandoned their roots. The chorus is a little heavy and totally killer. It isn’t anthemic, but it is catchy and even better then the opening track.
The first single and title track, “Slang” is one of two songs that might be considered more of their older sound, but still nothing like anything else they’ve done up to this point. You could possibly dance to this one too. Heck, even Joe raps a little on this one. WTF??? Yeah, that was my first impression as well. But, I love it. They are keeping us on our toes with this one. A song about phone sex too…huh!!!
“All I Want is Everything” is up next and it slows things down. A ballad that is nothing like the well-polished ballads of the past. It is dark, foreboding and the guitar tone is gritty and morose. The chorus has a great melody and is quite brilliant. It took me awhile to get in to this song, but I think I’m finally there. I had always wondered why so many people liked this one as at first I didn’t. I put the headphones on and really listened to it and started to hear things I’d never noticed before, certain notes and textures, and eventually I found the song to be one of the finer moments on the album.
One of the more fun songs on the album is the rocker “Work It Out”. Vivian Campbell’s first major contribution to the band and it is a homerun. It has a more industrial sound, it is heavier and that bass at time from Sav is so freaking funky. And some of the best bass work, bar none, on the album. I gravitated to this one immediately and might be one of my favorite tracks on the album…if not THE favorite track.
“Breathe a Sigh” gives us another ballad and this one is another departure for the band. There are some R&B moments with those verses both musically and even how Joe delivers those lyrics. It is soft, subtle and tantalizing. The chorus is old-school Lep with those lush vocal harmonies that would make the boy bands jealous. It really shines amongst the darker material on the album.
Then we get the first misstep for me with “Deliver Me”. I do not like Joe’s singing on it at all. The song is a rocker though so it has that going for it. Joe’s vocals are deeper, grittier and maybe it is too far the other way from Lep, but it does nothing for me. The chorus does pick up and make things better, but the slow, droning verses kill it for me.
The band goes all heavy metal on us with “Gift of Flesh”. The heaviest song the band has done in years and definitely the heaviest on this album. It feels almost apocalyptic, there is an urgency to it and there is something we haven’t talked about at all on this album…a guitar solo. The best one on the album (or at least the most memorable one at least). This song is slamming from start to finish and can I get a Hell Yeah!!!…I can’t hear you!!!
Then the album ends with not 1, not 2, but 3 ballads in a row. Wow! Talk about changing things up. But don’t expect to be bored, not by any stretch of the imagination. It kicks off with “Blood Runs Cold” which could possibly be on of the most haunting songs the band has ever done. Musically, it is ethereal, so much so that it could break if you touched it. Joe delivers the lyrics so emotionally and you can feel the sadness, the pain and the heartache. My favorite ballad on the album.
“Where Does Love Go When It Dies” sees the band get all philosophical with this acoustic beauty. It is about as old-school as they get, but yet it still feels different and more sophisticated. Joe does it again lyrically and vocally and gives us another brilliant track and this one will make you stop and think. You can’t say that too many times with their songs.
Then we get the final song and most epic on the album, “Pearl of Euphoria”. It opens with a killer bass line (Sav does it again). Elliott’s vocals are deliberate, darker and deeper in tone. It has a similar modern tone like “Truth?” and yet there is a 70’s tone a la Zeppelin. It has that otherworldly lyrical content you expect from Zeppelin. The guitar playing is exquisite and some of the finest on the album. There are so many great things about this one I don’t know where to begin. What a way to go out.
Track Listing:
Truth? – Keeper
Turn to Dust – Keeper
Slang – Keeper
All I Want Is Everything – Keeper
Work It Out – Keeper
Breathe a Sigh – Keeper
Deliver Me – Delete
Gift of Flesh – Keeper
Blood Runs Cold – Keeper
Where Does Love Go When It Dies – Keeper
Pearl of Euphoria – Keeper
Track Score is 10 out of 11 Tracks or 91%. This is one of the most surprising albums the band has ever put out. It took me a couple listens to get it back in the day, but when I did, I was all in. A very dark album versus everything else in the catalog and fit with the darkness of the 90’s music that was out, but it was nothing like the 90’s music at the time. It was its own animal or beast. Def Leppard stretched their legs with this one. They experimented, tried new things and some people might not get it, but those of us that do are given a masterpiece. Now, it isn’t as good as their earlier albums, but it might be one of the best they’ve done since ‘Hysteria’, even to this day. My Overall Score is a 4.5 out of 5.0 Stars. I pull this out more than any other album except the first four. I can’t recommend this one enough.
NEXT UP: DEF LEPPARD – ‘MONTREAL: THE CLASSIC 1996 BROADCAST – (BOOTLEG CD)
On December 5, 1995, Def Leppard released yet another video compilation and I believe this is their 4th to date. This one is called ‘Video Archive’ and highlights some live performances as well as some promo videos from ‘Retro Active’ and the greatest hits compilation ‘Vault’. The video was originally released on VHS, Laserdisc and VCD. In 2001, they released it on DVD along with the video compilation called Visualize which is the copy I actually own.
The first part of the DVD we have actually talked about before only a few weeks back. If you remember the bootleg DVD I have called ‘Live Sheffield 1992‘, you will remember that the DVD is actually from June 6, 1993 not 1992 and it is in fact, the show that is on this video as well. Okay, this video is only a piece of that show which is a only a piece of the full set list. And you will remember that I loved that bootleg DVD as the picture and sound were outstanding. This proves that it was as they took that and added 8 of those tracks here and it looks and sounds as good. Maybe it looks a tad bit better.
The show kicks off with a that same old question….”Do You Want to Get Rocked?” as they kick in to “Let’s Get Rocked” off the ‘Adrenalize’ album. A cheesy but fun song live. Then they go back to the ‘Pyromania’ era and pull out “Foolin’” which is one of their best songs, period. Nothing real flashy, but done to perfection. They move up an album and bring us “Rocket” (not “Rock It”). This one has a cool solo part with Vivian and Phil goofing off a little, but making it interesting with what sounds they pull out of their guitars. A hard song to make sound like the records so why try. A great solo between the two. Towards the end the go all Zeppelin with “A Whole Lot of Love” before back to “Rocket”.
For the band’s first greatest hits compilation called ‘Vault: Def Leppard Greatest Hits 1980-1995’ there was actually two new songs, but only one official single. The single was for the song “When Love & Hate Collide” and was released on on October 2, 1995 where is one of their highest charting songs in the UK for the band going to #2. In the US it didn’t crack the Top 40 on the Billboard Hot 100, but did make the Adult Top 40 going to #39…just barely making it. It was the only new song on the album…well the Japanese version of the album at least. That song was “Can’t Keep Away From the Flame” which we will get to shortly.
The CD I have here is actually the Promo CD that was released by Mercury. It was released in a grey generic record company cardboard sleeve and actually contained both new songs from the album with “When Love & Hate Collide” and “Can’t Keep Away From the Flame”. From what I can gather is this was a US promo and not available anywhere else. Pretty cool.
“When Love & Hate Collide” was written by Joe Elliott and Rick Savage and was demoed back during ‘Adrenalize’, but lost out to “Have You Ever Needed Someone So Bad”. The song had a slightly heavier production for that album rather then the stripped down version here. It was written while Steve Clark was in rehab and the guitar solo on the song is the last recorded guitar solo by Steve who died in 1991.
After five albums and another long delay between records, the band and label decided it was time to release a greatest hits package even though they were in the process of working on their nexxt album, ‘Slang’. This would also wrap-up the era pre-Vivian Campbell. From here on it was a different band and a new era. The greatest hits compilation is called “Vault: Def Leppard Greatest Hits 1980-1985 and was released in the UK on October 23, 1995 and finally in the US a week later on October 31, 1995. And has done pretty good over time going 5X platinum in the US and platinum and gold in numerous other countries as well. Grunge might be king at the time, but Leppard still sold some records.
A cool thing the band did to promote the album was play 3 acoustic shows on the same day…the catch was that it was on 3 different continents. The shows were in Tangiers, Morocco in Africa, London, England, UK in Europe, and Vancouver, British Columbia, Canada in North America. The feat also made the Guinness Book of World Records. Pretty crazy.
The album also had two different covers. This one you see above and there is one with an eye on it and the picture of the vault in the eye. I need to find that one. If that wasn’t enough, there were three versions of the album. Although most of the songs were the same, North America had “Miss You In A Heartbeat (Acoustic), while Europe had “Action”, “Make Love Like a Man” and “Heaven Is” and Japan had “Rock! Rock! Till You Drop” and a new track “Can’t Keep Away From the Flame”. A real fan would have all three versions…oops, guess I’m not a real fan. Okay, let’s get in to the songs, that is enough chit chat.
On October 26, 1995, Def Leppard played an acoustic show in Singapore, Malaysia at the Hard Rock Cafe. The show was filmed and broadcast by Channel V as part of their V Series concerts. Channel V is their version of MTV. Six songs from the show were later released on the Limited Edition of the UK ‘Slang’ album.
This bootleg DVD I have was recorded from teh show on the Television. It is a little grainy because TVs were not 4k back then. The sound quality is really great. There is an audience recording of this show out there somewhere that has two additional unreleased songs (at the time). The two songs were from the upcoming ‘Slang’ album. The songs were “All I Want Is Everything” and “Where Does Love Go When It Dies”…I’d like to hear those two pre-Slang songs.
The stage is small and intimate. Vivian Campbell, Rick Savage, Joe Elliott and Phil Collen are lined-up and everyone has acoustic guitar…welll Rick has a bass (not acoustic though). Rick Allen is banging away behind them on the drums. They kick it off with a high energy performance of “Pour Some Sugar on Me”. The band is having fun and the crowd is loving it. Between each song, we get short little interviews and I normally don’t like the show to be interrupted, but this was a TV show, not an actual concert so I can be okay with it.
Def Leppard were trying to keep product moving to keep the fans happy between albums. They didn’t want the gaps between albums, that tended to be rather long, to not have anything come out. So, on October 5, 1993, they released another VHS video and this one was called ‘Visualize’. My copy is on DVD which came in 2001, but the original was a VHS only edition. It contained promo videos, interviews and concert footage and it won a 1993 Metal Edge Readers’ Choice Award for “Best Home Video.” It ended up selling only around 50,000 copies in the States. I know I had it in VHS, got rid of that when the DVD came out and bought it again. On DVD, it is coupled with another VHS only release called ‘Video Archive’ which we will talk about later.
When you start the DVD, it makes you pick which language you want and it was so tempting to pick something other than English, but I went with the English version since I am uneducated American who only knows one language. When you click “Visualize” it starts out with some live footage and an interview short with the band, first Joe Elliott then Vivian Campbell, Phil Collen, Rick Allen and then Rick Savage. Good to see all the guys getting face time.
Video wise, the first one is off “Hysteria” and was the final single called “Rocket”. The reason it is here is the video ‘Historia’ was released prior to “Rocket” coming out as a video single. The “Rocket” video is a great one with the band in a warehouse with TVs all around showing clips of rockets and the band’s favorite artist that inspired them like Bowie and Elton John for just a few. The next video was for “Switch 625” and this was done only as a tribute to the passing of the band’s great guitarist, Steve Clark. He has been missed. The video is prefaced by a Japanese interview where Steve talks and jokes around. The band then talks about what he means to them. Very touching tribute.
The band was now five albums in but it had been 12 years total. Not a great track record. They wanted to not have 4 years or more between albums again so it was decided to release a compilation album to hold fans over until the next release. But this wasn’t any ordinary greatest hits compilation, nope…that would’ve been too easy. The band decided to pull together a bunch of rare tracks and B-sides and put them together on one release…but still…not so simple as they re-recorded parts, remixed others and gave us a solid collection of songs from their career over the span of 1984 up to 1993. It also gives us some of the last recordings of the late, great Steve Clark.
The album would be called ‘Retro Active’ and released on October 5, 1993. It would spawn three singles including “Two Steps Behind”, “Miss You In A Heartbeat” and The Sweet cover for “Action”. Both “Two Steps Behind” and “Miss You In A Heartbeat” would go Top 40 and the album would go on to sell over 1,000,000 copies in the U.S. alone. Heck, even the opening track, “Desert Storm” would hit the U.S. Mainstream Rock Chart at #12 without even being released technically as a single.
One really cool aspect of the album is the cover which was designed by Hugh Syme and Nels Israelson. The image is a photographed of a woman sitting in front of a vanity mirror. However, she is positioned just so, along with other items, so that when you moved the album further away from you it turned in to a skull. A really cool concept
The album opens up with an outtake from the ‘Hysteria’ album called “Desert Song”. It was originally recorded as an instrumental and is the last song released by the band to feature Steve Clark on guitar. In fact, it is noted as the only song in the catalog to feature both Steve and his replacement Vivian Campbell who did some background vocals on the song. I know I said it was originally an instrumental and it was, but lyrics were written when the pulled the song back out after forgetting about it for years. The song is about Mick Ronson who was dying of cancer around this time. It is a killer opening track, hard hitting and a really cool Clark tone to it which is so missed. The bass work is great on this as well as the guitars. To me, the song sounds more like it would’ve fit on ‘Slang’ then on ‘Hysteria’. A truly fantastic track.